Studio Fine & Decorative Arts - Online

online only auction | 1 day sale | 11 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Oct 7
10am

Sale Ends

Tue
Oct 7

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

John Moran Auctioneers is pleased to present their Studio Fine and Decorative Art Auction ? Online. Featuring over 500 lots with a variety of fine art, decorative arts, and furniture. The fine art categories include oil, watercolor, prints, and photographs by artists such as Elsie Palmer Payne, Orrin A. White, James Whistler, Sergei Bongart, and Salvador Dali.?The decorative arts selections include sterling silver, bronzes, Asian pieces, and a large collection of Arts and Crafts pottery. Furniture runs the spectrum of antiques, vintage, contemporary, and wonderful mid-century offerings.
Bennett Bradbury (1914-1991), "Breakers Points"Bennett Bradbury (1914-1991), "Ante Meridian #2 (Garrapatas)"Bennett Bradbury (1914-1991), "Morro Rock"Eugene Garin (1922-1994), Seascape, 1978Claude Muncaster (1903-1974), "The Edge of the Tropics," May 1961Bertha Stringer Lee (1869-1937), Rocky coastal landscapeFrancis Harvey Cutting (1872-1964), "Beach Sunset"Nona White (1858-1937), "Playmate of the Winds"Alfred Farnsworth (1858-1908), Seaside landscape, circa early 1900sPhilip Miller (1896-1977), "Late Afternoon"Rob Robinson (b. 20th Century), "Whispering Sisters," 2001Elsie Palmer Payne (1884-1971), Seascape with rolling cloudsMarii Chernev (20th Century), World War II dogfight, 2002Angel Espoy (1879-1963), Fishing boats and figuresRex Brandt (1914-2000), "San Pedro"Rex Brandt (1914-2000), "Catboat Convention"Francis Chapin (1899-1965), TugboatNell Walker Warner (1891-1970), "Warehouse Pier"Filastro Mottola (1915-2008), "Fishing Boats on Noyo Bay"Martin Mondrus (1925-2020), Figures on a Pacific PierLouis Ribak (1902-1979), Sailors on a dockArthur Harold Knott (1883-1977), "Up for Repairs," circa 1920sFrederick Carl Smith (1868-1955), San Francisco Bay, Oil on canvas, 10" H x 30.25" WJulius Yulevich Von Klever (1850-1924), "Ships at Sea"20th Century American SchoolGene Kloss (1903-1996), "Fisherman's Wharf - San Francisco," 1935Orrin A. White (1883-1969), Houses in a landscapeSergei Bongart (1918-1985), Rustic cabin and fenceNellie Evelyn Ziegler (1874-1948), "#3 Atlantic Ave, Nantucket"Virginia Woolley (1884-1971), "Foot of Moss Street" (Laguna Beach)Louis Frederick Berneker (1876-1937), "Feeding the Ducks," 1912Attributed to William Lewis Marple (1827-1910), "Deserted Mill," 1875Josef Krotter (b. 1894), Farm in a pastoral landscapeRichard Norris Brooke (1847-1920), Landscape with cottage and treesVladimir Alexandrovitch Danilyuk (1919-2007), Pondside cottage20th Century American SchoolSteven Lee Adams (b. 1962), "Riverbank at Dusk (Loire River, France)," 2006Alfred Jansson (1863-1931), "Mountain Lake, Huron Mt. Michigan," 1914Frits Thaulow (1847-1906), Landscape with a church by a lakeLillie Mae Nicholson (1884-1964), "River at Etaples" (Canche)Louis Klingelhofer (1861-1947), "Sierra Lake"Thomas Wood (b. 1940), Clouds and Lake Nicasio (Marin County), 1994Arthur Beckwith (1860-1930), Landscape with creekWilliam Posey Silva (1859-1948), "Middle West"Dorothy Bowdy Kushner (1909-2000), Trees in a landscapeRobert Leo Cotton (1880-1946), "Early Morn - Brackenridge Park" (San Antonio)Ara Bekaryan (1913-1986), Rolling hills Modernist landscapeGlenna Hartmann (1948-2008), "Canyon Trail, Big Sur," 2006Frank Charles Peyraud (1858-1948), "October in Vermont"20th Century American SchoolJoseph Tomanek (1879-1974), "Pumpkin Patch"Meredith Brooks Abbott (b. 1938), "Sycamores," 2010Thomas Wood (b. 1940), Landscape with hills, 2000Manuel Valencia (1856-1935), Landscape with two figures on a pathArthur Beckwith (1860-1930), "Marin Landscape with Oaks and S.F. Bay"William Fredrick Paskell (1866-1951), Mount Passaconaway, New HampshireSilvio Silvestri (1948-2018)Thomas Wood (b. 1940), Landscape with greenery, 2000Thomas Wood (b. 1940), "Near the Golf Course: San Geronimo Valley," 1994Carl Jonnevold (1856-1930), "Late Afternoon," 1910Van de Copeland (1895-1957), Desert mountain landscape20th Century American SchoolWilliam Dorsey (1942-2019), Eucalyptus flowered landscapeGunter H. Korus (b. 1928), Tree in landscape, 1975Paul Lauritz (1889-1975), Stream through a forest interiorAlexis Matthew Podchernikoff (1886-1933), Landscape with cowsJohn Anthony Conner (1892-1971), Autumn landscapeDerk Smit (1889-1985), "October Day," 1971Thomas Forman Bancroft (1864-1934), Group of five landscapes with treesHoward H. Koehl (1889-1967)Norman St. Clair (1863-1912), Trees in a landscapeGunter H. Korus (b. 1928), Fall forest, 1974Roger Scott (1898-1976), Desert sceneRoger Scott (1898-1976), Three landscapesRoger Scott (1898-1976), Three coastal and lake scenesJim Hagstrom (20th/21st century), "Roosevelt Ruins, Roosevelt Lake" (Arizona), 1997Walter Frederick Seely (1886-1959), Mountainous desert landscape20th Century California School20th Century California SchoolFrederick Doyle Penney (1900-1988), "Palo Verde in Spring"Jae Carmichael (1925-2005), Desert landscapeEdward Borein (1872-1945), "Race to the Wagon, No. 2"Lorna Dillon (b. 1940), "Comin' to Town...," 1987E. S. Hammack (1905-1969), "Quantrill's Raiders," circa 1950sArch D. Shaw (b. 1933), "Study for Battle Hymn," 1990Arch D. Shaw (b. 1933), "The Boys in Blue," 1990Howard Rees (b. 1941), Native American on horseback in the snow20th Century Western SchoolHoward Rees (b. 1941), Landscape with teepeesAfter Frederic Remington (1861-1909), "The Savage," modeled 1908After Frederic Remington (1861-1909), "The Sergeant," modeled 1904After Charles Marion Russell (1864-1926), Lion and TrapperAfter Charles Marion Russell (1864-1926), "Watcher of the Plains"After Charles Marion Russell (1864-1926), "The Bluffers"After Charles Marion Russell (1864-1926), "Will Rogers," modeled 1926Phil Paradise (1905-1997), "Going to the Market, Mexico"20th Century Mexican SchoolMid 20th Century Mexican School18th Century Spanish Colonial School18th Century Spanish Enlightenment SchoolPal Fried (1893-1976), "Camilla"Alberto Vargas (1896-1983), "Cover Girl" from "Vargas Girls"20th Century American School20th Century European School20th Century American SchoolKurt Haase-Jastrow (1885-1958), Seated nudeSonia Gold (b. 1959), "Dreaming," 2010Ruth Gikow (1915-1982), "Girl with lamp"Walter Georis (b. 1945), Portrait of a young girlBetty Johnson (20th Century), Portrait of a womanMuriel Branegan Bacon (1909-2002), "Kona Coast"Sergei Bongart (1918-1985), Portrait of a woman in a blue hat, 1969Patricia LeGrande (1941-2024), Portrait of a seated woman, 1976Sergei Bongart (1918-1985), Portrait