The Traditional Collector

online only auction | 1 day sale | 11 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Wed
Oct 29
10am

Sale Ends

Wed
Oct 29

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

Our autumn Traditional Collector sale at John Moran Auctioneers has 404 lots of European, Asian, and American Fine and Decorative arts. Fine Art is highlighted by a beautiful Algernon Talmage painting entitle ?Seaside View, others by Michel Delacroix and Johann Georg Dathan, and a large selection of Japanese woodblock prints, A robust selection of Asian decorative arts includes a rare zimingzhong automaton pagoda-form clock, Mid/late 20th century, a pair of famille rose porcelain plaques signed by Wang Qi and mounted in a rosewood cabinet, a pair of Daoguang blue and white porcelain dragon dishes, a Republic period or earlier blue and white tripod censer, a pair of Qing dynasty jade and carnelian cranes and a possibly Imperial hardstone mounted wooden panel, snuff bottles in various media, and Japanese screens. Furniture and decorative arts include a selection of furniture, sterling flatware and hollowware, porcelain and stoneware dinner services, a KPM plaque, Steuben, Saint Louis, and Baccarat stemware, Lalique glass, and Arts & Crafts pottery. An interesting collection of Persian pen boxes and a 2019 Genesis G70 is also included.
A group of J. D. Schleissner & Sˆhne salt cellars and pepper castersThree German repousse silver table articlesA pair of Dutch .900 silver five-light candelabraA group of Austrian sterling silver and enamel ladies' itemsAn Italian .800 silver inkstandA Georg Jensen sterling silver 'Acorn' flatware serviceThree Russian silver cupsPierre Bonnard (1867-1947), "La Revue Blanche," 1894James Jacques Joseph Tissot (1836-1902), "Entre les deux mon coeur balance," 1877Jacques Joseph Tissot (1836-1902), "Le Banc de Jardin," 1883James Jacques Joseph Tissot (1836-1902), "La soeur ainee," 1881After Edouard Manet (1832-1883), "Cat and Flowers," from the "Les Chats" series, 1869Marc Chagall (1887-1985), "Samson renverse les colonnes," plate 57 from "La Bible," 1931-39After Honore Daumier (1808-1879), "The Grand Staircase of the Palais de Justice," circa 1864A pair of Continental glazed earthenware stacked cushion footstoolsA Choisy-le-Roi majolica cockatoo & beetle double vaseThree Royal Bonn earthenware 'Delft' covered urnsAfter Francois Auguste-Hippolyte Peyrol (1856-1929), "L'homme vainquant la lionne" (Man fighting aFerdinando Vichi (1875-1945), Torso of Venus of CapuaA Raynaud and Co. porcelain 'Montezuma Green' dinner serviceA Bernardaud Limoges porcelain 'Vieux Rouen' dinner serviceA Baccarat glass 'Lagny' stemware serviceA Saint-Louis glass 'Thistle' stemware serviceA Continental boiserie fragmentA pair of Louis XV-style brass and glass girandolesA Louis XV Provincial burl walnut commodeA Louis XV walnut bombe commodeA Victorian Louis XV-style marquetry bureau platA Louis XVI-style giltwood mirrorA Louis XV-style caned walnut Duchesse briseeA pair of Napoleon III-style bronze-mounted porcelain candelabraA Louis XVI-style paint-decorated and giltwood mirrorA René Lalique glass 'Dahlias' vaseA set of ten Lalique glass 'Femmes Antique' tumblersA set of twelve Lalique glass 'Ange' champagne flutesA pair of Lalique glass 'Kazak' horse bookendsA Lalique black enameled glass 'Tourbillons' vaseA Lalique glass 'Martinets Swallow' vaseA Lalique black glass 'Zeila Panther' figureA Lalique glass 'Zeila Panther' figureA group of French copper cookwareA Charles Schneider blow-out glass and wrought iron center bowlA French patinated metal figural table lampA collection of Christofle silver-plated 'Gallia' knife restsEmile Galle (1846-1904), A fire-polished cameo glass vase parlant, circa 1900A group of Tiffany Studios Favrile glass table articlesA Handel 'Teroca' pine needle table lampA Teco pottery Etruscan-style pitcherA Van Briggle pottery vaseA Van Briggle pottery vaseTwo Van Briggle pottery vasesBartholomeus Johannes van Hove (1790-1880), Two Dutch architectural views, 1832Otto von Ruppert (1841-1923), M¸nchen scene, possibly WilhelmsbogenHolger Hvitfeldt Jerichau (1861-1900), European farm scene, likely DenmarkJules Dupre (1811-1889), Shepherd with flock of sheepJules Dupre (1811-1889), Cattle in a vast landscape19th Century European SchoolJohn Bonny (1874-1948), Flock of sheep in a pastoral landscapeJames Hardy II (1832-1889), "Waiting for Lunch"19th Century French SchoolThree Chinese white ceramic bowlsThree Chinese white ceramic bowlsA Chinese Qingbai white porcelain bowlA Chinese polychrome porcelain figure of a boyA Chinese yellow ground porcelain dragon bowlA Chinese yellow ground porcelain dragon cupA Chinese yellow glazed globular vesselA pair of Chinese green glazed pottery ginger jarsAn East Asian polychrome enameled porcelain water dropperA Chinese celadon porcelain bowlTwo Chinese Longquan celadon bowlsA Chinese Longquan celadon bowlA Chinese Longquan celadon lidded jarThree Chinese Export blue and white porcelain footed bowlsA Chinese Export-style blue and white porcelain bowlA Chinese Export blue and white porcelain tureenA Chinese Export blue and white porcelain bowlA group of Chinese blue and white porcelain vesselsA pair of Chinese blue and white porcelain vasesA group of East Asian blue and white porcelain tea waresA pair of Chinese blue and white porcelain jardinieresA Chinese Yixing 'Qu' pottery teapot and coverA Chinese Wucai glazed porcelain ginger jarA group of East Asian polychrome enameled porcelain tea waresA pair of Chinese polychrome enamel porcelain bowlsA pair of Chinese Famille Rose porcelain lotus bowlsA Chinese Famille Rose porcelain vaseA pair of Chinese blue and white porcelain dragon dishesA Chinese blue and white porcelain tripod censerA Chinese blue and white and copper red porcelain brush potA Chinese blue and white and iron red porcelain bowlA pair of Chinese Doucai porcelain bowlsA Chinese polychrome porcelain vase as a lampA Chinese Famille Rose porcelain 'Wu Shuang Pu' vaseThree Persian polychrome wood and papier-m‚che figural pen boxesA Persian polychrome wood and papier-m‚che erotic pen boxA group of Persian polychrome wood and papier-m‚che pen boxesThree Persian polychrome wood and papier-m‚che pen boxesA Heriz rugA Heriz rugA Heriz rugThree Persian polychrome wood and papier-m‚che figural pen boxesA group of Persian polychrome wood and papier-m‚che floral pen boxesA group of Persian polychrome wood and papier-m‚che pen boxesThree Persian polychrome wood and papier-m‚che pen boxesTwo Persian polychrome wood and papier-m‚che pictorial pen boxesA 14k gold Kiddush cup and saucerFour 14k gold and glass candlesticksA group of sterling silver Kiddush cupsA repousse sterling silver center bowlA near-pair of Hazorfim sterling silver five-light candelabraJohann Georg Dathan (1701-1749), "Wild Huntsman, in ragged clothes" (likely a self-portrait of the18th/19th Century Continental SchoolLate 17th/early 18th century British SchoolJames Frothingham (1786-1864), "Deacon William Copp," 1825A Greek icon of a saint on horsebackA Russian Icon of "Mother of God of the Unburnt Bush"A Russian travel