Art of the American West

online only auction | 1 day sale | 11 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Aug 26
10am

Sale Ends

Tue
Aug 26

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

John Moran Auctioneers is pleased to present Art of the American West, featuring 349 lots of fresh-to-market material. Highlights include fine Pueblo pottery by renowned artists, Navajo silver jewelry, and vibrant 19th-century textiles, including Germantown weavings. Notable artworks include bronzes by Dave McGary and Western-themed paintings by Edward Borein, Carl Oscar Borg, Gary Carter, Ira Yeager, Dennis Doheny, Albert Groll, and Grace Carpenter Hudson, along with an extensive offering of Western wildlife art. Selections from the personal collection of Robert Day feature prominently, complemented by a selection of California and Southwest basketry, beadwork, storyteller figures, Hopi katsina and Civil war photography.
Reycita Cosen (1927-2012, Santa Clara Pueblo)Nicolasa Naranjo & Roberta Naranjo (1907-2002 & b. 1946, Santa Clara Pueblo)Maria Martinez (1887-1980, San Ildefonso Pueblo)Maria & Julian Martinez (1887-1980 & 1879-1943, San Ildefonso Pueblo)Maria & Julian Martinez (1887-1980 & 1879-1943, San Ildefonso Pueblo)Maria & Santana Martinez (1887-1980 & 1909-2002, San Ildefonso Pueblo)Maria & Santana Martinez (1887-1980 & 1909-2002, San Ildefonso Pueblo)Margaret Tafoya (1904-2001, Santa Clara Pueblo)Margaret Tafoya (1904-2001, Santa Clara Pueblo)Crucita "Blue Corn" Calabaza (1921-1999, San Ildefonso Pueblo)Crucita "Blue Corn" Calabaza (1921-1999, San Ildefonso Pueblo)Crucita "Blue Corn" Calabaza (1921-1999, San Ildefonso Pueblo)Carmelita Dunlap (1925-2000, San Ildefonso Pueblo)Desideria Montoya Sanchez (1889-1982, San Ildefonso Pueblo)Jason Ebelacker (b. 1980, Santa Clara Pueblo)Jason Ebelacker (b. 1980, Santa Clara Pueblo)Mela Youngblood (1931-1990, Santa Clara Pueblo)Rose Gonzales (1900-1989, San Ildefonso Pueblo)Dora Tse Pe (b. 1939, Zia Pueblo/San Ildefonso Pueblo)Effie & Orville Garcia (b. 1954, Santa Clara Pueblo & b. 20th century, Acoma Pueblo)Denny Gutierrez (1942-2013, Santa Clara Pueblo)A group of Southwest Pueblo blackware potteryA group of Southwest Pueblo blackware potteryAwa Tsireh (1898-1955, San Ildefonso Pueblo), BearHarrison (Haskay Yahne Yah) Begay (1917-2012, Navajo/Dine), Three riders on horsebackAllan Houser (1914-1994, Chiricahua Apache), "Gan Dancer"Woody Crumbo (1912-1989, Potawatomi/Chilocco), "Feather Dance," circa 1950Ted DeGrazia (1909-1982), Figure on horsebackTed DeGrazia (1909-1982), A man holding rattles, 1973Ted DeGrazia (1909-1982), Child with doll, 1973Ted DeGrazia (1909-1982), Drummer boy, 1973John Nieto (1936-2018), "Ponca Chief"Dan Namingha (b. 1950, Hopi-Tewa), "Hopi Eagle Dance"Dan Namingha (b. 1950, Hopi-Tewa), "Ancient Images," 1980Pablo Antonio Milan (1961-2017), "Four Riders"Raymond Nordwall (b. 1965, Pawnee and Ojibwe), "Returning of the Blackfeet Chiefs"Margarete Bagshaw-Tindel (1964-2015, Tewa), "O-je gi povi," 1995Tammy Garcia (b. 1969, Santa Clara Pueblo), "Birdhaus"Hubert Candelario (b. 1965, San Felipe Pueblo)Charmae Shields Natseway (b. 1958, Acoma Pueblo)Charmae Shields Natseway (b. 1958, Acoma Pueblo)A Roanhorse Navajo sterling silver and turquoise cuff braceletA Southwest sterling silver and turquoise cuff braceletFrank Howell (1937-1997), "Dream Walker," 1989Frank Howell (1937-1997), "Plains