Tom Christopher Coll. | With Americana

online only auction | 1 day sale | 17 days away
Location
Portsmouth, NH 03801
Dates

Sale Starts

Sun
Nov 9
12pm

Sale Ends

Sun
Nov 9

Terms & Conditions

Registering and bidding in a sale held by Bray & Company Auctions, LLC ("Bray & Co."), whether in person, by phone, internet or absentee bid, constitutes a binding agreement whereby the bidder acknowledges and accepts the following Conditions of Sale.

1. AS IS. All property is sold "AS IS" and without recourse. Neither Bray & Co. nor any consignor make any representations or warranties, express or implied, as to merchantability, fitness for purpose, value, condition, age, authorship, attribution, genuineness, completeness, materials, authenticity, provenance, dimensions or any other feature of the property being sold. Catalog descriptions, condition reports, bills of sale and any other written or oral assessments are statements of opinion and should not be construed as a warranty of representation or an assumption of liability. All sales are final with no refunds or returns.

2. INSPECTION. It is the responsibility of the buyer or their assigned agent to examine the property prior to the sale. Your bidding will signify that you have done so as fully as you desire or that you have chosen not to. All items are available to be examined in-person. If requested in a timely manner, Bray & Co. will provide condition reports; these do not relieve the buyer from inspecting the property in person. Bray & Co. reserves the right to limit and sometimes decline condition reports on lots that we believe should be examined in person by the buyer.

3. SUCCESSFUL BID. The highest bidder acknowledged by the auctioneer shall be the buyer. In the event of a disputed bid, the auctioneer has the sole right to determine which bidder is the successful buyer and may also, at his or her absolute discretion, choose to withdraw the lot or reoffer it for sale. The record of sale kept by Bray & Co. will be taken as final in the event of a dispute. Additionally, the auctioneer reserves the right to withdraw any lot at any time before its final sale and to reject any bid for any reason.

4. BUYER'S RESPONSIBILITY. Title passes to the highest acknowledged bidder on the fall of the auctioneer's hammer, whereupon the bidder immediately assumes full risk and responsibility for the property. Items purchased in person must be paid for in full and removed from the premises on the day of the sale. Buyers participating via telephone, internet or absentee bid are required to make payment within 5 days of the sale. All payments made after 30 days are subject to a monthly fee of 1.5% of the purchase price. No property will be released until the purchase price has been paid and the payment has cleared.

5. PAYMENT. Bray & Co. accepts payment by cash, approved check, wire transfer and most credit cards. Buyers without an established bidding history who wish to pay by check must provide a letter of credit guaranteeing funds from their bank by Thursday prior to the day of auction. We reserve the right to not issue a buyer's number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. There is a $25 wire transfer fee. Payments made using credit cards are assessed a surcharge of 3% of the purchase price. The buyer agrees to pay Bray & Co. a handling charge of $50 for any check dishonored by the drawee.

6. PICK-UP. All property must be picked up within 7 days of the sale or the buyer will be assessed a storage fee of $10 per day, per item. Property not picked up within 60 days of the sale may be resold without reserve at Bray & Co.'s discretion, with any proceeds less commission and fees associated with the property remitted to the buyer.

7. SHIPPING. Bray & Co. does not offer in-house shipping. Shipping and all associated costs are the responsibility of the buyer. A list of shippers and carriers is available upon request. Shipment will generally be made within two weeks after payment has been received. Insurance is required on items valued at over $200. Overseas duties and taxes are the responsibility of the buyer. Bray & Co. shall have no liability for any loss, damage or delay from the packing or shipping of property.

8. BUYER'S PREMIUM. A buyer's premium of 23% of the successful bid will be applied to the hammer price of each lot purchased directly through Bray & Co. with cash, check or wire; purchases made with credit/debit card are assessed an additional 3% processing fee. Bidders using third-party, fee-based online bidding platforms, such as Invaluable or Live Auctioneers, will be charged a buyer's premium of 28% and the processing fee instituted by that third-party platform, typically 4%.

9. RESERVES. Some lots in this sale are subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Bray & Co. below which the lot will not be sold. The auctioneer will execute such reserve bids for the consignor. The reserve will not exceed the low estimate. On any lot, whether or not it is subject to a reserve, the auctioneer may refuse any bid or raise that is not commensurate with the value of the lot.