icon of Holy Martyr Blasius of Sebastia and Saint AthanasiusA Russian Icon, the Three Holy HierarchesA Russian Icon, Mother of God, PockrovA group of Russian lacquer boxesA group of Russian lacquer portrait boxesA pair of Italian Renaissance-style patinated bronze door knockersAn Italian Renaissance walnut credenzaAn Italian Renaissance-style carved wood sgabello chairA pair of Spanish Colonial carved wood torcheresA pair of bronze hippocampus fountainsA Continental carved alabaster bust of Joan of ArcAn Italian terracotta bust of Monsignor Pedro de Foix MontoyaA collection of framed photographs, autographs, and medals, from 20th Century dignitaries andVincenzo Maria Coronelli (1650-1718), "America Settentrionale Colle Nuove Scoperte Sin All AnnoAndre Charles Boulle (1642-1732), "Nouveaux Deisseins [sic] de Meubles et Ouvrages de Bronze et de10 plates from "The History of the Royal Residences of Windsor Castle, St. James's Palace, CarltonA patinated bronze equestrian statue of Bartolomeo ColleoniThree sets of Grand Tour plaster intagliosA pair of large bronze figures of lionsA Continental partial ebonized walnut tabletop cabinetA Baroque-style giltwood mirrorA Flemish Baroque tapestryA Flemish Baroque tapestry-mounted four-panel floor screenA Berlin (KPM) porcelain plaqueA German Baroque inlaid walnut commodeA Herend porcelain 'Chinese Bouquet' dinner serviceA Royal Copenhagen porcelain 'Blue Fluted Full Lace' dinner serviceA Royal Copenhagen porcelain 'Blue Fluted Half Lace' dinner serviceA pair of Italian Rococo giltwood open armchairsA Venetian Rococo-style painted wood sedan chairA pair of Baroque-style porcelain-mounted brass candlesticksA pietra dura plaqueAn Italian pietra dura plaquePaul Jean Clays (1819-1900), Sailing ships in a calm harbor, 1853Thomas Willis (1850-1925), Sailing ship at sea, 1907Abraham Jacob Bogdanove (1888-1946), Coastal view, 1910Alfred De Breanski, Jr. (1877-1957), "A Reach of the Thames near Wallingford"David Bates (1840-1921), Cows watering in a British pastoral landscape, 1880Bernard Gantner (1928-2018), French winter roadEugenio Gignous (1850-1906), View of an Italian port city, likely CapriNicolai Karazin (1842-1908), "The Wounded Soldier," 1894Sumbat Der Kiureghian (1913-1999), Rural Iranian scene with figures and farm animals, 1948Four Chinese porcelain snuff bottlesFive Chinese porcelain snuff bottlesFive Chinese porcelain snuff bottlesFour Chinese overlay glass snuff bottlesThree Chinese carved glass snuff bottlesFour Chinese snuff bottlesA Chinese butterscotch agate snuff bottleA group of Chinese carved stone snuff bottlesA group of Chinese snuff bottlesA Chinese carved calcite snuff bottleFive Chinese carved stone snuff bottlesTwo Chinese cloisonne snuff bottles and a Tibetan horn snuff bottleA Chinese carved jade dragon two-part belt buckleA Chinese nephrite jade bowlA Chinese carved nephrite cylindrical boxA diminutive Chinese carved lapis figure of GuanyinA Chinese carved agate tripod vesselA Chinese jade carving of a beautyA pair of Chinese carved nephrite and carnelian figures of cranesA large Chinese carved hardstone figure of a fishA Chinese carved jade figure of a duckA Chinese jade carving of a Manchurian craneA Chinese carved rose quartz covered urn converted lampA Chinese carved alabaster Bodhisattva figureA Chinese carved jade figure of GuanyinA large Chinese carved jade figure of GuanyinA large Chinese carved nephrite figure of an ArhatA Chinese carved stone figure of GuanyinA natural fluorite specimenA Chinese Taihu scholar stoneA Chinese Taihu scholar stoneA Chinese Ling