Wind," 1985William Willmarth (1898-1984), "New Mexico and Arizona Rockies," 1934Paul Surber (b. 1942), Two Native American figuresIra Yeager (1938-2022), Portrait of a Native American man with a black birdAlbert H. Qˆyawayma (b.1938, Hopi-Tewa)Mary Archuleta (b. 1942, Santa Clara Pueblo)Jason Ebelacker (b. 1980, Santa Clara Pueblo)Grace Medicine Flower (b. 1938, Santa Clara Pueblo) & Camilio "Sunflower" Tafoya (1902-1995, SantaHubert Candelario (b. 1965, San Felipe Pueblo)A Southwest sterling silver squash blossom necklaceA Nez Perce twined corn husk bagA Nez Perce twined corn husk bagA Nez Perce twined corn husk bagA Nez Perce twined corn husk bagA Navajo Yei weavingA Navajo Germantown weavingA Navajo banded twill child's blanketA Navajo Germantown child's blanketA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional runnerA Navajo Two Grey Hills rugA Rita Charley Navajo Two Grey Hills rugA Navajo regional rugA Lucille Silver Navajo Ganado rugA Navajo regional rugA Navajo regional rugA framed Navajo Yei weavingDave McGary (1958-2013), "Bear Tracks" from the "Upper Missouri River Series," 1993Dave McGary (1958-2013), "Trophies of Honor" from the "Warrior Series," 1994Dave McGary (1958-2013), "Four Bears (Mah-To-Toh-Pa)" from the "Upper Missouri River Series," 1990Dave McGary (1958-2013), "Eye of the Storm Study" from the "Warrior Series," 1992Bill Nebeker (b. 1942), "Pawnee Bow Maker," 1991A. Kelly Pruitt (1924-2009), "A Time to be Old," 1968A framed collection of Navajo silver buttonsA group of Navajo silver concho buttonsDennis M. Doheny (b. 1956), "Snow Landscape with Indians," 1978Heinie Hartwig (b. 1937), "Mountain Splendor"Heinie Hartwig (b. 1937), "Morning in the Rockies"Charles Winfield Miller (1922-1995), "The Signal," 198820th Century Taos School, Taos Indians on horseback with foal, in the style of Walter UferA Gustav Stickley music cabinet, no. 70A pair of Dirk Van Erp Pair hammered copper urnsHarry St. John Dixon (1890-1967)Grace Carpenter Hudson (1865-1937), Angel's Child with Pomo Doll, 1914Albert Lorey Groll (1866-1952), "The Enchanted Mesa, New Mexico"James Swinnerton (1875-1974), "Monument Valley"Carl Oscar Borg (1879-1947), "Saddling Up"Harry Jackson (1924-2011), "Lone Hand," 1961A Brydon Bros. silver-mounted parade saddleAn Hermes Brasilia leather saddle and accessoriesA wood and copper saddle standEdward Borein (1872-1945), StagecoachEdward Borein (1872-1945), "Roping" (Cowboy on horseback chasing a steer)Edward Borein (1872-1945), Bucking broncoEdward Borein (1872-1945), "Little Bucking Horse"Henry Ziegler (1889-1969)Edward Borein (1872-1945), "An Old Time Christmas - Mission Santa Barbara"A mounted rattlesnake skinBill Goldman (20th Century), "#{*?!!" (Hunter accidentally shot his cow), 1983Clyde Scott (1884-1959), "Rugged Hills"Gene Speck (b. 1937), "Twilight," 2008Gene Speck (b. 1937), "The Woodlands," 2008Gary Carter (b. 1939), "Iron Backside (Custer)," 1971Nicholas Samuel Firfires (1917-1990), "Three of a Kind"Tom Dorr (b. 1950), "Texas Cattle Drive"Cecil Broadhurst (1903-1981), "Arivaca, Arizona"Sheryl Bodily (b. 1936), "The Steamboat," 1972Robert B. Wagoner (1928-2017), Cowboy and horses at rest in a Western landscape, 1977Gil Dellinger (b. 1942), "Feeding his Herd," 2008John Moyers (b. 1958), "Night Watch"Jerry Daniel (1939-2018), Cowboy cooking, 1966Jason Rich (b. 1971), "Waiting in Echo Canyon"John Peterson (b. 1939), "The Pursuit for Fur," 2007Earl Norem (1923-2015), Hunter and bearFannie Nampeyo (1900-1987, Hopi-Tewa)Fannie Nampeyo (1900-1987, Hopi-Tewa)Fannie Nampeyo (1900-1987, Hopi-Tewa)Dextra Quotskuyva Nampeyo (1928-2019, Hopi-Tewa)Dextra Quotskuyva Nampeyo (1928-2019, Hopi-Tewa)Camille Hisi Quotskuyva Nampeyo (b. 1964, Hopi-Tewa)Tonita Nampeyo (1934-2020, Hopi-Tewa)Loren Hamilton Nampeyo (b. 1961, Hopi-Tewa)Rex Brandt (1914-2000), "Bright Morning at La Posada" (New Mexico), 1978Kit Shing (b. 1959), View of a shore through an adobe windowSergei Bongart (1918-1985), "Afternoon Light"Gabor Svagrik (b. 1970), "Cattle Pasture"Gabor Svagrik (b. 1970), Three riders forging the riverEmil Bisttram (1895-1976), "White Head, Maine," 1925Emil Bisttram (1895-1976), "Maine Coast Series #15," 1927Marjorie Reed (1915-1996), Stagecoach arriving at a Trading PostMarjorie Reed (1915-1996), "Sunday: Keams Canyon Trading Post," 1973Marjorie Reed (1915-1996), "Bambi and the Lamb of God"Dan Mitchell Allison (b. 1953), Western scene with bull-man on a rearing horseDavid Charles Wade (1952-2019), "In the Trees"David Charles Wade (1952-2019), "Mule Deer"Fred J. Boyce (1923-2023), "Desert Bighorn Trio," 1981Fred J. Boyce (1923-2023), "Big Horn Sheep," 1975Edward DuRose (b. 1956), "Buffalo in Hayden Valley" (Yellowstone Park, Wyoming)Terri Kelly Moyers (b. 1954), "On the Slopes of Mount Blanca" (Colorado), 2003Fred J. Boyce (1923-2023), "Yellow Blooming Foreground"Fred J. Boyce (1923-2023), "Carson River," 2002David Hagerbaumer (1921-2014), Mallard ducks landingDavid Hagerbaumer (1921-2014), A covey of quail in flightMatthew Hillier (b. 1958), "The Sentinel," 2000Fred J. Boyce (1923-2023)Gabor Svagrik (b. 1970), Winchester Rifles advertisement, after Philip R. GoodwinA Folk Art carved wood wolf trophy/plaqueA Southwest-style mosaic side tableDuard Marshall (1914-2010), "Through the Valley," 1945Frank Hoffman (1888-1958), "The Long Ride Home"20th Century Western School20th Century Western SchoolCornelis Botke (1887-1954), "Canyon Ranch"After Frederic Remington (1861-1909), "Indian Scout," from "A Bunch of Buckskins," 1901A polychrome Yokuts lidded basketA large polychrome Yokuts basketry bowlA polychrome Yokuts basketry bowlA polychrome Washoe basketry bowlA polychrome Panamint pictorial basketA Panamint basketry bowlTwo diminutive California basketsA small Washoe basketA Mono/Paiute basketA large polychrome Klamath/Modoc basketry trayA large polychrome Hupa/Yurok/Karuk basketA group of polychrome Northwest basketsThree polychrome Northern California/Oregon twined basketsA group of Vera Ryerson Yurok basketry itemsA group of Northern California winnowing tray baskets and beatersA Paiute basketry water vesselA group of Paiute basketsA polychrome Thompson River basketA polychrome Fraser/Thompson River basketry trunkSylvia "Featherwoman" Naha (1951-1999, Hopi-Tewa)Helen "Featherwoman" Naha (1922-1993, Hopi-Tewa)Joy "Frog Woman" Navasie (1919-2012, Hopi-Tewa)Joy "Frog Woman" Navasie (1919-2012, Hopi-Tewa)Jacob Koopee (1970-2011, Hopi-Tewa)Marcia "Ant Woman" Fritz Rickey (1918-1991, Hopi-Tewa)Marcia "Ant Woman" Fritz Rickey (1918-1991, Hopi-Tewa)Stetson Setalla (b. 1962, Hopi-Tewa)Garnet Pavatea (1915-1981, Hopi-Tewa)Garnet Pavatea (1915-1981, Hopi-Tewa)A Southwest Pueblo katsina figureClark Tenakhongva (b. 1957, Hopi-Third Mesa-Hoat'Ve'La)Clark Tenakhongva (b. 1957, Hopi-Third