10. INTERNET BIDS. Bids may be placed online through the live bidding platform on our website or the Bray & Co. App. Buyers may also bid online through third-party platforms, in which case they are also bound to the terms and conditions of those platforms. Bray & Co. does not accept liability for any errors or omissions in connection with online bidding. In the event of an outage, we reserve the right to postpone or reschedule the sale.

11. TELEPHONE BIDS. Reservations for live telephone bidding are available on a first come, first served basis, and must be made by 5pm the day before the sale. By reserving a telephone, you agree to open the bidding on a lot at half of the low estimate. Bray & Co. does not accept liability for any errors and omissions in connection with telephone bidding.

12. ABSENTEE BIDS. Absentee bids must be submitted by 9am the day of the sale. In the event of identical absentee bids, preference will be given to the bid first received. Bray & Co. does not accept liability for failure to execute an absentee bid or errors and omissions in connection with absentee bidding.

13. ENDANGERED SPECIES. Some property may contain materials from plants or animal species subject to restrictions on import and export. It is the responsibility of the buyer to understand and comply with all laws regarding domestic and international shipment of such property.

14. COPYRIGHT. Bray & Co. and its consignors make no warranty or representation, explicit or implied, that the buyer will acquire any copyright or reproduction rights to any lot sold. The copyright in all images, illustrations and written material produced by or for Bray & Co. relating to a lot including the contents of this catalog, is, and shall remain at all times, the property of Bray & Co. and shall not be used by the buyer, nor by anyone else, without prior written consent.

15. BREACH. If a buyer breaches any of its obligations under these Conditions of Sale, including the obligation to pay in full the purchase price of items, Bray & Co. may exercise all rights and remedies under the law including cancelling the sale and reoffering the property without reserve.
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Description & Details

Part I: The Tom Christopher Collection (Lots 1 to 107) at 12:00 PM

Part II: Afternoon Americana & More (Lots 200 to 258), immediately following, at approximately 2:30 PM

Compiled over three decades, The Tom Christopher Collection represents the largest and most impressive gathering of historic tattoo flash ever to come to market. The collection showcases dozens of rare and important works by pivotal figures in the history of tattooing, including Samuel O'Reilly, Percy Waters, Owen Jensen, Harry Lawson, and more.

Following The Tom Christopher Collection is an afternoon session of art and antiques drawn from private collections and estates across the country. Highlights include notable examples of American outsider and folk art, advertising, World War I posters, historic guns, automobilia, English and American silver, fine art, and more.
Roses and Butterfly Tattoo Designs by "Stoney" St. Clair (Tampa, Florida, 1961) 10 x 12 in. (25.4 xNative American "Sun Dance" Tattoo Design by Robert "Trader Bob" Cleveland (St. Louis, Missouri, ca.Cowgirl Tattoo Design by Earl Brown or Bob Shaw (Biloxi, Mississippi, ca. 1950) Sight: 9 x 13 1/2Geisha and Dragon Tattoo Design by Bob Shaw (Biloxi, Mississippi, ca. 1950) 10 x 15 in. (25.4 x 38.1"Texas" and Other Tattoo Designs by Joe Darpel (St. Louis, ca. 1930) 15 x 21 3/4 in. (38.1 x 55.2Owl, Daggers and Other Tattoo Designs by Harry "Buckie" Buchanan (Philadelphia, ca. 1925) 10 x 15Winged Lady Heads and Other Tattoo Designs by Danny Danzl (Seattle, 1942) 15 x 20 in. (38.1 x 50.8Blueprint Tattoo Designs by Percy Waters (Detroit, ca. 1922) 17 1/2 x 24 in. (44.5 x 61 cm.), Frame:Dancer Tattoo Design by Samuel F. O'Reilly (New York, ca. 1890) 8 x 6 in. (20.3 x 15.2 cm.), Frame:American Eagle Tattoo Design by Samuel F. O'Reilly (New York, ca. 1890) 8 x 6 in. (20.3 x 15.2 cm.),"Hope" Tattoo Design by Samuel F. O'Reilly (New York, ca. 1890) 8 x 6 in. (20.3 x 15.2 cm.), Frame:Pig with Top Hat and Other Tattoo Designs by "Denver" Ed Smith (New York City, ca. 1935) 10 x 13 1/4Howling Wolf and Other Tattoo Designs by Walter Torun (San Diego, ca. 1940) 11 1/4 x 18 1/4 in.Pirate Girls and Other Tattoo Designs by "Sailor Flynn" (Portland, Oregon, ca. 1930) 9 x 13 1/2 in.Pirates and Other Tattoo Designs by "Sailor Flynn" (Portland, Oregon, ca. 1930) 10 x 15 in. (25.4 xMermaids and Bull Tattoo Designs by "Rosie" Camanga, Outsider Art (Honolulu, ca. 1960) Sight: 10 1/2Writhing Dragon Tattoo Design by Ashton Taylor (English, ca. 1910) 9 1/2 x 7 in. (24.1 x 17.8 cm.),Tiger, Snake, and Eagle Tattoo Designs (England, ca. 1920) 7 1/4 x 12 1/2 in. (18.4 x 31.8 cm.),Dragons, Eagles, and Snakes Tattoo Designs (England, ca. 1920) 7 1/4 x 12 1/2 in. (18.4 x 31.8 cm.),Eagle and Snake Tattoo Shop Sign for Dusty Rhodes (Grimsby, England, ca. 1930) Frame: 24 1/2 x 32Photograph of Dusty Rhodes's Tattoo Shop (Grimsby, England, ca. 1950) 6 1/4 x 8 1/4 in. (15.9 x 21Tattoo Machine, Business Ledgers, Designs and More From Dusty Rhodes (Grimsby, England, 1910 toElectric Tattooing Broadside for Cecil Rhodes (England, ca. 1920) Sight: 9 1/2 x 11 1/2 in. (24.1 x"Ladies" Tattoo Shop Sign by Dusty Rhodes and Tattoo Designs by Joseph Hartley (Bristol and Grimsby,British, Scottish, and Other Tattoo Designs by Alexander Gordon (England, ca. 1935) Sight: 9 x 49Traditional American Tattoo Designs by Juan Leon (Los Angeles, ca. 1940) 11 x 14 in. (27.9 x 35.6Butterfly Lady Tattoo Design by Bert Grimm (St. Louis, Missouri, ca. 1940) 11 x 14 in. (27.9 x 35.6"Death Before Dishonor" and Other Tattoo Designs by W.R. King (Kentucky, ca. 1950) 10 x 13 1/2 in.Pin-ups Tattoo Designs by "Curley" Pope (America, ca. 1950) 12 x 15 in. (30.5 x 38.1 cm.), Frame: 8Dreadnought, Red Cross, and Other Tattoo Designs, WWI Era (America, ca. 1915) 30 x 22 in. (76.2 xCrucifixion Back Piece and Other Tattoo Designs, WWI Era (America, ca. 1915) 30 x 22 in. (76.2 xIndian War Back Piece and Other Tattoo Designs, WWI Era (America, ca. 1915) 30 x 22 in. (76.2 x 55.9A.B. "Cap" Coleman Tattoo Artist Oversize Business Card (Norfolk, Virginia, ca. 1918) 3 1/2 x 5 1/4Peering Eyes Tattoo Design by "Cap" Coleman (Norfolk, Virginia, ca. 1930) 2 1/2 x 5 1/2 in. (6.4 xMrs. Uncle Sam and Other Pin-up Tattoo Designs by "Cap" Coleman (Norfolk, Virginia, ca. 1930) 14 3/4Statue of Liberty and Other Tattoo Designs by "Cap" Coleman (Norfolk, Virginia, ca. 1930) 14 x 21Dragon Tattoo Designs by "Cap" Coleman (Norfolk, Virginia, ca. 1930) 19 x 11 in. (48.3 x 27.9 cm.),Large Press Photograph of Tattoo Artist "Dainty Dotty" (Detroit or Los Angeles, ca. 1945) Sight: 9Statue of Liberty and Other Tattoo Designs by "Dainty Dotty" Jensen (Detroit or Los Angeles, ca.Peacock Pin-Up and Other Tattoo Designs by Owen Jensen (Detroit or Los Angeles, ca. 1945) 11 x 14Owen Jensen and "Dainty Dotty" Tattoo Artists Photograph and Business Cards (Los Angeles, ca. 1945)Snapshot Photo Of Tattoo Artist Owen Jensen (Los Angeles, ca. 1935) 4 3/4 x 3 in. (12.1 x 7.6 cm.),Butterfly Pin-Up and Other Tattoo Designs by "Dainty Dotty" Jensen (Los Angeles or Detroit, ca.Elves, Insects, and Other Tattoo Designs (America, ca. 1925) 24 x 17 in. (61 x 43.2 cm.), Frame: 29Pin-Up Girls Tattoo Designs by "Brooklyn Joe" Lieber (Oakland, ca. 1945) 13 x 9 in. (33 x 22.9 cm.),U.S. Navy and Other Traditional Tattoo Designs by "Brooklyn Joe" Lieber (Oakland, ca. 1945) 10 x 14Traditional American Tattoo Designs by "Brooklyn Joe" Lieber (Oakland, ca. 1945) 10 1/2 x 16 in.Traditional American Tattoo Designs by Harry Lawson (Los Angeles, California, ca. 1930) 12 x 18 in.Harry Lawson Tattoo Artist Oversize Business Card (Los Angeles, ca. 1925) 2 3/4 x 4 in. (7 x 10.2Large Sheet of Traditional American Tattoo Designs by Harry Lawson (Los Angeles, California, ca.Centipede, Dragon, and Snake Tattoo Designs (English or Japanese, ca. 1910) 4 3/4 x 12 in. (12.1 xBlack Cat and Sailor Tattoo Designs by Earl Brown (St. Louis, Missouri, ca. 1940) Largest, sight: 11"Sailor Jerry" Collins Tattoo Artist Oversize Business Card (Honolulu, ca. 1950) Sight: 2 1/2 x 3J.B. King Tattoo Artist Business Card (El Paso, Texas, ca. 1940) 2 1/2 x 4 1/2 in. (6.4 x 11.4 cm.),Happy Hooper Tattoo Artist Business Card (Ohio, ca. 1935) Sight: 2 1/2 x 4 in. (6.4 x 10.2 cm.),Joe and Mabel Darpel Tattoo Artist Oversize Business Card (Fort Worth, Texas, ca. 1950) Card: 2 1/2Original Photograph of Tattoo Artist "Stoney" St. Clair (America. ca. 1950) Sight: 2 1/2 x 4 in.Maud Wagner Tattoo Artist Business Card (America, ca. 1910) 3 x 2 1/4 in. (7.6 x 5.7 cm.), Frame: 4Rose Tattoo Design and Business Card by "Stoney" St. Clair (Tampa, Florida, ca. 1960) Flash: 6 1/4 xCowgirl Tattoo Design by Ted Inman (Augusta, Georgia, ca. 1950) Sight: 9 1/2 x 7 in. (24.1 x 17.8Two Cabinet Cards of Tattooed Lady Irene Woodward Each: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm.), Frame:Devil Girl and Cobra Tattoo Designs by "Stoney" St. Clair (Tampa, Florida, ca. 1960) Each: 10 x 6"Man Overboard" Pin-Up Tattoo Designs by "Sailor Jerry" Collins (Honolulu, ca. 1950) 10 1/4 x 14 1/4Forearm Tattoo Display by Karl Bumpus (Garrettsville, Ohio, ca. 1945) 15 x 20 in. (38.1 x 50.8 cm.),Happy Hooligan and Other Tattoo Designs by "Sailor" Hughie Bowen (America, ca. 1925) 9 3/4 x 13 3/4Tattooed Drunken Sailor Cartoon by Edmund (Montauk, New Jersey, 1950) 15 x 22 1/2 in. (38.1 x 57.2Four-Foot Neon Tattoo Shop Sign (Possibly Chicago, ca. 1940) 10 1/4 x 7 x 42 in. (26 x 17.8 x 106.7Carved Circus Model Figure of a Tattooed Man by Joe Taggart (Rockford, Illinois, ca. 1930) 5 3/4 in."Born to Lose" and Other Tattoo Designs by Al Kemp (Tampa, ca. 1955) Sight: 19 1/4 x 14 3/4 in.Alaska and Other Traditional Tattoo Designs by "Curley" Pope (America, ca. 1949) Sight: 11 1/2 x 17Philosophizing Monkey, Mermaids, Skulls, and Other Tattoo Designs (America, ca. 1930) 12 x 18 in.American Eagles and Other Tattoo Designs by Ernie (Los Angeles, ca. 1945) 11 x 13 1/2 in. (27.9 x"Tiger Rose" and Other Tattoo Designs by Tom Berg (San Francisco, ca. 1910) 12 x 17 3/4 in. (30.5 xTiger Heads and Other Tattoo Designs by Tom Berg (San Francisco, ca. 1920) 13 3/4 x 10 1/4 in. (34.9Dragons and Other Tattoo Designs by Tom Berg (San Francisco, ca. 1910) Sight: 11 1/2 x 17 1/2 in."Rose of No Man's Land" and Other Tattoo Designs by Tom Berg (San Francisco, ca. 1920) 19 3/4 x 14"Homeward Bound" Tattoo Design by Chris Nelson (California, ca. 1950) 20 x 15 in. (50.8 x 38.1 cm.),Goddess Tattoo Design by Chris Nelson (California, ca. 1950) 20 x 15 in. (50.8 x 38.1 cm.), Frame:Pin-ups and Other Tattoo Designs by Earl Brown (Biloxi, Mississippi, ca. 1950) 10 x 15 in. (25.4 xSmoking Pin-ups and Peacock Tattoo Designs by Earl Brown (Biloxi, Mississippi, ca. 1950) 10 x 14 3/4Lady Head Tattoo Designs by "Tex" Rowe (San Antonio, ca. 1948) 15 x 20 in. (38.1 x 50.8 cm.), Frame:"Death or Glory" and Other Tattoo Designs Possibly by J.B. King (Texas, ca. 1940) 11 x 14 in. (27.9Cowgirl and Other Tattoo Designs by Duke Kaufman (California, ca. 1950) 15 x 18 in. (38.1 x 45.7Indian Princess Tattoo Designs by Sailor Eddie (America, ca. 1950) 11 x 13 3/4 in. (27.9 x 34.9Rose Tattoo Designs by William Grimshaw (America, ca. 1940) 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm.),Woman with Snake Tattoo Design by Gus Wagner (America, ca. 1920) 12 3/4 x 9 1/2 in. (32.4 x 24.1Early Tattoo Design of Indian Chief and Cardinal (America, ca. 1910) 7 3/4 x 5 in. (19.7 x 12.7"Sailor's Grave" Tattoo Stencil by Owen Jensen (Los Angeles, ca. 1945) Stencil: 9 1/2 x 6 1/4 in.Mermaid and Other Early Pin-up Tattoo Designs (America, ca. 1920) 10 x 8 in. (25.4 x 20.3 cm.),Two Drawings of Haryu the Dragon by Tattoo Artist Horiyoshi III (Yokohama, Japan, ca. 2010) Largest,Wristband Tattoo Designs by "Stoney" St. Clair (Tampa, Florida, ca. 1960) 10 x 6 in. (25.4 x 15.2Japanese Woodblock Print of Tattooed Hero by Utagawa Kuniyoshi (Japan, ca. 1830) 15 x 10 in. (38.1 xLeroy Minugh and Steve Allen Tattoo Photograph and Business Card (Long Beach, ca. 1960) Photo,Autographed Copy of The Tattooists by Albert Morse (San Francisco, 1977) 12 x 9 in. (30.5 x 22.9Nude Pin-Up and Black Panther Tattoo Designs (America, 1930-1940) Largest: 15 x 10 in. (38.1 x 25.4Heart and Swallow Tattoo Designs by Graham Townsend (England, ca. 1975) 10 3/4 x 15 3/4 in. (27.3 xTwo Original Shop Photos from Nu-Pike, Long Beach Tattoo (Long Beach, ca. 1960) Each: 10 x 8 in.Collection of Tattoo Photos and Ephemera (America, 1920s to 1960s) Largest: 14 x 10 in. (35.6 x 25.4Collection of California Tattoo Items and Related Ephemera (California, 1930-1980) Largest: 14 x 11Japanese Tattoo Design by Ernie Carafa (Toms River, New Jersey, 1977) 11 x 14 in. (27.9 x 35.6 cm.)Ten-foot Scroll of Japanese Demons by Tattoo Artist Ernie Carafa (Florida, 2002) 9 x 118 in. (22.9 xMermaid and Other Tattoo Designs by "Tattoo Ole" (Copenhagen, 1963) 9 1/2 x 13 1/2 in. (24.1 x 34.3Dragon and Geisha Tattoo Designs by Ernie Carafa and Paul Rogers (Toms River, New Jersey, ca. 1975)Three-Masted Ship Tattoo Designs by "Sailor Jerry" Swallow (Canada, ca. 1960) 8 x 11 in. (20.3 x"Dead Sport" and Other Traditional Tattoo Designs (America, ca. 1930) 11 x 14 in. (27.9 x 35.6 cm.),Large Dragon Tattoo Design by "Sailor Jerry" Swallow (Canada, ca. 1970) 15 x 12 1/2 in. (38.1 x 31.8Japanese Split Chest Tattoo Design (2008) 23 1/2 x 18 in. (59.7 x 45.7 cm.), Frame: 29 x 22 in.Hindu Fakir "Bed of Nails" Sideshow Banner (America, ca. 1950) 66 x 114 in. (167.6 x 289.6 cm.)Pepsi-Cola Bottle Cap Sign (St. Louis, 1965) Diameter: 28 in. (71.1 cm.)Keith Haring, American 1958-1990, Free South Africa, Color Offset Lithograph, Frame: 51 1/2 x 50 1/2Art Deco Anesthesia Machine Cabinet by Foregger (New York, ca. 1935) 48 x 22 x 22 in. (121.9 x 55.9Nine-Foot Banner Weathervane from New York Prison (New York, 1880) 127 x 47 in. (322.6 x 119.4 cm.)Painted Folk Art American Eagle and Flag Welcome Banner (America, ca. 1900) Frame: 31 x 42 in. (78.7Downie Bros. Circus Poster with Leaping Tiger, Pittsfield Frame: 41 x 45 in. (104.1 x 114.3 cm.)Engraved Presentation Tray from Rikers Island Prison Complex, Folk Art (New York, 1952) 17.7 x 14Prof. Jack "Tattooed Tattooer" Sideshow Banner by Don Lutton (Kansas City, Missouri, ca. 1935) 89 xCollection of New York State Prison Shivs (New York, 1940-1970) 13 x 2 1/4 x 17 in. (33 x 5.7 x 43.2Collection of New York State Prison Shivs (New York, 1940-1970) 13 x 3 x 17 in. (33 x 7.6 x 43.2Large Carved Rifle-Form Trade Sign for a Gun Shop 83 in. (x 210.8 cm.)Kelvinator Appliances Neon Advertising Clock (America, ca. 1950) 18 1/4 x 18 1/4 in. (46.4 x 46.4Trinity Cemetery Double-Sided Sign, Newport, Rhode Island (Newport, Rhode Island) 31 x 48 in. (78.7Carved Folk Art Scene of Driver with Horses and Dog (Pennsylvania, 19th century) 10 1/2 x 8 x 26 1/2Cowboys and Cattle by Rev. Johnnie Swearingen, Outsider Art (Texas, ca. 1975) 20 x 24 in. (50.8 x 61Painting of Golden Gate Bridge by Van Bo, Outsider Art (San Francisco, ca. 2005) 11 1/2 x 20 1/2 in.Folk Art Bottle Cap Chain (America, mid-20th century) Length: 80 in. (x 203.2 cm.)WWI Liberty Loan Poster by Sidney Riesenberg (Philadelphia, 1918) 29 3/4 x 20.1 in. (75.6 x 51.1Three WWI Liberty Loan Posters by Herbert Paus (Chicago, 1918) 36 x 56 in. (91.4 x 142.2 cm.)WWI Liberty Loan Poster by Herbert Paus (Chicago, 1918) 36 x 56 in. (91.4 x 142.2 cm.)WWI Liberty Loan Poster by Henry Raleigh (Chicago, ca. 1917) 29 1/2 x 20 in. (74.9 x 50.8 cm.)WWI Red Cross Poster by Ray Greenleaf (New York, ca. 1918) 30 x 20 in. (76.2 x 50.8 cm.)Seven WWI Liberty Loan and Red Cross Posters (America, ca. 1918)Four WWI Liberty Loan Posters by Howard Chandler Christy (Boston, 1917) 40 x 30 in. (101.6 x 76.2WWI Liberty Loan Poster by Howard Chandler Christy (Boston, 1917) 40 x 30 in. (101.6 x 76.2 cm.)WWI Abraham Lincoln Liberty Bonds Poster (America, ca. 1917) 29 1/4 x 20 in. (74.3 x 50.8 cm.)Trench Art Windmill Clock Made from Artillery Shells and Bullets, WWI Era, Overall: 23 x 7 x 17 1/2Ethiopian Illuminated Manuscript Prayer Book or Coptic Bible (Ethiopia, 18th or 19th century) 4 1/2New England Theorem Painting on Velvet (New England, ca. 1830) Frame: 21 3/4 x 24 in. (55.2 x 61Pair of 1903 Liberty Head 14K Gold Coin CufflinksReproduction Colonial Flintlock Long Rifle by David Price, 1999 (Contoocook, New Hampshire, 1999)Gas-Powered Child's Roadster or Go Kart, After Ford Model T Runabout (America, late 20th century) 27Pair of Illuminated Art Deco Exit Signs From Pennsylvania Theater (Pennsylvania, ca. 1935) Each: 10Pair of Phare Solar Automobile Headlamps with 1912 Pennsylvania License Plate (Wisconsin andCanada Goose Decoy by Ken Harris with Painting by Robert Jackson Decoy: 13 1/2 x 10 x 24 in. (34.3 xEdith Barretto Parsons, Duck Baby Garden Fountain (New York, ca. 1910) 41 in. (104.1 cm.)"The French Surgeons Lithograph by Adrian Barrere (France, ca. 1910) Frame: 21 3/4 x 41 1/2 in.Gorham Sterling Silver Bowl and Mug Bowl: 2 1/2 x 5 3/4 in. (6.4 x 14.6 cm.)George C. Shreve & Co. Sterling Silver Butterfly Bowl (San Francisco, ca. 1885) 2 x 9 1/2 in. (5.1 xGroup of Sterling and Coin Silver Trays and Dishes, 16 PiecesGroup of 33 Pieces of Sterling and Coin Silver CutlerySilver Tobacco Box, Flask, and TablewarePair of Victorian Silver Salt Cellars (London, ca. 1870) Each: 2 3/4 x 2 1/4 x 5 1/4 in. (7 x 5.7 xThree Pieces of English and American Sterling Silver Holloware10 Inch Sterling Silver Bowl by Gorham (Providence, Rhode Island, ca. 1900) 2 x 10 1/2 in. (5.1 xTiffany & Co. and Paul Revere Sterling Silver Porringers Largest: 2 x 8 x 5 1/4 in. (5.1 x 20.3 xGroup of English and American Sterling Silver Holloware Largest cup: 3 in. (7.6 cm.)American Sterling Silver Pitcher and Bowl Bowl: 4 x 8 in. (10.2 x 20.3 cm.)Three Pieces of American Sterling Silver Holloware31 Early American Coin Silver Spoons (America,1810-1850) Longest: 9 1/2 in. (x 24.1 cm.)Group of 52 Coin Silver and Sterling Silver SpoonsAmericana Group Lot, Including Shaker Chair, Carved Decoy, and Needlework Chair: 34 x 21 x 25 in.Large Painting of an American Clipper Ship by D. Tayler (America, 20th century) 24 x 36 in. (61 xEngraved Copper Plate for Boston Revolutionary War Map by Carrington 17 x 12 in. (43.2 x 30.5 cm.)1694 Hingham Land Deed, Burr and Pratt Families, Massachusetts Bay Colony Frame: 16 1/2 x 22 in.Hand-Knotted Room Size Ziegler Rug, 15 x 10 (20th century) 180 x 120 in. (x 457.2 x 304.8 cm.)Antique Hooked Rug Depicting a Three-Masted Ship (America, ca. 1930) 36 x 59 in. (91.4 x 149.9 cm.)Sterling Silver "Chino" Flatware Service by George Erickson, 96 Pieces (Gardner, Massachusetts, ca.Hudson River School Landscape Painting, Elizabeth Valley by A. Moore (New York, late 19th century)Hudson River School Landscape Painting, Lake Mohonk by A. Moore (New York, late 19th century)Autumn Landscape Painting by Darius Cobb, Possibly White MountainsForest Pathway Landscape Painting by Waterman (America, late 19th century)Grazing Cattle Landscape Painting by E.W. Perry (America, late 19th century)Grazing Cattle Landscape Painting by Giuseppe Forti (Italy, 19th century)

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