Bi scholar stoneA 2019 Genesis G70Youqua (active 1840-1870) or StudioKings of Hell torture scene, likely from the tradition of Water-Land Ritual Paintings, China, 17thA Chinese painted hanging scrollA Chinese Ancestor Portrait, 19th Century or laterTwo Qing (1644-1911) style ancestral portraits, early 20th centuryMa Jiatong (1865-1937), Birds and flowers, circa 1900A Chinese 'kesi' silk tapestry hanging scrollA Chinese Yuan-style landscape painting with horses and grooms, Qing Dynasty, Early 20th centuryA Chinese hardwood brush potA pair of Chinese carved giltwood guardian lionsThree Chinese cricket cagesAn Asian carved giltwood figure of the BuddhaTwo Chinese polychrome carved wood figures of ancestorsAn Asian giltwood figure of the Amitabha BuddhaA Southeast Asian lacquered carved wood donor figureA Chinese hardstone-mounted and carved wood panelA pair of Chinese guri lacquer plattersTwo Chinese lacquered carved wood hanging coupletsA Chinese polychrome lacquered wood eight-panel coromandel screenA large Chinese bronze figural censerA Chinese silvered and gilt-bronze mirrorAn Asian cloisonne lidded boxA Dong Son-style bronze rain drumA Chinese embroidered Qing court-style garmentA pair of Chinese 'xiezhi' martial rank badgesA rare zimingzhong automaton pagoda-form clockA Chinese Famille Rose porcelain plaque-mounted rosewood cabinetA Chinese red lacquered wood lunch boxA Chinese hardwood picnic boxA Burmese lacquered wood food box and two bowlsA Chinese hardwood lidded boxA Chinese elmwood low cabinetA Chinese hardwood seal chestA small Chinese elmwood chestA Chinese carved wood 'official's hat' armchairHiroshi Yoshida (1876-1950), "Approach to Agra, No. 3," 1932Hiroshi Yoshida (1876-1950), "Victoria Memorial," 1931Hiroshi Yoshida (1876-1950), "Sphinx," 1925Hiroshi Yoshida (1876-1950), "Shokei Palace," from the "Korea and Manchuria" series, 1937Hiroshi Yoshida (1876-1950), "Suzukawa," 1935Hiroshi Yoshida (1876-1950), "Goshikigahara," from the "Twelve Scenes in the Japan Alps" series,Hiroshi Yoshida (1876-1950), "Sunrise Rite," from the "Ten Views of Fuji" portfolio, 1928Hiroshi Yoshida (1876-1950), "Chikugo River," 1927Hiroshi Yoshida (1876-1950), "Hirakawa Bridge," 1929Hiroshi Yoshida (1876-1950), "Night in the Harbor," 1938A Japanese shibayama and gilt lacquer inroA Japanese carved guri lacquer inroA Japanese porcelain rabbit figureA Japanese Arita ware blue and white porcelain plateThree Japanese Arita ware blue and white porcelain dishesA Japanese Imari porcelain dinner serviceA Japanese Satsuma pottery vaseA Japanese gilt and lacquered wood chestA Japanese six-panel byobu screenA Japanese two-panel byobu screenA Japanese four-panel namban byobu screenA Japanese six-panel byobu screenKawase Hasui (1883-1957), "Snow at Kiyomizu Hall, Ueno," 1929Komori Soseki (late 19th century), "Leaping Carp," 1929Two Japanese WoodcutsKatsushika Hokusai (1760-1849), "Ejiri in Suruga Province," from the "Thirty-six Views of MountUtagawa Yoshikazu (Active 1848-1870), "The Great Battle at Kawanakajima," triptych, 1853Scenes from The Tales of Genji, Japanese, Meiji period, 19th centuryTwo Japanese Edo period Tosa School paintingsKobayashi Kiyochika (1847-1915), "The Second Month: Matsuchiyama in Snow at Dusk," from the TrueTsushima Koitsu (1870-1949), "Nagoya Castle," 1937Utagawa Hiroshige (1797-1858), "Goten-yama, Shinagawa," from the "One Hundred Famous Views of Edo"Utagawa Hiroshige (1797-1858)Utagawa Hiroshige (1797-1858), Female figure walking through the snowA Japanese bronze figure of KannonA Japanese ikekomi-doro stone garden lanternA