Art + Design

online only auction | 1 day sale | 4 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Sep 30
10am

Sale Ends

Tue
Sep 30

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

John Moran Auctioneers is proud to present its fall Art + Design auction, featuring over 370 lots spanning fine art, design, studio craft, and decorative objects from the 20th and 21st centuries. Art highlights include works by Alice Baber, Wolf Kahn, Davood Roostaei, SHAG, Wayne Thiebaud, and Richard Diebenkorn. Studio ceramics and design are led by luminaries Beatrice Wood, Harrison McIntosh, Otto Natzler, Wharton Esherick, Philip and Kelvin LaVerne, Charles and Ray Eames. Rounding out the sale are two capsule collections: the Estate of Robert Baron, co-owner and designer at Glenn of California, and the Estate of Mario Armond Zamparelli, the noted designer for Howard Hughes as well as a pre-war Gibson Mastertone banjo and a 1988 Porsche 911 Carrera.
A 1988 Porsche 911 CarreraEd Ruscha (b. 1937), "Every Building on the Sunset Strip," 1966Ed Ruscha (b. 1937), "Some Los Angeles Apartments," 1970 and "Crackers," 1969Ed Ruscha (b. 1937), "Nine Swimming Pools," 1976 and "Hard Light," 1978An Andy Warhol (1928-1987) signed box of Campbell's dry soup mixAfter Andy Warhol (1928-1987), "The American Indian Series" poster for Ace Gallery, 1976After Andy Warhol (1928-1987), "Muhammad Ali by Andy Warhol," 1978Andy Warhol (1928-1987), Two Signed First Edition books, 1975 and 1983Andy Warhol , (1928-1987)Cy Twombly (1928-2011), A signed partial set of the Cy Twombly paintings catalogue raisonne, 1992A Giovanni Raspini hammered sterling silver Champagne bucketJean E. Puiforcat (1887-1945), A sterling silver letter opener, circa 1942-1945A sterling silver and tourmaline corn husk pendant necklaceA sterling silver modernist-style floral chime necklaceA group of modernist-style art jewelryRoy Schatt (1919-2002), "Marilyn in Rain Hat," 1955Bob Mizer (1922-1992), "Doug Courtney," circa 1950sLewis Baltz (1945-2014), "Construction Detail, East Wall, Xerox, 1821 Dyer Road, Santa Ana" fromVasa Velizar Mihich (b. 1933), Pyramid, 2008A Contemporary resin sculpture of a waveRobert Graham (1938-2008), "MOCA Torso," 1992Wilhelm Dachauer (1881-1951), "Secession" exhibition poster, 1919Leonetto Cappiello (1875-1942), "Cognac Monnet," 1927Ludwig Hohlwein (1874-1949), "Kitty Starling, the London Darling," 1914Hans Wegner (1914-2007), A model J16 rocking chair for FDB Mobler, mid-20th centuryA Ganddal M¯belfabrik rosewood deskJohannes Andersen (1903-1991), A teak standing dry bar model SK 661 for Skaaning, mid-20th centuryNorman Cherner (1920-1987), A set of three 'Swivel Cherner' stools for Plycraft Inc., mid-20thPoul Henningsen (1894-1967), A PH5 pendant lamp for Louis Poulsen, mid-20th centuryFranz Marc (1880-1916), "Schlafende Hirtin," 1912Henri Matisse (1869-1954), "Diane," 1938After Pablo Picasso (1881-1973), "Jacqueline," 1960Pablo Picasso (1881-1973), "Grosse tete, profil droit," conceived 1965Joan Miro (1893-1983), "Gaudi IV," 1979After Joan Miro (1893-1983), "Le Sourire aux ailes flamboyantes," 1954Jean Arp (1886-1966), Untitled, 1966Marc Chagall (1887-1985), "Le Pierrot," 1968Marc Chagall (1887-1985), "Bouquet sur la ville," 1983Salvador Dali (1904-1989), "Symphony Bicyclette," 1970Salvador Dali (1904-1989), "Torero Noir," 1969Salvador Dali (1904-1989), "Pisum Sensuale," from "Flora Dalinae (FlorDali)," 1968Laurel Fyfe (1956-2012), An art glass desk, late 20th centuryDale