PRINTS, MULTIPLES + WORKS ON PAPER- Day One

online only auction | 1 day sale | sale is over
Location
Santa Fe, NM 87505
Dates

Sale Starts

Wed
Mar 12
9:30am

Sale Ends

Wed
Mar 12

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
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Santa Fe Art Auction

Description & Details

DAY ONE of our annual Prints, Multiples and Works on Paper Sale, this year offering an extraordinary diversity from Old Master drawings, to 20th century European modernists, in addition to SFAA's classic slate of great New Mexico and American regionalists and printmakers of the 20th-21st centuries. Not to be missed is an exceptional collection of original Gene Kloss drawings from the artist's personal sketchbook, acquired from the great Gregory Nelson Collection.
Gene Kloss, All Souls' Day Offerings, 1970Gene Kloss, Feather Dancer - Domingo, 1970Gene Kloss, The Journey, 1967Gene Kloss, Old Piñon Tree, 1981Gene Kloss, Tribute to the Earth etching plate, ca. 1972Gene Kloss, Age-Old Rhythm, 1971Gene Kloss, Navajo Canyon Cliffs, 1974Gene Kloss, Untitled (Pueblo Ceremony)Gene Kloss, Untitled (Pueblo Ceremonial)Gene Kloss, Untitled (San Geronimo Feast Day)Gene Kloss, Untitled (Under Shelter)Gene Kloss, Pair of Drawings (Adobe Dwellings)Gene Kloss, Untitled (Courtship Dance)Gene Kloss, Deer Dance, 1969Gene Kloss, Gift Bearing at Dawn, 1960Gene Kloss, Young Navajo Mother, 1962Gene Kloss, Untitled (Women with Child)Gene Kloss, Untitled (Feather Dancers)Gene Kloss, Untitled (Pueblo Figures)Gene Kloss, Untitled (Pueblo Ceremonial)Gene Kloss, Buffalo – Deer Dance at Jemez, 1959Gene Kloss, Untitled (Two Pueblo Riders)Gene Kloss, Untitled (Pueblo Winter)Gene Kloss, Untitled (Southwestern Landscape)Gene Kloss, Untitled (Mountain Landscape)Gene Kloss,Untitled (Lone Pine Landscape)Gene Kloss, Untitled (Mountain Landscape)Gene Kloss, Untitled (Entering the Pueblo)Gene Kloss, Untitled (Pueblo Figures Carrying Poles)Gerald Cassidy, Untitled (Seated Woman with Pot)Gerald Cassidy, Portrait of John Allen Sizer, 1918Joseph Imhof, Christmas Deer Dancers, 1916Peter Hurd, The Shepherds' Christmas – New Mexico, 1937Oscar Edmund Berninghaus, Winter NightBror Julius Olsson Nordfeldt, Santa Fe, ca. 1920 / 1968Bror Julius Olsson Nordfelt, Houses and Arroyos, ca. 1920 / ca. 1968William Howard Shuster, Gift Dance (Toss)William Howard Shuster, Taos Pueblo, 1929William Howard Shuster, Untitled (Indian Beating Drum), 1920William Howard Shuster, Untitled (Landscape with Trees and Two Figures)William Howard Shuster Jr., Suite of Three Prints: Hark! The Herald Angels + Untitled (Family onGeoffrey Lasko, Doel Reed's Home, Talpa, NMArnold Ronnebeck, Mabel Dodge Luhan House, New Mexico, 1925Howard Norton Cook, Taos Pueblo Morning Smokes, 1927Howard Norton Cook, New England Church, 1931Howard Norton Cook, Mexican Market, 1931Howard Norton Cook, Rosanna, 1939Howard Norton Cook, The Desert, 1926Federico Cristencia Castellon, Taos Tryst, 1946Barbara Latham, Bus DepotBarbara Latham, Bear Family, 1937Barbara Latham, Suite of Two Prints: Mexican Kitchen, 1932 + Fording the Stream, 1936Jean Charlot, Indian Snake DanceWard Lockwood, Untitled (Kitchen Stove)Willard Ayer Nash, AdobeWillard Ayer Nash, AdobeWillard Ayer Nash, CowElmer Wayne Schooley, HorseCoy Avon Seward, Peppers and Squash, 1934Coy Avon Seward, Sunshine and Shower, 1928Coy Avon Seward, A New Mexican Well, 1925Willard Clark, Santuario de Chimayo, 1938Willard Clark, Old Church with TreeGerry Pierce, Ranchos de Taos, 1946Joseph Amadeus Fleck, Taos, 1953Helen Greene Blumenschein, Taos ValleyHelen Greene Blumenschein, Funeral ProcessionHelen Greene Blumenschein, Tio Vivo, 1938Helen Greene Blumenschein, Valdez, New Mexico, 1946Helen Greene Blumenschein, 5203rd WAC Cap, Port Moresby, New Guinea, 1949Ila Mae McAfee, Horses in Abstract LandscapeIla Mae McAfee, Untitled (Four Horses)Ila Mcafee, Mt. SheepWalter E. Bohl, ListeningWalter E. Bohl, Desert Shadows – Roadrunner, 1961David Vega Chavez, Church at Isleta, New MexicoDavid Vega Chavez, The Church at Santa Cruz, New MexicoRalph M. Pearson, Taos Pueblo, 1920Ralph M. Pearson, Church at Ranchos, 1919Ralph M. Pearson, San Felipe, 1922Ralph M. Pearson, Talpa, 1919George Elbert Burr, Pyramid Mountain, New MexicoMax Pollock, New Mexico, TaosAdolf Arthur Dehn, Man from Orizaba, 1941Luigi Kasimir, SiestaArthur William Hall, Pair of Drawings: Santa Fe (Hillside), 1949 + Santa Fe (Old Hillside)Arthur William Hall, Night in the Apache Desert, 1940Birger Sandzén, Mountain Solitude, 1937Birger Sandzén, Sunshine Creek, 1931Birger Sandzén, Brook with Cottonwood Trees, 1934Birger Sandzén, Creek with Sandstone Banks, 1923Birger Sandzén, Lake in the RockiesBirger Sandzén, Two Lithographs: Mountain Home, 1934 + Barker HomesteadOscar Edmund Berninghaus, Wood Haulers, 1939Ernest Martin Hennings, Beneath the Cottonwoods, ca. 1924Ernest Martin Hennings, Suite of Three Etchings: Stringing the Bow + The Twins + Watching theEdward Borein, Ramada at TaosLynd Kendall Ward, Corral – Tres Cumbres, 1953Doel Reed, Women Gathering Apples, 1946Doel Reed, Sun & Walking Rain, 1975Doel Reed, The Gorge at Pilar, 1978Doel Reed, Nude With Spring Landscape, 1946Rockwell Kent, Musician, from Shakespeare Sonnets SeriesGene Kloss, Untitled (Worship)Gene Kloss, Untitled (Leaping Figure)Gustave Baumann, Rain in the Mountains, 1926Gustave Baumann, Packard Motor Car Company Calendar of 1917, published 1916Gustave Baumann, Frijoles Canyon Pictographs, 1939Gustave Baumann, An Eagle Ceremony at Tesuque Pueblo, 1932Adja Yunkers, Prints in the Desert Portfolio, New Mexico, 1950Kenneth Miller Adams, Portfolio of Lithographs, 1950Emil James Bisttram, Near the Ranchos ChurchAndrew Dasburg, House and Walls, ca. 1935Andrew Dasburg, Untitled (Abstract Landscape, Talpa, New Mexico), 1974Andrew Dasburg, Ranchos, 1967Andrew Dasburg, Houses and Mesas - Winter, 1977Andrew Dasburg, Ranchos Church, 1975Andrew Dasburg, Ranchos Valley II, 1974Carl Robert Holty, Untitled (Two Figures Cubist), ca. 1925Frederick Hammersley, Army Issue, 1943Nils Hogner, Miner in the DesertRandall Davey, GuanajuatoDouglas Walter Johnson, Return to Chaco, 2009Dean Porter, Road to New Mexico, 2000Tony Foster, Leidig Meadow, 1986George Carlson, Yamapa, Colorado, 1975Chenoweth Hall, Untitled (Landscape with Red Hills)Glen Mitchell, