Studio Fine Art

online only auction | 1 day sale | 13 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Dec 16
10am

Sale Ends

Tue
Dec 16

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

John Moran Auctioneers is pleased to present their Studio Fine Art Auction ? Online. Featuring over 400 lots with a variety of fine art categories, including oil, watercolor, prints, and photographs by artists such as Nell Walker Warner, Joseph Raphael, Birger Sandzen, Albert De Rome, James Whistler, Sergei Bongart, and Salvador Dali. Prices range from the low hundreds to the early thousands. There is truly something for everyone! Contact us today with your questions or to register to bid.
Jack Laycox (1921-1984), "South of Lucia"Adelle C. Phelps (1866-1945), Rocks on the coastGary Lang (b. 1960), "La Jolla Light and Shadow"Ann McMillan (20th/21st Century), "Point Lobos Shore"Colin Campbell Cooper (1856-1937), SeascapeDaryl Millard (b. 1964), "Rocks Near the Cove"Louis Aston Knight (1873-1948), SeascapeDavis Francis Schwartz (1879-1969), Point Lobos tree, MontereySam Messer (b. 1955), Coastal viewFarris Wheeler (1882-1968), "Seacoast Scene of Hwy I, Near Carmel, CA," 1962Hajime Okuda (1906-1992), Hawaiian cove with palm trees and figuresKathleen Marshall (b. 1950), "Jay's Chair, Puerto PeÃ’asco #2," 1984Hajime Okuda (1906-1992), Hawaiian waterfront city scene, 1973Dana Bartlett (1882-1957), Coastal view with house and rocksMilford Zornes (1908-2008), Beach scene with figure and boat, 1986Bertha Stringer Lee (1869-1937), "Silver Sands," (Carmel, California), 1900Dana Bartlett (1882-1957), Coastal inletErnest William Christmas (1863-1918), Low tide with boatDana Bartlett (1882-1957), Coastal view with autumn treesFrank Lennartz (active 21st century), Cliffside roadJack Laycox (1921-1984), "Lonesome Harbor"Jack Laycox (1921-1984), People boarding a ferry boatJack Laycox (1921-1984), "House at Tomales Bay," 1964Jack Laycox (1921-1984), BoatsJoseph Knowles (1907-1980), Harbor scene, 1947Nol Quinn (1915-1993) Fishing boats San Pedro 1953"James Milton Sessions (1882-1962), Harbor sceneJames Milton Sessions (1882-1962), Figure on the dockLorraine Fiege (1913-2003), Wharf sceneDeanna Forbes (b. 1940), "With a Little Help From My Friends," 1992Florence Young (1872-1974), Dories on the beach (Newport Beach Pier)Jack Laycox (1921-1984), Beach boat launchJerry Von Megert (1938-2024), Two boats docked at the lakeGordon Cook (1927-1985), "Floating Pier," 198420th Century California SchoolLiu Fenglan (b. 1944), "Clear Sky After Snowing at Erhai Lake," 1982A New England harbor scene needlework panelFelice Hrovat (20th Century), Red and yellow sails in a harborJ. Bruhl (19th/early 20th century), "Red sails in the sunset"Guy Buffet (1943-2023), "Aloha Lahaina"Jack Laycox (1921-1984), "Viaduct in Luxembourg"In the style of William Posey Silva (1859-1948), Landscape with footbridgeFelice Hrovat (20th Century), River through a landscapeAfter Paul Lauritz (1889-1975), "A Song of Spring"George Hausdorf (1888-1959), Boats beached at the lakeLouise Mary Wahl Kamp (1867-1959), Lake and pine treesDan Robinson (b. 1963), Lake and meadowJeannine Levitt-Riccio (20th Century), "Properoux Pond," 2001William North (20th Century)Louise Mary Wahl Kamp (1867-1959), Night meadowJamie Kirkland (20th/21st Century), "Evening Shimmer"Annie Lyle Harmon (1855-1930), Trees in a landscapeJanis Sanders (20th/21st Century), "Marsh Grasses," 1999Milford Zornes (1908-2008), "Drift Log," 88Early 20th Century European SchoolJean Jacques Pfister (1878-1949), "Life in the Everglades," 1940Robert Fernier (1895-1977), "Souvenir de Tahiti," 1965Charles Albert Burlingame (1860-1930), "September"Don Miles (1912-1990), "Blue Tahoe," 1975Donald Hildreth (b. 1941), "Sierra Lake," 1998Donal Jolley (b. 1933), Landscape with a lake view, 2009Albert Thomas De Rome (1885-1959), Coastal dunesAlbert Thomas De Rome (1885-1959), "So. of Pacific Grove," 1933Albert Thomas De Rome (1885-1959), Cottage with sunflowersAlbert Thomas De Rome (1885-1859), "Los Gatos Creek," 1937Attributed to Albert Thomas De Rome (1885-1959), Two works: Coastal dunes, and Trees in a landscapeAlbert Thomas De Rome (1885-1959)Albert Thomas De Rome (1885-1959)Albert Thomas De Rome (1885-1959), "Pt Lobos - Surf Off Moss Beach," 1935Albert Thomas De Rome (1885-1959), Coastal viewAlbert Thomas De Rome (1885-1959)Albert Thomas De Rome (1885-1959), Windswept treeAttributed to Albert De Rome (1885-1959), Mountain lake houseBen Abril (1923-1995), "High Country Church"Margaret Epeneter McDowd (1894-1990), "Capistrano Mission - California," 1938Arthur Grover Rider (1886-1975), Mission garden, possibly San Juan CapistranoJack Laycox (1921-1984), StorefrontsRex Brandt (1914-2000), "Mountain Town," 1960William North (20th Century)Jane Goode (b. 1932), "La Mirada" (Monterey)Hajime Okuda (1906-1992), Hawaiian laundry day, 1973Jan Rijlaarsdam (1911-2007), "The Green Shutters"Harry Hering (1887-1967), "Summer Song"Sergei Bongart (1918-1985), House in a landscapeSergei Bongart (1918-1985), Front porchLouis Aston Knight (1873-1948), "Afternoon in the Country"Bernard Lorjou (1908-1986), Landscape with red houseAlfred Kowalski (b. 1926), "Primitive"Guy MacCoy (1904-1981), "Landscape," 1942Alfred C. Rodriguez (1862-1890), Figures in a field near a ranch, 1888J. Phillip Schmand (1871-1942), "Plesan [sic] Valley, Conn.," 1928Sergei Bongart (1918-1985), Wildflower landscapeLiu Fenglan (b. 1944), "White Willow & Red Leaves," 1988Peter M. Loftus (b. 1948), "Coastways Woods in Smokey Light (Los Padres Fire)," 199320th Century American SchoolBertha Stringer Lee (1869-1937), "Spring Blossoms"Addison Johnson (1892-1986), "Nature's Drapery"Milford Zornes (1908-2008), "Autumn Sketch," 1960Kirby Waite (b. 1949), Plum tree with spring blossomsCharles John Stokoe (1873-1926), "Black Poplars"20th Century California School , California landscape with eucalyptus and rolling hillsJoseph Frey (1892-1977), Desert near Palm Springs with blue mountainsRobert Marchessault (b. 1953), "Evening Cloud II," 2001Charles Bradford Hudson (1865-1939), "San Jacinto near Palm Springs"Attributed to Joseph Frey (1892-1977), Palm Desert with mountainsJakob Koch (1876-1962), "Santa Anita Canyon near Riverside, CA," circa 1902Joseph Mendez (b. 1933), Grand CanyonW. Jason Situ (b. 1949), FoothillsJames Everett Stuart (1852-1941), "Mt. Serra from