pair of Korean persimmon wood stacking chestsAn Asian colonial carved wood altar tableA Dutch Colonial iron-mounted hardwood storage chestEight East Tibetan thangkas depicting various Mahasiddhas, 20th centuryAn East Asian painted hanging scrollA Thai illustrated folding manuscriptA Thai illustrated folding manuscriptHiroshi Yoshida (1876-1950), "Glittering Sea," from the "Inland Sea" series, 1926Hiroshi Yoshida (1876-1950), "Fusei," 1937Hiroshi Yoshida (1876-1950), "Sanko Island," 1941Hiroshi Yoshida (1876-1950), "Park in Canton," 1941Hiroshi Yoshida (1876-1950), "Hayase," from the "Kansai District" series, 1933Hiroshi Yoshida (1876-1950), "Sankei-en," from the "Eight Scenes of Cherry Blossoms" series, 1935Hiroshi Yoshida (1876-1950), "Arashiyama," from the "Eight Scenes of Cherry Blossoms" series, 1925Hiroshi Yoshida (1876-1950), "The Cherry Tree in Kawagoe," from the "Eight Scenes of CherryHiroshi Yoshida (1876-1950), "Wisteria Garden," 1935A pair of framed Japanese embroidered silk picturesA Japanese six-panel byobu screenA Japanese six-panel byobu screenA Japanese six-panel byobu screenTwo single screen panels with birds of prey, Japan, Kano school, Edo period or laterA Japanese two-panel byobu screenA Japanese six-panel byobu screenA Japanese four-panel byobu screenA Japanese six-panel byobu screenUtagawa Kunisada (1786-1865), Untitled, from the "Kadoya Ebita Uchi, Minako Ni Sakura" seriesUtagawa Kunisada (1786-1865), Courtesan Matsufune from the Sanomatsu house, circa 1830Utagawa Kunisada (1786-1865), "A Good Day to Trim One's Nails," from the "A Floral Calendar: WomenUtagawa Kunisada (1786-1865), "Kikugetsu" (central panel of a triptych), circa 1847Utagawa Kuniyoshi (1798-1861), One plate from "Three Beauties beside the Tama River," circa 1849-50Utagawa Kuniyoshi (1798-1861), "Courtesan with a Dog," circa 1842Utagawa Kuniyoshi (1798-1861), "Poem by Kakinomoto no Hitomaro," from the "The Thirty-six Poets, anSix 19th Century Japanese woodcuts in colorsFive Japanese woodcuts in colors20th Century Japanese Woodcut in colorsKikukawa Eizan (1787-1867), Hanaogi from the House of Ogi strolling outside, circa 1830Yoshu (Hashimoto) Chikanobu (1838-1912), Sixteen triptychs from the "Chiyoda Castle (Album ofTasaburo Takahashi (1904-1977)An English watercolor artist's wood paint boxAlgernon Mayow Talmage (1871-1939), "Seaside View," 1922Henry John Stock (1853-1930), "Dante's Vision," 1923Hans Zatzka (1859-1945), Woman carrying a basket of flowersJules Cheret (1836-1932), "La Guirlande des fleurs"Paul de Longpre (1855-1911), Floral sprayA pair of English sterling silver entree dishesA George III sterling silver berry bowlAn American silver tea serviceA group of sterling silver and glass match strikesAn Edward VII sterling silver coffee and tea serviceElizabeth Strong (1855-1941), Brittany and gameJohn Trickett (b. 1953), Springer spanielWilliam McPherson (1905-1972), Golden Retriever at the beach, 1959Roy Nockolds (1911-1979), Two portraits of yellow Labrador RetrieversMid 20th Century American SchoolWilliam McPherson (1905-1972), Spaniel in a landscapeWilliam McPherson (1905-1972), Portrait of a SpanielA Royal Crown Derby bone china 'Old Imari' dinner serviceA set of eight Mintons gilt porcelain soup bowlsA Minton & Co. ironstone 'Poonah' dinner serviceAn assembled English ironstone 'Flying Bird' part dinner serviceA set of twelve Mottahedeh porcelain 'Tobacco Leaf' dinner platesA William & Mary-style walnut chest on standA George III-style mahogany chestA pair of campaign-style brass-mounted dressersA George III oak Welsh dresserA