March Gallery Auction - CATALOG ONLINE NOW!!

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The address for this sale in Ypsilanti, MI 48197 will no longer be shown since it has already ended.
Dates
Sat
Mar 2
11am
2024

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Schmidt's Antiques Inc

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(734) 434-2660

Description & Details

March Gallery Auction

 

Saturday, March 2nd at 11:00 a.m.

Featuring Antiques, Fine Art, Furniture and Decorative Art from Estates and Private Collectors, including the Estate of Caroline Hebb of Dearborn, Michigan, and Connie Covent of Clarkston Michigan.

 

CATALOG ONLINE NOW AT:

https://www.liveauctioneers.com/catalog/316263_march-gallery-auction/

 

19th century American Country Furniture including a Matteson painted chest from the Estate of Caroline Hebb, Trade signs, Folk Art and Outsider art by Moses Tolliver, Mariett McGeath & others from the Collection of Connie Covent, over 30 pieces of Gothic Revival period Furniture, 16th century Stained Glass, Rembrandt Etchings, Illuminated Manuscripts and Lighting from a single collector, Collection of Southwestern, English & Chinese Jewelry, & much more!

Watch our website for updates! 

 

View the catalog and bid online NOW at LiveAuctioneers.com

 

This is an Auction with Live, Online, Absentee and Phone Bidding Available

Visit our website for more information: www.SchmidtsAntiques.com

 

25% Buyer's Premium on all lots

Credit Cards accepted without penalty.  Absentee bids accepted.  Food available.

 

 Consign your collection with Schmidt’s, we offer access to World-Wide Art and Antiques Markets, competitive rates and on-time consignor payments without excuses.  Nationwide pickup available.

 

 

Schmidt's Antiques Inc.

5138 West Michigan Ave.

Ypsilanti, Michigan.

(734) 434-2660

Since 1911

 