the Ranch," 1920William P. Krehm (1901-1968), "Hiker's Sanctuary"Hans Kegler (20th/21st Century), "Sunset Smoke"Attributed to Karl Lorenz Rettich (1841-1904), At the Harkensee meadowFelice Hrovat (20th Century), California landscapeDavid Stirling (1886-1971), "Sunset - Timberline"Joseph Frey (1892-1977), Mountain scene with red rocksEarl Cordrey (1902-1977), Western mountain landscape, 1952Frederic Whitaker (1891-1980), "Winter Leaves Reluctantly"20th Century American SchoolMark Whitlock (20th Century), Country road through the foothills of a distant mountainJohn Englehart (1867-1915), Redwoods landscapeLaszlo Neogrady (1896-1962), Hungarian winter landscapeLaszlo Neogrady (1896-1962), Hungarian mountainous winter landscape sceneWilliam Henry Singer Jr (1868-1943), Norwegian winter landscapeJohn Christopher Traynor (b. 1961), "Winter's Blanket," 1994Erwin Kettemann (1897-1971), Winter landscapeGlenn Swedlun (1902-1987), Creek through an early winter landscapeWalter Griffin (1861-1935), "Norway in Winter"Jean Salabet (1913-1995), The Arc de Triomphe, ParisJohn Morris (20th century), "La Place de l'Opera"Jack Laycox (1921-1984), "Ruins at La Turbie" (France), 1965John Clymer (b. 1932), Path along a French river with boats and a bridgeJacques Bouyssou (1926-1997), European harbor sceneJeannine Levitt-Riccio (20th Century), "Mediterranean Splendor," 2000Willem Wim van Aken (1933-2015), "Metropool," 2003Marcel Rousseau (b. 1948), French city sceneClarence Montfort Gihon (1871-1929), Parisian street sceneDirk Smit (1889-1985), Rural street sceneSophie Marston Brannan (1877-1962), "Haystacks"Pierre Rosenau (20th Century)Frederick Knecht Detwiller (1882-1953), Figures on a bridgeFrederick Knecht Detwiller (1882-1953), "S.M. Novella Firenze," 1912Sergei Bongart (1918-1985), "Laneria"Joseph Raphael (1869-1950), View of the cityTed Christensen (1911-1998), "Sunset Canyon, L.A.," 1951Henry Firks (19th century), "San Francisco," 1849Robert Lebron (1928-2013), Horse-drawn carriage near Bethesda Terrace and fountain in Central ParkZoltan Hecht (1890-1968), Central ParkTom Lewis (20th century), "New Orleans Street Scene"Nell Walker Warner (1891-1970), MagnoliasEjnar Hanson (1884-1965), Still life with magnoliasEjnar Hansen (1884-1965), Still life with a magnolia flowerDeborah Bays (b.1952), "Recital"John C. Traynor (b. 1961), "Roses," 1994Deborah Bays (b.1952), "Del's Roses with Cut Glass"Leon Charles Huber (1858-1928), Still life with fruitMabel A. Sumerlin (1879-1956), Still life with ranunculusAndre Gisson (1921-2003), Floral still lifeFlorence Young (1872-1974), "Floral Still Life"Pierre Ramel (1927-1997), Floral still life with pink background, 1979Danny Garcia (1929-2012), "Floral," 1965Viola Sayre (1883-1975), "Blue and Gold"Sonia Mitrovich (20th Century), Floral still lifeDang Lebadang (1921-2015), "Le Vase de Fleurs Bleues"John Sherrin (1819-1896), Still life with fruitAlbert Brunel (19th century), "Still Life with Basket & Fruit"June Owen (1930-2023), Still life with jug and duck decoy from the "Jar" seriesJonathan Hartley Folliott Scott (1914-1995), Still lifeRegis de Bouvier de Cachard (1929-2013), Still life with a frying pan and eggs, 1961Frank