set of twelve George III-style mahogany dining chairsA Regency bookcase cabinetA Victorian walnut CanterburyA large brass telescope in fitted caseGeorge Armfield (1808-1893), Hunting dogs in an interior, 1870George Armfield (1810-1893), Terriers hunting a foxFrank Cassell (1862-1908), Dogs surrounding a bowlGeorge Armfield (1810-1893), Spaniels hunting a pheasantFrank Cassell (19th Century), Dogs in an interior with a red blanket20th Century American SchoolColin Graeme (1858-1910), Two spaniel puppiesAttributed to Alfred Wheeler (1851-1932), Shetland sheepdogColin Graeme (1858-1910), Two spanielsLouis Riche (1877-1949), Seated German shepherdA Baroque 'Vanitas' needlework panelA Victorian slant-front deskA George I walnut chestA Chippendale mixed wood chest of drawersA George III mahogany small bow-front sideboardA group of Chippendale-style mahogany dining chairsA George III mahogany fold-over games tableA Victorian mahogany center tableA set of Victorian-style carved oak stepsA George III mahogany breakfront on standA George III-style mahogany breakfront cabinetA George III mahogany serverA pair of neoclassical marble and lapis table lampsAn English campaign-style brass-mounted mahogany pedestal deskA Victorian carved wood fold-over games tableA Chinese contemporary blue and white wool rugRobert Stone (1820-1870), Steeplechase sceneRobert Stone (1820-1870), Fox hunting scene19th Century American School19th Century Continental SchoolEmil Volkers (1831-1905), "In the Stable," 1898Albert Clark (1821-1909), "Briton II," 1889Henry Stull (1851-1913), "Carbuncle," 1905Colin Graeme (1858-1910), A horse and two hounds, 1904Colin Graeme (1858-1910), Horse and dogs outdoorsJames Thomas Wheeler (1849-1888), Horse with dogs19th Century Continental SchoolAn Amston sterling silver 'Athene' flatware serviceA Gorham sterling silver 'Melrose' flatware serviceA Gorham sterling silver 'Chantilly' partial flatware serviceA Durgin sterling silver 'Fairfax' flatware serviceA Gorham sterling silver 'Etruscan' flatware serviceThree Revere-style sterling silver bowlsA Howard & Co. sterling silver center bowlAn International sterling silver 'Orchid' flatware serviceA set of eleven International sterling silver mint julepsAn International sterling silver 'Continental' flatware serviceA Lunt sterling silver 'Mount Vernon' flatware serviceA Lunt sterling silver 'Eloquence' flatware serviceA pair of Poole sterling silver 'Chippendale' graduated traysA Porter Blanchard sterling silver 'Fiddle' flatware serviceA Reed & Barton sterling silver 'Fragrance' flatware serviceA Reed & Barton sterling silver 'Francis I' flatware serviceA Reed & Barton sterling silver 'Hampton Court' tea and coffee serviceA Tiffany & Co. sterling silver pedestal bowlA Wallace sterling silver 'Grand Baroque' flatware serviceA Wallace sterling silver 'Grand Baroque' flatware serviceA group of sterling silver serving utensilsMichel Delacroix (b. 1933), "Cour de Rohan"Michel Delacroix (b. 1933), "La diligence"Josef Liesler (1912-2005), "Nadja Oprena o Lokte" (Nadja Leaning on Her Elbow), 1959A Steuben glass 'Baluster' stemware serviceA pair of Chippendale-style mahogany side chairsA Classical Revival giltwood convex mirrorA set of six Queen Anne-style dining chairsA Rustic stripped wood harvest tableAn American Sheraton-style mahogany chest of drawersA Canadian stained pine cabinetAn Ansonia Renaissance Revival tall case clockAn American Renaissance Revival carved wood side chairA Classical Revival mahogany nine-tube long case clock

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