www.SchmidtsAntiques.com

Matteson Type Federal Painted Mule Chest, Carved Wooden Eagle, Wooden Trade SignAn early 20th century American Folk Art quilt, possibly African American. Hand-stitched, pieced and quilted with Mule design in Orange and Black, with a plain Olive Green backing. Some wear, minor fading and pulls, hanging panel attached. 68 x 72 1/2" high overall.A 16th century or earlier Late Gothic Period stained glass window of The Presentation of the Blessed Virgin Mary. Multi-color stained and leaded glass panels with reverse painted detail depicting a young Virgin Mary being presented by her mother to a High Priest in the Temple of Jerusalem within geometric and foliate borders. One crack to edge of preist's arm, some wear to paint. In a later Oak frame, 19 x 28 1/2" high overall. A turn of the century American Tramp Art tall chest by James S. Henderson inscribed "Cabinet Started January 1, 1900, Finished 1905, Aug 25… Study Out Oct 20, 1882 Model". Constructed of scrap wood and found objects including a crate side labeled "High Explosives, Dangerous" decorated with chip carved Hearts, Stars, Diamonds outlined with stacked zipper moldings and applied detail. Retains its original Black painted finish highlighted with a multitude of White porcelain knobs and various metal objects. Features an upper lift top divided compartment over two long drawers, two short and three short and two long lower drawers. Original finish with some wear and minor damage. 18 x 38 1/2 x 54" high overall. ESTIMATE $2,000-4,000 Note: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, MichiganA 1960's Lalique "Chene" Crystal chandelier. Elaborate three light chandelier with single tier molded Oak leaf design and frosted detail in a circular Chrome frame with molded Crystal canopy. Etched signatures "Lalique France". Slight wear, minute flakes at the edges of four leaves and the back of another. 22 1/2 x 27" high overall. ESTIMATE $4,000-6,000 PROVENANCE: From the Estate of Richard P. Kughn, Dearborn, Michigan.A late 19th century American miniature blanket box. Dovetailed Pine construction with a hinged molded rim and original Brown grain painted finish. Some wear, old replaced hinges and area with in-painting at top. 14 1/2 x 8 x 9 1/2" high overall. A pair of early 20th century Gothic Revival Period sconces. Cast Brass bodies with single lights and Shield design with foliate details, patinated finish and Mica liners. Some wear to finish and pitting. Each 16" high. A turn of the century French Gothic Revival tall clock retailed by Dupin & Strembel, Paris. Junghans 8-day, spring driven time and strike movement with quarter hour strike, Silvered dial and Arabic numerals. Carved Gothic Revival case with central spire flanked by smaller spires, single door with carved tracery and arched dial glass, central waist door with one arched panel over linen fold panel with arched quarter columns on a stepped base with carved linen fold design and heavy molded foot. Old finish with very minor wear, running when cataloged, strike needs adjustment. 21 1/2 x 11 1/2 x 102" high overall. A turn of the century Gothic Revival Period carved Oak armoire. Molded top over two long doors with carved tracery and linen fold panels, with Iron hinges and lock. Older dark finish with minor wear. 38 x 18 1/2 x 70 3/4" high overall. Attributed to Marriet McGeath, American (Indiana), 20th century. An early 20th century graphite on paper drawing, titled "Auction in Darktown". Depicts numerous small, detailed Black figures at a country auction. Unsigned, titled lower right. Toning, some creasing and very slight foxing, not examined out of frame. Image 16 1/2 x 13 1/2" high, framed 20 1/2 x 17 1/2" high overall. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top with canted corners over two doors with carved tracery and figural panels, rope twist columns surmounted by carved Apostles, over an open lower shelf with linen fold carved back panel, Iron hinges and figural Apostle lock. Original finish with some wear, damage and shrinkage, lacks piece of pierced skirt at side. 37 x 21 1/4 x 53" high overall. Two early 20th century Lincoln Mfg. wall sconces. Cast Bronze and Brass bodies with single light and patinated finish, one with "St. Maria" Ship design and polychrome details, the other with Grape Leaf design and Mica liner. Both marked "Lincoln" Mfg. Co. at back. Some wear to patina and discoloration to "candles". Up to 17 1/2" high.Attributed to Marriet McGeath, American (Montpelier, Indiana), 20th century. An early 20th century casein on paper painting, titled "Fun in Darktown". Depicts numerous small, detailed Black figures engaged in fun winter activities. Unsigned, titled lower center. Tears and wrinkles to paper edges, very slight foxing, not examined out of frame. Image 22 x 19" high, in a contemporary frame with slight wear, 28 3/4 x 25 3/4" high overall. A 19th century American painted step back cupboard. Maple construction in two parts with a molded cornice over two raised panel doors and a short pie shelf in the upper and two short drawers, raised panel doors and a cut out bracket base below. Original Red/Yellow grain painted finish. Some wear, upper interior with later paint, rodent damage to drawers, lacks keeper on bottom doors. 18 x 46 1/2 x 81 1/2" high overall.Reuben Aaron Miller, American (Georgia), 1912-2006. Two late 20th century mixed media paintings on masonite depicting a dinosaur, shark and other creatures in marker on a White painted background with "Lord Love You" written above. Each signed "RA Miller" lower left. Minor wear to paint and surface grunge. Both 16 x 11 1/2" high overall. A turn of the century Gothic Revival Period carved Oak linen cupboard. Molded top with canted corners over two doors with carved figural panels and rope twist columns surmounted by carved Knights, over two lower doors with carved tracery, Iron hinges and figural Apostle locks. Older finish with minor wear. 38 x 19 1/2 x 53 1/2" high overall. A 1970's vintage Cedric Hartman occasional table. Circular Travertine marble top on a Brass tri-pod base. Marked "Cedric Hartman, P 880434, Made In USA" at underside. Slight wear, original finish with tarnish to Brass. 17" diameter x 23" high overall.Moses Ernest Tolliver, American (Alabama), 1925-2006. A late 20th century house paint on plywood panel painting depicting a Yellow cat. Signed "MOSET" upside down with characteristic backwards "S" upper right, pop can tab hanger verso. Minor wear to paint at edges. Panel 24 1/4 x 12 1/4" high overall. A turn of the century Gothic Revival Period carved Oak dressing screen. Three panel screen with carved trefoil crown above a quatrefoil frieze and tracery panels flanking a central carved shield and lower linen fold carved panels. Older finish with some wear and flaking. Each panel is 18 x 63 1/2" high, 54 x 63 1/2" high overall. Attributed to Marriet McGeath, American (Indiana), 20th century. An early 20th century graphite on paper drawing, titled "Darktown Wedding". Depicts numerous small, detailed Black figures celebrating. Unsigned, titled lower left. Toning, very slight foxing, wear to paper at title likely from artist, not examined out of frame. Image 21 1/2 x 13 1/2" high, in a contemporary frame with slight wear, 29 x 21 1/2" high overall. Mose Ernest Tolliver, American (Alabama), 1925-2006. A late 20th century house paint on plywood panel painting depicting a self portrait of the artist with crutches. Signed "MOSET" with characteristic backwards "S" lower center, pop can tab hanger verso. Minor craquelure to paint and surface grunge. Panel 15 x 26 1/2" high overall.An early 20th century Gothic Revival Period floor lamp. Wrought iron construction on a tripod base with custom Silk shade. Rewired, slight wear. 63" high overall. American Folk ArtAn early 19th century American Federal "Matteson Type" dome top storage box from South Shaftsbury, Vermont. Basswood construction features a lift-top with interior dust moldings on a dovetailed body. Retains the original multi-color painted finish with crotch graining within a "banded" border on top and facade, fanciful crotch graining on sides and back. Wear and minor paint losses along the edges, lacks the inner dust molding on the left side, old glued repair to back of lid, replaced hasp. 30 x 14 x 12" high overall. A turn of the century Gothic Revival Period carved Oak side buffet. Molded top over two doors with carved tracery and central figural panel, with carved columns surmounted by Apostle figures, Iron hinges and lock. Old finish with wear, some shrinkage, break to one Iron strap hinge. 48 1/2 x 21 x 33 1/2" high overall. Attributed to Marriet McGeath, American (Montpelier, Indiana), 20th century. An early 20th century casein on linen painting, untitled "Darktown" series. Depicts numerous small, detailed Black figures engaged in fun winter activities. Unsigned. Wrinkling to linen, not examined out of frame. Image 18 x 12 3/4" high, in a period Tramp Art frame with slight wear, 27 x 21" high overall. Moses Ernest Tolliver, American (Alabama), 1925-2006. A late 20th century house paint on plywood panel painting depicting a waving Black Santa with Green eyes. Signed "MOSET" with characteristic backwards "S" lower right, pop can tab hanger verso. Minor surface grunge. Panel 12 x 24" high overall. NOTE: Lot includes photographs of the artist painting and holding the work. An early 20th century Gothic Revival carved Oak radio cabinet. Molded top over over two doors with carved tracery and pierced Rose Window design, Iron hinges and lock, over an open lower with linen fold carved back panel and rope twist legs and stretcher base. Opens to reveal an upper speaker compartment with lift-up door and lower pull out drawer with a "Sonora" radio and Brass dials. Speaker with original "Dynamic" label at back. Old finish with minor, small chip to door, radio untested. 