of a mother and daughter20th Century Continental School20th Century American SchoolFranco Rispoli (1921-1989), Portrait of a womanVicente Barreira (1887-1957), Portrait of a Spanish womanFrederick Carl Smith (1868-1955), Wash dayWarren Burnham Davis (1865-1928), "The Rose," 190519th Century Continental SchoolCornelis Speets (1794-1862), "Vermoeide Keukenjongens" (Tired kitchen urchins), 1840Max Kurzweil (1867-1916), "Der Polster," 1903Ben Stahl (1910-1987), "Hornblower Series"Darrel Millsap (1931-2012), Two figures among flowersEarl Mayan (1916-2009), "No Survivors"David Schneuer (1905-1987), "On the Stairs"20th Century Illustration SchoolPhilippe Henri Noyer (1917-1985), "Moulin Rouge"Andrea Smith (b. 1946), "La Rosa Cherub"Harold Frank (1917-1995)Harold Frank (1917-1995)Maurice Logan (1886-1977), Self-portrait, circa 1963Frederic Mizen (1888-1964), "A gentleman from Calcutta India, from life in Los Angeles California"Maroussia Valero (1885-1955), Portrait of a bearded manWalter Page (1862-1934), "Pyotr Ilyich Tchaikovsky"John William Orth (1889-1976), Portrait of a gentlemanEdwardo Scognamiglio (early 20th Century), Italian man seated in an interior20th Century Haitian Folk Art SchoolTom Edmonds (20th century), Self-portraitRed Skelton (1913-1997), Clown with blue birdFrank Whipple (1923-2016), Cardinal walking down a pathPaul Saltarelli (1955-2019), "Cypress in a Landscape," after Vincent Van Gogh, 1998Paul Saltarelli (1955-2019), "Portrait of Armand Roulin (1888)," after Vincent Van Gogh, 1998Paul Saltarelli (1955-2019), "La Berceuse (1889)," after Vincent Van Gogh, 1998Paul Saltarelli (1955-2019), "The Old Peasant (1888)," after Vincent Van Gogh, 1998Paul Saltarelli (1955-2019), "Seascape (1888)," after Vincent Van Gogh, 1998Paul Saltarelli (1955-2019), "House at Auvers (1890)," after Vincent Van Gogh, 1998Claude Francois Auguste (Marquis de) Mesgrigny (1836-1884), Sunset landscapeAdrianus Johannes Groenewegen (1874-1963), "Farmstead at Haarlem"Karoly Kotasz (1872-1941), Flute player and three figures near a riverKaroly Kotasz (1872-1941), Landscape with figuresFrancis Hopkinson Smith (1838-1915), Chartres Cathedral from across the L'Eure RiverCharles Pickering Townsley (1867-1921), "Brest, France"20th Century French School20th Century American SchoolHenry Gasser (1909-1981)L? Minh (b. 1937), Vietnamese street sceneIn the Style of Colin Campbell Cooper (1856-1937)Emma Lampert Cooper (1855-1920), "Delhi Fruit Stand - India"Ferdinand-Jean Luigini (1870-1943), Figure and horse cart in a French landscape, 192620th Century French SchoolAttributed to Giulio Silva (1875-1967), Garden scene with staircaseAttributed to Edouard Marcel Charriere (1892-1920), "Marsh Land"20th Century European schoolEarly 20th Century French SchoolRaymond Howell (1927-2002), San Francisco skyline with the Golden Gate BridgeFrank Serratoni (1908-1970), "Cable Car Down Washington Street #2"Raphaelle Johnson (Early 20th Century)Jennie Tomao (1934-2011), Tabletop still lifeJennie Tomao (1934-2011), Still life with fruit and flowersClarence Hinkle (1880-1960), "Still Life"Sergei Bongart (1918-1985), Still life of two ducksMorris Broderson (1928-2011), "Thought of Gaugin," 1975G. Watson (20th Century), "Return of the Seed," 1985Ross Bleckner (b. 1949), Untitled, for "Parkett" vol 38, 1993John Langley Howard (1902-1999), "Doodle"Robert Rukavina (1914-1977), Still life of pears and grapes, 1959Mid 20th Century American School20th Century American SchoolYankel Ginzburg (b. 1945), Untitled, conch shell in sandYankel Ginzburg (b. 1945), "Study for Melodrama"Yankel Ginzburg (b. 1945), Untitled, frangipani flowersYankel Ginzburg (b. 1945), "Transcending"Kay Ameche (1904-2005)Donald R. Schwartz (1931-2010), "Fast and Lucky," 1976After Percival Rousseau (1859-1937), Four hunting dogs drinking from a pondLeo B. Blake (1887-1976), Woman feeding ducksRobert Bissell (b. 1952), "The Kiss"Ljubomir Milinkov (b. 1938), SafariClaire Leighton (1898-1989) and Barry Moser (b. 1941)Abraham Walkowitz (1878-1965), Nude study, 1906Pierre Daboval (1918-2015), Erotic composition sketch, 1978Joseph L. Kraemer (1872-1938)Feliciano Bejar (1920-2007), Figurative abstraction, 1964After Henry Singleton (1766-1839), "Paix signee entre Romulus, Roi de Rome et Tatius, Roi des Cures"Giovanni Battista Piranesi (1720-1778), Left-half of the title page for "Vasi Candelabri CippiGiovanni Battista Piranesi (1720-1778), Right-half of the title page for "Vasi Candelabri CippiGiovanni Battista Piranesi (1720-1778), "Bassorilievo antico di marmo che si vede nel GiardinoGiovanni Battista Piranesi (1720-1778), "Due Fregi Marmorei e Sei Frammenti Ornamentali (VilleGiovanni Battista Piranesi (1720-1778), "Fregio antico di marmo con Ippogrifi, nel cortile delGiovanni Battista Piranesi (1720-1778), "Iscrizioni e Frammenti della Stanza sepolcrale vicina aGiovanni Battista Piranesi (1720-1778), "Veduta della Facciata di dietro della Basilica di SantaGiovanni Battista Piranesi (1720-1778), "The So-Called Tempio Della Tosse, Near Tivoli," 1764Giovanni Battista Piranesi (1720-1778), "Veduta dell'Atrio del Portico di Ottavia" (View of theAlbrecht Altdorfer (1480-1538), "Pilate Washes His Hands," from "The Fall and Salvation of MankindThree late 20th century Italian Commedia dell'arte prints with gold leafJames McNeill Whistler (1834-1903), "La Marchande de Moutarde," from the "French Set," circa 1858K‰the Kollwitz (1867-1945), "Aufruhr" (Uprising), 1989Three etchings by Mortimer Luddington Menpes (1855-1938), Louis Orr (1879-1961), and Alonzo C. WebbMuirhead Bone (1876-1953), "Windy Night, Stockholm," 1935…douard Vuillard (1868-1940), "Interieur au Canape," circa 1930Charles Amand-Durand (1831-1905), "The Omval," after Rembrandt, late 19th century or afterArturo Garcia Bustos (1926-2017), "CompaÒas extranjeros"Dale Nichols (1904-1995), "Grain Elevator," 1945Alfredo Zalce (1908-2003), "La Hija del rey Tolteca Huemac se Enamora del Huasteco Tohuenyo," 1996Jose Jule (20th century)John Coughlin (1885-1943), "Eugene O'Neill"Boris O'Klein (1893-1985), "W.C. Prive!" from the "Dirty Dogs of Paris" seriesBoris O'Klein (1893-1985), "Chacun son Tour!" from the "Dirty Dogs of Paris" seriesJames Coignard (1925-2008), "Objet Bleu," from the "Trois icones pour rover" suite, 197720th Century American SchoolWilliam Seltzer Rice (1873-1963), "Sunset Eucalyptus"A Study Collection of 16 Japanese Woodcuts by Various ArtistsA Study Collection of 15 Japanese Woodcuts by Various ArtistsFive Japanese woodcuts by various artistsThree works by Utagawa Kunisada (Toyokuni III) (1786-1865), and one work by an Edo Period artistFive Japanese woodcuts by various artistsFour Japanese