Jewelry, Art Glass, Sterling, Early English Imari, Books, Wedgwood, and more!

estate sale | 3 day sale | 6 days away
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The address for this sale in Evanston, IL 60201 will be available after 9:00am on Thursday, July 31st, 2025.
Dates
Fri
Aug 1
11am to 4pm
Sat
Aug 2
11am to 3pm
Sun
Aug 3
11am to 1pm

Terms & Conditions

No Pre-Sales. Anyone can come to shop anytime during our open hours. All are welcome! To set the initial order of entry when the sale opens we use Pickerty, the electronic sign-up sheet.
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A Little Unlimited, LLC

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Big Sale in Evanston!

Jewelry, Art Glass, Sterling, Early English Imari, Books, Handbags, Vintage Vinyl Records, and more!

 

  • Art Glass
    • A signed Lalique Filicaria crystal vase, blue green glass with raised leaf design
    • Lalique France 'Zagora' flower vase
    • Signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed "Lalique France"
    • A signed Lalique 'Arabesque' vase in rich ruby red color
    • A signed Lalique France 'Lucie' crystal vase
    • A signed Lalique France 'Biches' deer vase in black crystal glass, with original box
    • Esna vase by Lalique France – a lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth
    • A vintage Lalique France frosted crystal Pavie bud  vase, signed
    • A signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches high
    • Three signed Lalique France crystal sparrow figurines - head up, head under wing, and head down
    • A beautiful and large signed Lalique France pale gold brown crystal 'Marguerites' bowl
    • Vintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistils on the lid
    • Signed Lalique France 'Marguerites' bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the base
    • An incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed birds in flight amidst flowering branches and vines, likely Moser Glass works
    • A signed Lalique France crystal duck, frosted and clear crystal glass
    • A pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holders
    • Phenomenal 12-inch tall antique Mt Washington art glass brides basket with glass thorn handle, the basket of hand blown cased glass with finely detailed enameled floral design and resting on 4 gilded feet
    • Baccarat aqua blue crystal glass two-piece fairy lamp
    • Baccarat Deposé two piece Rose Tiente glass fairy lamp
    • Vintage Baccarat Deposé blue crystal glass swirl footed bowl
    • Baccarat Deposé signed Rose Tiente helical twist (swirl) footed compote
    • Baccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat
    • A lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set
    • French art glass vase by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif
    • Vintage purple slag glass turtle covered dish, pressed glass
    • Fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed
    • A large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines
    • A signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines; circa 1908-1920
    • Antique Mont Joye Legras art glass vase, round form with flared ruffled rim, acid etched surface, enameled and gilded with iris flowers and leaves; marked on the base with the Mont Joye L C
    • A breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty. 
    • A large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base
    • Antique Stueben Rosaline art glass vase with applied alabaster glass handles and foot, circa 1910
    • Antique Harrach cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines
    • An exquisite Bohemian art glass vase, shading warm pink to clear uranium glass, hand painted with Art Nouveau era gold gilt floral design and applied gold metal bees! Moser glass works.
    • A French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signature
    • A J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel Paris
    • A beautiful antique Kew-Blas pulled feather design art glass vase with flared ruffled rim, iridescent gold interior. Kew Blas is a name used by the Union Glass Company of Somerville, MA; working from the 1890s to 1924, they're known for their cameo glass and exquisite iridescent glass.
    • A Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine mark
    • An Art Nouveau cameo glass amber tulip vase made by English glassmakers Thomas Webb & Sons
    • An astounding 12-inch-tall  Welz "zipper" art glass vase, white ground with rose and amber decoration, applied frosted feet that wrap upward in tendrils around the body, applied frosted edge to the crimped rim. First half 20th century.
    • A Chinese Peking Glass red bowl, compressed globe form with curved, faceted sides, base engraved with four-character Qianlong mark within a square.
    • A stunning and large antique Bohemian art glass vase by Moser, intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim
    • A 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'bridal basket' in an Art Nouveau style metal stand
    • Antique bridal basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. Illinois
    • A fabulous Art Nouveau era centerpiece – an iridescent art glass bowl (possibly Loetz) with sculpted bronzed metal stand
    • Antique large Amberina blown glass vase with gold enamel floral and butterfly decoration, Saint-Denis - Legras, France, 19th century
    • A large 11.5 inch hand blown amberina glass vase with swirled optic rib body, ruffled rim; atop applied amber glass tabbed feet 
    • A beautiful 13-1/2 inch hand blown amberina glass vase with double crimped flaring rim and disc foot
    • Smith Brothers antique cream color satin glass vase with hand-painted gilt iris flower, marked on the base with Smith Brothers stamp; late 19th century (1874-1899.)
    • Two Hobbs, Brockunier peachblow art glass pitchers, late 19th century. The first is cased blue and white glass, the peach blow coloration shading from bright rose to pale pink, with a ruffled crimped rim, and applied ribbed amber glass handle (see another of this one in the Chrysler Museum collection!) The second is cased glass with compressed globe body on raised pedestal foot, the peachblow shading from vivid pink at the flared rim to palest pink at the shoulder; with applied amber glass thorn handle.
  • Illuminated Medieval Manuscripts
    • Leafs from the Leber Bible, a Latin bible produced in 1230-1240 by the Leber Group or Leber Atelier in Paris, France
      • "Ordinary Leaves No. 2 Folio 447, interesting flourishes top recto of text." Verso has prologue to Daniel, recto has "Daniel in the Lion's Den"
      • Kings V with nice fine rubrication, crossed out paragraph on the verso
      • Ordinary Leaf No. 6, Folio 126 Kings III, example with double tailed rubrication
      • Historiated Initials No. 1, Folio 218, from Psalms depicting God, King pointing to Eye, excellent painting, red and blue versals and fine rubrication. This is from the finest part of the book in visual appearance.
      • Initials No. 1, Folio 392, illuminated initial with dragon head and body, fine red script, elegant flourishes upper recto of text, an excellent example. 
    • Framed pages from The Biblia Sacra Latina
      •  A page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: page heading “DRE” Verso: page heading “ES”
      • This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”
      • This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.
      • A framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numbering
    • Leaves From an East Anglian Psalter
      • A page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310
    • Leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17
    • Two framed leaves from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy and Hebrews leaves with fine gold initials and herringbone feathers emerging from the mouth of dragons
  • Jewelry
    • Antique platinum and diamond ring, in original C. D. Peacock Chicago presentation box
    • Art Deco platinum diamond and sapphire ring, set with a pair of pear shaped diamonds flanked by white diamonds, and channel set sapphires in crescent shapes; in original C.D. Peacock Chicago presentation box
    • Platinum and old European cut diamond pendant circa 1910 on a 14k gold white gold necklace chain
    • 18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original box
    • 18k white gold split band ring, with pavé set diamonds in the bands and a central pink gemstone flower form 
    • 18k yellow gold ring with a central smoky quartz flanked by two citrines, each stone encircled by diamonds
    • Substantial 18k white gold ring with bezel set princess cut yellow diamond flanked with white diamonds
    • A lovely 18k white gold diamonds and sapphire ring, sapphires set in flower form encircled by diamond ribbons
    • 18k yellow gold and turquoise omega back earrings
    • Lovely 18k yellow gold ring featuring a large pair of pearls with gem set butterflies and diamond accents
    • 18k white gold diamond ruby pendant
    • 18k yellow gold and cabochon moonstone pendant necklace, made in Italy
    • 18k yellow gold and diamond ring in original Marshall Field & Company box
    • 14k yellow gold flower form pendant necklace, with faceted gemstones and 14k yellow gold chain
    • 14k yellow gold diamond and colored gemstone flower pendant necklace
    • 14k yellow and white gold diamond and tanzanite pendant necklace with white gold chain 
    • Incredibly large selection of beautiful vintage costume jewelry including:
      • Earrings, brooches and necklaces from Dior, Diane Von Furstenberg, Crown Trifari, Givenchy, Miriam Haskell, Ciner, Ralph Lauren, Boucher, Coro, Lisner, Hobé, Napier, Trifari, Pell, Weiss, Les Bernard, Marvella, Swarovski, Monet, Anne Klein, Carolee, Erwin Pearl, Richelieu, Robert Rose, Swoboda, Liz Claiborne, Krementz, PearlCraft, and more
      • Gorgeous mid century modern copper jewelry necklaces from Renoir
      • Sterling silver brooches from Coro, KBN, Danecraft, Hobé, Viking Craft and more – some with matching earrings
      • An incredibly glamorous and large Crown Trifari flower brooch, blue with white rhinestones
    • 14k white gold pendant with emeralds and diamonds
    • Antique 14k yellow gold and bezel set citrine ring
    • 14k yellow gold ring with diamonds and varying shades of blue sapphires
    • A pearl bracelet with safety chain and 14k yellow gold heart-shaped clasp
    • Cultured pearl and hallmarked gold clip earrings
    • Three single-strand cultured pearl necklaces, each with 14k gold clasps
    • 14k yellow gold diamond and aquamarine flower (or four leaf clover) pendant necklace
    • 14k white gold, pavé diamond and large ruby cabochon pendant necklace
    • 14k yellow and white gold with diamonds and black opal pendant necklace
    • 14k yellow gold triple strand necklace with citrine and other fine gemstones pendant
    • 14k yellow gold and black opal with diamonds pendant necklace 
    • Multiple necklaces of strung amber beads ranging in size from small to chonky in beautiful different shades of honey
    • Amber bracelets, amber earrings – and several sweet amber brooches for a flash of autumn color
    • Sterling silver 925 and carved hardstone pendant, artist signed L. Hui 
    • Antique gold and diamond navette ring
    • Antique 19th century pendant necklace with bezel set onyx and seed pearls
    • Beautiful 16-inch Mexican silver collar form necklace of sterling silver
    • Mexican sterling silver collar necklace inlaid with various hard stones
    • A variety of sterling silver beaded necklaces
  • Porcelain and Ceramics
    • A rare Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. The Duke of Clarence was affectionately nicknamed the ‘Sailor King’ when he came to the throne, as he had joined the Royal Navy at the young age of 13 as a midshipman; some speculated that he chose the “Hope” pattern with the ships at sea in a tribute to Horatio Nelson, in addition to a nod at his own Royal Navy service.
    • A massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century.
    • A late 19th/early 20th century Chinese porcelain blue and white vase
    • A group of Wedgwood Embossed Queensware white vine on blue shell edge china, service for eight, also includes coffee pot, tea pot, creamer and sugar
    • Spode Copeland's China service for four in fine bone china, cream color with gilt scrollwork edges 
    • Spode Copeland's China service for six in fine bone china, cream color with gilt scrollwork edges
    • A group of 18th and early 19th century antique Crown Derby porcelain, Imari "Kings" pattern, including plates, tea cups, teapot, coffee cups, footed large serving platter/lazy susan, lidded sauceboat with stand, creamer, sugar, many serving bowls and platters
    • A set of vintage Home Beautiful Canton Fair china porcelain dinner ware 
    • A rare early 19th century Clews Pottery jasperware pitcher, designed in Wedgwood style; sage green with applied cream color neoclassical decoration of figures carrying grapes and drinking wine. Made by Ralph & James Clews, England, circa 1820. The Clews pottery was active from 1815 to 1834.
    • A Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest Light
    • Pair of 19th century Wedgwood black basalt dolphin candlestick holders, in the form of a dolphin resting on a rectangular plinth decorated with scallop shells
    • A rare Wedgwood tricolor jasperware 'Etruscan' pitcher, light blue with applied classical figures in white and with terracotta decorative banding
    • Three pieces of tri-color Wedgwood jasperware, light blue body with applied white and dark blue sprig decoration: An Etruscan pitcher, a vase, and a vase with a flowerfrog insert. 