Chihuly (b. 1941), "Blue Sky Basket Set," 1990Dale Chihuly (b. 1941), Chinese Red Seafoam Pair, 1995Alexander Calder (1898-1976), "Balles d'Air"Alexander Calder (1898-1976), "L'espoir du Volubius," 1973Alexander Calder (1898-1976), "Les Scies," 1965Alexander Calder (1898-1976), "Composition aux cercles," 1975Alexander Calder (1898-1976), "Triangle et Quadrilatere," 1973Alexander Calder (1898-1976), "Autres Tetards," 1976Piero Fornasetti (1913-1988) "Jerusalem" glass wall panelWalter & Mario Furlan (1931-2018 and b. 1963), A Murano art glass sculpture from the series 'OmaggioGaetano Pesce (1939-2024), A 'Broadway Chair' for Bernini, circa 1990sA Seguso Vetri d'Arte art glass coffee tableWilly Rizzo (1928-2013), A pair of table lamps for Lumica, late 20th centuryCarlo Scarpa (1906-1978), A suite of blown glassware for Venini, circa 1935A set of four Gucci glass gobletsCesare Lacca (1913-1978), A bar cart for Cassina, mid-20th centuryWayne Thiebaud (1920-2021), "Hill Street," 1987Richard Diebenkorn (1922-1993), "Ochre," 1983Richard Diebenkorn (1922-1993), "Softground Splay" from "Four Softgrounds," 1982Helen Frankenthaler (1928-2011), "Deep Sun," 1983Roy Lichtenstein (1923-1997), "Sandwich and Soda," from "X + X (Ten Works by Ten Painters)"Roy Lichtenstein (1923-1997), "Spray Can," from "One Cent Life" portfolio, 1963-64Sam Francis (1923-1994), "Senza Titolo III," 1987Carlos Almaraz (1941-1989), "Echo Park III," 1990Charles Arnoldi (b. 1946), Untitled, 1986Lita Albuquerque (b. 1946), "Scarab Island," 1990Willem De Kooning (1904-1997), "Paris Review," 1979Friedensreich Hundertwasser (1928-2000), "Good Morning City - Bleeding Town," 1970-71Friedensreich Hundertwasser (1928-2000), "Night Train" (Variant 5), 1978Friedensreich Hundertwasser (1928-2000), "Exodus into Space," from the "Look at it on a Rainy DayPolia Pillin (1909-1992), A glazed studio pottery vase, mid-20th century***Betty Davenport Ford (b. 1924), A glazed terra cotta cat figure, mid/late 20th centuryDora De Larios (1933-2018), A stoneware figural wall sculpture, circa 1965Dora De Larios (1933-2018), A glazed stoneware lion effigy vessel, late 20th/early 21st centuryAlexander Calder (1898-1976), "Le Bateau lavoir," 1969Alexander Calder (1898-1976), "L'Etoile Rouge," 1976Alexander Calder (1898-1976), "Chevrons Noir sur Rouge et Jaune," 1960Alexander Calder (1898-1976), "Oriflammes," 1969Alexander Calder (1898-1976), "Tempete," 1970Alexander Calder (1898-1976), One plate, from "The Sacrilege of Alan Kent," 1976Charles Hollis Jones (b. 1945), A California King Lucite bed frame, late 20th centuryGilbert Rohde (1894-1944), A pair of dressers model 4140 for Herman Miller, mid-20th centuryGilbert Rohde (1894-1944), A pair of bedside tables model 4140 for Herman Miller, mid-20th centuryAntonio Citterio and Paulo Nava (b. 1950 & b. 1943), A 'Diesis' coffee table for B&B Italia, lateDavood Roostaei (1959-2023), "Perennial Struggles," 2021Davood Roostaei (1959-2023), "Journeys," 2022Robert Motherwell (1915-1991), "Elegy Black Black," 1983Michael Mazur (1935-2009), Untitled, 1994Corita (Sister Mary) Kent (1918-1986), "You Can Never Lose Me," 1972Nathan Oliveira (1928-2010), "Woman State II," 1971Louis Delsarte (1944-2020), "Unity," 1995Friedensreich Hundertwasser (1928-2000), "Journey II and Travel by Rail," 1967Friedensreich Hundertwasser (1928-2000), "Olympische Spiele Munchen 1972" (Olympic Games MunichFriedensreich Hundertwasser (1928-2000), "Good Morning City - Bleeding Town," 