California & American Fine Art

online only auction | 1 day sale | sale is over
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Nov 12
12pm
2024

Sale Ends

Tue
Nov 12
2024

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions of Sale ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.

1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.
b. Buyer"s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.
c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran"s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran"s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.
b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer"s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment.
c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder"s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and"in the case of error or dispute, whether during or after the sale"determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran"s sale record shall be conclusive as to the successful bidder and the price of the successful bid.
d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.
e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller"s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. The Buyer"s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer's Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.
Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

If you choose to pay by check, it may be converted to an ACH payment. Both ACH and check payments will take five (5) business days to clear.
By agreeing to this, you authorize Moran to initiate debit entries to your bank account. In the event of a returned transaction, you further authorize debiting this account for non-sufficient fund fees according to applicable State Law. You acknowledge that the origination of ACH transactions to your account must comply with U.S. Law. You agree to abide by the ACH Rules as defined by the National ACH Association (NACHA). Please note that this authorization remains in full force and effect until the Moran has received written notice from you of its termination at least five (5) business days prior to the payment due date. It's important to understand that canceling your ACH authorization does not relieve you of the responsibility of paying your account in full. If you cancel or revoke this authorization before any remaining debt is paid in full, the Company may take additional actions, including legal actions, to secure the debt.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers" LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.
b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.
c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran"s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the "Retrieval Period"), Moran may, without further notice, (a) continue to store the lot in Moran"s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer"s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.
d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran"s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned ("Abandoned Property") and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.
e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.
f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran"s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist"s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist"s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer"s damages, if any, are limited exclusively to the original purchase price paid for the lot.
b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.
c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.
d. Estimates. All estimates provided are carefully considered opinions of Moran"s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.
e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.
b. Buyer"s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney"s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran"s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.
c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.
d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration.
e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