Minuto (b. 1947), Still life with bottlesKeith Lindberg (b. 1938), "Under the Parasol"Deborah Bays (b.1952), "Lemon Peel"John C. Traynor (b. 1961), "Red Onions and Garlic," 1992Kay Kropp (20th Century), Untitled, sideways chair with egg and string, 1999Kit Shing (b. 1959), View of a shore through an adobe windowDavid Post (20th Century), "Clippers and Shadows," 2009After Basilius Besler (1561-1629), "Staphylodendron" and "Balfamina foemina," two plates fromEdmund Henry Osthaus (1858-1928), "Miss Ruby," 1892Late 19th Century British SchoolFranz De Beul (1849-1919), Shepherd and flockJ. Hermiston Haig (fl.1887-1919), Sheep grazing in the English countrysideGabor Svagrik (b. 1970), Cattle pastureHardesty Gilmore Maratta (1864-1924), Meadow scene with cowsFelice Hrovat (20th Century), Hog and pigletsNol Quinn (1915-1993) Horses drawing carriages 1953"Raymond Desvarreux-Larpenteur (1876-1961), Napoleonic military march in winterFrank Nelson Ashley (1920-2007), "Two Exercise Boys and Frisky Horse," 1962Helen Bertha Dooley (1907-1994), Horses near a stableGabor Svagrik (b. 1970), Winchester Rifles advertisement, after Philip R. GoodwinStuart Heimdal (20th century), "Spring Forage"John Balloue (b. 1948), Dolphins, triptychMarianne Caroselli (b. 1941), "Pueblo Visit"Late 20th Century Western SchoolEdward Borein (1872-1945), Charging bisonsBill Hampton (1925-1977), "Cool-Hand Cowboy"Charles LaMonk (1910-1990)Donald "Putt" Putman (1926-2007), Ceremonial dancePatrick Wayne Gorman (1929-2017), "Night Riders"Patrick Wayne Gorman (1929-2017), "Hunting Party on the Sact Creek," 1982Donald "Putt" Putman (1926-2007), "Live Dolls"Jerry Lee (b. 1944), AppaloosaJean Isy de Bottom (1898-1978), "Baile Nativo a la Luna"Emily Syminton (1916-2002), Village scene with figures, 1945Alberto Lobos (1892-1941), Chilean courtyardKiyoshi Saito (1907-1997), "Gion in Kyoto (J)," 1966Kiyoshi Saito (1907-1997), "Bisyamon-ten, Kyoto," 1965Yoshitoshi Mori (1898-1992), "Kanjincho," 1977Two Japanese woodcutsKawase Hasui (1883-1957), "Senzoku Pond," from the "Twenty Views of Tokyo" series, 1928Kiyoshi Saito (1907-1997), "Aizu Yanaizu, Fukushima," 1965Kiyoshi Saito (1907-1997), "Aizu in Snow (Two Skiers)" from the "Aizu" series, 1960Taizo Minagawa (1917-2005)Two Japanese woodcutsYoshitoshi Mori (1898-1992), "Fighting Samurai," 1969Tsukioka Yoshitoshi (1839-1892), Eight plates from "One Hundred Aspects of the Moon" ("Tsuki noUtagawa Kuniteru I (active 1820-1860), "Act IX of the Play A Board Game of the Road to Iga Pass,"Keisai Eisen (1790-1848), "Tozan of the Okamoto House," circa 1820sShunsho Katsukawa (1726-1792), "A Beauty"Two Japanese woodcuts and one paintingTwo Japanese woodcutsSadao Watanabe (1913-1996), Two figures, 1965Kunihiro Amano (b. 1929), Untitled, from the "Enclosure Series," 1966Sadao Watanabe (1913-1996), "Job and his Wife," 1965-66Toshijiro (Nenjiro) Inagaki (1902-1963)Toshijiro (Nenjiro) Inagaki (1902-1963)Rikio Takahashi (1917-1999), "Bouquet," 1961Toru Mabuchi (1920-1994), "Persimmons," 1959Two early 20th century woodcut printsBertha Lum (1869-1954), "Bamboo Road," 1913Liu Fenglan (b. 1944), "Outside the Gate," 1990Koen Okada (b. 1919), "Reminiscence," 1972Hang