1970-71Friedensreich Hundertwasser (1928-2000), "Hundertwasser Homage to Schrˆder-Sonnenstern," 1972After Alberto Giacometti (1901-1966), A lamp modeled after 'Lampe modele Ecossais,' mid/late 20thCharles-Edouard "Le Corbusier" Jeanneret (1887-1965), An LC3 Petit Modele sofa, late 20th centuryPhilip and Kelvin LaVerne (1907-1987 and b. 1937), A 'Fragonard Pierced' coffee table from theA Paul Smith wool 'Carnival' rugWilliam Katavolos (1924-2020), Ross Littell (1924-2000) & Douglas Kelley (b. 1928), A dining tableWilliam Katavolos (1924-2020), Ross Littell (1924-2000) & Douglas Kelley (b. 1928), A set of six 'T'Alice Baber (1928-1982), "The Swing and the Bridge," 1970Frederic Karoly (1898-1987), Abstract, 1960Billy Al Bengston (1934-2022), Hawaiian scene, 1980Billy Al Bengston (1934-2022), "Puerto Escondido," 1977Billy Al Bengston (1934-2022), "Honolulu Watercolor"Lawrence Calcagno (1913-1993), "Edge of Morning III," 1975Wolf Kahn (1927-2020), "Foliage in a Lemon-Yellow Surround," 2004Robert Natkin (1930-2010), Untitled, from the "Bath Apollo Series," 1980Anne Grgich (b. 1961), "Confined to the Margins," 1993Judy Chicago (b. 1939), "Double Clear Handout / Handsoff" from the "Hands" series, 2006After Robert Motherwell (1915-1991), A 'Beige Figuration' woven wool tapestry from Modern MastersOtto Natzler (1908-2007), A glazed earthenware cylindrical vase form, 1990Otto Heino (1915-2009), A glazed studio pottery vessel, 2003John Follis (1923-1994), An Architectural Pottery bisque earthenware bowl model S-20, mid-20thJohn Follis (1923-1994), An Architectural Pottery bisque earthenware planter, circa 1955Malcolm Leland (1924-2019), A 'Bird's Mouth' bisque ceramic vase, mid-20th centuryBeatrice "Beato" Wood (1893-1998), A glazed earthenware vase, mid-20th centuryHarrison McIntosh (1914-2016), Egg Form, circa 1982Harrison McIntosh (1914-2016), A glazed stoneware footed bowl, mid-20th centuryA Pre-War Gibson Mastertone banjoWharton Esherick (1887-1970), A 'Hammer Handle' chair, circa 1938Harold Greene (b. 1953), A Contemporary cantilevered floor lamp, 2014Harold Greene (b. 1953), A pair of Contemporary walnut side tables, 2014Harold Greene (b. 1953), A Contemporary music cabinet, 2017Harold Greene (b. 1953), A Contemporary music cabinet, 2017Harold Greene (b. 1953), A Contemporary music cabinet, 2017Larry Bell (b. 1939), "Ellipse," 1964Ned Evans (b. 1950), "Dirge," 1979Karl Albert Kasten (1916-2010), "Printemps," 1960Karl Albert Kasten (1916-2010), "California Live Oak," 1967Robert Watson (1923-2004), "The Parting," 1964Adrian Heath (1920-1992), "Untitled," 1962Hamilton Wolf (1883-1967), "Hunter," 1944Rico Lebrun (1900-1964), AbstractPaul Soldner (1921-2011), Untitled Pedestal Piece, 1998Paul Soldner (1921-2011), Untitled Pedestal Piece, 1985Peter Voulkos (1924-2002),Untitled tea bowl, (CR703.5-G), 1973Rudy Autio (1926-2007), A glazed stoneware vessel, 1979Rudy Autio (1926-2007), A slab stoneware vessel, late 20th centuryAra Tevkantz (1956-2021), "Golden Rain"Ara Tevkantz (1956-2021), "Guest," 2009Astor Milan Salcedo (b. 1969), "Two Sides of the Story - Part 6" (Diptych)Astor Milan Salcedo (b. 1969), "Herakles and Nemea"Purvis Young (1943-2010), City Scene with figures and vehiclesMichael Young (b. 1952), Abstract composition, 1987Alec Monopoly (b. 1986), Nude figure with butterfly wingsAlec Monopoly (b. 1986), CrashRicky Maldonado (b. 1953), Four dot-glaze adorned pottery vessels, early 21st centuryCharles Sherman (b. 1947), "Mobius Ring - Love