36 1/2 x 19 1/2 x 54 1/4" high overall. Attributed to Marriet McGeath, American (Indiana), 20th century. An early 20th century graphite on paper drawing, titled "Auction in Darktown". Depicts numerous small, detailed Black figures at a country auction. Unsigned, titled lower center. Toning, some rippling and very slight foxing, not examined out of frame. Image 18 1/4 x 23" high, in a contemporary frame, 27 3/4 x 32 3/4" high overall.A 17th century Italian carved Walnut blanket box. Renaissance style with carved lift top over a central carved scenic panel depicting a Pheonix with Erotes, flanked by figural Bacchus columns on a carved bracket base with Bacchus Mask feet. Older finish with minor wear and repairs. 41 1/2 x 19 1/2 x 23 1/4" high overall. A turn of the century Gothic Revival Period carved Oak side cupboard. Molded top with canted corners over one central door with carved tracery and figural panel, rope twist columns surmounted by carved Apostles, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Old finish with some wear, minor damage and shrinkage. 25 x 17 1/4 x 48 1/2" high overall. Attributed to Marriet McGeath, American (Montpelier, Indiana), 20th century. An early 20th century graphite on paper drawing, titled "Watermelon Time in Darktown". Depicts numerous small, detailed Black figures dancing. Unsigned, titled lower right. Toning and foxing, not examined out of frame. Image 35 1/2 x 15 3/4" high, in a softwood frame with some wear, 39 1/2 x 19 3/4" high overall. A 19th century American oil on canvas portrait of a young girl. Depicted seated in a Victorian parlor wearing a White dress and holding a pull toy sheep with an obscured landscape beyond an open window. Unsigned. Craquelure, some previous restorations with patches to canvas back, a few small flakes and scratches to paint. Image 23 1/2 x 29 1/2" high, in a Birdseye Maple frame with some wear, 34 1/4 x 40 1/4" high overall. A 19th century Gothic Revival Period carved Oak altar railing. Three sections with Gothic arches and molded railings. Older finish with minor wear, some modifications. Two sections 36 1/2 x 27 1/2" high, one section 73 x 27 1/2" high. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top with canted corners over one central door with carved tracery, rope twist columns surmounted by carved Apostles, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Original dark finish with wear and some damage. 35 1/2 x 19 1/4 x 54 1/4" high overall. A set of three of early 20th century Gothic Revival Period sconces. Cast Bronze bodies with Shield design and patinated finish, single lights with Amber crackle glass hurricane shades. Some wear to patina and paint splatters, glass shades with some chips and flakes. Each 16 1/2" high.A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top over one central door with carved tracery and shield, flanked by carved figural panels and spires, over an open lower shelf with linen fold carved back panel, Iron hinges and figural Apostle lock. Original finish with some wear and damage, glued repair to lower carved skirt. 34 3/4 x 17 1/2 x 56 1/4" high overall. An early 20th century Gothic carved Oak mirror retailed by Lightolier, New York. Carved rectangular frame with arcaded crown above an arched mirror with carved tracery and two rope twist columns surmounted by carved Apostles. Original "Lightolier, New York" embossed foil tag at back. Older finish with minor wear, lacks some decorative elements at top and sides. 25 x 36" high overall. A Gothic Revival stained glass window of Joseph's Dream. Multi-color stained and leaded glass panels with reverse painted detail depicting the dream which revealed to Joseph that Mary was carrying the Son of God, within geometric and foliate borders. Soldered restoration and crack to Mother and Child panel, some wear to paint. In a later Oak frame, 20 1/2 x 32 3/4" high overall. A turn of the century Gothic Revival Period carved Oak blanket box. Paneled lift top with Iron hinges over a three panel facade with carved tracery on a molded bracket base. Old finish with some wear and fading, particularly to top. 40 x 18 1/2 x 24 1/2" high overall. A Gothic Revival stained glass window of the Prophet Aaron. Multi-color stained and leaded glass panels with reverse painted detail depicting the Prophet and High Preist Aaron, brother of Moses, holding a censer and palm frond within geometric and foliate borders. Panels intact, some wear to paint. In a later Oak frame, 19 1/8 x 28 1/4" high overall. A turn of the century Gothic Revival Period carved Oak side cupboard. Molded top over one central door with carved tracery and figural panel, flanked by rope twist columns, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Older finish with minor wear and scratches. 18 1/2 x 15 x 51 1/2" high overall. A Gothic Revival stained glass window of St. Anne and the Virgin Mary. Multi-color stained and leaded glass panels with reverse painted detail depicting St. Anne teaching a young Virgin Mary to read within geometric and foliate borders. Both face panels cracked, some wear to paint. In a later Oak frame, 19 x 28" high overall. A pair of early 20th century Gothic Revival Period sconces. Cast Iron bodies with British Coat of Arms design, two lights and patinated finish. Minor wear to finish. Each 14" high. A turn of the century Gothic Revival Period carved Oak console table. Molded top with canted corners over an arched flat carved skirt and open lower shelf with linen fold carved back panel, on carved legs with rope twist columns surmounted by Apostle figures. Stenciled "Made in Belgium" at back. Refinished with minor wear and fading to top, small chip to one Apostle's hand. 35 x 16 x 32" high overall. A Gothic Revival stained glass window of the Three Marys. Multi-color stained and leaded glass panels with reverse painted detail depicting the Three Marys before the Angel guarding Christ's tomb within geometric and foliate borders. Panels intact, some wear to paint. In a later Oak frame, 20 1/4 x 29 3/4" high overall. A turn of the century Gothic Revival Period carved Oak side cupboard. Molded top over one central door with carved tracery, flanked by rope twist columns, over a lower door with linen fold carved panel, Iron hinges and lock. Original finish with some wear, minor shrinkage, a few marks to top. 19 1/2 x 13 1/2 x 52" high overall. A turn of the century French Gothic Revival tall clock retailed by Dupin & Strembel, Paris. Junghans 8-day, spring driven time and strike movement with quarter hour strike, Silvered dial and Arabic numerals. Carved Gothic Revival case with central spire flanked by smaller spires, single door with carved tracery and arched dial glass, central waist door with one arched panel over linen fold panel with arched quarter columns on a stepped base with carved linen fold design and heavy molded foot. Old finish with very minor wear, running when cataloged, strike needs adjustment. 21 1/2 x 11 1/2 x 102" high overall.A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top with canted corners over one central door with carved tracery and figural panel, rope twist columns surmounted by carved Apostles, over an open lower shelf with linen fold carved back panel, Iron hinges and figural Apostle lock. Original finish with some wear, minor damage and shrinkage. 27 1/2 x 19 1/2 x 54 1/2" high overall. A turn of the century Gothic Revival Period carved Oak side cupboard. Molded top with canted corners over one central door with carved tracery, rope twist columns surmounted by carved Apostles, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Original finish with some wear, marks to top, shrinkage. 27 1/4 x 16 x 53 1/2" high overall. A late 20th century Black Forest style Bear bench. Carved hardwood with standing Bear ends supporting a bark carved seat and filigree back with Bear and Oak leaf design. Original finish with glass eyes and painted detail. Surface wear, large shrinkage cracks, figures loose at both ends. 20 x 67 x 38" high overall.A Gothic Revival stained glass window of The Ten Commandments. Multi-color stained and leaded glass panels with reverse painted detail depicting the Moses receiving the Ten Commandments from God within geometric and foliate borders. One panel cracked below Moses' knee, three panels at pediment with restored finishes, some wear to paint. In a later Oak frame, 20 1/4 x 34 1/4" high overall. A 19th century American two-part Banquet table. Cherry construction with "D" ends, reeded top, drop leaves and gate leg supports. Refinished with minor wear and older repair. 43 1/2 x 46 (88" open) x 29" high overall.A 19th century Pennsylvania painted blanket box. Poplar construction with dovetailed body and short turned feet. Original Red/Yellow grain painted finish. Minor wear, lacks lock. 18 x 36 1/2 x 22 3/4" high.A 19th century Gothic Revival Period carved Oak armory chest. Carved lift top over a central figural panel flanked by four carved tracery panels with animal figures and carved pilasters, Iron hinges and Cathedral lock, on a bracket base with carved mythological figures. Older finish with minor wear, minor damage and repairs. 69 x 21 x 35" high overall. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top with canted corners over one central door with carved tracery and figural panel, rope twist columns surmounted by carved Apostles, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Original finish with wear, some damage and shrinkage, burn mark to top. 34 x 18 1/2 x 55" high overall. A Gothic Revival stained glass window of The Resurrection. Multi-color stained and leaded glass panels with reverse painted detail depicting a radiant Resurrected Christ appearing to his mother the Virgin Mary within geometric and foliate borders. One cracked panel at border, touch up to enameled border, some wear to paint. In a later Oak frame, 22 1/2 x 33 3/4" high overall. ESTIMATE A turn of the century Gothic Revival Period carved Oak side cupboard. Molded top over one central door with carved tracery and figural panel, flanked by rope twist columns, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Old finish with minor wear, shrinkage and some lifting. 