Faji (b. 1946), "Spring," 197920th Century Chinese reverse painting on glassA 19th/20th century Tibetan thangkaAfter Salvador Dali (1904-1989), "The Land Comes to Life," from the "Aliyah" portfolio, 1968After Salvador Dali (1904-1989), "Angels of the Rebirth," from the "Aliyah" portfolio, 1968After Fernand Leger (1881-1955), "L'Artiste dans le Studio" from "Douze Contemporains," 1959Christo (1935-2020), "The Umbrellas, Joint Project for Japan and USA"Phyllis Sloane (1921-2009), "Homage to Leger," 1983Roberto Echaurren Matta (1911-2002), "Or dur or aison," 1971Tom S. Fricano (b. 1930), "Surrounding Forces"After Corita (Sister Mary) Kent (1918-1986), "A Wider Stage," 1972After Robert Rauschenberg , "Rauschenberg / Ace / November / Venice USA" exhibition poster, 1977Arthur Secunda (1927-2022), Abstract landscapeOthon Pervolarakis (1887-1974), "Visit Greece," 1935Romain (Erte) de Tirtoff (1892-1990), "Opium," 1985Romain (Erte) de Tirtoff (1892-1990), "Earth's Dream," from "The Twenties Remembered Again" series,A. Brady (active 1960s)Andrea Vizzini (b. 1949), UntitledAfter Morris Broderson (1928-2011), "Anne Frank Calendar," 1970R. Kenton Nelson (b. 1954), "Early One Sabbath Morn"Robert Kipniss (b. 1931), "Morning Reflection"Rockwell Kent (1882-1971), "And Now Where," 1936Philip Pearlstein (1924-2022), "Model on Grey Patterned Rug," 1973Michael Mazur (1935-2009), "The Corridor," from the "Images From A Locked Ward" portfolio, 1965Marie Laurencin (1883-1956), "Deux Femmes et Un Chien"Norman Rockwell (1894-1978), "A Fair Catch"Norman Rockwell (1894-1978), "Trumpet Practice"Norman Rockwell (1894-1978), "Setting In"Norman Rockwell (1894-1978), "Blacksmith Shop"After Franklin C. Courter (1854-1947), "Abraham Lincoln"Jan Brett (b. 1949), Christmas stockingBirger Sandzen (1871-1954), "Kansas Creek," circa 1936Birger Sandzen (1871-1954), "Pond with Willows," 1937Stanislav Nikireyev (1932-2007)After Abraham Bloemaert (1566-1651), "Landscape with Farm House," 1613Luigi Lucioni (1900-1988), "Birches and Beyond"John Taylor Arms (1887-1953), "Light and Shade, Taxco," from the "Mexican Series No. 2," 1946After Giovanni Battista Piranesi (1720-1778), "View of the Remains of the Forum of Nerva," 1756Gordon Cook (1927-1985), Tower and tree (Sacramento)James McNeill Whistler (1834-1903), "La Vieille aux Loques, 1858"Francisco Goya (1746-1828), "Las mugeres dan valor," plate 4 from "Los Desastres de la Guerra,"Francisco Goya (1746-1828), Two works: "Death of Pepe Illo," plate F; and "Funcion de mojiganga,"Francisco Goya (1746-1828), Two works: "Nohubo remedio," plate 24; and "Ya tienen asiento," plateAfter Annibale Carracci (1560-1609)Two 20th century printsFelix Octavius Carr Darley (1822-1888), "Hunting Buffaloes"Jay Norwood "Ding" Darling (1876-1962), "Canvasbacks - The Evening Flight," 1930Nicolai Ivanovich Fechin (1881-1955), Portrait of a young girlLouis Auguste Mathieu Legrand (1863-1951), "The Kiss, Maitress"Paul Cezanne (1839-1906), "Tete de Jeune Fille," 1873After Georges Braque (1882-1963), "Nature Morte Oblique," circa 1950Jean Arp (1886-1966), Two works: "Voilier III" and "Voilier V" from "Le Voilier dan la Foret," 1957Deborah Oropallo (b. 1954), "Red Cross," 