woodcuts by various artistsKawase Hasui (1883-1957), "Shiba Daimon," 1926Utagawa Hiroshige (1797-1858)Toyohara Kunichika (1835-1900), No. 2 and No. 7, from "A Master Text of Popular Songs," circa 1860sUtagawa Hiroshige (1797-1858)Tsukioka Yoshitoshi (1839-1892), "Does the Cuckoo Also Announce its Name from Above the Clouds?"Utagawa Hiroshige (1797-1858), "Toto Sumida-tsutsumi," from the "Fuji sanjurokkei" series, circaUtagawa Hiroshige (1797-1858), "Fugu and Inada Fish," from the "Uozukushi" series, circa 1840sBakufu Ohno (1888-1976), "Goldfish" from the "Great Japanese Fish Pictures" series, 1937Yoshu Chikanobu (1868-1912), "No. 11 Courtesans Ainosuke of Inamoto and Kan of Nakanocho," from theToyohara Chikanobu (1838-1912), "Seika Haeri," from "The Fashions of the East," 1896Kawase Hasui (1883-1957), "Snow at Daichi," 1925Utagawa Hiroshige II (1826-1869), "The Twin Bridges at Kameido Tenjin," from the "48 Famous Views ofUtagawa Hiroshige (1797-1858), "Sayo Mountain Pass," from the "53 Stations of the Tokaido Road"Kawase Hasui (1883-1957), "Yudaki Waterfall in Nikko," 1941Kono Bairei (1844-1895)Suzuki Harunobu (1725-1770), "Fukurokuju" from the "School for the New Year"19th Century Utagawa SchoolToshi Yoshida (1911-1995), "Ishiyama Temple"Jun'ichiro Sekino (1914-1988), Cats, 1960Keisuke Yamamoto (b. 1961), "Light Time Silence M - D," circa 2015Shigeki Kuroda (b. 1953)Kiyoko Kobayashi (b. 1947), "Fusing Memories," 198819th / 20th Century Indian SchoolA Mughal-style portrait of a ladyFelix Delamarche (1779-1835), "Tableau Analytique: des differentes positions de la sphere, desNicolas-Louis de Lacaille (1713-1762), "Planispheres des Etoiles Australes," from "L'Atlas CelesteA miscellaneous group of works on paper including a photograph, lithograph, and hand-colored mapJeff Nixon (1952-2022), "Three Brothers, Winter Storm, Yosemite Valley"Jeff Nixon (1952-2022), "Upper Yosemite Fall, from Fern Ledge"Boris Kuperschmidt (20th Century)Cedric Wright (1889-1959)), A group of three photographs featuring a young boyWalter Chappell (1925-2000), "Sharon Tate, Big Sur," 196420th Century American School, Cabaret, Cyanotype on paper, Sight: 20" H x 23.5" W20th Century American SchoolRalph Gibson (b. 1939), Untitled, from the portfolio "New York 1967-1970," 1968After Andy Warhol (1928-1987), "Campbell's Soup Can" posterAfter Andy Warhol (1928-1987), "Campbell's Tomato Soup Can" (poster), 1993After Pablo Picasso (1881-1973), After "Bacchanale au taureau noir" of 1959After Alexander Calder (1898-1976), An exhibition poster for Calder at the "1ere BiennaleAfter Alexander Calder (1898-1976), "Mobiles de Calder, Galerie Maeght," exhibition poster, 1954Marc Chagall (1887-1985), "Carte de Voeux pour Aime," 1960Marc Chagall (1887-1985), "Le Joueur de Flute," 1957Salvador Dali (1904-1989), "Moshe Dayan," from the "Famous Men" suite, 1968After Salvador Dali (1904-1989), Melting clockSalvador Dali (1904-1989), "Autumn," 1970After Salvador Dali (1904-1989), "Bertrand de Horn," Purgatory Canto 28 from "The Divine Comedy,"Peter Max (b. 1937), "Blue Lady Planet," 1999Peter Max (b. 1937), "Mountain Girl," 1979Peter Max (b. 1937), "Stormy Sail," 1993Alexandra Nechita (b. 1985), "Brave in the Attempt," 1996John B. Massey (b. 1950), Untitled, circa 1970Jean-Michel Folon (1934-2005), Graphic image with arrows, circa 1970John