John Moran Auctioneers is pleased to present California and American Fine Art?an auction featuring 224 lots of works by important American and California Artists from private collections throughout California, the Southwest and beyond! The auction is led by California artists Edgar Payne, Elsie Palmer Payne, Maurice Braun, Marion Kavanagh Wachtel, and Granville Redmond, and features American works by William Bradford, Sydney Laurence and Frederick Mulhaupt. Important American Illustration artists George E. Hughes, Joseph Leyendecker, Mort Kunstler and John Falter round out the offerings. With a variety of subjects and time periods represented, this sale has something for every aesthete of California and American art.
Thomas Hill (1829-1908), "View of Yosemite Valley"Thomas Hill (1829-1908), Bridalveil Falls, YosemiteWilliam Albert Hamilton Jr. (1900-1984), "Yosemite Valley"Lorenzo Palmer Latimer (1857-1941), "An Old Road, and Redwoods," 1910William Keith (1838-1911), California oaksWilliam Keith (1838-1911), "Moonlight Sonata"Carl Jonnevold (1856-1955), Eucalyptus trees and grazing cattleCarleton Wiggins (1848-1932), Holstein at a watering hole, 1912Carleton Wiggins (1848-1932), Herd of sheepJules Eugene Pages (1867-1946), "Chinatown, San Francisco"Raymond Dabb Yelland (1848-1900), "Cruz de San Francisco, Panama," 1873Francis Hopkinson Smith (1838-1915), Chartres Cathedral from across the L'Eure RiverJohn Trumbull (1756-1843), "Charles Carroll of Carrollton," 1821Peter David Edstrom (1873-1938), "Abraham Lincoln", 1926William Holbrook Beard (1824-1900), "Deer in a Landscape"Junius R. Sloan (1827-1900), Cows in a landscapeHenry Lavender Adolphus Culmer (1854-1914), Lake in a mountainous landscapeSydney Mortimer Laurence (1865-1940), Denali, Alaska landscapeJules Dahlager (1884-1952), Alaskan landscape, 1926Paul Lauritz (1889-1975), "Forest in the Sky"Isabel Hunter (1865-1941), "Study for Mural"Paul de Longpre (1855-1911), Harbor view with birds and insects and a garland of flowersPaul de Longpre (1855-1911), Harbor view with birds and a garland of flowersPaul de Longpre (1855-1911), Floral sprayRaoul de Longpre (1843-1911), LilacsRaoul de Longpre (1843-1911), "Still Life of Lilacs"Matilda Browne (1869-1947), Still life of yellow carnations and pansiesPercy Gray (1869-1952), Landscape with a distant lake and mountainsAlexis Matthew Podchernikoff (1886-1933), "Wild Everlasting"Alexis Matthew Podchernikoff (1886-1933), "The Romance of Summer"Alexis Matthew Podchernikoff (1886-1933), Cows in a lush landscapeManuel Valencia (1856-1935), "Marin County," Oil on board, 10" H x 14" WGranville Redmond (1871-1935), Along the Path (Near Monterey), 1908Granville Redmond (1871-1935), Oaks in a mountain landscapeLouis Edward Rea (1868-1927), "View near Clayton and above the old Nortonville Road, Contra CostaLouis Edward Rea (1868-1927), "Marin County Hills, California (Frank Valley District)"William Franklin Jackson (1850-1936), "Foot-hills near Folsom"Charles Abel Corwin (1858-1938), "California Poppy Fields"Angel Espoy (1879-1963), Poppy field along rolling hillsPaul Bernard King (1867-1947), Path in an Aspen grovePaul Bernard King (1867-1947), Lakefront landscape with distant churchCharles Shepard Chapman (1879-1962), "Glowing Woods"Wilson Irvine (1869-1936), Winter landscapeFrederick Mulhaupt (1871-1938), New England river landscapeWalter Emerson Baum (1884-1956), Winter sceneWalter Mattern (1892-1946), Pennsylvania mill in a winter landscapePaul Strisik (1918-1998), "Matson's Point"Johann Berthelsen (1883-1972), "Winter Afternoon" (Washington Square looking up Fifth Avenue, NewJohann Berthelsen (1883-1972), The Pulitzer Fountain at Grand Army Plaza, New York in winterJoseph Nordmann (1922-2015), "New England Winter"J. Jeffrey Grant (1883-1960), Farm scene with farmer and goatsEdward Charles Volkert (1871-1935), Cows going to pastureAttributed to Helena Sturtevant (1872-1946), Woman with dog reading in a sunny garden, circa 1930Claire Shuttleworth (1867-1930), "Country Cottage"William Adam (1846-1931), Vine clad cottage gardenWilliam Adam (1846-1931), Pacific GroveConstance Macky (1883-1961), "Hetch Hetchy Reservoir, Calif.," 1931Jules Fran?ois Pages (1833-1910), Beach along a seashoreWilliam Trost Richards (1833-1905), Coastal mountains, 1901William Trost Richards (1833-1905), "The Sea at Melmore, Donegal, Ireland"William