Is a Verb"Patrick Shia Crabb (b. 1947), TotemWang Guangyi (b. 1957), "Warhol"Wang Guangyi (b. 1957), "Grace Family," 2004Gade (b. 1971), Modern thangka, 2009Gade (b. 1971), Skeleton and animals riding a tiger's backJin Li (b. 1958), "Summer Scene"Jin Li (b. 1958), "Spring comes to New York, looking back at Manhattan"Jin Li (b. 1958), Two seated figuresWanxin Zhang (b. 1961), "Seeking Battle Companions," 2010Charles and Ray Eames (1907-1978 and 1912-1988), A pair of ebonized DCW molded plywood side chairsCharles and Ray Eames (1907-1978 and 1912-1988), A pair of Molded Plywood Leg Splints by EvansCharles and Ray Eames (1907-1978 and 1912-1988), A DTW-4 table for Herman Miller, 1950-1957Charles and Ray Eames (1907-1978 and 1912-1988), Two 'Shell Armchairs' for Herman Miller, 4thJosh Agle (aka SHAG) (b. 1962), "Doctor Scorpio's Lair"Josh Agle (aka SHAG) (b. 1962), "The Wages of Sin"Josh Agle (aka SHAG) (b. 1962), "The Old Crow"Tim Biskup (b. 1967), "Super-Giant Helper," 2006Florence Knoll (1917-2019), A teak triple-chest dresser, mid-20th centuryIb Kofod-Larsen (1921-2003), A pair of 'Picket Back' lounge chairs for Selig, circa 1960sA Daniel Gluck Brutalist metal coffee tableEero Saarinen (1910-1916), A pair of 'Womb' chairs and an ottoman for Knoll, circa 1970sWarren Platner (1919-2006), A coffee table for Knoll, late 20th/early 21st centuryEdith Baumann-Hudson (b. 1948), Yellow circle composition, 1991Edith Baumann-Hudson (b. 1948), "Pale Gray #6, 1986," 1986Edith Baumann-Hudson (b. 1948), "Black/2 Red #3, 1988," 1988Dale Chihuly (b. 1941), Venetian vasesDale Chihuly (b. 1941), Japanese flowersDorr Bothwell (1902-2000), "Love," 1968Mary Ann Corse (b. 1945), Untitled tile, 1979Mary Ann Corse (b. 1945), Untitled tileRaymond Pettibon (b. 1957), "Goddamn Hippies"Ena Swansea (b. 1966), "Garry Hill," 2005Babak Emanuel (b. 1966), "Point of Passage (I, II, and III)" (triptych)Babak Emanuel (b. 1966), "Becoming"Babak Emanuel (b. 1966), Untitled I, from the "Concrete Series"Babak Emanuel (b. 1966), Untitled II, from the "Concrete Series"Mark Verabioff (b. 1963), Untitled, 2007Mark Verabioff (b. 1963), Untitled, 2007Lawrence Weiner (1942-2021), "How It Went," 1988Lawrence Weiner (1942-2021), "Small," 1988Cindy Sherman (b.1954), "Untitled (for Parkett 29)," 1991Minoru and Echiko Ohira (b. 1950 and b. 1949), Box of nails, 2004Rebecca Horn (1944-2024), "Thermometre d'Amour," 1985Antonio Citterio (b. 1950), A 'Grand Relax' lounge chair and ottoman for Vitra, 2019Antonio Citterio (b. 1950), A 'Grand Relax' lounge chair and ottoman for Vitra, 2019After Ludwig Mies van der Rohe (1886-1969), A table after the 'Barcelona' table for Knoll Studio,A Georges Adrien Tigien bench and ottoman setLisa Johansson-Pape (1907-1989), A 'Mushroom' glass table lamp for Orno Oy, circa 1960sLoet Vanderveen (1921-2015), "African Rhino"A glazed studio pottery soup crock and bowlsStig Lindberg (1916-1982), Two studio pottery vases, mid-20th centuryGabor Torok (b. 1952), "Cosi Fan Tutte," 2017Elijah David Herschler (b. 1940), Ribbon sculptureGiuseppe Palumbo (b. 1958), "The Edge," 2011David Pryor Adickes (1927-2025), Flowing scarfStanton Segner (1966-1997), Ghostrider motorcycle sculpture, 1991James Michalopoulos (b. 1951), Garden District cottage, New Orleans, 1998Willem Wim van Aken (1933-2015), "Metropool," 2003James Michalopoulos (b. 1951), Still life with fruit and wine, 1998Tarmo Pasto (1906-1986), Sunflower still life, 1973Tarmo Pasto (1906-1986), "Morning," 1973Tarmo