Luke Eastman (20th Century)James Harrill (1929-1996), Greek city sceneAntonio Frasconi (1919-2013), "The Sound IV," 1975Romain (Erte) de Tirtoff (1892-1990), "Adoration," 1986Clifford Goodenough (20th/21st Century), Geometric abstraction with people walking, 1983Nicholas Hondrogen (1955-2007), "Theseus' Clue," 1973Hans Erni (1909-2015), Kneeling nudeLarry Nisula (b. 1960), "Flask"A group of eleven screenprints by various 20th century artistsA group of eight screenprints by various late 20th century artistsA group of eight screenprints by various late 20th century artistsA group of six screenprints by various late 20th century artistsAfter Karel Appel (1921-2006)Michael Mazur (1935-2009), "Thaw II," 1998David Gilhooly (1943-2013), "Cat," 1988Louise Schatz (1916-1997), Untitled, 1976-78Millard Sheets (1907-1989), "Two Horses," 1936Rico Lebrun (1900-1964), One plate from "Drawings for Dante's Inferno," 1963Joseph Muzando (b. 1953), "She Lives In My Mind," 199320th Century American SchoolLate 20th Century Abstract SchoolAfter Andy Warhol (1928-1987), An exhibition poster for Andy Warhol's movie "Flesh"After Andy Warhol (1928-1987), "The American Indian Series" poster for Ace Gallery, 1976Barnum & Bailey circus posterAn exhibition poster for "Apollinaire Said: Institute of Contemporary Arts, London, England"An exhibition poster for "Waldren: Dwan Gallery, Los Angeles, March 1-March 26, 1964"After Alfred Jensen (1903-1981), An exhibition poster for "Alfred Jensen at Pace: PaintingsAn exhibition poster for "The Victor Du Bois Collection of West African Art, Baxter Art Gallery,After James Rosenquist (1933-2017), An exhibition poster for "James Rosenquist: Castelli, Feigen,After Franti...ek Kupka (1871-1957), An exhibition poster for "Kupka: Pastels et Gouaches, GalerieAfter Jasper Johns (b. 1930), Poster/mailer for "Jasper Johns: Castelli Graphics Exhibition JanuaryAfter Ronald Davis (b. 1937), An exhibition poster for "Ron Davis: Recent Paintings, April 12-MayAfter Max Ernest (1891-1976), An exhibition poster for "Max Ernest: Galerie Alphonse Chave Vence,After April Greiman (b. 1948) and Jayme Odgers (b. 1939), Offset lithograph in colors on posterRichard Lindner (1901-1978), "Richard Lindner: University Art Museum, Berkeley," 1969After John Graham (1881-1961), "John Graham 1881-1961: Andre Emmerich Gallery, New York, June 1966"Moshe Kupferman (1926-2003), Four untitled works, 1987-88Ellen Skidmore (b. 1963), "Wild Flowers," 2005Vanni Saltarelli (20th Century), "Campione"Tom Laduke (b. 1963), "Bitch," 2004Sair Garcia (b. 1975, Colombian), Untitled, from the series "Sleeping," 2009Peter Liashkov (b. 1939), Female TorsoSigismund Kolos-Vary (1899-1983), Untiled (Yellow), 1973Kathy Donahey (b. 1942), "Blue Spectators"Jose Jule (20th Century), "Flor de Amor," 2000Dan Allison (b. 1953), "The Devils Dance and Angels Sigh"20th Century American School, San Francisco, Mixed media and collage on paper, Sight: 35" H x 29" WDiane Snyder (20th century), "Voltage," 1991Nicholas Mirandon (1945-2018), Marbled resin abstraction, 1979Valerie Snobeck (b. 1980), "Apres," 2010-2013Allen Ruppersberg (b. 1944), "23 Pieces," 1969Olafur Eliasson (b. 1967), "Seeing Yourself Seeing," 2007Jacco Olivier (b. 1972), "Pave de Flore," 2015Peter Coffin (b. 1972), "Untitled (Symbiotic Relationship / Dance Party)," 2003Smurfs