18 1/2 x 15 x 51 1/2" high overall. A Gothic Revival Stained Glass window of St. Anne and the Virgin Mary. Multi-color stained and leaded glass panels with reverse painted detail depicting St. Anne teaching a young Virgin Mary to read within geometric and foliate borders. Two cracked panels near border, some wear to paint. In a later Oak shadowbox frame, 16 1/2 x 22 1/2" high overall.top over two doors with carved tracery and central figural panel, with carved columns surmounted by Apostle figures, Iron hinges and lock. Old finish with wear, some shrinkage, break to one Iron strap hinge. 48 1/2 x 21 x 33 1/2" high overall.A turn of the century Gothic Revival Period carved Oak console table. Shaped top with canted corners over an arched flat carved skirt and open lower shelf with linen fold carved back panel, on carved legs with rope twist columns surmounted by Apostle figures. Older finish with minor wear, some shrinkage. 36 x 17 x 32 1/4" high overall. A turn of the century Jacobean Revival Oak dining set. Dovetailed plank top table on a trestle base with two turned pedastal legs with carved detail. Four side chairs with leather upholstered backs and seats on stretcher bases with turned front legs. Old finish with wear and minor shrinkage. Table is 58 3/4 x 29 3/4 x 30 1/2" high overall, chairs each 34 3/4" high. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top over two doors with carved tracery, central carved spires, over a open lower shelf with linen fold carved back panel, original polychrome detail, Iron hinges and figural Apostle locks. Old dark finish with some wear and minor damage. 33 x 15 1/2 x 58" high overall. A Gothic Revival stained glass panel of Joseph's Dream. Multi-color stained and leaded glass panels with reverse painted detail depicting an Angel appearing to Joseph in a dream within geometric and foliate borders. Two panels cracked at Angel's robe, some wear to paint. 18 1/4 x 29 1/2" high overall. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top over two doors with carved tracery, rope twist columns surmounted by carved Knights, over a open lower shelf with linen fold carved back panel, original polychrome detail, Iron hinges and lock. Original finish with some wear and shrinkage. 38 x 18 x 57" high overall. A Gothic Revival stained glass panel of The Visitation. Multi-color stained and leaded glass panels with reverse painted detail depicting the Virgin Mary with St. Elizabeth and husband within geometric and foliate borders. Soldered restorations to joinery at edges and in border, two cracks to panel of Mary's robe, some wear to paint. 20 1/4 x 25 3/4" high overall. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top over two doors with carved tracery, rope twist columns surmounted by carved Knights, over a open lower shelf with linen fold carved back panel, Iron hinges and figural Apostle lock. Older finish with minor wear. 37 1/2 x 17 3/4 x 57 1/2" high overall. A pair of early 20th century Gothic Revival Period sconces. Cast Aluminum bodies with Dragon design, double arms and patinated finish. Wear and oxidation to finish, some paint splatters, discoloration to "candles". Each 14 1/2" high.A Gothic Revival stained glass window of Our Lady of Charity. Multi-color stained and leaded glass panels with reverse painted detail depicting imperiled sailors praying to the Holy Mother and Child within geometric and foliate borders. One cracked panel at oar, some wear to paint. In a later Oak frame, 23 x 32" high overall. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top with canted corners over two doors with carved tracery and figural panels, rope twist columns surmounted by carved Knights, over an open lower shelf with linen fold carved back panel, Iron hinges and figural Apostle lock. Original "Karcher & Rehn Co., Philadelphia" embossed foil label at back. Older finish with some wear, rippling to veneer at bottom shelf. 37 1/2 x 19 1/4 x 53 1/2" high overall. A late 19th century German stained glass window panel by Carl Ludwig Turke and Richard Schlein, Zittau. Multi-color stained and leaded glass panels with a reverse painted tavern scene within a Gothic style border and lower allegorical frieze depicting young friars and The Arts. Signed "Turke & Schlein, Zittau" for Royal Court Glass Painting & Art Glassworks Turcke & Schlein. One border panel cracked, minor wear to paint. 16 x 21 1/2" high overall. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top over one central door with carved tracery and figural panel, flanked by carved spires and figural panels, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Original finish with some wear and shrinkage. 38 x 20 1/2 x 58 3/4" high overall. A Gothic Revival stained glass window of Mary's Promise to St. Simon. Multi-color stained and leaded glass panels with reverse painted detail depicting St. Simon recieving the Scapular from the Madonna and Child within geometric and foliate borders. Two panels cracked, one with edge chips, touch ups to enameled border, some wear to paint. In a later Oak frame, 24 x 37 3/4" high overall. A Gothic Revival stained glass window of Melchizedek and Abraham. Multi-color stained and leaded glass panels with reverse painted detail depicting King Melchizedek of Salem bringing bread and wine to Abraham within geometric and foliate borders. Panels intact, some wear to paint. In a later Oak frame, 20 1/4 x 29 1/2" high overall. A turn of the century Gothic Revival Period carved Oak court cupboard. Molded top over one central door with carved tracery and armor, flanked by carved figural panels and spires, over an open lower shelf with linen fold carved back panel, Iron hinges and figural Apostle lock. Older finish with some wear and minor shrinkage. 38 x 18 1/2 x 54 1/2" high overall. A Gothic Revival stained glass panel of the Prophet Joel. Multi-color stained and leaded glass panels with reverse painted detail depicting a kneeling Prophet Joe within geometric and foliate borders. Several cracked panels, some wear to paint and bowing. 36 x 37 1/2" high overall. A 19th century American oil on canvas portrait of a girl with kitten. Depicted standing in a Victorian parlor by a draped column wearing a Blue dress with an obscured background beyond an open window. Unsigned. Heavy varnish with craquelure, slight staining, minor loss to paint at edges. Image 16 x 20 1/2" high, in a Gilt wood frame with some wear, 22 x 26 1/2" high overall. A pair of 19th century British Victorian Period stained glass windows. Multi-color stained and leaded glass panels with blown bullseye and textured glass accents. Panels intact, some surface wear and scratches. In Walnut frames, both 14 x 44" high overall. A Gothic Revival Dutch Heraldic stained glass window. Multi-color stained and leaded glass panels with reverse painted detail depicting Netherland's Coat of Arms and motto "Je Maintiendrai" (I Will Maintain). Panels intact, some wear to paint. In a Mahogany shadow box frame, 30 x 24 1/2" high overall. A turn of the century Gothic Revival Period Oak bookcase. Molded top over a carved frieze and three doors with beveled glass panes and carved portrait lower panels, flanked by barley twist columns on a carved bracket base with six turned feet. Older dark finish with some wear, minor damage. 75 x 19 3/4 x 76" high. A Gothic Revival stained glass panel. Multi-color stained and leaded glass panels with a reverse painted detail depicting Christ among seven disciples and gate lock, possibly the top portion of The Descent into Hell. Panels intact, some wear to paint. 28 1/4 x 23 1/4" high overall. A turn of the century Gothic Revival Period carved Oak side cupboard. Molded top over one central door with carved tracery flanked by rope twist columns, over an open lower shelf with linen fold carved back panel, Iron hinges and lock. Old finish with some wear, minor damage and shrinkage. 19 x 15 1/2 x 48 1/2" high overall. A Gothic Revival Stained Glass panel. Multi-color stained and leaded glass panels with a reverse painted detail depicting Christ in the temple. Panels intact, some wear to paint, one top border panel slightly loose. 28 1/4 x 23 1/4" high overall. ESTIMATE $800-1,200 A Gothic Revival Stained Glass roundel of Saint Catherine, German or French. Yellow stained and leaded glass panels with reverse painted detail depicting Saint Catherine of Alexandria with sword and wheel. Panels intact, wear to paint with some surface scratches. 13 1/2" diameter. A Gothic Revival Stained Glass panel. Multi-color stained and leaded glass panels in a with reverse painted details depicting a Dove descending on a Baptismal font. Panels intact with minor flakes to some edges, some wear to paint. 13 x 8 1/2" high overall. A Gothic Revival German Stained Glass panel after Albrecht Durer, German, 1471-1528. Single stained and leaded glass panel with reverse painted detail depicting the Durer family Coat of Arms after the 1523 original. Panel intact, some wear to paint. 