Mesa-Hoat'Ve'La)Clark Tenakhongva (b. 1957, Hopi-Third Mesa-Hoat'Ve'La)Clark Tenakhongva (b. 1957, Hopi-Third Mesa-Hoat'Ve'La)Attributed to Clark Tenakhongva (b. 1957, Hopi-Third Mesa-Hoat'Ve'La)Clark Tenakhongva (b. 1957, Hopi-Third Mesa-Hoat'Ve'La)Mark Taho (b. 1972, Hopi-Third Mesa/Dine)Tayron Polequaptewa (b. 1969, Hopi Sun Clan)A large polychrome Pima basketTwo Apache Walpi basketsTwo Southwest basketsTwo Southwest basketsTwo Southwest basketsTwo Southwest basketsA group of Hopi Pueblo basketry traysTwo Papago basketsA group of Native American basketsA group of Native American basketsThree Southwest basketsA group of Native American pine needle basketsA polychrome Wounaan butterfly basketry trayA late 19th century Victorian leather bound photo albumDavid F. Berry (1854-1934)A Civil War era tintypeA Civil War era tintypeA Civil War era tintypeA Civil War era tintypeA Civil War era tintypeA Civil War era tintypeA Civil War era tintypeA Civil War era tintypeTwo Civil War era tintypesTwo Civil War era tintypesA Civil War era tintypeA Civil War era tintypeA Civil War era tintypeA Civil War era tintypeTwo Civil War era early photographsTwo Civil War era early photographsTwo Civil War era early photographs framed togetherTwo Civil War era early photographsA Civil War era daguerreotypeA Civil War era daguerreotypeTwo Civil War era daguerreotypesA 19th century tintype of a seated manA 19th century tintype of a sailorTwo Civil War era early photographsTwo 20th century Western photographsAfter Edward S. Curtis (1868-1952), "Shores of Walker Lake," plate 534 from "The North AmericanAfter Edward S. Curtis (1868-1952), "Zuni Street Scene," plate 605 from "The North American Indian,"A Hopi yellowware pottery bowlDee Johnson Setalla (b. 1963, Hopi-Tewa)Debbie Clashin (b. 1969, Hopi-Tewa)Rondina Huma (b. 1947, Hopi-Tewa)A Hopi Pueblo yellowware pottery bowlA Hopi Pueblo yellowware pottery bowlStetson Setalla (b. 1962, Hopi-Tewa)A Nahohai Zuni Pueblo polychrome owl storytellerStephanie "Snowflake Flower" C. Rhoades (1931-2018, Cochiti Pueblo)Stephanie "Snowflake Flower" C. Rhoades (1931-2018, Cochiti Pueblo)Martha Arquero (b. 1944, Cochiti Pueblo)Robin Teller (b. 1954, Isleta Pueblo)Edward Seechoma (b. 1974, Hopi-Third Mesa)Larry Melendez (b. 1960s, Hopi-Tewa)A Hopi Salako Mana katsinaA group of five Southwest katsina figuresThree Hopi/Zuni polychrome katsina figuresTwo Hopi Pueblo katsinasTwo Hopi Pueblo katsinasA group of large Southwest katsina figuresRobert Rivera (20th century), Hopi water bearers, 2001Wayne Snow Bird Shields (b. 20th century, Santa Clara Pueblo)John Burroughs (1913-1979)A. Kelly Pruitt (1924 - 2009), Two works: Riders on horsebackA. Kelly Pruitt (1924 - 2009), Two works: San Francisco de Asis Mission Church, TaosA painted gourd centerpieceLouis Naranjo (1932-1997, Cochiti Pueblo)Randall "Randy" Chitto (b.1962, Choctaw)Helen Cordero (1915-1994, Cochiti Pueblo)Louis Naranjo (1932-1997, Cochiti Pueblo)Louis Naranjo (1932-1997, Cochiti Pueblo)A small Zia Pueblo pottery dishVincentita Pino (1917-2009, Zia Pueblo)Sofia Medina (1932-2010, Zia Pueblo)Tina Garcia (1957-2005, Santa Clara Pueblo/San Juan Pueblo Ohkay Owingeh)Lela & Luther Gutierrez (1895-1966 & 1911-1987, Santa Clara Pueblo)Les Namingha (b. 1967, Tewa/Zuni Pueblo)Lucy M. Lewis (1890-1992, Acoma Pueblo)Lucy M. Lewis (1898-1992, Acoma Pueblo)Grace Chino (1929-1994, Acoma Pueblo)Anita