1992Unidentified 20th century, possibly Jose Alicea (b. 1928)Esteban Vicente (1903-2001), UntitledShinobu Tobita (20th century), "Paisajes de Extraterrestres"Erle Loran (1905-1999), Abstract compositionErle Loran (1905-1999), Abstract composition in oranges and greens, 1985Erle Loran (1905-1999), Modernist landscape, 1987Erle Loran (1905-1999), Abstract structuresLaddie John Dill (b. 1943), UntitledLaddie John Dill (b. 1943), UntitledLaddie John Dill (b. 1943), UntitledVance Larson (1951-2010), Abstract compositionAaron Hequembourg (20th Century), Abstract compositionAaron Hequembourg (20th Century), AbstractFrancois Marie Lucet (b. 1946), "Mon Jardin," 1996Robert Kaupelis (1928-2009), UntitledShingo Honda (1944-2019), "Commentary #10," 1992Paul Jenkins (1923-2012), Untitled abstract, 1967James Byrd (b. 1935), "August Bloom," 1976Ned Evans (b. 1950), "Dirge," 1979Linda White (20th/21st century), "Floating Ladder," 2013Eugene Newmann (b. 1936), "Cancellation," 1977Michael O'Mara (b. 1943), Two figuresZero Mostel (1915-1977), Face, 1960Luis Alberto Solari (1918-1993), Zoomorphic form with a standing bouquet, 1963Warren K. Pleasants (1926-2014), Two works: "Lucrete" and an abstract portrait, 1953Sam "Kirson" Kirszencwajg (1936-2008), "Study for an Altarpiece," 1993Margo Hoff (1912-2008), "Waterfall," 1965Craig Keith Antrim (b. 1942), "Infinite," 199220th Century Contemporary SchoolArnold Chanin (b. 1934), Abstract figure, 1977Robert Kaupelis (1928-2009), Abstract, 1973Craig Keith Antrim (b. 1942), Abstract shapes, 1994Joe Zucker (1941-2024), Abstract, 1991Dan Schilling (b. 1946), Surrealist painting with tiger and fishermenLate 20th Century Pop Art SchoolJoan Savo (1918-1992), "Marco at 12," 1969Avis Zeidler (1908-1995), Portrait of a womanHerman Volz (1904-1990), "Portrait, Artist's Daughter"Jose Ruiz Y Blasco (1841-1913), Portrait of a womanJerald Silva (b. 1936), Seated figure, 1972Henri Royer (1869-1938), "Woman in Blue"Millard Owen Sheets (1907-1989), Standing woman with shawl and basketRobert Rodriguez (20th/21st Century), "San Gabriel Valleygory" [sic]Early 20th century, "The Progress of Love: The Lover Crowned," after Jean-Honore FragonardBelisario Gioja (1829-1906), Italian couple playing with a dog and monkey in an ornate interiorLouis Icart (1888-1950), "Little Butterflies," 1926Louis Icart (1888-1950), "Black Fan," 1931Louis Icart (1888-1950), "Snack," 1927Julian Ritter (1909-2000), Reclining female nudeLeo Jansen (1930-1980), "Nude"Leo Jansen (1930-1980), Seated nude with blonde hairRoger W. Fowler (1895-1973), Portrait of a Tahitian womanDonald "Putt" Putman (1926-2007), "Geisha with Fan"Donald "Putt" Putman (1926-2007), "Sushi"Emil J. Kosa Jr. (1903-1968), Standing Female NudeNeil Boyle (1931-2006), Seated nude with floral still lifeJune Felter (1919-2019), "Reflection," 1970Philip Pearlstein (1924-2022), "Nude with Rocker," 1977Roberto Lupetti (1918-1997), "Dreamy Day," circa 1979Andre Gisson (1921-2003), Seated nudeYves Die? (1892-1984), Seated nudeJean Gabriel Domergue (1889-1962), "La Duchesse"Igor Pantuhoff (1911-1972), Portrait of a woman in pinkIgor Pantuhoff (1911-1972), Woman in a fieldAlberto Vargas (1896-1983), "Cover