6 x 7 3/4" high overall. A set of four late 19th century American stained glass windows. Multi-color stained and leaded glass panels depicting a scrolling rose design with slag and textured glass accents. All with a few cracked panels or edge chips. Each in Oak frames, 13 1/4 x 34" high overall.A turn of the century American stained glass window. Multi-color stained and leaded glass panels depicting a scrolling Grape Vine design with faceted and textured glass accents. One cracked panel at border. In an Oak frame with minor wear, 22 1/4 x 18 1/2" high overall. A turn of the century American stained glass window. Multi-color stained and leaded glass panels depicting a scrolling Lily design with slag, opalescent and faceted glass accents within geometric borders with bullseye and textured glass details. A few cracked panels, some surface scratches to glass. In an Oak frame, 42 1/2 x 25" high overall.A turn of the century American stained glass window. Curved window with multi-color stained and leaded glass panels depicting a scrolling Heraldic design with faceted and textured glass accents. A few cracked panels with losses to glass. In a painted wooden frame with wear, 42 1/2 x 20 1/2" high overall.A late 19th century American stained glass transom window. Multi-color stained and leaded glass panels depicting a geometric design with opalescent and bullseye glass accents. Several cracked panels, some bowing, braced at back. In a Pine frame with wear, 37 1/4 x 18 1/4" high overall.Three 19th century British Victorian Period Heraldic stained glass panels. Multi-color stained and leaded glass, includes a pair of Armorial roundels with textured detail, and a Coat of Arms with reverse painted detail depicting a Rampant Lion with Crown. Lion with several cracked panels, wear to paint. Up to 11 1/2" high. A Gothic Revival Stained Glass Guild panels. Multi-color stained and leaded glass panels with reverse painted details, includes a roundel after a Guild window at the Chartres Cathedral, and five square panels depicting various trade emblems. Panels intact with minor flakes to edges, wear to paint. Roundel is 15 1/2" diameter, others each 8 1/4 x 8 1/4" high overall. A Gothic Revival French Stained Glass panels of an Angelic Choir. Medallion form multi-color stained and leaded glass panels with a reverse painted detail depicting three Angels playing musical instruments within foliate and geometric borders with clear glass frame. Violin and horn windows each have two cracked panels, original medallions with painted restorations, clear glass frames a later addition, some wear to paint. Each 22 1/2 x 23" high overall. Three 15/16th century Illuminated Manuscript leaves on vellum from the "Book of Hours". Hand-painted Latin text with polychrome tempera illuminations and Gilded detail at recto and verso. Rippling to vellum, minor foxing and toning, not examined out of frames. Images up to 4 1/2 x 6 1/2" high, in modern double sided frames, up to 9 1/2 x 11 1/2" high overall. Three 15/16th century Illuminated Manuscript leaves on vellum from the "Book of Hours". Hand-written Latin text with polychrome tempera illuminations and Gilded detail at recto and verso. Rippling to vellum, minor foxing and toning, not examined out of frames. Images up to 4 1/4 x 6" high, in modern double sided frames 9 1/2 x 11 1/2" high overall. Three 15/16th century Illuminated Manuscript leaves on vellum from the "Book of Hours". Hand-written Latin text with polychrome tempera illuminations and Gilded detail. Rippling to vellum, minor foxing and toning, double columned leaf mounted in a frame with surface wear, not examined out of frames. Images 4 x 6" high and 4 1/4 x 6 1/2" high, in modern frames (two double sided) up to 10 x 12 1/2" high overall. A turn of the century American Arts & Crafts Period Cast Iron desk lamp. Adjustable foliate shade with Amber glass panels on a cast base with "hammered" texture and patinated finish. Original finish with wear and some oxidation. 18" high. An early 20th century Gothic Revival Period Heraldic carved Oak panel. Carved Coat of Arms with two unicorns flanking an arrow pierced shield with heart surrounded by scrolling florals. Original dark finish minor wear. Panel 19 x 15" high, in a molded Oak frame, 24 1/2 x 20 1/2" high overall. A 19th century Renaissance Revival Period carved Oak panel. Central carved portrait medallion of a Knight within a scrolled foliate and berry border. Older finish with minor wear. Panel 20 3/4 x 14" high, in a molded Oak frame, 27 3/4 x 20 3/4" high overall. A 19th century Renaissance Revival Period carved Oak panel. Central carved profile portrait medallion of a Knight within a scrolled floral border. Older finish with minor wear. Panel 19 x 14" high, in a molded Oak frame with minor joint separation, 26 x 21" high overall. An early 20th century Gothic Revival Period carved Pine panel. Carved frieze depicting The Last Supper. Original dark finish some wear, minor shrinkage. 40 1/2 x 3 x 14 1/4" high overall. An early 15th century Illuminated Manuscript folio leaf on vellum from an Italian Missal, c. 1400. Hand-written Latin text in two columns with Red and Blue illuminations. Annotated note reading "1400 A.D. Italy Missal" frame verso. Some toning and minor foxing, rippling and some creasing, tear to lower right, not examined out of frame. Image 7 1/2 x 10 1/2" high, in a modern wood frame, 15 1/8 x 18 3/8" high overall. Two 15th century Illuminated Manuscript leaves on vellum from an Italian or Flemish "Book of Hours", c. 1450. Latin text with polychrome tempera illuminations and Gilded detail, includes one text leaf and one miniature painting depicting The Pentecost. Annotation in pencil lower right of text leaf reading "Italy XV Century" additional notes to frame verso. Rippling to vellum, some foxing and toning, miniature with some small tears and restored lower left corner, not examined out of frame. Images each 3 1/4 x 4 3/4" high, in a modern Gilt wood frame, 10 3/4 x 8 1/4" high overall. A 16th century Illuminated Manuscript leaf on vellum from a French Book of Hours, made in workshop of Germain Hardouyn, Paris, c. 1532. Latin text with polychrome tempera illuminations and Gilded detail below a miniature painting depicting The Garden of Gethsemane. Printed label from Charles Edwin Puckett Manuscripts, Akron, Ohio frame verso. Rippling to vellum, minor foxing and toning, not examined out of frame. Leaf 4 1/8 x 6 1/4" high, in a modern molded wood frame with slight wear, 13 x 16" high overall. A 16th century Illuminated Manuscript leaf on vellum from a French Book of Hours, made in workshop of Germain Hardouyn, Paris, c. 1532. Latin text with polychrome tempera illuminations and Gilded detail below a miniature painting depicting The Crucifixion. Printed label from Charles Edwin Puckett Manuscripts, Akron, Ohio frame verso. Rippling to vellum, minor foxing and toning, small tear to at text, not examined out of frame. Leaf 4 1/8 x 6 1/4" high, in a modern molded wood frame, 13 x 16" high overall. A 16th century Illuminated Manuscript leaf on vellum from a French Book of Hours, made in workshop of Germain Hardouyn, Paris, c. 1532. Latin text with polychrome tempera illuminations and Gilded detail below a miniature painting depicting The Visitation. Printed label from Charles Edwin Puckett Manuscripts, Akron, Ohio frame verso. Rippling to vellum, minor foxing and toning, not examined out of frame. Leaf 4 1/8 x 6 1/4" high, in a modern molded wood frame, 13 x 16" high overall. A 16th century Illuminated Manuscript leaf on vellum from a French Book of Hours, made in workshop of Simon Vostre, Paris, c. 1505. Latin text with polychrome tempera illuminations and Gilded detail below a miniature painting depicting The Holy Trinity. Printed label from Charles Edwin Puckett Manuscripts, Akron, Ohio frame verso. Minor rippling to vellum, minor foxing and toning, not examined out of frame. Leaf 5 x 8 1/4" high, in a modern molded wood frame, 13 x 16" high overall. A 16th century Illuminated Manuscript leaf on vellum from a French Book of Hours, made in workshop of Germain Hardouyn, Paris, c. 1510. Latin text with polychrome tempera illuminations and Gilded detail below a miniature painting depicting The Betrayal and Arrest of Christ from The Passion. Printed label from Charles Edwin Puckett Manuscripts, Akron, Ohio frame verso. Minor rippling to vellum, minor foxing and toning, not examined out of frame. Leaf 4 1/4 x 7" high, in a modern molded wood frame, 14 1/8 x 17 1/8" high overall. A 16th century Illuminated Manuscript leaf on vellum from a French Book of Hours, made in workshop of Germain Hardouyn, Paris, c. 1532. Latin text with polychrome tempera illuminations and Gilded detail below a miniature painting depicting The Pentecost. Printed label from Charles Edwin Puckett Manuscripts, Akron, Ohio frame verso. Minor rippling to vellum, minor foxing and toning, not examined out of frame. Leaf 4 x 6 1/2" high, in a modern molded wood frame, 13 x 16" high overall. A 16th century Illuminated Manuscript leaf on vellum from a French Book of Hours. Hand-written Latin text with polychrome tempera illuminations and Gilded detail beside a miniature painting depicting several Saints on the recto and The Mocking of Christ verso. Minor rippling to vellum, minor foxing and toning, not examined out of frame. Leaf 4 1/4 x 7" high, in a double sided molded wood frame, 12 3/4 x 15 3/4" high overall. A 15/16th century Illuminated Manuscript leaf on vellum from a Book of Hours. Hand-written Latin text with polychrome tempera floral and butterfly illuminations with Gilded detail. Rippling to vellum, minor foxing and toning, not examined out of frame. Leaf 5 1/8 x 8 1/8" high, in a modern molded wood frame, 12 3/4 x 15 3/4" high overall. Seven 19th and early 20th century Delft tiles. Includes three earlier tiles with traditional Harbor scenes, and two later pairs with Bird and Ship designs. Set of three with crazing and edge chips. Each 5" high. A 19th century carved hardwood figure of Saint Patrick. Older finish with slight wear, repaired hand lacking fingers. 22 1/4" high. An early 20th century American Arts & Crafts Period hanging theater sign. Hammered Copper body with scrolled detail, reads "Aisle 4" at front with Cobalt Blue glass insert, and "Exit" on the reverse with Ruby glass insert. Some wear to patina. 19 x 9 1/2 x 15 1/2" high overall. An early 20th century Gothic Revival Period chandelier. Five light design with patinated Brass body and pierced Cross detail. Some wear to finish and "candles". Approx. 20" diameter x 24" high overall. A turn of the century Gothic Revival Period pendant light. One light design with hexagonal Copper body, domed crown, cast quatrefoil design and twisted spires with textured Amber glass inserts. Some wear to patina. 