Bradford (1823-1892), "Morning's Silver Light (Coast of Labrador)," 1877Anna Althea Hills (1882-1930), Trees in a lakeside landscapeJames Everett Stuart (1852-1941), Ship at seaFrank Vining Smith (1879-1967), "Off to the Pacific"William Alexander Coulter (1849-1936), Boats in a harborJay Connaway (1893-1979), "Maine," 1948Frederick Waugh (1861-1940), Rocky coastal sceneCarl Sammons (1883-1968), "Carmel," 1929Louise Nimmo (1899-1959), "Monarch of the Waste Land"Franz A. Bischoff (1864-1929), Boulders at the shorelineJoane Cromwell (1895-1969), Rocky shorelineDana Bartlett (1882-1957), Coastal inletJoseph Greenbaum (1864-1940), "Catalina"Frank Lucien Heath (1857-1921), "The Caves of La Jolla," 1888Frank Lucien Heath (1857-1921), "La Jolla Cove (Alligator Rock)," 1887Alfred R. Mitchell (1888-1972), Laguna sunsetAlfred R. Mitchell (1888-1972), "San Simeon Hills"Edgar Alwin Payne (1883-1947), "Chioggia Harbor"Edgar Alwin Payne (1883-1947), Brittany boats, Oil on canvas, 25" H x 30" WEdgar Alwin Payne (1883-1947), "Tuna Boats," 1936Bernhard Gutmann (1869-1936), "Harbor of Palma, Mallorca"Ralph Hulett (1915-1974), "Ascending Fishermen"George Kennedy Brandriff (1890-1936), Coastal rocks and wavesJan Domela (1894-1973), Rocky coastalFrank Myers (1899-1956), "Tapestry of Gold"Ralph Davison Miller (1858-1945), Seagulls along the coastDeWitt Parshall (1864-1956), "Pelican Bay," 1925Roy Martell Mason (1886-1972), "Fog at Big Bay," 1946Karl Eugen Neuhaus (1879-1963), Big Sur coastSelden Connor Gile (1877-1947), "Hill in Marin," circa 1920James Taylor Harwood (1860-1940), "Poplars," 1932Eanger Irving Couse (1866-1936), "California Cypress"Edgar Alwin Payne (1883-1947), Cypress Trees  "Monterey"Francis John McComas (1875-1938), Oak trees, 1917Alfred R. Mitchell (1888-1972), "High Sierras from Owen's Valley"Carl Oscar Borg (1879-1947), "Sierra Mts., Calif."Jack Gage Stark (1882-1950), "Bear Creek Sycamores"Edgar Alwin Payne (1883-1947), "Mammoth Lake Country, Sierra"Edgar Alwin Payne (1883-1947), "Trout's Abode"Leland S. Curtis (1897-1989), "Sierra Sunrise"Paul Lauritz (1889-1975), Creek through a wooded landscapeSergei Bongart (1918-1985), Rain storm in the mountainsEdgar Alwin Payne (1883-1947), Mountain landscapeAaron Kilpatrick (1872-1953), "Oaks in the Meadow"Dana Bartlett (1882-1957), Mountain landscapeRalph William Holmes (1876-1963), "A Bend in the River"Jack Wilkinson Smith (1873-1949), "Solitude"Harry Raymond Henry (1882-1974), "Gypsy Camping Ground"Harry Raymond Henry (1882-1974), "Arroyo in Spring"Hanson Duvall Puthuff (1875-1972), "Quietude," 1922Dedrick Brandes Stuber (1878-1954), "The Vesper Hour"Orrin A. White (1883-1969), "Coastal Sentinels"Elmer Wachtel (1864-1929), "Santa Barbara"Marion Kavanagh Wachtel (1870-1954), "Santa Anita Creek"Sergei Bongart (1918-1985), "End of October"Sergei Bongart (1918-1985), "Spring Evening"Elsie Palmer Payne (1884-1971), Neighborhood mailboxesElsie Palmer Payne (1884-1971), California landscape with figures and wagonElsie Palmer Payne (1884-1971), "Monte Carlo - from the Old Cornisch [sic] Rd."Edgar Alwin Payne (1883-1947), "Trees - California," 1913Alfred R. Mitchell (1888-1972), LandscapeAlfred R. Mitchell (1888-1972), Landscape with a winding riverMaurice Braun (1877-1941), "Eucalyptus Hills"Maurice Braun (1877-1941), "Calif. Landscape"Maurice Braun (1877-1941), "Eucalyptus & Hills"Charles Arthur Fries (1854-1940), "Looking Down Banner Grade, Morning"Charles Arthur Fries (1854-1940), House among the treesCarl Sammons (1883-1968), Golden hills, CaliforniaGeorge Kennedy Brandriff (1890-1936), "Sun Worshippers"Dana Bartlett (1882-1957), "The Rajah Passes," 1942Maurice Braun (1877-1941), "The Blue Jar"Mabel Alvarez (1891-1985), "Zinnias & Fruit," 1928Boza (Beatrice Hess) Hessova (1899-1981), Flowers in a vase, 1953William Alexander Gaw (1891-1973), "Still Life," 1932Cornelis Botke (1887-1954), "Still Life"Jessie Arms Botke (1883-1971), A loquat treeFranz Arthur Bischoff (1864-1929), Figures and plantFrank Coburn (1862-1938), "Pink Lady with Parasol in Flower Garden," 1917Allan Clark (1896-1950), "Miss Dick Dempsey," 1924Mabel Alvarez (1891-1985), "Variations on an Icon," circa 1927-9Sergei Bongart (1918-1985), Artist's studioSergei Bongart (1918-1985), Self-portrait at his easelGeorge E. Hughes (1907-1990), "Screaming Child On Santa's Knee," 1958John Falter (1910-1982), Amish man with horse and buggyJoseph Christian Leyendecker (1874-1951), "Lucky Bag Girl," circa 1910Ted Withers (1896-1964), Pink ribbonHarold Gaze (1884-1963), "Teasing," 1930Harold Gaze (1884-1963), Fairies frolicking on vinesStreeter Blair (1888-1966), "The Circus Train Arrives, Midwest 1900," 1952Streeter Blair (1888-1966), "Back to K.U. (After Christmas, Kan. 1910)," 1956Mort K¸nstler (b. 1931), "B-24 Raid on Ploesti," 1959Redmond Stephens Wright (1903-1991), "Gandy Dancers and the Limited"Redmond Stephens Wright (1903-1991), "Wrestling Match"Francis De Erdely (1904-1959), "Subway"Ernest Martin Hennings (1886-1956), Untitled, (satyrs approaching a sleeping nymph), circa 1900-20Maynard Dixon (1875-1946), "Leaning Figure #24," 1930Patricia LeGrande (1941-2024), Portrait of a womanAdolf Brougier (1870-1926), Spanish dancer with fanJean Mannheim (1863-1945), "Mexican Girl"Clarkson Dye (1869-1955), "Santa Barbara Mission"Emil J. Kosa Jr. (1903-1968), "Carmel Mission"Raymond Boynton (1883-1951), "Grass Valley," 1945Helen Forbes (1891-1945), "Village with Mountain," circa 1926Terry Delapp (1934-2020), "New Field"Rex Brandt (1914-2000), "Back Country," 1958Fred Grayson Sayre (1879-1939), "Flowered Slopes"Sam Hyde Harris (1889-1977), "Desert Majesty"Cornelis Botke (1887-1954), "A Cloudy Day, Utah"Alfred R. Mitchell (1888-1972), "Desert Wash"Marjorie Reed (1915-1996), "On the Stage Road in Southeast Arizona"Paul Dougherty (1877-1947), "New Mexico Foothills Tawny and Violet"Clark Hulings (1922-2011), New Mexico street sceneRobert Wood (1889-1979), Desert blooms, 1956Robert W. Wood (1889-1979), Texas farm and bluebonnets landscapeWilliam Slaughter (1923-2003), Texas Bluebonnet landscapeEldridge Hardie (1940-2021), "Wyoming Autumn - Brown Trout and Pale Morning Duns," 1975Karl Thomas (b. 1948), Snowy mountainsJames Fetherolf (1925-1994), "The Sawtooths" (Idaho)Curt Walters (b. 1950), "China Cove," 1987Curt Walters (b. 1950), Flowering treesDennis M. Doheny (b. 1956), "Up Canyon Eucalyptus (Arroyo Sequit)," 2004Karen Moore (20th century), "Meadows of Dreams (California's Coastal Flats)"Karen Moore (20th century), "Valley of Ochre (California Inland Escapes)"Paul Lauritz (1889-1975), Barn in a farm landscapePaul Lauritz (1889-1975), "Top of Rocky Mountain Pass"Sam Hyde Harris (1889-1977), "Mountain Retreat"Emil J. Kosa Jr. (1903-1968), "Hills of Malibu," 1938Emil J. Kosa Jr. (1903-1968), "Feather Edged"Emil J. Kosa Jr. (1903-1968), "Wild Green Sanctuary, Irvine Ranch"Conrad Buff (1886-1975), "Mountain and Mesa"Conrad Buff (1886-1975), "Mountain with Stream (Mt. Morrison)"Conrad Buff (1886-1975), "Blue Lake with Sunset"Conrad Buff (1886-1975), Snow-capped mountainsTarmo Pasto (1906-1986), "Cactus Country," 1968Tarmo Pasto (1906-1986), "Three Sentinels," 1971Tarmo Pasto (1906-1986), "Dry Rain," 1972Hans Kegler (20th century), "Carmel Coast Line," 2008Millard Sheets (1907-1989), "Mendocino," 1983Millard Sheets (1907-1989), "Sonoma Coast with Pintos," 1981, Watercolor on paper, Image/Sheet 22" HAntonio Pietro Martino (1922-1988), "After the storm, Perce, Canada"Phil Dike (1906-1990), "Shore Tapestry"Phil Dike (1906-1990), "Shore Texture," 1954Alfred R. Mitchell (1888-1972), "The Spunky at Rock Hall, Maryland"Mabel Alvarez (1891-1985), "Beach Umbrellas," circa 1965Richard Kollorsz (1900-1983), "Hollywood and Vine," 1947Ben Abril (1923-1995), "Down Angels Flight," 1959Donna Schuster (1883-1953), "Village on a Hill"Ben Abril (1923-1995), "Colorado Street Bridge," Oil on canvas, 24" H x 36" WRoger Edward Kuntz (1926-1975, American), Village squareRoger Edward Kuntz (1926-1975, American), "Mitla, Mexico"Roger Kuntz (1926-1975), "Mitla, Oaxaca"Roger Kuntz (1926-1975), "Plaza" (Mexico)Marjorie Reed (1915-1996), "Jerusalem Old City from the Mt. of Olives"Ron Zick (1934-2024), Woman in green kimono, 1996Ron Zick (1934-2024), "Spring Break Frauen," 2006John Moyers (b. 1958), "Afternoon Shade," 1988Clarence Hinkle (1880-1960), "Still Life"Victor Mikhail Arnautoff (1896-1979), Still life with breadSergei Bongart (1918-1985), Still life of a harvest dinner, 1973Sergei Bongart (1918-1985), "Watermelon and Copper Pot"Sergei Bongart (1918-1985), Floral still life with blue vaseRay Swanson (1937-2004), Still life of peonies in a vaseAnni Baldaugh (1881-1953), "Flowers"

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