    • A marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!
    • A pair of antique Wedgwood dark blue dip jasperware double-handled urn shaped vases adorned with neoclassical decoration. Impressed 'WEDGWOOD' mark on the base.
    • A 19th century Wedgwood blue jasper dip cylindrical vase, with applied with acanthus leaves below rams masks and foliate swags; 9-1/2 inches high.
    • A rare antique Wedgwood blue or "lavender" dip jasperware Etruscan jug, decorated with classical figures between two single line Greek key meander bands
    • Pair of Wedgwood black basalt jasperware candlestick holders, made in England
    • Wedgwood jasperware, primrose yellow with taupe decoration, an Etruscan form pitcher and a vase, both decorated with classical figures and fine scroll work
    • A stunning and rare antique Wedgewood tri-color blue jasper dip with sage green cameo "Monopodia" vase, early 1900s.  Featuring architectural elements, not pictorial reliefs, the monopodia are used here as columns topped by a lion mask and terminated at the bottom by a single paw foot. A small oval sage green and white cameo adorns the side above a swag element and below a masterfully applied ribbon and vine border; acanthus leaves decorate the rim and the base.
    • A Wedgwood black basalt 'strawberries' creamer, with a sprig band of fruiting strawberry plants around the body, and fruiting grapevines beneath the rim
    • Pair of vintage Wedgwood Lilac Jasper Ware round form lidded trinket boxes
    • Wedgwood black jasperware twin handle urn vase decorated with classical figures
    • Pair of Wedgwood Rosso Antico vases with applied black jasperware decoration
    • Vintage Wedgewood black Jasperware footed vase
    • Wedgewood lilac dip jasperware 'muses' pitcher
    • A Wedgwood Embossed Queen's Ware vase that is marked with impressed WEDGWOOD stamp and a circular overglaze stamp saying  Wedgwood & Barlaston of Etruria Made in England Embossed Queen's Ware, with a letter G stamp for 1904
    • Vintage Wedgwood Black and White striped Jasperware lidded urn vase with Bacchus head handles, acorn finial
    • Wedgwood 'Portland' vase, black dip ware with white relief decoration - based on a design from engravings that Sir William Hamilton sent to Josiah Wedgwood
    • Wedgwood black basalt UK 'Four Home Nations' creamer embossed the four home nations Wales (harp), Ireland (shamrock), England (rose) and Scotland (thistle) and arabesque relief
    • A 19th century Wedgwood black basalt ''Chinese flowers'' jug, painted in opaque enamels (or Capri enamel). Impressed Wedgwood mark to base. See matching piece in the Carnegie Museum of Art! 
    • Vintage Wedgwood reversed colors white jasperware two-handled vase with applied dark blue neoclassical decoration
    • Wedgwood drabware jasperware pitcher with white grapevines decoration above the shoulder
    • Wedgwood teal green Jasperware miniature 3-inch-high dolphin candlestick holder
    • Wedgwood Collectors Society jasperware shape shaped trinket box with lid, white with applied sage green decoration
    • A Wedgwood pink jasperware Arcadia pedestal footed vase
    • A set of three Wedgwood sage green dip jasperware pitchers in descending sizes, decorated with applied white sprig depicting neoclassical muses
    • Three Wedgwood 'upright' green jasperware pitchers, two are dip ware; late 19th century
    • A Wedgwood primrose yellow jasperware bamboo vase, two Wedgwood primrose yellow jasper ware bud vases, and a Wedgwood primrose yellow jasperware vase with applied dark green sprig decoration of a cricket resting on grass blades beneath a flying butterfly 
    • Wedgwood lilac jasperware cache pot or planter, and lilac jasperware pitcher, both adorned with applied white sprig neoclassical decoration
    • A pair of Wedgwood blue dip jasperware pitchers, dark blue with applied white sprig neoclassical decoration
    • A very nice antique Wedgwood early to mid-1800s blue dip jasper ware small pitcher or creamer skillfully sprigged with white classical mythology figures, impressed WEDGWOOD mark and indistinct potter's mark to the base. 
    • Wedgewood dark blue dip jasperware small 5-1/2 inch pitcher with rope handle, decorated with classical figures in a "sacrifice" scene, beneath a band of fruiting grape vines
  • More Fine Items
    • An English silver plated cruet stand with three cut glass cruets with original stoppers, matching salt and pepper shakers, and mustard pot 
  • Vintage Vinyl Records
    • 45 RPM singles from such artists as Herman's Hermits, Sam Cooke, Aretha Franklin, The Monkees, The Nightcaps, Sam & Dave, J.J. Jackson, The Capitols, Booker T. & The M.G.'s, Ray Charles, The Moonglows, Wilson Pickett, Diana Ross & The Supremes, Mary Wells, James Brown, The Marvelettes, Herb Alpert & The Tijuana Brass, Marvin Gaye, The Temptations, Dion, Gladys Knight & The Pips, Dionne Warwick, Jimmy Ruffin, Gene Pitney, Johnny Rivers, Aaron Neville, and more
    • Vinyl LP albums and EP singles from artists including Kate Bush, Laurie Anderson, Sarah Vaughan, Carole King, Duke Ellington, Janis Joplin, Donna Summer, Bessie Smith, Dan Hartman, Tangerine Dream, Bette Midler, Philip Glass, Joan Baez, The Pointer Sisters, Peter, Paul and Mary; Weather Report, Yazoo, Miquel Brown, Judy Collins, The Weather Girls, Anne Murray, Cris Williamson, The Specials, Sylvester, Maria Muldaur, Laura Nyro, Alicia Bridges, Tim Buckley, Mary Wells, The Shirelles, Heatwave, Madleen Kane, Melanie; soundtrack albums from the films Somewhere in Time, Chariots of Fire, The Year of Living Dangerously, Fame, The Sound of Music, Saturday Night Fever, Victor Victoria, and Flashdance 

 

Closeup of the group of 18th and 19th century Crown Derby Imari 'Kings' pattern porcelain, including tea cups and coffee cups with saucers, teapot, coffee cups, footed large serving platter/lazy susan, lidded sauceboat with tray, creamer, sugar, serving bowls and platters, and a footed compote or fruit standJust some of the collection of medieval illuminated manuscripts available, professionally framed to be viewed from both sides – 12th century bible leaves produced by the Leber Group, Paris; the Blanche Atelier and Alexander Atelier, Paris; we also have illuminated pages from an East Anglian Latin Psalter and framed leaves from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240.A lovely 18k white gold diamonds and sapphire ring, sapphires set in flower form encircled by diamond ribbonsSigned Lalique glass Formose vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed "R. Lalique France".   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.Pickerty QR CodeA rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. The Duke of Clarence was affectionately nicknamed the ‘Sailor King’ when he came to the throne, as he had joined the Royal Navy at the young age of 13 as a midshipman.A large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    A marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!14k yellow gold starburst form diamond and citrine pendant necklaceVintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistilsAnother view of the vintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistilsAnother view of the vintage Lalique France round box, the lid an embossed Dahlia flower with black enameled stamens and pistilsA signed Lalique France 'Filicaria' crystal vase, blue green glass with raised leaf design (comes with original Lalique presentation box)Another view of the signed Lalique France 'Filicaria' crystal vase, blue green glass with raised leaf design (comes with original Lalique presentation box)A signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines. Circa 1908-1920.Another view of the signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines. Circa 1908-1920.Another view of the signed Emile Gallé cameo glass vase, yellow with greenish brown leaves and white fruit on vines. Circa 1908-1920.Another view of the signed Lalique France 'Filicaria' crystal vase, blue green glass with raised leaf design (comes with original Lalique presentation box)Esna vase by Lalique France. A lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth. Another view of the Esna vase by Lalique France. A lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth. Another view of the Esna vase by Lalique France. A lovely French art glass design made by Marie-Claude Lalique in 1985 to commemorate the 125th anniversary of her grandfather Rène Lalique's birth. A beautiful French art glass by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif.Another view of the beautiful French art glass by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif.Closeup of the beautiful French art glass by Val St. Lambert, circa 1897, acid etched cranberry cameo glass in delicate seaweed motif.Closeup of the base of the French art glass by Val St. Lambert, circa 1897, acid etched cameo glass in delicate seaweed motif.A signed Lalique France 'Lucie' crystal vase Another view of the signed Lalique France 'Lucie' crystal vase Closeup of the signed Lalique France 'Lucie' crystal vase Closeup of the signed Lalique France 'Lucie' crystal vase Signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed 'R. Lalique France'.   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.(shown with ruler for scale) Signed 'Formose' Lalique glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed 'R. Lalique France'.   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.Closeup of the base of the signed R. Lalique France 'Formose' glass vase  by René Lalique circa 1924-1929. Spherical design features elegant koi fish intertwined upon its surface with an excellent tactile finish. Intaglio of R. LALIQUE and hand-inscribed 'R. Lalique France'.   Lalique displayed a Formose vase during the 1925 Exposition – the work of René Lalique has been universally hailed as representing the most chic and sophisticated qualities of French Art Deco styles.A rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. A view of the rare Worcester Porcelain (Flight) lidded sauce tureen (not showing the with included stand) from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. Closeup of one of two panels depicting the figure of "Hope" on the side of the rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  Another view of the very rare Worcester Porcelain (Flight) lidded sauce tureen with (not shown with included underplate) from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  Closeup of one of two panels depicting the figure of "Hope" on the side of the  rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The stand or underplate from the Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later. Closeup of the stand or underplate from the Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later. The stand shows one of the three different scenes of the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style, that adorn this lidded tureen and stand. Closeup of the Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792 showing the bold blue underglaze lobed border, beautifully painted with gilt patterae, and gilt arched panels and stars.Another view of the rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. A top view of the rare Worcester Porcelain (Flight) lidded sauce tureen with underplate from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. The celebrated 'Hope' service was commissioned by the Duke of Clarence and St Andrews (later King William IV), in January 1790, and was completed just over a year later.  The Neo-Classical service consists of a soft-paste porcelain base, with a bold blue underglaze lobed border, with gilt patterae, and gilt arched panels and stars. The centre cartouche artwork features the Greek mythological Hope, painted in monochrome using the French-inspired grisaille style. Across the set, Hope is depicted in a variety of poses with an anchor, and often with a ship in the distance. Another view of the three piece Worcester Porcelain (Flight) lidded sauce tureen with stand from the ‘Hope service’ circa 1792, signed with blue crowned script Flight and open crescent marks, painted by John Pennington. Closeup of the blue crowned script Flight mark on the base of the Hope service tureenCloseup of the blue crowned script Flight mark on the base of the Hope service lidded sauce tureen standA large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines.Closeup of the large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines.More views of the large Bohemian cut opaque-glass four-handled vase, late 19th century. Likely made for the Persian market. Applied with four loop handles, the opaque glass with pink stain; enameled and gilt with flowers, scrolls, buildings and trailing fruiting vines.A trio of Lalique France frosted crystal sparrow figurines in different posturesAnother view of the trio of Lalique France frosted crystal sparrow figurines in different postures. Please note this photo includes old price tags from when our client originally purchased the pieces, and does not reflect the current sale price.Fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Spanish artist Genis Cirera Casanovas (1890-1970), signed.  Cirera won the Bilbao Decorative Arts prize in 1928.Closeup of fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed.  Closeup of fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed.  Closeup of the fine vintage polychrome enameled and gilt art glass vase, stags in a forest setting, by Genis Cirera Casanovas (1890-1970), signed.  A signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches highAnother view of the signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches highCloseup of base of the signed Louis Comfort Tiffany favrile art glass flower vase, gold iridescent favrile glass,  footed, ribbed cylindrical form with cupped mouth and wavy rim, signed in etch on base '1549' and "L. C. Tiffany - Favrile' for Tiffany Studios, first quarter 20th century; 13-1/2 inches highBreathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Closeup of the breathtaking 15-inch high antique French art glass vase - a large Mont Joye Legras green glass vase enameled with a graceful chrysanthemum, acid etched surface, with Mont Joye L C mark on the base. Art Nouveau beauty.Vintage Baccarat Deposé blue crystal glass swirl footed bowlClose up of vintage Baccarat Deposé blue crystal glass swirl footed bowlBaccarat Deposé signed Rose Tiente helical twist (swirl) footed compoteCloseup of the Baccarat Deposé signed Rose Tiente helical twist (swirl) footed compoteBaccarat Rose Tiente swirled crystal glass bowlCloseup of Baccarat Rose Tiente swirled crystal glass bowlA signed Lalique France 'Arabesque' vase in rich ruby red color (with original Lalique presentation box)Another view of the signed Lalique France 'Arabesque' vase in rich ruby red color (with original Lalique presentation box)A signed Lalique France 'Arabesque' vase in rich ruby red color, with original Lalique presentation boxA signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseAnother view of the signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseCloseup of the signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseCloseup of the signed Lalique France Marguerites bowl in pale gold brown crystal, 13 inches wide, etched Lalique France on the baseLalique France 'Zagora' flower vaseAnother view of the Lalique France 'Zagora' flower vaseA vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxAnother view of the vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxAnother view of the vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxAnother view of the vintage signed Lalique France frosted crystal Pavie bud vase, with original presentation boxBaccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat; original presentation box.  Mille Nuits is a reference to the 1001 Tales of The Arabian Nights. Closeup showing the Baccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat; original presentation box.Another view of the Baccarat Mille Nuits crystal coaster, designed by Mathias for Baccarat; comes with original presentation box. A lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Another view of the lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Closeup of the lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Closeup of the lovely Baccarat crystal Rose Tiente Bambous or 'Swirled Bamboo' water carafe and tumbler set Baccarat Deposé two piece Rose Tiente glass fairy lampAnother view of the Baccarat Deposé two piece Rose Tiente glass fairy lampCloseup of the Baccarat Deposé two piece Rose Tiente glass fairy lampBaccarat aqua blue crystal glass two-piece fairy lampBaccarat aqua blue crystal glass two-piece fairy lampCloseup of the Baccarat aqua blue crystal glass two-piece fairy lampA signed Lalique France crystal duck, frosted and clear crystal glassAnother view of the signed Lalique France crystal duck, frosted and clear crystal glassCloseup of the signed Lalique France crystal duck, frosted and clear crystal glassCloseup of the signed Lalique France crystal duck, frosted and clear crystal glassA late 19th/early 20th century Chinese porcelain blue and white vaseAnother view of the late 19th/early 20th century Chinese porcelain blue and white vaseA signed Lalique France 'Biches' deer vase in black crystal glass, with original boxA closer look at the signed Lalique France 'Biches' deer vase in black crystal glass, with original box(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) A closer look at the signed Lalique France 'Biches' deer vase in black crystal glass, with original boxVintage purple slag glass turtle covered dish, pressed glassAnother view of the vintage purple slag glass turtle covered dish, pressed glassCloseup of the vintage purple slag glass turtle covered dish, pressed glass14k yellow gold flower form pendant necklace, with faceted gemstones and 14k yellow gold chainA closer look at the 14k yellow gold flower form pendant necklace, with faceted gemstones and 14k yellow gold chain14k yellow gold diamond and colored gemstone flower pendant necklace Closeup of 14k yellow gold diamond and colored gemstone flower pendant necklace 14k yellow gold starburst form diamond and citrine pendant necklaceCloseup of the 14k yellow gold starburst form diamond and citrine pendant necklace14k yellow and white gold diamond and tanzanite pendant necklace with white gold chainCloseup of the 14k yellow and white gold diamond and tanzanite pendant necklace with white gold chain14k white gold pendant with emeralds and diamonds18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original boxMore views of the 18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original boxCloseup of the 18k white gold Bailey Banks & Biddle black and white diamond flower pendant necklace in original box18k white gold diamond ruby pendant18k yellow gold and cabochon moonstone pendant necklace, made in ItalyCloseup of 18k yellow gold and cabochon moonstone pendant necklace, made in ItalyAntique 14k yellow gold and bezel set citrine ringAnother view of the antique 14k yellow gold and bezel set citrine ring18k yellow gold and turquoise omega back earringsAntique gold and diamond navette ringCloseup view of the antique gold and diamond navette ring18k yellow gold and diamond ring in original Marshall Field & Company boxCloseup of the 18k yellow gold and diamond ring in original Marshall Field & Company boxAntique platinum and diamond ring, in original C. D. Peacock Chicago presentation boxCloseup view of the antique platinum and diamond ring, in original C. D. Peacock Chicago presentation boxArt Deco platinum diamond and sapphire ring, set with a pair of pear shaped diamonds flanked by white diamonds, and channel set sapphires in crescent shapes; in original C.D. Peacock Chicago presentation boxCloseup of the Art Deco platinum diamond and sapphire ring, set with a pair of pear shaped diamonds flanked by white diamonds, and channel set sapphires in crescent shapes; in original C.D. Peacock Chicago presentation boxAntique 19th century pendant necklace with bezel set onyx and seed pearlsAnother view of the antique 19th century pendant necklace with bezel set onyx and seed pearlsA vintage cultured pearl bracelet with safety chain and 14k yellow gold heart-shaped claspCultured pearl and hallmarked gold clip earrings Three single-strand cultured pearl necklaces, each with 14k gold claspsSterling silver 925 and carved hardstone pendant, artist signed L. Hui Sterling silver 925 and carved hardstone pendant, artist signed L. HuiSome of the incredible amber jewelry available at this Evanston estate sale! Amber beaded necklaces, amber bracelets, amber earrings – and several sweet amber brooches for a flash of autumn color. A view of some of the amber pendant necklaces, amber bracelets, amber and silver brooches availableGlowing amber pendant necklacesAmber bead necklaces in different lengths to suit your styleCopper jewelry galore – retro style, modern fashion, copper necklaces, brooches, bracelets, earringsGorgeous mid century modern copper jewelry necklaces from Renoir, a Hollywood, CA company known for bold, abstract designs, 1946-1964Gorgeous mid century modern copper jewelry necklaces from Renoir, a Hollywood, CA company known for bold, abstract designs, 1946-1964. Also we have copper earrings from their sister company, Matisse, which produced enameled copper jewelry! Very collectible.Costume jewelry in gleaming copper from Renoir and Copper Bell, necklaces, earrings, eye-catching brooches. Add a dash of mid century modern to your jewelry collection!Just some of the collection of medieval illuminated manuscripts available, professionally framed to be viewed from both sides – 12th century bible leaves produced by the Leber Group, Paris; the Blanche Atelier and Alexander Atelier, Paris; we also have illuminated pages from an East Anglian Latin Psalter and framed leaves from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240.Framed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17Closer view of the framed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17Reverse view of the framed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17Another view of the reverse view of the framed leaves from a Leber Atelier Bible circa 1240, Book of Kings IV - Ch 15-17A page from an East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.A closer look at the page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.Reverse side of the page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.Another view of the reverse side of the page from a Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310.A page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. 
Closer view of the framed page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. 
The reverse side of the framed page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. 
Another view of the reverse side of the framed page from a East Anglian Latin Psalter (27.5 cm x 17.5 cm overall, 19 cm x 12.7 cm justified) written in brown ink in a neat, clear quadratus Gothic bookhand in 30 single-columned lines per page on vellum. It was produced in Suffolk, perhaps at Bury-St. Edumunds, ca. 1290-1310. A framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.
Closer view of the framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.Reverse side (verso) of the framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.Another view of the framed leaf from a 13th century The Biblia Sacra Latina – This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220.A framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingCloser view of the framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingReverse side (verso) of the framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingAnother view of the reverse side (verso) of the framed page from the The Biblia Sacra Latina (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. It was produced by the “Alexander atelier” in Paris, between 1220-1230. Recto: psalms 124-131, vulgate numbering, Verso: psalms 132-138, vulgate numberingIlluminated manuscript – A framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Closer view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Hebrews leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Illuminated manuscript – A framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. A closer look at a framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Reverse view of the framed leaf from a Bible produced in the manner of William de Brailles workshop, Oxford, circa 1230-1240. Timothy leaf with fine gold initials and herringbone feathers emerging from the mouth of dragons. Framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Recto: page heading “DRE” Verso: page heading “ES” Closer view of the framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Book of Ezra aka Nehemiah. Recto: page heading “DRE” Verso: page heading “ES” Reverse view of the framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Book of Ezra aka Nehemiah. Recto: page heading “DRE” Verso: page heading “ES” Reverse view of the framed page from The Biblia Sacra Latina, a Latin Bible produced by the “Alexander atelier” in Paris, between 1220-1230. The page from the Latin Bible (21.2 x 14.5 cm) written in brown ink in a neat, highly compressed quadratus Gothic bookhand in 49 double-columned lines per side on thin, smooth, cream-colored vellum. Book of Ezra aka Nehemiah. Recto: page heading “DRE” Verso: page heading “ES” Framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”Closer view of the Framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”View of the other side (verso) of framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”View of the other side (verso) of framed illuminated manuscript - This leaf (14 x 22 cm) from the Latin Bible is written in double columns, 55 lines per page, in a black ink in a minute, precise Gothic bookhand, on thin, flawless ivory-colored uterine vellum. It was produced by the “Blanche atelier” in Paris, ca. 1220. Recto: page heading “CHAB II” Verso: page heading “INCIPIUM”Illuminated manuscript page from a "Leber Bible," circa 1230-1240. "Ordinary Leaves No. 2 Folio 447, interesting flourishes top recto of text." Verso has prologue to Daniel, recto has "Daniel in the Lion's Den". Bible crafted in the Leber Atelier, Paris, circa 1230-1240.(This is the reverse view of leaf shown in the previous image.) Illuminated manuscript page from a "Leber Bible," circa 1230-1240. "Ordinary Leaves No. 2 Folio 447, interesting flourishes top recto of text." Verso has prologue to Daniel, recto has "Daniel in the Lion's Den". Page is from bible created in the Leber Atelier, Paris.
Illuminated manuscript - a leaf from Latin Bible, Kings V with nice fine rubrication, crossed out paragraph on the verso. Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.(This is the reverse view of leaf shown in the previous image.) Illuminated manuscript - a leaf from Latin Bible, Kings V with nice fine rubrication, crossed out paragraph on the verso. (This is the reverse view of leaf shown in the previous image.) Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.A leaf from a 13th Century Latin Bible, "Ordinary Leaf No. 6, Folio 126 Kings III, example with double tailed rubrication." Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.(This is the reverse view of leaf shown in the previous image.) A leaf from a 13th Century Latin Bible, "Ordinary Leaf No. 6, Folio 126 Kings III, example with double tailed rubrication." Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.Illuminated manuscript – leaf from a Leber Bible, "Historiated Initials No. 1, Folio 218, from Psalms depicting God, King pointing to Eye, excellent painting, red and blue versals and fine rubrication. This is from the finest part of the book in visual appearance."
Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum. (This is the reverse view of leaf shown in the previous image.) Illuminated manuscript – leaf from a Leber Bible, "Historiated Initials No. 1, Folio 218, from Psalms depicting God, King pointing to Eye, excellent painting, red and blue versals and fine rubrication. This is from the finest part of the book in visual appearance." Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.13th century illuminated manuscript – a leaf from a Leber Bible, Initials No. 1, Folio 392, illuminated initial with dragon head and body, fine red script, elegant flourishes upper recto of text, an excellent example. Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.
 (This is the reverse view of leaf shown in the previous image.) 13th century illuminated manuscript – a leaf from a Leber Bible, Initials No. 1, Folio 392, illuminated initial with dragon head and body, fine red script, elegant flourishes upper recto of text, an excellent example. Made by a French workshop known as the Leber Group, in Paris, circa 1230-1240.  Ink and tempera on vellum.Ben-Amun enamel flower dangle earringsVintage Boucher clip earrings and matching brooch set – gold tone circle with green and clear rhinestonesBeautiful costume jewelry necklaces in various lengths including a gold star and black stone pendant on a gold link chain (Erwin Pearl), a long gold chain knotted in lariat style (Marshall Field), and two different length round-cut rhinestone chain necklaces (Les Bernard)  Closeup of the beautiful costume jewelry necklaces in various lengths including a gold star and black stone pendant on a gold link chain (Erwin Pearl), a long gold chain knotted in lariat style (Marshall Field), and two different length round-cut rhinestone chain necklaces (Les Bernard)  Vintage Ciner jade green bead cluster and gold tone clip earrings Costume jewelry earrings and brooches from Anne Klein, Lisner, Liz Claiborne, Richelieu, Carolee, Vogue, Erwin Pearl, Swoboda, Robert RoseEarrings and brooches and pins from Anne Klein, Laguna, Carolee, Ralph Lauren, Liz Claiborne, Erwin PearlCostume jewelry earrings and brooches from Crown Trifari, Napier, Monet, Swarovski, TrifariCostume jewelry earrings and brooches from Crown Trifari, Swarovski, Napier, Trifari, MonetVintage earrings and brooches from Crown Trifari, Napier, Monet, SwarovskiVintage costume jewelry earrings, brooches, and sweater clips from Crown Trifari, Napier, Monet, SwarovskiPair of vintage Hobé cobalt blue glass bead clip earringsMid century vintage Coro brooch and earrings set of blue enamel and rhinestone 3D flowersAnother view of mid century vintage Coro brooch and earrings set of blue enamel and rhinestone 3D flowersFashion earrings from hoops to AB crystals, rhinestone dangles to silver tassels, enameled buttons to natural stonesFabulous costume jewelry earrings in a variety of colors and stylesVintage fashion earrings from Napier, Richelieu, and more - some sterling silver, some with bead dangles and hoops, faceted crystals, enameled colors, and faux pearlsLikely Juliana watermelon glass and deep blue AB crystal clip earringsStunning Diane Von Furstenberg glass faux pearl pendant necklaceMore views of the stunning Diane Von Furstenberg glass faux pearl pendant necklaceVintage Dior gold tone double circle brooch Dior gold tone teardrop clip earringsA beautiful Miriam Haskell faux baroque pearl necklaceA charming vintage Miriam Haskell daisy form gold tone and faux pearl stickpin with original bottom flower and pearl clasp, unsigned.  Sandor Co. enamel floral broochEnamel flower brooches and earrings, Sandor Co roses, camelias; small sculptural yellow roses and orange pansiesIncredible mid century fashion enameled flower earrings and brooch sets from Cara China, Crown Trifari, Sandor CoBijoux Givenchy vintage signed brown topaz crystal and satin faux pearl gold tone clip on earringsVintage 1980s Givenchy Fleur de Lis pin. Terrific to adorn a scarf, coat or purse!Vintage Givenchy jewel tone clip earringsGivenchy vintage satin brushed gold dangle clip earringsSparkle, gleam and shine – great costume jewelry earrings and brooches from Coro, Art, Marvella, Laguna, Krementz, Winard, Anne Klein, and BrooksMiriam Haskell signed chunky Faux Pearl necklace Signed Miriam Haskell 1950s mother of pearl and gold round encircled chain clip-on earrings, mid-century rare and collectableVintage signed Miriam Haskell encircled flowers and faux pearl necklace Miriam Haskell signed faux pearl, black bead and rhinestone cluster clip on earringsMiriam Haskell vintage gold flower faux Mabé pearl clip on earringsVintage Miriam Haskell gold tone flora teardrop dangle earringsMiriam Haskell goldtone medallion clip earrings A Lisner pastel beaded choker necklace, a Lisner two-strand pastel beaded necklace, and an Etienne Aigner purple tone beaded and silver link necklaceKalan faux pearl multicolor necklace and a Lauren Ralph Lauren beaded necklaceCrown Trifari white enameled earrings and pendant necklace setCostume jewelry necklaces from Monet, Jomaz, Trifari, and Key TrifariVintage Napier necklace, earrings and braceletCostume jewelry necklaces in all lengths to suit your style, from Crown Trifari, Monet, Anne Klein, Marshall Field, Trifari ZPC  Bracelets - faux pearls, stylized link, and charm bracelets from Crown Trifari and MonetVintage Lisner green bead cluster clip earringsTruly marvelous - a blue swirled glass and rhinestone  statement brooch from MarvellaEarrings (and brooch), new with tags, from Monet, Trifari, Edgar Berébi, Swarovski, The Edelweiss CollectionVintage fashion necklaces, lots of colors and lengths to suit your style More vintage costume jewelry necklaces from choker length to 70's boho beadsCostume jewelry necklaces – vintage and retro styles, colors, lengths, demure to bright colors, single to multiple strands From Faux Pearls to funky, bold pendant necklaces to fashion rings, earrings and broochesAnd more colorful vintage costume jewelry necklaces - purples, blues, greens, pinks, silver, goldFashion necklaces of wooden beads, faux pearls, glass beads, chain link, chokers to lariats, boho to Ladies Who Lunch! Earrings from Crown Trifari, Richelieu, Napier, ORA, Monet, West German and Austria crystal and glass Costume jewelry earrings from Coro, Monet, Bergére, Richelieu, Krementz, Napier, Swarovski, W. GermanyVintage costume jewelry earrings - some sterling silver - from Napier, Monet, Pell, Dalsheim, Lisner, Crown Trifari, and SpainVintage fashion earrings, some 12k gold-filled, from Crown Trifari, Pearlcraft, Swarovski, W. Germany, Vogue, Monet, Liz ClaiborneA pair of Weiss sterling silver modernist clip earringsA beautiful Weiss snowflake broochWeiss sterling silver clip earringsA trio of sterling silver rings with faceted colored stonesSterling silver rings with cabochon natural stonesSterling silver cocktail rings, statement rings, glamor rings!Vintage sterling silver rings, retro fashionBig bold sterling sivler and colored stone rings that get attentionSterling silver fashion ringsAssorted beaded necklacesAssorted beaded necklaces costume jewelryAssorted beaded necklaces, retro vintage fashionA variety of beaded necklaces available - natural stone including tigers eye and mother of pearlMore from the large collection of vintage costume jewelry earrings available at this saleStill more from the large collection of vintage costume jewelry earringsAnd still more from the very very large collection of vintage costume jewelry earringsA graceful flower form sterling silver and gold filled demi parure, brooch and earrings setA signed Stephen Dweck sterling silver and hand carved mother of pearl pendant with original fabric pouchA beautiful carved flower form sterling brooch by Stephen DweckA fun selection of gold tone and enamel costume jewelry brooches pins and braceletCostume earrings, many brilliantly enameledSterling silver braceletsSterling silver fashion braceletsSterling silver brooches, bracelets and pendantsAntique Harrach or Thomas Webb & Sons cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines. A banded blue rim at the top and a polished pontil on the base. Another view of the antique Harrach or Thomas Webb & Sons cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines. A banded blue rim at the top and a polished pontil on the base. (Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the antique Harrach or Thomas Webb & Sons cameo glass vase circa 1890, cased blue over creamy white, cameo cut around the body with flowering petals on leafy vines. A banded blue rim at the top and a polished pontil on the base. A petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, FranceAnother view of the petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, FranceAnother view of the petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, FranceAnother view of the petite antique cameo art glass Art Deco era vase by André Delatte, Nancy, France. Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.A vintage Chinese Peking Glass brush pot or bitong, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony design Another view of the vintage Chinese Peking Glass bitong or brush pot, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony design Another view of the vintage Chinese Peking Glass brush pot or bitong, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony designAnother view of the vintage Chinese Peking Glass bitong or brush pot, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony designBase of the vintage Chinese Peking Glass bitong or brush pot, hexagonal form, featuring dark green over red cameo glass carved in a birds and flowering peony designAn exquisite Art Nouveau era vase shading from warm pink to clear uranium glass, gold gilded with floral design and applied gold metal bees! Likely Bohemian glass from Moser.Another view of the An exquisite Bohemian glass vase, shading warm pink to clear uranium glass, hand painted with gold gilt floral design and applied gold metal bees! Moser glass works produced this stunning Art Nouveau era art glass vase.(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the exquisite Bohemian uranium art glass vase, shading warm pink to clear, hand painted with gold gilt floral design and applied gold metal bees! Moser glass works produced this stunning Art Nouveau era art glass vase.A beautiful cameo carved art glass vase, cased glass of warm rosy pink over white and carved with trailing ivy vinesAnother view of the beautiful cameo carved art glass vase, cased glass of warm rosy pink over white and carved with trailing ivy vinesCloseup of the beautiful cameo carved art glass vase, cased glass of warm rosy pink over white and carved with trailing ivy vinesA French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signatureAnother view of the French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signatureCloseup of the Legras French Art Nouveau cameo glass vase, Legras 'Rubis' series circa 1910, acid etched surface and cameo carved purplish red trailing ivy vines, Legras signatureA J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisAnother view of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisMore views of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisCloseups of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisBase of the J. Michel Paris cameo glass landscape vase circa 1925, beautifully overlaid and acid etched with sailing boats and gondolas (Venice?) in lagoon, seen through wisteria vines; signed in cameo J.Michel ParisA Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markCloseup of signature on the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markAnother view of the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markAnother view of the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine mark(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the Daum Nancy cameo glass vase decorated with sailboats on a lake seen through trees, in purple/black on an orange and yellow ground, acid etched, signed in cameo 'Daum Nancy' with the Croix de Lorraine markA Chinese Peking Glass ruby red bowl, compressed globe form with curved, faceted sides. The base is engraved with a four-character Qianlong mark within a square.  Another view of the Chinese Peking Glass ruby red bowl, compressed globe form with curved, faceted sides. The base is engraved with a four-character Qianlong mark within a square.  Another view of the Chinese Peking Glass ruby red bowl, compressed globe form with curved, faceted sides. The base is engraved with a four-character Qianlong mark within a square.  