12 1/2 diameter x 34" high overall. Two prints on paper after Rembrandt van Rijn, Dutch, 1606-1669. Includes "The Death of the Virgin" and "Self Portrait Leaning on a Stone". Label verso of Virgin frame identifying as New Hollstein's fifth (of 5) state, annotated "B99" in pencil paper verso, no visible watermarks to either. Virgin signed "Rembrandt f." and dated "1639" in the plate lower left. Both sheets trimmed, some toning and minor foxing. Images 11 3/8 x 14 1/4" high and 5 1/2 x 7 3/8" high Rembrandt van Rijn, Dutch, 1606-1669. Etching with drypoint on laid paper, titled "The Good Samaritan". Possibly an early state, bears chain lines and partial variant of the "Strasbourg Lily" watermark without visible crown or initials mid left of image extending into margin, before hatching on horse tail and lower signature/date. Has a 1 1/3" taped tear to paper at bottom extending 5/8" into image, 5/8" tear to lower left margin only, pinpoint size hole at horse's saddle noted when back lit, minor toning and foxing. Image 8 x 9 1/2" high on 9 5/8 x 11 1/8" high paper. Rembrandt van Rijn, Dutch, 1606-1669. Etching with drypoint on laid paper, titled "The Raising of Lazarus" (Small Plate). Bears chain lines with Crown and Shield watermark having "AM" initials mid image, before addition of vertical lines to Lazarus' forehead. Signed "Rembrandt f." and dated "1642" in the plate lower left. A few pinpoint size holes noted when back lit, minor toning and foxing. Image 4 1/2 x 5 3/4" high on 10 3/4 x 12" high paper. Rembrandt van Rijn, Dutch, 1606-1669. Etching with drypoint on laid paper, titled "Cornelis Claesz Anslo, Preacher". Bears chain lines and partial Fleur de Lis or variant of the "Strasbourg Lily" watermark without initials mid left of image, nail in wall apparent upper right. Signed "Rembrandt f." and dated "1641" in the plate mid right. Sheet trimmed within plate mark, some toning and minor foxing. Image 6 1/8 x 7 1/4" high. Michael Wolgemut, German, 1434-1519. A late 15th century woodcut on paper, titled "Meeting between Pope Pius II and Frederick III, Emperor of Germany". A leaf from the Latin edition of "The Nuremburg Chronicle", c. 1493, verso depicts page "CCLXVII" with Latin text outlining Germanic history. Minor rippling, some toning and tape visible verso. Recto image 9 x 11" high, in a modern double sided frame, 16 x 18 1/4" high overall. ESTIMATE $200-400 Pierre Auguste Renoir, French, 1841-1919. Etching on wove paper titled, “Le Chapeau Epingle". Signed "Renoir" in the plate lower left, annotated tag in French frame verso. Toning, not examined out of frame. Plate 3 3/8 x 4 7/8" high, in a modern composite frame, 12 1/2 x 14 3/4" high overall. An early 20th century lithograph on paper after Raphael's "The Madonna of the Pomegranate". Mounted with foxing, minor toning. Image 11 1/2 x 16" high, in a Gilt wood frame with slight wear, 18 3/4 x 23 3/4" high overall. A turn of the century Chinese Green Jade pendant necklace. Pierced Jade pendant with carved characters suspended from a coiled Gold Filled Byzantine style chain with Pink Tourmaline stone and seed Pearl accents. Minor surface wear, chain lacks part of clasp. Pendant is 2" high, necklace is 15 1/2" long open. Theodore Rousseau, French, 1812-1867. A 19th century oil on panel landscape depicting a crouched hunter figure in an autumnal forest. Signed "Th. Rousseau" lower right. Revarnished with craquelure, minor paint loss to edges. Image 14 1/4 x 8 3/4" high, in a Gilt wood framed with minor shrinkage, 20 x 14 1/2" high overall. George H. Wheatley, American, b. 1895. A mid 20th century oil on canvas seascape depicting a clipper ship heeling over at sea. Signed "G.H. Wheatley" lower right, annotated titled "Heeling Over" at stretcher verso. Craquelure, some surface grunge, minor paint transfer from frame at edges. Image 19 1/2 x 15 1/2" high, in a Gilt wood frame, 25 1/2 x 21 1/2" high overall. Kyoshi Saito, Japanese, 1907-1997. A mid 20th century woodblock in color, titled "Butsuzo (Buddhist) Nara". Signed "Kyoshi Saito" with seal image lower right, titled, numbered "19/150" and dated "Design Made in 1955 / Printed in 1956" in lower margin. Some toning. Image 19 3/4 x 14 3/4" high, framed 29 3/4 x 25" high overall. An early 20th century Heywood Wakefield Cast Iron seat end from the Fisher Theater in Detroit, MI. Cast Iron body in the form of a Mayan Warrior holding a shaped wooden armrest with inset glass eyes, nose and polychrome finish. Wear to finish and wood, lacks internal wiring. 24" high. Twelve early 20th century Brass architectural elements from the The Michigan Central Railroad Depot in Detroit, MI. Includes four rectangular and eight circular floral embellishments from a MCRR chandelier. Labeled and dated "1912" by hand at backs. Some wear to patinated finish. 6 1/4" long and 3 3/4" diameter. A 19th century American Stoneware jug from Catawba Valley, North Carolina. Bulbous form with strap handle and salt glazed exterior and Cobalt Blue painted "2". Labeled "Souvenir of Loarn" at underside. Some firing cracks from production at body and handle. 15" high. Three early to mid 20th century Scandanavian Art Pottery pieces. Includes a Triller Tobo cylindrical vase with mottled Brown glaze, a Valdemeer Peterson for Bing & Grondahl rectangular vase with mottled Green/Brown glaze, and a Hugo Liisberg Penguin figure with multi-color glaze. Signed "Triller Tobo", initialed "VP" with "B&G" stamp, and initialed "HL" at undersides. Minor wear. Up to 5 1/2" high. An early 20th century Roseville Art Pottery vase, c. 1930. Shape 200, bulbous form with relief geometric decoration and mottled Blue glaze. Retains original foil "Roseville Pottery" label at underside. Minor crazing. 8 1/2" high. Three early 20th century French and Belgian Art Pottery pieces. Includes a Belgian Art Nouveau vase with two handles and multi-color drip glaze, a Gres Keramis bulbous vase with mottled Grey/Orange salt glaze, and an Alexandre Bigot bowl with mottled Blue/Grey matte glaze. Signed "Gres Keramis" and "A Bigot" at undersides, Art Nouveau vase unmarked. Minor wear and crazing. Up to 7" high and 6" diameter. A 20th century Silver Creek Collection tooled leather suitcase. Square form with two handles and hand-tooled Oak leaf decoration. Some wear and discoloration. 18 1/2 x 8 x 23" high overall.Two early to mid 20th century Nordic Bronze pieces. Includes a Danish Art Deco covered bowl by Carl Sorensen and a Finish slender vase by SSKK with Green patinated finishes. Bowl with incised "Carl Sorensen" signature and maker's mark, vase impressed "SSKK" with stick figure at underside. Minor surface wear. 6" diameter and 9" high. A pair of early 20th century French Art Pottery vases by Jean and Leon Pointu. Baluster forms with applied metal Grape Vine decoration and multi-color drip glaze. Both with incised "Pointu Fils" signatures at underside. Minor wear. Each 10 1/4" high. Rocco Milanese, Italian, b. 1852. A late 19th century Bronze bust of a young woman. Incised "R. Milanese" signature at shoulder. Minor wear to patina, small repaired hole at base. 8 1/2" high. An early 20th century Burley Winters Art Pottery jardiniere, c. 1930. Bulbous form with releif geometric decoration and mottled Orange/Green glaze. Impressed "Burley Winter / Cooksville, OH" at underside. Minor surface wear. 13" diameter x 10" high overall. A mid 20th century 18k Yellow Gold and Citrine cocktail ring. Faceted Citrine stone approx. 19.99 ct measuring 21 x 16 x 10mm in a contemporary style setting. Marked "18k". 7.9 grams total. Minor surface wear, appraisal notes slight inclusion to underside of Citrine. Size 6 1/4. Federico Jimenez, Mixtec, b. 1941. Three pieces of late 20th century Turquoise and Sterling Silver jewelry. Includes a necklace with large oval turquoise stones strung on a Sterling cord with Sterling spacer beads, and a pair of clip on earrings with central Sterling hemispheres surrounded by twelve Turquoise cabochons. Each marked "JF" and "Sterling" at clasps. Minor surface wear. Necklace is 17" long open, earrings are 1 1/4" high. Three pieces of vintage Mexican Sterling Silver jewelry. Includes a graduated bead necklace with engraved decoration, and two pairs of earrings with geometric designs. Necklace unmarked, tested Sterling, earrings marked "Mexico 925" and "Mexico Sterling". 4.92 troy ozs total. Minor surface wear and denting. Necklace is 24" long open, earrings are up to 1 1/2" high. Three 19th century British Victorian Period brooches. Includes an 14k Gold mourning brooch with cabochon Amethyst stone, Turquoise and Pearl star design and Pearl surround, a Gold Filled mourning brooch with engraved grape design and nine faceted Amethyst stones, and a Gold Filled brooch with Blue enameled boss, inlaid Pearl star and decorative milgrain border. Amethyst and Turquoise/Pearl mourning brooch unmarked but tested 14k, grape design mourning brooch with British 1868 kitemark. Some wear overall, chip to Blue enamel. Up to 1 5/8" high. A turn of the century Chinese Jade belt. Features a carved White Jade buckle with Dragon design on a belt with two strands of hand-knotted Blue Lace Agate beads. Minor surface wear, lacks some inter-strand knots by buckles. 38 1/2" long open. An early 20th century Chinese Jade and Silver filigree bracelet. Scrolling floral filigree design with central carved Jade butterfly and Gilded finish. Impressed "Silver" at clasp. Some wear to Gilded finish. 6 1/4" long open. An early 20th century Chinese Jade ring. Oval cabochon Jade stone prong set on Gold Filled ring with pierced lotus design. Incised "MG". Minor surface wear to ring and stone. Size 6 1/2. A 1970s Cartier travel alarm clock. Manual wind Swiss movement with painted metal dial and Roman numerals. Octagonal Gilded Brass case with Black enamel accents and hinged stand with Cartier "C" feet. Impressed "Cartier Paris" and "7507 02489 / Swiss Made" at back. Some wear to enamel, running when cataloged. 3 1/8" high. Two mid to late 20th century Inuit carved Soapstone figures. Polished Dark Green and Black stone depictions of a Hunter with Seals. Both with Canadian Igloo "Eskimo Art" certification tags at underside, longer figure signed "Levi Alasuak" (Inuit/Akulivik, b. 1951), taller figure signed Jeanie Shauk (Inuit/Kuujjuaraapik, b. 1920) in syllabics at underside. Some surface wear. 10" long and 7 1/2" high. Presley LaFountain, Native American/Chippewa, b. 1956. A 1980's carved African Black Wonderstone figure of an Eagle on a shaped wooden plinth. Signed "P. LaFountain" at sculpture base. Minor surface wear and light scratches. Approx. 