Lowden (1930-1970, Acoma Pueblo)Emmalita "Charlie" Chino (b. 1931, Acoma Pueblo)Paula Estevan (b. 1967, Acoma Pueblo)Two Ramona Sakiestewa for Pendelton Limited Edition wool blanketsTwo Ramona Sakiestewa for Pendelton Limited Edition wool blanketsTwo Ramona Sakiestewa for Pendelton Limited Edition wool blanketsA Native American beaded hide tobacco bagA Plains beaded hide bagA Plateau beaded bagA pair of Plateau beaded gauntlet glovesA pair of Plateau beaded hide gauntlet glovesA pair of Ojibwe/Chippewa beaded velvet leggingsTwo Plateau double-faced beaded bagsA group of Native American beaded itemsA large Andrew Pearce turned wood centerpiece bowlA large Andrew Pearce turned wood bowlThree Bill Haskell turned wood vasesA group of Andrew Pearce turned wood itemsFour Andrew Pearce turned wood bowlsAttributed to Kent (Patch) Peterson (1939-2019)William Dennis, Sr. (b. 1923, Nuu-chah-nulth /Nootka, Ohiaht Band)David Nahanee (1937-2022, Squamish/Coast Salish)An Anasazi/Ancestral Pueblo pottery ladleAn Acoma Pueblo Mimbres-style pottery vaseJoseph Lonewolf (1932-2014, Santa Clara Pueblo)Robert Tenorio (b. 1950, Kewa/Santo Domingo Pueblo)Paulita Pacheco (1943-2008, Kewa/Santo Domingo Pueblo)A Richard S. Begay Navajo sterling silver and turquoise squash blossom necklaceA Southwest sterling silver and turquoise squash blossom necklaceA Southwest silver and turquoise squash blossom necklaceAn Ernest Roy Begay Navajo silver and turquoise squash blossom necklaceA set of Norman & Virginia Hooee Zuni turquoise petit point jewelryA Southwest silver and turquoise squash blossom necklaceA Southwest silver and inlay hummingbird "squash blossom" necklaceA Southwest-style squash blossom necklaceA set of Mexican sterling silver and amethyst jewelryA group of Southwest Zuni-style sterling silver and turquoise jewelryA Willie Yazzie Navajo storyteller silver concho beltTwo Southwest-style sterling silver concho link beltsA Southwest sandcast sterling silver cuff braceletTwo Southwest sterling silver cuff braceletsTwo Southwest silver and stone set cuff braceletsA group of Southwest-style sterling silver and mixed metal braceletsA Southwest carved turquoise bear fetish necklaceTwo Southwest Zuni-style carved stone fetish necklacesTwo Southwest Zuni-style carved stone fetish necklacesA group of Southwest Zuni-style carved animal fetish necklacesA group of Southwest-style carved stone and shell necklacesThree Southwest sterling silver and turquoise ringsA group of Southwest silver and set stone ringsA Leo Feeney Southwest-style stone-set broochA group of Southwest silver and stone-set jewelryA group of Southwest jewelry and dress accessoriesA group of Southwest silver and set-stone jewelryA group of Southwest silver and turquoise jewelryA group of Southwest Pueblo carved stone and pottery animal figuresA collection of miniature Southwest-style potteryA group of miniature Southwest Pueblo potteryA collection of Northwest mounted stone pointsByron Yabumoto Quimbey (1946-2004)A group of stone implementsA large stone mortar and pestleA group of Southwest pottery vesselsA group of miniature Southwest pottery vesselsA group of Southwest pottery vesselsA group of Southwest pottery vesselsTwo Southwest Pueblo pottery vesselsR. C. Gorman (1932-2005, Navajo/Dine), "Shonto," 1998A group of Southwest Pueblo mudhead pottery storytellers

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