An Art Nouveau cameo glass amber tulip vase made by English glassmakers Thomas Webb & SonsCloseup of the Art Nouveau cameo glass amber tulip vase made by English glassmakers Thomas Webb & SonsCloseup of the Art Nouveau cameo glass amber tulip vase made by English glassmakers Thomas Webb & SonsA beautiful antique Kew-Blas pulled feather design art glass vase with flared ruffled rim, iridescent gold interior. Kew Blas is a name used by the Union Glass Company of Somerville, Massachusetts. The company, working from the 1890s to 1924, was known for their cameo glass and exquisite iridescent glass.(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) A beautiful antique  Kew-Blas pulled feather design art glass vase with flared ruffled rim, iridescent gold interior. A beautiful antique Kew-Blas pulled feather design art glass vase with flared ruffled rim, iridescent gold interior. Kew Blas is a name used by the Union Glass Company of Somerville, Massachusetts. The company, working from the 1890s to 1924, was known for their cameo glass and exquisite iridescent glass.A Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Another view of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Another view of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Closeup of the lid of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. Closeups of the handles on the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. More views of the Chinese carved rock crystal censer and cover, early 20th century, of compressed globular form, resting on three short paw-shaped feet, the lid surmounted with a seated mythical beast, shoulders are flanked by mythical beast mask handles. Both the lid and body are carved with taotie mask designs. A stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.Closeup of the stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.Closeup of the stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.Closeup of the stunning and large antique Bohemian art glass vase (Moser? Harrach?) intricately painted overall with acanthus leaf scrolls in polychrome enamel, with cranberry glass panels containing wheel carved gilded flowers, and gold gilding at the flared rim.An incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed scene of birds in flight amidst flowering branches and vines. Possibly Moser Glass.Closeup of the incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed scene of birds in flight amidst flowering branches and vines. Possibly Moser Glass.Closeup of the incredible 15-inch tall art glass vase shading from clear to cranberry, beautifully wheel cut or engraved with detailed scene of birds in flight amidst flowering branches and vines. Possibly Moser Glass.An antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  Closeup of the antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  Another view of the antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  Closeup of the antique Mont Joye Legras art glass vase, acid etched and enameled with iris flowers and leaves; marked on the base with the Mont Joye L C (Legras et Cie)  A massive Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a textured frosted green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Another closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a frosted textured green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    Closeup of the large Legras Mont Joye art glass vase, beautiful art nouveau design of blooming purple and white irises with gilt leaves against a frosted textured green glass ground, the rim with organic forms and scrolls of gilt. Mont Joye L C mark to the base.    A pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holdersAnother view of the pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holdersCloseup of the pair of antique French Baccarat crystal medallion pattern white enameled and gilded candlestick holdersA massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a swirl textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base shows impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. (Please note this photo includes an old price mark from when our client originally purchased the piece, and does not reflect the current sale price.) Closeup of the massive antique Royal Doulton Lambeth stoneware baluster vase, 18-1/2 inches tall. Decorated with a graceful spray of flowers over a textured pale amber ground between a band of deep blue and brown lappets and roundels at the shoulder and points with roundels at the foot, a collar of white beaded overlapping blue roundels on the neck, two bands of white beading above the foot. Base with impressed Doulton Lambeth mark, artist's marks, and model numbers. Late 19th century. A fabulous Art Nouveau era centerpiece of an iridescent art glass bowl (possibly Loetz) with sculpted bronzed metal stand.  Another view of the fabulous Art Nouveau era centerpiece – an iridescent art glass bowl (possibly Loetz) with sculpted bronzed metal stand.  Antique Mt Washington Glass bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. IllinoisAnother view of the antique Mt Washington Glass bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. IllinoisCloseup of the antique Mt Washington Glass bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. IllinoisCloseup of the antique Mt Washington Glass bride's basket with cameo glass bowl of pink and white cased glass, square form with floral motif and flared ruffled edge; and silver plated metal basket handle stand by Rockford Silver Co. Illinois19th century ruffled art glass bowl bride's basket with silver plated basket handle standCloseup of 19th century ruffled art glass bowl bride's basket with silver plated basket handle standCloseup of 19th century ruffled art glass bowl bride's basket with silver plated basket handle standCloseup of 19th century ruffled art glass bowl bride's basket with silver plated basket handle standA 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'bride's basket' in an Art Nouveau style metal stand Another view of the 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'bride's basket' in an Art Nouveau style metal stand (Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the 19th century Hobbs, Brockunier rubina verde hobnail glass bowl or 'wedding basket' in an Art Nouveau style metal stand A lovely crystal art glass vase, green cut to clearAnother view of the lovely crystal art glass vase, green cut to clearCloseup of the lovely crystal art glass vase, green cut to clear45s from Roy Head, Herman's Hermits, The Dubbs, Billy HarnerVinyl 45 singles from Robert Maxwell His Harp and Orchestra, Boots Randolph, Sam Cooke, Bobby Vee45 RPM vinyl singles - Barbara Lynn, Aretha Franklin, The Monkees, The NightcapsVintage vinyl singles by Sam & Dave, J.J. Jackson, The Capitols, Booker T. & The M.G.'s45s singles by The Essex, Ray Charles, The Moonglows, The Shields45 records by King Curtis, Little Anthony and the Imperials, Herb Alpert and The Tijuana Brass, and Mary Wells45 records by Diane Remay, Billie Stewart, Jimmie Gilmer and The Fireballs, Shelley Fabares Vintage vinyl singles by Dee Dee Sharp, Patty Labelle & The Blue Belles, James Brown, The VolcanosLittle Anthony and the Imperials, Sam Cooke, The Marvelettes, Herb Alpert & The Tijuana Brass45s single records by Marvin Gaye & Tammi Terrell, Dyke and The Blazers, The Crystals, The Temptations Singles by The Contours, The Happenings, Inez Foxx, Bobby HebbVintage vinyl singles by The Marvelettes, Aretha Franklin, The Elgins, DionThe O'kaysions, Brenda Lee, Alpha Zoe, Cliff Nobles45 singles by Shirley Ellis, The Temptations, Gladys Knight & The Pips, Nancy WilsonOhio Express, Marvin Gaye, Dionne Warwick, The TemptationsMarvin Gaye & Kim Weston, Jr. Walker& The All Stars, Dee Dee Sharp, Jimmy Ruffin45 RPM records by The Duprees, Gene Pitney, Crispian St. Peters, The Four Seasons45s by Deon Jackson, Felice Taylor, Johnny Rivers, Aaron NevilleVintage vinyl by Wilson Pickett, The Foundations, Diana Ross & The Supremes, The HesitationsSingles by Richard Chamberlain, Shorty Long, James Brown and The Famous Flames, The Rivieras45s by Sam Cooke, The Four Seasons, Herb Alpert & The Tijuana Brass, Jr. Walker & The All StarsDyke & The Blazers, Little Anthony and The Imperials, The Temptations, The Marvelettes45 RPM records by Nancy Wilson, Shirley Ellis, The Temptations, Gladys Knight & The PipsVinyl records by The Elgins, Brenda Lee, Alpha Zoe, Cliff Nobles,Vinyl singles by The Happenings, Inez Foxx, Dion, Aretha FranklinThe Crystals, Bobby Hebb, Marvin Gaye & Tammi TerrellSpode Copeland's China service for six in fine ivory cream color bone china with gilt scrollwork edges Another view of the Spode Copeland's China service for six in fine ivory cream color bone china with gilt scrollwork edges Another view of the Spode Copeland's China service for six in fine ivory cream color bone china with gilt scrollwork edges Closeup of the Spode Copeland's China service for six in fine ivory cream color bone china with gilt scrollwork edges A Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest Light
Another view of the Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest LightAnother view of the Wedgwood black basalt model of a blackbird circa 1920 modeled by Ernest Light, with applied glass eyes, finely modeled details to the feathers, standing on a shaped base, and a Wedgewood black basalt model of a heron, also by Ernest LightPair of 19th century Wedgwood black basalt dolphin candlestick holders, in the form of a dolphin resting on a rectangular plinth decorated with scallop shells; impressed "Wedgwood" signature to the  undersideAnother view of the pair of 19th century Wedgwood black basalt dolphin candlestick holders, impressed "Wedgwood" signature to the  undersideAnother view of the pair of 19th century Wedgwood black basalt dolphin candlestick holders, impressed "Wedgwood" signature to the  undersideWedgwood Jasperware, primrose yellow with taupe decoration, an Etruscan form pitcher and a vase, both decorated with classical figures and fine scroll workAnother view of the Wedgwood jasperware, primrose yellow with taupe decoration, an Etruscan form pitcher and a vase, both decorated with classical figures and fine scroll workCloseup of Wedgwood jasperware, primrose yellow with taupe decoration, an Etruscan form pitcher and a vase, both decorated with classical figures and fine scroll workAnother view of the Wedgwood jasperware, primrose yellow with taupe decoration, an Etruscan form pitcher and a vase, both decorated with classical figures and fine scroll workPair of vintage Wedgwood Lilac Jasperware round form lidded trinket boxesAnother view of the pair of vintage Wedgwood Lilac Jasperware round form lidded trinket boxesAnother view of the pair of vintage Wedgwood Lilac Jasperware round form lidded trinket boxesPair of Wedgwood black basalt jasperware candlestick holders, made in EnglandAnother view of the pair of Wedgwood black basalt jasperware candlestick holders, made in EnglandA pair of Wedgwood Rosso Antico vases with applied black jasperware decorationAnother view of the pair of Wedgwood Rosso Antico vases with applied black jasperware decorationCloseup of the pair of Wedgwood Rosso Antico vases with applied black jasperware decorationVintage Wedgewood black Jasperware footed vaseAnother view of the vintage Wedgewood black Jasperware footed vaseAnother view of the vintage Wedgewood black Jasperware footed vaseAnother view of the vintage Wedgewood black Jasperware footed vaseVintage Wedgwood Black and White striped Jasperware lidded urn vase with Bacchus head handles, acorn finialAnother view of the vintage Wedgwood Black and White striped Jasperware lidded urn vase with Bacchus head handles, acorn finialAnother view of the vintage Wedgwood Black and White striped Jasperware lidded urn vase with Bacchus head handles, acorn finialCloseup of the vintage Wedgwood Black and White striped Jasperware lidded urn vase with Bacchus head handles, acorn finialWedgwood black jasper dip twin handle urn vase decorated with classical figures in white reliefCloseup of the Wedgwood black jasper dip twin handle urn vase decorated with classical figures in white reliefCloseup of the Wedgwood black jasper dip twin handle urn vase decorated with classical figures in white reliefAnother view of the Wedgwood black jasper dip twin handle urn vase decorated with classical figures in white reliefCloseup of the base of the Wedgwood black jasper dip