Pasto (1906-1986), "Evening Sea," 1972Hank Pitcher (b. 1949), "Montecito Cliffs," 1985Victor Czerkas (1914-2003), "505 Clay St." (Los Angeles)Roger Kuntz (1926-1975), ShorelinePaul Blaine Henrie (1932-1999), Hawaiian landscapeAnthony Redmile (1940-2016), A pair of ostrich egg boxes, circa 1980sAnthony Redmile (1940-2016), An ostrich egg frog-form trinket box, circa 1980sAnthony Redmile (1940-2016), A pair of ostrich egg goblets, circa 1980sA shell-encrusted console table in the manner of Anthony Redmile (1940-2016)A Laneventure 'Excursion' armchairA Piero Figura pewter seafood tray for AtenaClaude Victor Boeltz (b. 1937), A gold-plated nickel vide poche, late 20th centuryA set of three R & Y Augousti 'Peacock' nesting tablesA Dessin Fournir 'Camrose' Side TablePhyllis Morris (1925-1988), A tassel coffee table, late 20th centuryJoan Savo (1918-1992), Abstract landscapeJoan Savo (1918-1992), "Elliptical Painting #24," circa late 1960sGordon Cook (1927-1985), "Delta Early Eve" (Sacramento River)Gordon Cook (1927-1985), "Delta - Skiff - Pink Sky" (Sacramento River)Gordon Cook (1927-1985), "Off False River" (Sacramento), 1984Gordon Cook (1927-1985), "Large Delta Tree" (Sacramento), 1982Gordon Cook (1927-1985), "Hat Form," 1979Norman Zammitt (1931-2007), Blue flower, 1969Paolo Soleri (1919-2013), A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZPaolo Soleri (1919-2013), A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZIb Kofod-Larsen (1921-2003), A 'Penguin' side chair for Selig, mid-20th centuryB¯rge Mogensen (1914-1972), A pair of model 248 wood ottomans for Fredericia Stolefabrik, circaA Danish Modern rosewood highboy chestNicola Simbari (1927-2012), Interior view with flowers and a woman sitting on a bedJerald Silva (b. 1936), Seated figure, 1972Geoffrey Holder (1930-2014), Portrait of a West Indies woman, 1952Margaret Keane (1927-2022), Nude figure study, 1958Erle Loran (1905-1999), "Topless Madonna," 1966Erle Loran (1905-1999), "Road Through the Tunnel," 1980Erle Loran (1905-1999), "Haven," 1972Erle Loran (1905-1999), "Mountain Top," circa 1980sPeter Shire (b. 1947), A Memphis glazed ceramic teapot, 1990sPeter Shire (b. 1947), A Pre-Memphis glazed ceramic charger, 1979Ralph Bacerra (1938-2008), A glazed ceramic charger, 1996Peter Max (b. 1937), "Brown Lady III," 1988Peter Max (b.1937), "Dega Man," 1985Peter Max (b.1937), "Profile of 'Yellow Umbrella Man,'" 1987Peter Max (b.1937), "Hidden Man," 1988Vladimir Kagan (1927-2016), A pair of swivel chairs, late 20th centurySteve Chase (1941-1994), A travertine-top drum table, late 20th centuryVladimir Kagan (1927-2016), A pair of swivel chairs, late 20th centurySteve Chase (1941-1994), A travertine-top drum table, late 20th centurySteve Chase (1941-1994), A Modern glass coffee table, late 20th centurySteve Chase (1941-1994), A Modern suede upholstered slipper chair, late 20th centuryMax Todd (b. 1959), "Surfer's Paradise"Max Todd (b. 1959), "Moving On"Masoud Yasami (b. 1949), "An Artist's Palette," 1985Richard Carter (b. 1946), "Requiem for a Juggler III," 1991Martyn Jones (b. 1955), "Carmine Crush," 2018Martyn Jones (b. 1955), "Warschauer Stra?e, Berlin," 201921st Century Contemporary SchoolMichael Kalish (b. 1973), NSEW USA, 2009Gloria Heilman-C (b. 1961), "Self-Portrait: Long Tall Sally" (pentaptych), 1995Robert Baron (1925-2014), A pair of walnut side tables for Glenn of California, late 20th centuryRobert Baron (1925-2014)Robert Baron (1925-2014), A walnut low dresser for Glenn