14 x 8 x 18" high overall. Jon Kuhn, American, b. 1949. A contemporary Art Glass sculpture, titled "Bright View". Clear spinning cube with internal multi-color mosaic on a flared brushed Chrome base. Signed "Jon Kuhn", dated "2003" and titled "Bright View" at underside. Minor wear. 10 1/2" high. A late 20th century Daum Pate de Verre sculpture designed by Claude Lhoste, titled "Dauphins". Depicts a pair of dolphins leaping from stylized waves in tones of Blue. Cast "Lhoste" and "Daum France" at base, numbered "29/300" at underside. Minor wear. 8 1/2" high. A 1970's Daum Pate de Verre sculpture designed by Oliver Brice, titled "Aphrodite". Three quarter depiction of a nude Aphrodite with draped cloth in tones of Lavender. Cast "O. Brice" and "Daum France" at base and numbered "38/75" at underside. Minor wear, small burst bubble at bottom edge. 16" high. A 1970's Daum Crystal sculpture designed by Salvador Dali, titled "Phonographe Antediluvein". Stylized organic form with Amethyst and frosted detail. Cast "Dali" signature at base front and "Daum" on the reverse, numbered "266/300" on the underside. Minor wear. 18" high. A 1970's Daum Crystal sculpture designed by Roy Adzak, titled "Bouddha". Depicts a Buddha head with frosted detail. Signed "Roy Adazk" at base lower left, numbered "72/300" and incised "Daum France" lower right. Minor wear. 13 1/2" high. Two mid 20th century Steuben Crystal bowls designed by Donald Pollard. Includes a shape #8101 "Peony" center bowl, and a shape #8059 "Floret" bowl. Both with etched "Steuben" signatures at underside. Minor wear. Up to 10" long and 7 1/2" high. A late 20th century Le Coultre Atmos clock. 15 jewel caliber 528 perpetual movement with White enameled dial and Arabic numerals. Brass case with glass inserts. Minor wear, running when cataloged. 9 1/4" high. A late 20th century Daum Crystal sculpture designed by Isabelle Echarri, titled "Ophelie". Depicts a Gilded mask within a frosted plaque with molded fruit design. Signed "E. Charri" at lower left side, numbered "4/150" and incised "Daum" on reverse. Minor surface wear to back. 9 1/4" high. Three pieces of late 20th century Daum Crystal. Includes a Frog figure with swirled Green interior, a small floriform bowl, and a Sailboat figure. All with incised "Daum France" signatures. Minor wear. Up to 4" high. A late 20th century Baccarat "Harcourt Versailles" pattern Crystal ice bucket. Acid etched "Baccarat France" mark at underside. Minor wear. 7 1/2" diameter x 9" high overall. A mid 20th century Lalique frosted Crystal figure, titled "Diana the Huntress". Original "Crystal / Lalique / Paris" and "Made in France" labels at underside. Minor wear. 4 1/2" high. ESTIMATE $50-100 A contemporary Murano Art Glass bowl. Low, footed bowl with Blue and White swirled canework. Dated "2010" with illegible signature incised at underside, possibly "Bendatto". Minor wear. 7" diameter x 3 1/4" high. A mid 20th century Lalique Crystal Sailboat sculpture. Incised "Daum France" signature at base. Minor wear. 16 3/4" high. A 19th century American painted wood writing slope. Pine construction with original Red and Blue painted finish, features a hinged writing slope over two long graduated drawers with applied bosses and porcelain knobs. Wear to paint, minor damage. 19 3/4 x 11 1/4 x 8" high overall.Two 19th century American covered Stoneware crocks. Tapered forms with faded Cobalt stenciled decoration, taller a "Fine Maccoboy" snuff crock. Both with wear and minor edge damage. Up to 9 1/4" high. A 19th century Pennsylvania Folk Art painting of an Eagle. Watercolor and ink on laid paper. Some toning and slight foxing, fading to paint, not examined out of frame. Image 5 1/2 x 4" high, in a hand-carved wooden frame, 8 3/4 x 7 1/8" high overall. NOTE: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, Michigan. Michael Crocker, American (Georgia), b. 1956. A contemporary Stoneware Folk Art jug. Two strap handles and applied Grape Vine decoration with polychrome glaze on a mottled Green ground. Signed "Michael Crocker" and dated "2005" with "Hand Made in Lulu, Georgia U.S.A." at underside, incised "5" gallon at back of shoulder. Minor surface wear. 19" high. A 19th century American Folk Art pencil on paper drawing of a cat. Mounted, slight toning and foxing, not examined out of frame. Image 6 x 4" high, in a curly Maple frame, 10 3/4 x 8 1/4" high overall. NOTE: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, Michigan. A 19th century American miniature blanket box. Walnut construction with a hinged molded rim and turned feet. Older, dark finish with some wear, minor shrinkage. 23 13/4 x 5 1/2 x 5 1/2 1/2" high overall. NOTE: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, Michigan. A late 19th century Sewer Tile figure of a recumbent Lion. Molded pottery body on a fluted plinth with Brown/Red painted finish. Wear to paint, chip at rear of base. 9 1/2" long. NOTE: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, Michigan. A 19th century Pennsylvania Folk Art painting of an Eagle. Watercolor and ink on a leaf of wove paper with hand-written accounting. Retains partial framing label "From J. Makinson & Co." verso. Some toning and very slight foxing, not examined out of frame. Image 5 1/2 x 4" high, in a molded wood frame with original "Burl" painted finish and some wear, 11 1/2 x 12" high overall. NOTE: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, Michigan. A 19th century Pennsylvania Folk Art painting of George Washington on horseback. Watercolor and ink on wove paper. Some toning and very slight foxing, some fading to paint, not examined out of frame. Image 7 x 7" high, in a Gilded wood frame with some wear, 10 1/4 x 10" high overall. NOTE: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, Michigan. A 19th century American carved architectural finial. Turned and carved wooden finial on a rough wooden plinth with stepped design. Original dark finish with some wear and flakes, plinth with shrinkage. 28" high. NOTE: From the Collection of Connie Covent, "Sign of the Windsor Chair" Antiques, Clarkston, Michigan. Two pieces of 19th and 20th century Asian Pottery. Includes an earlier Korean Celadon vase with crackle glaze, and a later Chinese low bowl with seated frogs. Bowl impressed "QM990412" at underside, vase unmarked. Vase with some wear to decoration, bowl with some crazing. 10 1/2" high and 9" diameter. T. L. Evans, British, 19th century. A late 19th century oil on canvas harbor scene. Depicts a paved harbor with pier and small boats. Signed "T.L. Evans" and dated "1882" lower left. Canvas lined, minor craquelure and surface grunge. Image 13 1/2 x 9 1/2" high, in a Gilt wood frame with shrinkage, 19 1/2 x 15 1/2" high overall. Henry Cooper, British, 19/20th century. A turn of the century oil on canvas landscape. Depicts a costal home among trees with figures in the foreground. Signed "Henry Cooper" lower right. Some surface wear and scrapes to paint, craquelure and surface grunge. Image 29 1/2 x 19 1/2" high, in a Gilt wood frame with damage, 36 1/4 x 26 1/4" high overall. William Joy, British, 1803-1867. A mid 19th century oil on canvas seascape. Depicts a shoreline with several small boats and figures. Signed "W. Joy" lower left. Canvas lined, minor craquelure, some surface grunge. Image 29 1/2 x 17 1/2" high, in a Gilt wood frame with minor wear, 35 1/2 x 23 1/2" high overall.Octavius Thomas Clark, British, 1850-1921. A late 19th century oil on canvas landscape. Depicts a hatched roof cottage at the bank of a pond with church spire in the distance. Signed "O.T. Clark" lower right. Canvas reduced and lined with some paint loss to edges, minor craquelure and surface grunge. Image 19 1/2 x 23 1/2" high, in a Gilt wood frame with minor losses, 26 x 30" high overall.Kort, German, b. 1928. A mid 20th century oil on canvas landscape. Depicts an Alpine landscape with a lake in the foreground. Signed "Kort" lower left, retains papers labels from "W.T. Burger Co." with artist bio verso. Some surface grunge, a few small flakes to paint. Image 23 x 27" high, in a Gilt wood frame, 30 1/2 x 34 1/2" high overall.A 19th century American painted drop leaf table. Pine construction with drop leaves and simple turned legs. Original Red/Yellow grain painted finish. Some surface wear and older repair, legs loose. 19 x 17 (42" open x 28 1/2" high overall.A turn of the century American painted Farmhouse table. Pine construction with a two-board top and simple tapered legs. Original Grey painted finish on base. Overall wear, some stains on top. 23 x 121 x 30 3/4" high overall.A turn of the century American painted sorting table. Mixed wood construction with an applied tray top and simple tapered legs. Original Reddish Black painted finish. Overall wear, top re-attached, legs loose with added screws. 20 1/2 x 85 x 34" high overall.A 19th century painted bench. Pine construction with single board top, tapered legs with pegged, mortise and tenon joinery. Original Yellow/Brown grain painted finish. Some wear, small repair to one corner. 13 x 98 1/2 x 21" high overall. An early 19th century American tilt-top tea table. Cherry construction with shaped top on a turned baluster standard with three cabriole legs and pad feet. Older finish with wear and minor repair. 35 x 34 x 28" high overall.A turn of the century American Dentist's cabinet by the "American Cabinet Co, Two Rivers, Wis, USA". Oak construction with stepped case containing multiple drawers, doors and pull-out storage racks. Refinished with some wear, lacks interior dividers and one door knob. 15 1/2 x 27 x 59" high overall.A 19th American Country Sheraton chest. Cherry construction with figured Maple drawer blades features two short over three long dovetailed drawers with cock beaded edges, reeded detail on top and stiles, tall turned legs with fluted carving. Older refinishing with minor wear, top re-attached, lacks some drawer locks. 