memorabilia, including original production animation cels and original artworkAn assorted group of silver itemsA group of sterling silver flatware items and serving utensilsA group of English sterling silver serving utensilsA Cartier sterling silver partial flatware serviceA group of sterling silver spoonsAn Italian silver vanity setA group of English sterling silver sauceboatsThree English sterling silver magnifying glasses and a wedding basketA group of sterling silver dishes and bowlsA group of Gorham sterling silver 'Chantilly' spoons and forksTwo English sterling silver and glass inkstandsA Continental silver-plated fish service and assorted sterling silver and plated itemsA group of sterling silver and silver-plated baby articlesA group of silver and metal napkin ringsA group of Lalique glass table itemsA group of Lalique glass perfume bottlesA group of Lalique glass table itemsA Herend porcelain fishnet lion figural groupA Lladro porcelain 'Honeymoon Ride' figurineA Lladro porcelain 'Flowers of the Season' figurineA Lladro porcelain 'Gazebo in Bloom' figurineA Lladro porcelain 'The Floral Offering' figurineA Regency-style oak refectory tableFour Neoclassical carved wood columnsAfter Charles Humphriss (1867-1934), "The Sun Dial"A French gilt bronze-mounted marble pedestalA late 19th/early 20th century German porcelain miniature portraitA pair of Louis XVI-style side tablesA Baroque-style carved giltwood frameAn Austrian Secessionist bronze figural inkwellA pair of Victorian cast iron jardinieresA stone garden planterA pair of Arte Italica ceramic jardinieresA pair of Egidio Casagrande brass compotesA group of Italian nickel brass serving utensils and spoonsA Continental silver-plated ewerA pair of carved wood altar sticksA pair of Renaissance-style brass figural andironsA Continental carved giltwood wall decorationA Renaissance Revival-style jewelry boxA Continental walnut and leather Savonarola chairAn English mahogany traveling engraver's chestA Spanish Revival-style tole framed mirrorA painted leather three-panel dressing screenTwo Mexican carved wood doorsA painted wood three-panel coromandel screenA Chinese faux bois porcelain baluster vaseAn archaistic champleve and bronze censerA Chinese cloisonne smoking setA Chinese carved nephrite cupTwo Chinese carved hardstone censersA Chinese yingqing-glazed porcelain pitcher and teapotThree Chinese carved hardstone itemsA group of Asian ceremonial and decorative objectsFour Chinese Famille Rose porcelain vasesA Chinese celadon glazed ceramic vaseThree Chinese pottery horse figuresA Chinese carved stone standing Bodhisattva steleA Group of four 20th century Chinese reverse paintings on glassA Chinese carved wood writing tableAn Asian ceramic jardiniereAn Asian ceramic jardiniereAn Asian ceramic jardiniereAn Asian ceramic jardiniereA Chinese Rose Medallion porcelain fish bowlA Japanese marquetry display cabinetA South Asian metal-clad trunkA Japanese glazed stoneware jar converted lampA South Asian bronze figure of a benevolent deityA Tibetan thangkaA group of Asian decorative itemsA palace-sized Egyptian rugA Caucasian rugA Caucasian area rugA Caucasian rugA Caucasian area rugA geometric area rugA Caucasian rugA Caucasian runnerA Contemporary Caucasian runnerA Caucasian-style geometric runnerA Persian runnerA Turkish rugA Kilim area