twin handle urn vase decorated with classical figures in white reliefAntique Wedgwood black dip jasper ware double handled urn shaped vase with applied classical figures in white relief depicting the muses of comedy/drama, music, poetry; covered overall in a shiny clear glaze and with applied gildingCloseup of the antique Wedgwood black dip jasper ware double handled urn shaped vase with applied classical figures in white relief depicting the muses of comedy/drama, music, poetry; covered overall in a shiny clear glaze and with applied gildingAnother view of the antique Wedgwood black dip jasper ware double handled urn shaped vase with applied classical figures in white relief depicting the muses of comedy/drama, music, poetry; covered overall in a shiny clear glaze and with applied gildingCloseup of the antique Wedgwood black dip jasper ware double handled urn shaped vase with applied classical figures in white relief depicting the muses of comedy/drama, music, poetry; covered overall in a shiny clear glaze and with applied gildingA small Wedgwood black jasper dip version of the 'Portland' vase c. 1900. Wedgwood produced copies of the Portland vase in many different colors and sizes ranging from miniatures to the full size, ten inch version. They are not very common in this small size.Another view of the small Wedgwood black jasper dip version of the 'Portland' vase c. 1900.Another view of the small Wedgwood black jasper dip version of the 'Portland' vase c. 1900.Closeup of the small Wedgwood black jasper dip version of the 'Portland' vase c. 1900.Vintage Wedgwood black basalt pitcher, reeded body and with scroll of laurels in high relief around the neck; marked Wedgwood Made in England on the base.Another view of the vintage Wedgwood black basalt pitcher, reeded body and with scroll of laurels in high relief around the neck; marked Wedgwood Made in England on the base.Closeup of the vintage Wedgwood black basalt pitcher, reeded body and with scroll of laurels in high relief around the neck; marked Wedgwood Made in England on the base.Wedgwood black basalt 'Four Home Nations' creamer embossed the four home nations Wales (harp), Ireland (shamrock), England (rose) and Scotland (thistle) and arabesque reliefAnother view of the Wedgwood black basalt 'Four Home Nations' creamer embossed the four home nations Wales (harp), Ireland (shamrock), England (rose) and Scotland (thistle) and arabesque reliefAnother view of the Wedgwood black basalt 'Four Home Nations' creamer embossed the four home nations Wales (harp), Ireland (shamrock), England (rose) and Scotland (thistle) and arabesque reliefCloseup of the Wedgwood black basalt 'Four Home Nations' creamer embossed the four home nations Wales (harp), Ireland (shamrock), England (rose) and Scotland (thistle) and arabesque reliefA 19th century Wedgwood black basalt ''Chinese flowers'' jug, painted in opaque enamels (or Capri enamel). Impressed Wedgwood mark to base. See matching piece in the Carnegie Museum of Art! Another view of the 19th century Wedgwood black basalt ''Chinese flowers'' jug, painted in opaque enamels (or Capri enamel). Impressed Wedgwood mark to base.Another view of the 19th century Wedgwood black basalt ''Chinese flowers'' jug, painted in opaque enamels (or Capri enamel). Impressed Wedgwood mark to base.Closeup of the 19th century Wedgwood black basalt ''Chinese flowers'' jug, painted in opaque enamels (or Capri enamel). Impressed Wedgwood mark to base.Rare Wedgwood tricolor jasperware 'Etruscan' pitcher, light blue with applied classical figures in white and with terracotta decorative banding. Another view of the rare Wedgwood tricolor jasperware 'Etruscan' pitcher, light blue with applied classical figures in white and with terracotta decorative banding. Another view of the rare Wedgwood tricolor jasperware 'Etruscan' pitcher, light blue with applied classical figures in white and with terracotta decorative banding. Another view of the rare Wedgwood tricolor jasperware 'Etruscan' pitcher, light blue with applied classical figures in white and with terracotta decorative banding. Closeup of the base of the rare Wedgwood tricolor jasperware 'Etruscan' pitcher, light blue with applied classical figures in white and with terracotta decorative banding. A Wedgwood black basalt ewerAnother view of the Wedgwood black basalt ewerCloseup of the base of the Wedgwood black basalt ewerA marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!Closeup of the marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!Closeup of the marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!Closeup of the marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!Another view of the marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!Closeup of the marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!Closeup of the marvelous Wedgwood black basalt 'Dancing Hours' lidded urn with applied terracotta relief and Bacchus head handles. Exquisitely fine modeling on this museum quality piece!Sale PictureSale PictureSale PictureWedgewood lilac dip jasperware 'muses' pitcherMore views of the Wedgewood lilac dip jasperware 'muses' pitcherAnother view of the Wedgewood lilac dip jasperware 'muses' pitcherCloseup of the Wedgewood lilac dip jasperware 'muses' pitcherA Wedgwood black basalt 'strawberries' creamer, with a sprig band of fruiting strawberry plants around the body, and fruiting grapevines beneath the rimAnother view of the Wedgwood black basalt 'strawberries' creamer, with a sprig band of fruiting strawberry plants around the body, and fruiting grapevines beneath the rimCloseup of the base of the Wedgwood black basalt 'strawberries' creamer, with a sprig band of fruiting strawberry plants around the body, and fruiting grapevines beneath the rimAntique Wedgwood reverse colors white jasperware two-handled vase with applied blue sprig neoclassical decoration Closeup of the antique Wedgwood reverse colors white jasperware two-handled vase with applied blue sprig neoclassical decoration Another view of the antique Wedgwood reverse colors white jasperware two-handled vase with applied blue sprig neoclassical decoration Closeup of the base on the antique Wedgwood reverse colors white jasperware two-handled vase with applied blue sprig neoclassical decoration Wedgwood drabware jasperware pitcher with white grapevines decoration above the shoulderAnother view of the Wedgwood drabware jasperware pitcher with white grapevines decoration above the shoulderCloseup of the Wedgwood drabware jasperware pitcher with white grapevines decoration above the shoulderA rare Clews Pottery jasperware pitcher, designed in Wedgwood style; sage green with applied cream color neoclassical decoration of figures carrying grapes and drinking wine. Made by Ralph & James Clews, England, circa 1820. The Clews pottery was active from 1815 to 1834.Another view of the rare Clews Pottery jasperware pitcher, designed in Wedgwood style; sage green with applied cream color neoclassical decoration of figures carrying grapes and drinking wine. Made by Ralph & James Clews, England, circa 1820. The Clews pottery was active from 1815 to 1834.Closeup of the rare Clews Pottery jasperware pitcher, designed in Wedgwood style; sage green with applied cream color neoclassical decoration of figures carrying grapes and drinking wine. Made by Ralph & James Clews, England, circa 1820. The Clews pottery was active from 1815 to 1834.Closeup of the the rare Clews Pottery jasperware pitcher, designed in Wedgwood style; sage green with applied cream color neoclassical decoration of figures carrying grapes and drinking wine. Made by Ralph & James Clews, England, circa 1820. The Clews pottery was active from 1815 to 1834.Closeup of the rare Clews Pottery jasperware pitcher, designed in Wedgwood style; sage green with applied cream color neoclassical decoration of figures carrying grapes and drinking wine. Made by Ralph & James Clews, England, circa 1820. The Clews pottery was active from 1815 to 1834.Wedgwood Collectors Society jasperware shape shaped trinket box with lid, white with applied sage green decorationAnother view of the Wedgwood Collectors Society jasperware shape shaped trinket box with lid, white with applied sage green decorationAnother view of the Wedgwood Collectors Society jasperware shape shaped trinket box with lid, white with applied sage green decorationA set of three Wedgwood sage green dip jasperware pitchers in descending sizes, decorated with applied white sprig depicting neoclassical muses Another view of the set of three Wedgwood sage green dip jasperware pitchers in descending sizes, decorated with applied white sprig depicting neoclassical musesClose up of the set of three Wedgwood sage green dip jasperware pitchers in descending sizes, decorated with applied white sprig depicting neoclassical musesThree pieces of tri-color Wedgwood jasperware, light blue body with applied white and dark blue sprig decoration. An Etruscan pitcher, a vase signed by Lord Wedgwood in 1988, and a vase with a flowerfrog insertCloseup of the three pieces of tri-color Wedgwood jasperware, light blue body with applied white and dark blue sprig decoration. An Etruscan pitcher, a vase signed by Lord Wedgwood in 1988, and a vase with a flowerfrog insertCloseup of the three pieces of tri-color Wedgwood jasperware, light blue body with applied white and dark blue sprig decoration. An Etruscan pitcher, a vase signed by Lord Wedgwood in 1988, and a vase with a flowerfrog insertVintage Wedgwood blue jasperware – an Etruscan style pitcher, a bowl hand-signed and dated by Wedgwood master potter Mark Mayson, and two round lidded boxes with grape leaf designCloseup of the vintage Wedgwood blue jasperware – an Etruscan style pitcher, a bowl hand-signed and dated by Wedgwood master potter Mark Mayson, and two round lidded boxes with grape leaf designCloseup of the vintage Wedgwood blue jasperware – an Etruscan style pitcher, a bowl hand-signed and dated by Wedgwood master potter Mark Mayson, and two round lidded boxes with grape leaf designThree Wedgwood 'upright' green jasperware pitchers, two are dip ware; late 19th centuryCloseup of three Wedgwood 'upright' green jasperware pitchers, two are dip ware; late 19th centurySale PictureSale PictureSale PictureSale PictureSale PictureWedgwood lilac jasperware cache pot or planter, and lilac jasperware pitcher, both adorned with applied white sprig neoclassical decoration Another view of the Wedgwood lilac jasperware cache pot or planter, and lilac jasperware pitcher, both adorned with applied white sprig neoclassical decoration Closeup of the Wedgwood lilac jasperware cache pot or planter, and lilac jasperware pitcher, both adorned with applied white sprig neoclassical decoration Sale PictureA Wedgwood pink jasperware Arcadia  pedestal footed vase, a Wedgwood dip dark blue jasperware vase, and a Wedgwood green jasperware vaseAnother view of the Wedgwood pink jasperware Arcadia  pedestal footed vase, and a Wedgwood green jasperware vaseA pair of antique large Wedgwood dark blue dip jasperware double-handled urn shaped vases adorned with neoclassical decoration. Impressed 'WEDGWOOD' mark on the base.Another view of the pair of large antique Wedgwood dark blue dip jasperware double-handled urn shaped vases adorned with neoclassical decoration. Impressed 'WEDGWOOD' mark on the base.Closeup of the pair of antique Wedgwood dark blue dip jasperware double-handled urn shaped vases adorned with neoclassical decoration. Impressed 'WEDGWOOD' mark on the base.A pair of Wedgwood blue dip jasperware pitchers, dark blue with applied white sprig neoclassical decorationAnother view of the pair of Wedgwood blue dip jasperware pitchers, dark blue with applied white sprig neoclassical decorationVintage vinyl LP records: Narada Michael Walden, Peter Brown, Dan Hartman, Philip GlassVintage vinyl LP and EP records: Patrick Cowley featuring Sylvester, Vendetta Records / Maurice / This is Acid, C-Bank / One More Shot, and Hazell Dean Vinyl from Weather Report, Yazoo, Miquel Brown, The Weather GirlsVintage vinyl from Cris Williamson, and Joy of Cooking 'Joy of Cooking Toni, David, Terry, Fritz & Ron'Vinyl records from Anthem, The Specials, Sylvester, and WarVinyl records from Anne Murray, Tracy Nelson, and Maria MuldaurVinyl records from Laura Nyro, Alicia Bridges, Tim Buckley, and Marcia RavenVintage vinyl from Angela Clemmons, The S.O.S. Band, Yarborough & Peoples, and Zinga WashingtonVintage vinyl from Mary Wells, WDAS 22 Original Soul Sounds, Orbit, and The ShirellesVintage LP albums from Sarah Vaughan, Bessie Smith, and SlingshotKaren Young, Pamala Stanley, Pipedream, Vicki Sue RobinsonDisco Party ‘83, Kelly Marie, Heatwave, and Van McCoyVintage vinyl from Madleen Kane, and MelanieLP albums on vinyl from Judy Collins, Third WorldRecord albums from The Pointer Sisters, and Diana RossVintage Peter, Paul and Mary albumsVintage Peter, Paul and Mary albumsMary Travers, Carole KingClassic vintage LP albums from Joan BaezClassic vintage LP albums from Joan Baez'Blessed Are...' vinyl 2-disc album by Joan BaezBette Midler albums, and Margie Adams albumKate Clinton, Lianna sountrack, Lesbian Concentrate, and Suzi QuatroVintage vinyl from Howard Jones, Ronny Dyson, Kate BushVinyl LP albums from George Winston, Bill Quist, Ira Stein and Russell WalderWindham Hill Records Sampler ‘81, Tangerine Dream, Paul Dresher, Sanford Ponder 