19 x 44 x 45" high overall.A 19th century American Country Sheraton secretary desk. Mahogany construction with a two door upper section with fitted interior and two lower drawers on a base with fold out writing surface and pull out supports one three dovetailed drawers, shaped apron and tall turned legs. Older refinishing with minor wear, replaced "leather' on slope, replaced Brass knobs. 18 x 39 x 60" high overall. An early 20th century Gothic Revival Period torchiere. Patinated Brass construction with pierced top, cast Knight profile medallion and Mica liners over a twisted stem and pierced square foot. Wear to patina, some pitting. 63 1/4" high.An early 20th century Gothic Revival Period floor lamp. Cast Iron construction with two lights and Mica shade with cast metal decoration over a pierced top with Bird design, twisted stem and circular cast foot. Cast "1586 MSL" at underside. Wear to finish and shade. 71" high. An early 20th century Gothic Revival Period floor lamp. Cast Iron construction with Battle Axe form bridge and pierced lantern shade with Shield design, on a twisted stem with seated Lion finial and circular quatrefoil foot. Wear to patina, some oxidation. 49 1/2" high.An early 20th century Gothic Revival Period reading floor lamp by Brady Lite, Detroit. Patinated Iron construction with Sword/Coat of Arms form bridge and pierced lantern shade with Mica liners and hinged side fitted with a magnifying lens, on a hammered stem and cast foot. Retains original "Brady Lite Magnifier, Detroit, Pats. Pend." label by lens. Wear to patina, small losses to Mica. 62 1/2" high. An early 20th century Gothic Revival Period floor lamp by Rembrandt Lamp Company. Cast Iron construction with three lights on a simple squared stem and cast foot with four feet, includes a later "damask" printed shade. Cast "Pat Applied for Rembrandt" at underside. Wear to patina. 68" high. A turn of the century wooden Trade Sign advertising "Sewing Machines Repaired, Upstairs - R. J. Finley". Double sided painted wooden sign with iron brackets. Some surface wear. 20 1/2" long x 7 1/4" high plus brackets make it 22 1/2" high overall.A turn of the century wooden Trade Sign advertising "Justice Office, C. C. Waldo". Single sided painted wooden sign with Black lettering highlighted in Red or Green on a White background. Some surface wear. 72 3/4" long x 25 1/2" high overallA turn of the century wooden Trade Sign advertising "Bible Depository". Double sided painted wooden sign with White lettering on a Black background. Some surface wear, edge damage. 39 1/2" long x 17 1/2" high overall. A turn of the century wooden Trade Sign advertising "W. R. Jones & Co., Dealers & Producers in Farm Produce". Double sided painted wooden sign with Black lettering on a White background. Some surface wear, one side worse than the other, edge damage. 39 1/2" long x 17 1/2" high overall. A turn of the century wooden Trade Sign advertising "Dr. J. Pawlowski, Clinic". Single sided painted wooden sign with Gold lettering on a Black schmaltz background. Some surface wear, some paint loss. 61 1/2" long x 14 1/2" high overall. A turn of the century wooden Trade Sign advertising "Dr. H C. Bean's Office". Single sided painted wooden sign with Gold lettering on a Blue schmaltz background. Some surface wear. 44" long x 11 1/2" high overall.A painted Barber pole fashioned from 19th century rope bed post. Worn painted finish in Red, White and Blue. Paint wear, modern wooden wall holder. 42" high overall.A late 19th century painted Farmhouse table. Pine construction with a cleated pin top and simple tapered legs. Original Ochre painted finish with Black painted "Table Cloth" design on top with scrolled corners. Overall wear, replaced and missing cleat pegs. 25 1/2 x 67 x 30 3/4" high overall.A turn of the century carved wooden Eagle figure. Pine with turned head, open beak and feathered detail. Old Gilded finish with painted detail. Finish wear and some touch-up, filled shrinkage crack and old mounting holes, Black base added for use as a lamp. 5 1/2 x 36 1/2 x 16" high overall.A turn of the century wooden Trade Sign advertising "Wollman, Cleaning - Dyeing". Single sided painted wooden sign with applied and painted Gold lettering on a Blue schmaltz background. Some surface wear, outer edge repainted. 79 1/4" long x 14 1/2" high overall.An early 20th century Moroccan style chandelier. Four light design with pierced Brass construction, inset Cobalt glass liners and three downturned arms with silk fringe accents. Some welded repairs and wear to patina, replaced silk fringe. Approx. 36" diameter x 40" high overall. Four pieces of late 20th century Lino Sabattini Silverplate tableware. Includes a handled "Centro" collection centerbowl and three placemats. All with impressed "Sabattini" with maker's marks and "Made in Italy". Some surface wear and light scratches. Up to 16" long.Reuben Aaron Miller, American (Georgia), 1912-2006. A late 20th century mixed media painting on plywood depicting a Snake. Signed "RA Miller" lower right. Minor wear to paint and surface grunge. 45 x 10 3/4" high overall. Roger Corn, American (Georgia), b. 1957. A contemporary Folk Art pottery Face Jug with elongated features, strap handle and mottled Red/Brown glaze. Signed "Roger Corn" and dated "2005" at underside. Minor surface wear. 11 3/4" high.A late 19th century American Folk Art violin with carved head. Softwood instrument with a carved figural top depicting a man's head with polychrome detail. Instrument with wear and losses. 25 1/2" long, in a hard shell case with wear, 31" long.An 18th century Native American Burl Maple bowl. Hand-carved oval form bowl with sloping rim. Some wear and shrinkage. 15" long x 5" high overall. Seventeen pieces of early 20th century carved stone fruit. Includes oranges, pears, figs, grapes, a peach and a nut with polychrome painted finish. Some wear to painted decoration. Up to 4" high. A 19th century American Burl Maple bowl. Turned round form with folded rim and carved band detail. Some wear and discoloration to finish. 18" diameter x 7" high overall.Two turn of the century Woodland Native American miniature baskets. Wood splint and Sweetgrass construction with Porcupine Twist decoration, one with strap handle. Minor discoloration and damage to some of the twists. Up to 5" long and 5" high.A pair of early 19th century American oil on canvas portraits of Peter Mills and Joanna (Porter) Mills of Windsor Connecticut. Each depicted seated in Red chairs wearing Black attire. Unsigned, annotated verso, lot includes several 19th century handwritten documents with family information. Canvas mounted, minor wear to paint and craquelure, minor surface grunge. Images 23 1/2 x 19" high, in painted softwood frames with some wear, 29 1/4 x 34 1/4" high overall. Edward S. Curtis, American, 1868-1952. An early 20th century photogravure portrait, titled "Two Strike" Brule Chief, Sioux. Plate 78 from The North American Indian, Portfolio III (1904-1908). Titled lower left, with "From Copyright Photograph 1907 by E.S. Curtis" lower center, and by "John Andrews & Son" lower right. Minor toning and foxing, slight rippling, not examined out of frame. Plate 13 x 17 1/2" high, in a molded wood frame with minor wear, 25 x 30" high overall.Charles E. Waltensperger, American, 1870-1931. A turn of the century oil on canvas interior scene, titled "Mother Love". Depicts a mother seated with sewing in hand by her young child and infant in a cradle. Signed "Charles Waltensperger" lower left, additionally signed and titled verso. Some surface grunge. Image 19 1/2 x 15 1/2" high, in its original Gilded wood frame, 27 x 23" high overall.Charles E. Waltensperger, American, 1870-1931. A turn of the century oil on canvas portrait, titled "Girl with Apples". Depicts a young woman wearing a Blue dress and hat seated a table with a basket of apples. Signed "Charles Waltensperger, 94" lower left, additionally signed and titled verso. Some staining and slight surface grunge. Image 15 1/2 x 19 1/2" high, in its original Gilded wood frame, 21 1/2 x 25 1/2" high overall. Charles E. Waltensperger, American, 1870-1931. A turn of the century oil on canvas portrait, titled "Italian Girl". Depicts a young woman quarter length wearing a White dress and floral head scarf. Signed "Charles Waltensperger" lower left, additionally signed and titled verso. Some staining and slight surface grunge. Image 11 1/2 x 13 1/2" high, in its original Gilded wood frame, 19 1/4 x 21 1/4" high overall.Charles E. Waltensperger, American, 1870-1931. A turn of the century oil on canvas interior scene, titled "Dutch Interior". Depicts a mother with her young child feeding a cradled infant. Signed "Charles Waltensperger" lower right, additionally signed, titled and annotated "Laren, N. Holland" verso. Slight surface grunge. Image 27 1/2 x 23 1/2" high, in its original Gilded wood frame, 35 1/2 x 31 1/2" high overall.J. G. Evans, American, 19th century. A 19th century oil on canvas landscape. Depicts a Victorian home on a tree lined street with horse and carriage in the foreground and church spire next door. Signed "J. G. Evans" lower left. Retains partial label reading "Stewart Collection, Ohio, W.C.T.U." at frame. Canvas re-stretched and lined with restorations and in-painting, some craquelure and surface grunge. Image 33 1/4 x 19 3/4" high, in a painted wood frame with damage, 42 1/4 x 28 3/4" high overall.A 19th century American painted lamp table. Pine construction with a beaded apron and tall tapered legs. Original Red painted finish. Some wear, lacks one glue block at underside. 17 x 18 1/2 x29" high overall.An early 18th century American Country Queen Anne side chair. Maple construction with a shaped crest and vasiform splat, splint seat and turned legs terminating in pad feet, with a turned front stretcher. Older refinishing with some wear, replaced splint on seat with some damage. 40 1/4" high overall.A turn of the century window glass Trade Sign advertising "G. Taylor + Sons, Painters and Decoraters". Single sided sign with reverse painted on glass with Gold lettering on a Grain painted background. Some wear, in an older wooden frame. Frame is 20 3/4 x 17" high overall.

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