rugA large North African embroidered woven textileA geometric area rugTwo trilobite fossilsA trilobite fossil specimenAn onyx specimen bowlA group of Roseville pottery vases and jardinieresThree pairs of Roseville pottery itemsA fluorite specimen bowlAn Ivora gouda painted pottery vaseFour Weller pottery itemsA group of Rookwood pottery itemsA group of Roseville pottery vasesA group of Roseville pottery itemsFour Van Briggle pottery animal figuresSix pairs of book endsA Kenton cast iron log wagon toyA group of toys including a tractor and two cranesA carved wood model biplaneFour 20th Century quiltsA Folk Art burlwood Parcheesi game boardA pair of Arts & Crafts Oscar Bach-style screen lampsTwo Folk Art iron garden ornamentsThree bronzed plaster skull-form bookendsSix pairs of book endsTwo Modern hooked rugsTwo Alford Co. hammered copper and mosaic tile platesA group of enameled metal art platesA group of Art Deco sconcesA Venetian glass-mounted metal sconceA group of nautical instrumentsHistoric Lithographs of San FranciscoA group of Easton Press children's hardcover booksL. Frank Baum (1856-1919), A group of "Oz" hardcover books, 1909-1981An Agresti briarwood multi-game boxA Pre-Columbian pottery figureA Pre-Columbian-style cast ceramic maskA. Jeffrey Zigulis (b. 1954), Two Dream MasksA Congolese carved wood dance maskCharles Bragg (1931-2017), A group of associated patinated bronze figures, 1980sCharles Bragg (1931-2017), A group of associated patinated resin figures, 1980sCharles Bragg (1931-2017), A group of associated patinated resin figures, 1980sCharles Bragg (1931-2017), A cast resin plaque and silicone mold, late 20th centuryCharles Bragg (1931-2017), A large cast resin plaque and silicone mold, late 20th centuryCharles Bragg (1931-2017), A cast plaque and silicone mold, late 20th centuryA Victor Mfg. Co. LA metal door knocker and viewing windowBarbara Beretich (1936-2018), "Mayan Woman"Charles Stratos (b. 1953), "Le Vive Moment," 2022Margaret Ford (b. 1941), Three dancersRuth Ko (20th century), "Ko Baby"Loet Vanderveen (1921-2015), "Stretching Cheetah"After Jean-Jacques Caffieri (1725-1792), River GodPaolo Soleri (1919-2013), A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZPaolo Soleri (1919-2013), A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZPaolo Soleri (1919-2013), A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZLester Wilton Raymer (1907-1991), A glazed stoneware figure of the Virgin and Child, 1953A Frank Matranga ceramic maskMichael Weinberg (1953-2016), Two raku-style stoneware lidded pots, late 20th/early 21st centuryDorothea Schwarcz Greenbaum (1893-1986), A glazed ceramic fish figure, mid-20th centuryA Modern volcanic glazed ceramic vaseSascha Brastoff (1918-1993), A 'Mosaic Line' ceramic wall plaque and three ashtrays, circa 1950sA Farber Brothers barware setA Modernist tapestry weavingArne Jacobsen (1902-1971), A stainless steel 'Cylinda Line' tea and coffee service for Stelton,A McGuire bamboo dining table and six 'Target' armchairsA Modern cast iron and glass coffee tableA Modern giltwood mirrorA Contemporary Mission-style modular hutchA Contemporary Mission-style wardrobeA pair of Contemporary benchesA set of wood folding library stepsA 2018 Genesis G90A 2007 Mercedes-Benz S-Class S550

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