of California, late 20th centuryRobert Baron (1925-2014), A rosewood wardrobe for Glenn of California, late 20th centuryRobert Baron (1925-2014)Robert Bonfils (b. 1922), "Death's Loving Arms," circa 1966Robert Bonfils (b. 1922), "The Sin Veldt," circa 1966Robert Bonfils (b. 1922), "Blonde Danger," circa 1960Robert Bonfils (b. 1922), Mind gamesRobert Bonfils (b. 1922), "Swapping with Satan," circa 1970Robert Bonfils (b. 1922), Outside Canyon City HotelRobert Bonfils (b. 1922), "Creature of Sin," circa 1960Mario Armond Zamparelli (1921-2012), AstronautMario Armond Zamparelli (1921-2012), Rocket launchMario Armond Zamparelli (1921-2012), ScienceMario Armond Zamparelli (1921-2012), Astronaut/ spaceGertrud and Otto Natzler (1908-1971 and 1908-2007), A 'Volcanic' glazed jar, late 20th centuryGertrud and Otto Natzler (1908-1971 and 1908-2007), A green lava glazed bowl, mid-20th centuryVivika and Otto Heino (1910-1995 and 1915-2009), A glazed ceramic seed vase, 1994Pablo Picasso (1881-1973), "Vallauris," 1953Auguste Rodin (1840-1917), "Protection," 1916Mario Armond Zamparelli (1921-2012), Reclining nude in green kimonoMario Armond Zamparelli (1921-2012), Seated nudeMario Armond Zamparelli (1921-2012), "Blue Kimono: reclining figure," 1980Mario Armond Zamparelli (1921-2012), Portrait of nude womanMario Armond Zamparelli (1921-2012), Untitled, 1977Mario Armond Zamparelli (1921-2012), Portrait of a woman, 1999Mario Armond Zamparelli (1921-2012), Man on stageArne Jacobsen (1902-1971), A stainless steel flatware service for Anton Michelsen, 1960sFinn Juhl (1912-1989), A 'Japan' sofa for France & Daverkosen retailed by John Stuart, late 1950sMario Armond Zamparelli (1921-2012), Portrait of a nude womanCharles and Ray Eames (1907-1978 and 1912-1988), An Eames lounge chair and ottoman for HermanMario Armond Zamparelli (1921-2012), Two postmodern lacquered wood chairs, circa 1980sHans Wegner (1914-2007), Four 'Wishbone' armchairs model CH 24 for Carl Hansen & Son, mid-20thMario Armond Zamparelli (1921-2012), Portrait of the artist's wife and daughterMario Armond Zamparelli (1921-2012), "I dreamt of Gauginesca"Mario Armond Zamparelli (1921-2012), "There is a danger in Yellow"Enzo Mari (1932-2020), "Deformazione ottico-dinamica - cubo, serie a punti E" for Danese Milano,Enzo Mari (1932-2020), "Relazione di Quattro" for Danese Milano, 1959Enzo Mari (1932-2020), A group of 'Cubo' paperweights for Danese Milano, 1959-1963Mario Armond Zamparelli (1921-2012), Cubist figures in motionMario Armond Zamparelli (1921-2012), Pin UpsMario Armond Zamparelli (1921-2012)Mario Armond Zamparelli (1921-2012), Trans World Airlines (TWA) mock-upsMario Armond Zamparelli (1921-2012)Mario Armond Zamparelli (1921-2012)Giancarlo Mattioli (1933-1985), A 'Nessino' table lamp for Artemide, 1960sA canvas 'Butterfly' chairIn the manner of Verner Panton (1926-1998), An op-art-style bubble mirror, late 20th centuryA Modern molded glass head hat displayAn Etruscan terra cotta votive head of a womanBruno Calvani (1904-1985), A classical-style ceramic bust of a woman, mid/late 20th centuryA Japanese terracotta Haniwa horse headAn Indian carved stone figural steleA group of classical-style terra cotta figuresAn Etruscan bronze hand mirrorA Persian bronze ceremonial bull's head maceA Japanese carved stone seated deity figureA group of Classical iridescent glass vesselsA bronze figural torso and horse headA Spanish Colonial carved wood Madonna and child figureA group of four Indian miniatures (including a Sanskrit manuscript leaf) and one Persian miniatureMario Armond Zamparelli (1921-2012)Mario Armond Zamparelli (1921-2012), Woman beside a staircaseMario Armond Zamparelli (1921-2012), Portrait of a womanMario Armond Zamparelli (1921-2012)Mario Armond Zamparelli (1921-2012)Mario Armond Zamparelli (1921-2012)A group of Venini Murano glassware items for Hughes AirwestA group of four Hughes Airwest travel posters, designed by Mario Armond Zamparelli (1921-2012) andA group of four Hughes Airwest travel posters, designed by Mario Armond Zamparelli (1921-2012) andA group of four Hughes Airwest travel posters, designed by Mario Armond Zamparelli (1921-2012) andA group of four Hughes Airwest travel posters, designed by Mario Armond Zamparelli (1921-2012) andA group of seven Hughes Airwest travel postersA Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform prototype ensembleA Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform prototype ensembleA Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform prototype ensembleA Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform prototype ensembleA Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform prototype ensembleA Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform prototype ensembleA group of Mario Armond Zamparelli and Company for Hughes Airwest scarvesA group of Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform ensembleA group of Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform prototypesA group of Mario Armond Zamparelli and Company for Hughes Airwest hostess uniform ensembleA group of Mario Armond Zamparelli and Company for Hughes Airwest hostess scarvesA group of Mario Armond Zamparelli and Company for Hughes Airwest hostess scarves and ribbonA group of Mario Armond Zamparelli and Company for Hughes Airwest accessoriesA group of Mario Armond Zamparelli and Company for Hughes Airwest pilot's/men's uniform prototypesA group of Mario Armond Zamparelli and Company Hughes Airwest and Hughes Helicopters prototypeA Mario Armond Zamparelli and Company Hughes Airwest hostess cape prototype and luxury "Spiderweb"A group of Mario Armond Zamparelli and Company for Hughes Airwest prototype luggageA group of Mario Armond Zamparelli and Company for Hughes Airwest Boeing 727-200 graphic designs andA group of Mario Armond Zamparelli and Company for Hughes Airwest Boeing 727-200 interior fabricsA group of Mario Armond Zamparelli and Company for Hughes Airwest Boeing 727-200 interior fabricsA group of Mario Armond Zamparelli and Company for Hughes Airwest Boeing 727-200 interior fabricsA group of Mario Armond Zamparelli and Company for Hughes Airwest Boeing 727-200 interior fabricsA group of Mario Armond Zamparelli and Company for Hughes Helicopters graphic designs andMario Armond Zamparelli (1921-2012), Military aeronauticalMario Armond Zamparelli (1921-2012), Science, IndustryA group of Mario Armond Zamparelli and Company Hughes Helicopters and luxury clothing prototypesA group of Alpaca wool tricot sweaters size S and a luxury "Spiderweb" scarfA group of Alpaca wool tricot sweaters size MA group of Alpaca wool tricot sweaters size MA group of Alpaca wool tricot sweaters size L and a luxury "Spiderweb" scarfA Mario Armond Zamparelli and Company luxury pointelle knit sleeping "onesie" jumpsuit prototypeA large group of Mario Armond Zamparelli (1921-2012) developmental design materials for EPCOT Center

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