Girl" from "Vargas Girls"Pegge Hopper (b. 1936), "Pua Melia"20th Century Modern SchoolRegis de Bouvier de Cachard (1929-2013), Woman with feather hat, 1962Michael Francis Pettit (b. 1950), "La Toilette," 1987/1988Joachim Probst (1913-1980), "Hedi Tunis"Pierre Bollaert (20th Century), "Couple in Uniform"Carmen Amaya signed Flamenco dancer poster, circa 1939George James (1932-2016), Abstract figural compositionElizabeth Chandler (b. 1941), Two Surrealist figural works, 1989Keith Lindberg (b. 1938), "Thoughtful Study"Vuckovic Slavica (20th Century), Abstract figuralApril Gore (20th century), Woman reading at a table, 1984Ken Durkin (20th century), Figures on a beach, 1981Matthew Miles (b. 1924), "Two Women"Harriette Anton Frances (b. 1925), "The Children," 1963Peter Hopkins (1911-1999), "London Market"John Edward Costigan (1888-1972), "Bathing Group"John Edward Costigan (1888-1972), "Coming Home"J. Meyer (20th Century), Figures at the beachAndre Gisson (1921-2003), Landscape with figuresJoseph Patrick McMeekin (1857-1936), "Gathering Wild Flowers in Napa," 1913Enrico Nardi (1864-1947), "A Busy Afternoon," 1892Emile Crapuchettes (1889-1972), Portrait of a young woman in a bonnetEvert Pieters (1856-1932), Woman sewingAnatole Vely (1838-1882), "Jeune Page Dressant des Perroquets," 1873Late 20th Century American SchoolCharles Baptiste Schreiber (1845-1903), Couple greeting each other in an interior, 1895Edgar Bundy (1862-1922), Figures in a ship's interior, 190119th Century European SchoolJack Laycox (1921-1984), "Children at Kyoto," 1965Keith Lindberg (b. 1938), "United," circa 1990Pegge Hopper (b. 1936), Portrait of a Hawaiian manBen Messick (1901-1981), Two clown portraitsZero Mostel (1915-1977), Figure playing the violinRobert H. Irwin (20th Century), Portrait of a man, 1971Two Hans Burgkmair-style tournament illustrationsPercy Moran (1862-1935), Soldiers congregated near a harborLeRoy Neiman (1921-2012), "Stock Market"LeRoy Neiman (1921-2012), "Paddock," 1972Arthur Henry Jenkins (1871-1940), Figure harvesting, 1909F. W. Proctor (20th century), "Fun in a City Park"Gerald Spencer (1923-2008), Juicy James Burgers on The Strand, Hermosa BeachCharles Reiffel (1862-1942), "A Christmas Vision," 1932Millard Owen Sheets (1907-1989), Modernist horses and cypress treeLucy Pierce (1886-1974), LighthouseJose Luis Cuevas (1934-2017), "Three Renaissance Self-Portraits," 1961Attributed to Daniel Maclise (1806-1870), Study of Christopher North, circa 1840Nick Eggenhofer (1897-1985), "Prisoners"17th Century Italian SchoolHy Peskin (1915-2005), "John and Jackie Play Ball"Josef Vorisek (1902-1980), "Boy with Sailboat, Luxembourg Gardens, Paris," 1949Alfred Stieglitz (1864-1946), "The Aeroplane," 1910Laure Albin-Guillot (1879-1962), Fence in field, 1938Alfred Eisenstaedt (1898-1995), "Violinist Nathan Milstein, Pianist Vladimir Horowitz, CellistAlvin Langdon Coburn (1882-1966), "Portrait of George Bernard Shaw," 1908Laurent Millet (b. 1968), "Cabana #1," 2000Laurent Millet (b. 1968), "Cabana #5," 2000Jeff Dumas (b. 1954), "Wendon, Arizona," 1995Michael Childers (b. 1944), Reclining male nude among Autumn leaves

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