Awinul / Di•a•lects, James Galway / Annie’s Song, Powaqqatsi / Film Music by Philip Glass, Koyaanisqatsi / Life Out of BalanceSoundtrack albums from the films Somewhere in Time, Chariots of Fire, The Year of Living Dangerously, and FameSoundtrack albums from The Sound of Music, Saturday Night Fever, Victor Victoria, and FlashdanceVintage vinyl: The Hitchhiker’s Guide to the Galaxy, Lily Tomlin On Stage, Gloria Gaynor, Laurie AndersonVinyl LPs from Laurie AndersonLaurie Anderson / United States ​​Art Music Installation Companion Book, Laurie Anderson / Stories from the Nerve Bible, Laurie Anderson / United States (book)
Vinyl records: Laurence Harvey / This Is My Beloved, Lenny Bruce / The Midnight Concert, Milton Berle & Hugh Downs with Arlene Francis / The Age of Television
Vinyl records for sale: Duke Ellington / 1941 Classics, Perry Como / Como Swings, Little Anthony and the Imperials / I’m On The Outside (Looking In) Donna Summer LP albums, #vintagevinyl disco timeVinyl records by Janis Joplin, Eleanor Grant, Margie Adams, MtumeThe Saturday Evening Post Magazine / The Beatles cover story August 1964, The Beatles poster and 4 promotional color photographs
Spode Copeland's China service for four in fine bone china, white with gold gilt scrollwork edges Closeup of Spode Copeland's China service for four in fine bone china, white with gold gilt scrollwork edges Another view of the Spode Copeland's China service for four in fine bone china, white with gold gilt scrollwork edges A group of Wedgwood Embossed Queensware white vine on blue shell edge china, service for eight, also includes coffee pot, tea pot, creamer and sugarA closeup of the group of Wedgwood Embossed Queensware white vine on blue shell edge china, service for eight, also includes coffee pot, tea pot, creamer and sugarCloseup of the group of Wedgwood Embossed Queensware white vine on blue shell edge china, service for eight, also includes coffee pot, tea pot, creamer and sugarAnother view of the group of Wedgwood Embossed Queensware white vine on blue shell edge china, service for eight, also includes coffee pot, tea pot, creamer and sugarA set of vintage Home Beautiful Canton Fair china porcelain dinner wareAnother view of the vintage Home Beautiful Canton Fair china porcelain dinner wareCloseup of the set of vintage Home Beautiful Canton Fair chinaA group of 18th and 19th century Crown Derby Imari 'Kings' pattern porcelain, including tea cups and coffee cups with saucers, teapot, coffee cups, footed large serving platter/lazy susan, lidded sauceboat with tray, creamer, sugar, serving bowls and platters, and a footed compote or fruit standAnother view of the 18th and 19th century Crown Derby Imari 'Kings' pattern porcelain, including tea cups and coffee cups with saucers, teapot, coffee cups, footed large serving platter/lazy susan, lidded sauceboat with tray, creamer, sugar, serving bowls and platters, and a footed compote or fruit standCloseup of the group of 18th and 19th century Crown Derby Imari 'Kings' pattern porcelain, including tea cups and coffee cups with saucers, teapot, coffee cups, footed large serving platter/lazy susan, lidded sauceboat with tray, creamer, sugar, serving bowls and platters, and a footed compote or fruit standAnother view of the group of 18th and 19th century Crown Derby Imari porcelain, including tea and cups and saucers, teapot, coffee cups, footed large serving platter/lazy Susan, lidded sauceboat with tray, plates, creamer, sugar, serving bowls and plattersCloseup of the 18th century Crown Derby Imari 'Kings' pattern #383 porcelain footed large serving platter/lazy SusanCloseup of the 18th century Crown Derby Imari 'Kings' pattern #383 porcelain footed large serving platter/lazy SusanCloseup of the 18th century Crown Derby Imari 'Kings' pattern #383 porcelain footed large serving platter/lazy susan, label says 'Crown Derby Lazy Susan circa 1780, Daughterty's Colorado Springs 1950'View of the Crown Derby porcelain lidded sauceboat with stand, and fruit stand of footed rectangular shape with two foliate scroll handles that are marked for Crown Derby, Imari, "Kings" pattern,  circa 1806-1825. Closeup of a the Crown Derby porcelain fruit stand of footed rectangular shape with two foliate scroll handles that are marked for Crown Derby, Imari, "Kings" pattern,  circa 1806-1825. View of 4 pieces of 19th century Crown Derby Imari porcelain, 'Kings' pattern #383, dated 1806-1825.Closeup of mark on back of one of 4 pieces of 19th century Crown Derby Imari porcelain, 'Kings' pattern #383, dated 1806-1825.Closeup of mark on back of 2nd of 4 pieces of 19th century Crown Derby Imari porcelain, 'Kings' pattern #383, dated 1806-1825.Closeup of mark on back of third of 4 pieces of 19th century Crown Derby Imari porcelain, 'Kings' pattern #383, dated 1806-1825.Closeup of mark on back of fourth of 4 pieces of 19th century Crown Derby Imari porcelain, 'Kings' pattern #383, dated 1806-1825.Antique early 19th century Crown Derby porcelain 'Kings' Imari pattern items: Two shell form dishes and two  dessert dishes, circa 1806-1825View of the reverse of the antique early 19th century Crown Derby porcelain 'Kings' Imari pattern items: Two shell form dishes and two dessert dishes, circa 1806-1825Closeup of the antique early 19th century Crown Derby porcelain 'Kings' Imari pattern shell form dishes dating to 1806-1825Closeup of the antique early 19th century Crown Derby porcelain 'Kings' Imari pattern shell form dishes dating to 1806-1825Closeup of the antique early 19th century Crown Derby porcelain 'Kings' Imari pattern dessert dishes dating to 1806-1825Closeup of the antique early 19th century Crown Derby porcelain 'Kings' Imari pattern dessert dishes dating to 1806-1825A pair of antique Crown Derby porcelain 'Kings' Imari pattern serving dishes dating to 1806-1825View of the reverse of a pair of antique Crown Derby porcelain 'Kings' Imari pattern serving dishes dating to 1806-1825Closeup of marks on the pair of antique Crown Derby porcelain 'Kings' Imari pattern serving dishes dating to 1806-1825Closeup of marks on the pair of antique Crown Derby porcelain 'Kings' Imari pattern serving dishes dating to 1806-1825Four antique early 19th century Crown Derby imari "Kings" pattern plates circa 1806-1825 (one is marked Bloor Derby circa 1825-1848, from when Robert Bloor took control of the Crown Derby factory in 1811)Closeup of the antique Crown Derby porcelain Kings Imari pattern plate with the Bloor Derby mark circa 1825-1846,  when former clerk Robert Bloor took control of the Crown Derby factory in 1811)14k yellow gold diamond and aquamarine flower (or four leaf clover) pendant necklaceCloseup of 14k yellow gold diamond and aquamarine flower (or four leaf clover) pendant necklace14k white gold and dramatic cabochon black opal pendant necklaceCloseup of the 14k white gold and dramatic cabochon black opal pendant necklace14k white gold, gorgeous ruby cabochon and pavé diamond pendant necklaceAnother view of the 14k white gold, gorgeous ruby cabochon and pavé diamond pendant necklace14k yellow and white gold sapphire and diamonds  pendant necklaceCloseup of 14k yellow and white gold sapphire and diamonds pendant necklace14k yellow gold ring with diamonds and varying shades of blue sapphires14k yellow gold and black opal with diamonds pendant necklace Closer view of the 14k yellow gold and black opal with diamonds pendant necklace 14k yellow gold triple strand necklace with citrine and other fine gemstones pendantMore views of the 14k yellow gold triple strand necklace with citrine and other fine gemstones pendantCloseup of 14k yellow gold triple strand necklace with citrine and other fine gemstones pendantPlatinum and old European cut diamond pendant circa 1910 on a 14k gold white gold necklace chainCloseup of the platinum and old European cut diamond pendant circa 1910 on a 14k gold white gold necklace chain18k white gold pendant featuring diamonds a lovely citrine briolette cut drop an 18k white gold chain necklaceCloseup of the 18k white gold pendant featuring diamonds a lovely citrine briolette cut drop an 18k white gold chain necklaceLovely 18k yellow gold ring featuring a large pair of pearls with gem set butterflies and diamond accentsCloseup of the lovely 18k yellow gold ring featuring a large pair of pearls with gem set butterflies and diamond accentsSubstantial 18k white gold ring with bezel set princess cut yellow diamond flanked with white diamondsCloseup of the substantial 18k white gold ring with bezel set princess cut yellow diamond flanked with white diamonds18k yellow gold ring with a central smoky quartz flanked by two citrines, each stone encircled by diamondsCloseup of 18k yellow gold ring with a central smoky quartz flanked by two citrines, each stone encircled by diamonds18k white gold split band ring, with pavé set diamonds in the bands and a central pink gemstone flower form Closeup of the 18k white gold split band ring, with pavé set diamonds in the bands and a central pink gemstone flower form A lovely 18k white gold diamonds and sapphire ring, sapphires set in flower form encircled by diamond ribbonsCloseup of the lovely 18k white gold diamonds and sapphire ring, sapphires set in flower form encircled by diamond ribbonsMultiple necklaces of strung amber beads ranging in size from small to chonky! Beautiful shades of honey.Beautiful 16-inch Mexican silver collar form necklace of sterling silverA sampling of the various sterling silver beaded necklaces that we are offering.Mexican sterling silver collar necklace inlaid with various hard stonesPhenomenal 12-inch tall antique Mt Washington art glass brides basket with glass thorn handle, the basket of hand blown cased glass with finely detailed enameled floral design and resting on 4 gilded feet.Closeup of the base of the phenomenal 12-inch tall antique Mt Washington art glass brides basket with glass thorn handle, the basket of hand blown cased glass with finely detailed enameled floral design and resting on 4 gilded feet.A large 11.5 inch hand blown amberina glass vase with swirled optic rib body, ruffled rim, atop applied amber glass tabbed feet Closeup of the large 11.5 inch hand blown amberina glass vase with swirled optic ribbed body, ruffled rim, atop applied amber glass tabbed feet A beautiful 13-1/2 inch hand blown amberina glass vase with double crimped flaring rim and disc footCloseup of the base of the beautiful 13-1/2 inch hand blown Amberina glass vase with double crimped flaring rim and disc footA pair of vintage and tall Amberina art glass vases, optical ribbing and ruffled crimped rimsCloseup of one of a pair of vintage and tall Amberina art glass vases, optical ribbing and ruffled crimped rimsAntique large Amberina blown glass vase with gold enamel floral and butterfly decoration, Saint-Denis - Legras, FranceCloseup of the base of the antique large Amberina blown glass vase with gold enamel floral and butterfly decoration, Saint-Denis - Legras, FranceA lovely 9-1/2 inch tall Amberina art glass vaseCloseup of the base of the lovely 9-1/2 inch tall Amberina art glass vaseAntique rubina verde art glass vaseAnother view of the antique rubina verde art glass vaseA small, Wedgwood, blue jasper dip pitcher decorated with classical figures and ornamentationAnother view of the small, Wedgwood, blue jasper dip pitcher decorated with classical figures and ornamentationA small, Wedgwood, blue jasper dip pitcher or creamer, decorated with classical Greek figures and swag ornamentationCloseup of the small, Wedgwood, blue jasper dip pitcher or creamer, decorated with classical Grecian figures and swag ornamentationA small, Wedgwood, blue dip jasperware vase, decorated with in white relief with classical figuresCloseup of the small, Wedgwood, blue dip jasperware vase, decorated with in white relief with classical figures A very nice Wedgwood early to mid-1800s blue dip jasper ware small pitcher or creamer skillfully sprigged with white classical mythology figures, impressed WEDGWOOD mark and indistinct potter's mark to the base.Closeup of the very nice Wedgwood early to mid-1800s blue dip jasper ware small pitcher or creamer skillfully sprigged with white classical mythology figures, impressed WEDGWOOD mark and indistinct potter's mark to the base.A Wedgwood blue jasper dip version of Josiah Wedgwood's Portland vase, c. 1900. Decorated with a white sprig frieze representing the myth of Peleus and Thetis.Closeup of the Wedgwood blue jasper dip version of Josiah Wedgwood's Portland vase, c. 1900. Decorated with a white sprig frieze representing the myth of Peleus and Thetis.A 19th century Wedgwood blue jasper dip cylindrical vase, with applied with acanthus leaves below rams masks and foliate swags; 9-1/2 inches high.Closeup of the 19th century Wedgwood blue jasper dip cylindrical vase, with applied with acanthus leaves below rams masks and foliate swags; 9-1/2 inches high.A rare antique Wedgwood blue or "lavender" dip jasperware Etruscan jug, decorated with classical figures between two single line Greek key meander bands.  Closeup of the rare antique Wedgwood blue or "lavender" dip jasperware Etruscan jug, decorated with classical figures between two single line Greek key meander bands.  A charming Wedgewood dark blue dip jasperware small 5-1/2 inch pitcher with rope handle, decorated with classical figures in a "sacrifice" scene, beneath a band of fruiting grape vinesCloseup of the charming Wedgewood dark blue dip jasperware small 5-1/2 inch pitcher with rope handle, decorated with classical figures in a "sacrifice" scene, beneath a band of fruiting grape vinesA stunning and rare antique Wedgewood tri-color blue jasper dip with sage green cameo "Monopodia" vase, early 1900s.  Featuring architectural elements, not pictorial reliefs, the monopodia are used here as columns topped by a lion mask and terminated at the bottom by a single paw foot. A small oval sage green and white cameo adorns the side above a swag element and below a masterfully applied ribbon and vine border; acanthus leaves decorate the rim and the base.Closeup of the stunning and rare antique Wedgewood tri-color blue jasper dip with sage green cameo "Monopodia" vase, early 1900s.  Featuring architectural elements, not pictorial reliefs, the monopodia are used here as columns topped by a lion mask and terminated at the bottom by a single paw foot. A small oval sage green and white cameo adorns the side above a swag element and below a masterfully applied ribbon and vine border; acanthus leaves decorate the rim and the base.A Wedgewood blue dip jasperware pitcher with rope handle, decorated with in white relief with classical figures beneath a band of fruiting grape vinesCloseup of the Wedgewood blue dip jasperware pitcher with rope handle, decorated with in white relief with classical figures beneath a band of fruiting grape vinesA group of Wedgewood lavender (pale blue) jasperware vases, 20th centuryThe bases of the group of Wedgewood lavender (pale blue) jasperware vases, 20th century. (Please note this photo includes an old price mark from when our client originally purchased the piece, and does not reflect the current sale price.)A group of Wedgwood sage green jasper ware pitchers and vases, 20th century.View of the bases of the group of Wedgwood sage green jasperware pitchers and vases, 20th century.A group of Wedgewood taupe jasperware vases and pitcher, circa 1979 - 1985.View of the base markings on the group of Wedgewood taupe jasperware vases and pitcher, circa 1979 - 1985.A group of Wedgewood cream on pink jasper ware vasesView of the bases of the group of Wedgewood cream on pink jasper ware vasesA Wedgwood primrose yellow jasperware bamboo vase, two Wedgwood primrose yellow jasper ware bud vases, and a Wedgwood primrose yellow jasperware vase with applied dark green sprig decoration of a cricket resting on grass blades beneath a flying butterfly Another view of the Wedgwood primrose yellow jasperware bamboo vase, two Wedgwood primrose yellow jasper ware bud vases, and a Wedgwood primrose yellow jasperware vase with applied dark green sprig decoration of a cricket resting on grass blades beneath a flying butterfly A group of Wedgwood, small, lilac jasperware vases and tray/dish.Another view of the group of Wedgwood, small, lilac jasperware vases and tray/dish.Two Wedgwood light blue jasperware lidded boxes with a diamond shaped trinket dishAnother view of the two Wedgwood light blue jasperware lidded boxes along with a diamond shaped trinket dishView of the bases of the two Wedgwood light blue jasperware lidded boxes along with a diamond shaped trinket dishThree Wedgwood vases, two are light blue (lavender) jasperware and one is an Embossed Queen's Ware vase that is marked with impressed WEDGWOOD stamp and a circular overglaze stamp saying  Wedgwood & Barlaston of Etruria Made in England Embossed Queen's Ware, and a G stamp for 1904.View of the base of a light blue (lavender) jasper ware vaseView of the base of the Wedgwood and Barlaston of Etruria Embossed Queen's Ware vase circa 1904View of the light blue (lavender) jasperware vase A group of five Wedgwood black jasper ware pieces including a vase and a lidded trinket boxView of the base of one of the items from the group of five Wedgwood black jasper ware pieces including a vase and a lidded trinket boxView of the bases of the View of the group of five Wedgwood black jasper ware pieces including a vase and a lidded trinket boxFour Wedgwood sage green jasper ware lidded boxesView of the bases of the four Wedgwood sage green jasper ware lidded boxesA Wedgwood teal green jasperware vase and a miniature 3-inch-high dolphin candlestick holderCloseup of the Wedgwood teal green jasperware vase Closeup of the Wedgwood teal green jasperware miniature 3-inch-high dolphin candlestick holderSale PictureSale PictureArt deco era amber cut to clear art glass vase with roses and lily of the valley floral motifCloseup of the Art Deco era amber cut to clear art glass vase with roses and lily of the valley floral motif (Please note this photo includes an old price mark from when our client originally purchased the piece, and does not reflect the current sale price.)Antique yellow cut to clear Bohemian glass candlestick holders with amber glass prismsFinely made Bohemian art glass vase in amber cut to clear.Closeup of the finely made Bohemian art glass vase in amber cut to clear.Vintage flower frogAnother view of the vintage flower frogA pair of smaller vintage flower frogs in clear and blue glassAnother view of the pair of smaller vintage flower frogs in clear and blue glassLarge vintage Maestri Vetrai Azzurra Murano hand blown yellow/brown tortoiseshell glass vaseCloseup of the large vintage Maestri Vetrai Azzurra Murano hand blown yellow/brown tortoiseshell glass vaseTwo Wedgwood black basalt vasesView of the base of the Wedgwood black basalt two-handled vaseView of the base of the Wedgwood black basalt trumpet form vase, marked WEDGWOOD ETRURIAA truly amazing antique art glass basket, 11.5 tall, with clear glass twisted rope handles attached to the cranberry to clear basket that also has a pulled feather pattern in it; a band of hobnail texture below the double crimped rim and resting atop four clear glass feet. Likely a Stourbridge / Stevens & William piece.Another view of the truly amazing antique art glass basket, 11.5 tall, with clear glass twisted rope handles attached to the cranberry-to-clear basket that also has a pulled feather pattern in it; a band of hobnail texture below the double crimped rim and resting atop four clear glass feet. Likely a Stourbridge / Stevens & William piece.An English silver plated cruet stand with three cut glass cruets with original stoppers, matching salt and pepper shakers, and mustard pot. Closeup of the English silver plated cruet stand with three cut glass cruets with original stoppers, matching salt and pepper shakers, and mustard pot. Antique French porcelain enameled and gilt hinged lidded boxAnother view of the antique French porcelain enameled and gilt hinged lidded boxMore views of the the antique French porcelain enameled and gilt hinged lidded boxAn astounding 12-inch-tall  Welz "zipper" art glass vase, white ground with rose and amber decoration, applied frosted feet that wrap upward in tendrils around the body, applied frosted edge to the crimped rim. First half 20th century.Closeup view of the astounding 12-inch-tall  Welz "zipper" art glass vase, white ground with rose and amber decoration, applied frosted feet that wrap upward in tendrils around the body, applied frosted edge to the crimped rim. First half 20th century.Antique Stueben Rosaline art glass vase with applied alabaster glass handles and foot, circa 1910(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Another view of the antique Stueben Rosaline art glass vase with applied alabaster glass handles and foot, circa 1910Two Josef Inwald glassworks art glass vases, koi fish pattern, art deco style made in Czechoslovakia. One vase marked "Barolac," the name registered in the UK by John Jenkins and Sons Ltd, a glass importing company that collaborated with Inwald's designers to develop the Barolac designs. 
Closeup of one of the two Josef Inwald glassworks art glass vases, koi fish pattern, art deco style made in Czechoslovakia. One vase marked "Barolac," the name registered in the UK by John Jenkins and Sons Ltd, a glass importing company that collaborated with Inwald's designers to develop the Barolac designs. 
Closeup of one of the two Josef Inwald glassworks art glass vases, koi fish pattern, art deco style made in Czechoslovakia. One vase marked "Barolac," the name registered in the UK by John Jenkins and Sons Ltd, a glass importing company that collaborated with Inwald's designers to develop the Barolac designs. 
Fabulous vintage costume jewelry –  Art Deco rhinestone dangle earrings and AB crystal brooches marked Western Germany (and Austria), enameled pendant necklaces, butterflies, flowers, starbursts, Maltese cross pendants, brooch and earring sets, delicate bracelets - Crown Trifari, Boucher, Lisner, Florenza, Monet, Coro, Napier, AK, Craft, and moreAn incredibly glamorous and large Crown Trifari flower brooch, blue with white rhinestones, shown with some AB crystal brooches marked AustriaA vintage signed Florenza perfume pomander / hinged locket tassel pendant necklace, decorated with deep green cabochons and multi colored rhinestonesCloser view of beautiful enameled, beaded, and rhinestone brooch and earring setsSterling silver brooches from Coro, KBN, Danecraft, Hobé, Viking Craft and more – some with matching earringsCloseup view of some of the sterling silver brooches from Coro, KBN, Danecraft, Hobé, Viking Craft and more – some with matching earringsSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureAmerican art glass: Two Hobbs, Brockunier peachblow art glass pitchers, late 19th century. The first is cased blue and white glass, the peach blow coloration shading from bright rose to pale pink, with a ruffled crimped rim, and applied ribbed amber glass handle (see another of this one in the Chrysler Museum collection!) The second is cased glass with compressed globe body on raised pedestal foot, the peachblow shading from vivid pink at the flared rim to palest pink at the shoulder; with applied amber glass thorn handle.Base of the Hobbs Brockunier art glass peachblow pitcherBase of the Hobbs Brockunier art glass peachblow pitcherSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSmith Brothers antique cream color satin glass vase with hand-painted gilt iris flower, marked on the base with Smith Brothers stamp; late 19th century (1874-1899.)Closeup of the base of Smith Brothers antique cream color satin glass vase with hand-painted gilt iris flower, marked on the base with Smith Brothers stamp; late 19th century (1874-1899.)Sale PictureSale PictureSale Picture(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale Picture(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Sale Picture(Please note this photo includes an old price tag from when our client originally purchased the piece, and does not reflect the current sale price.) Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale Picture

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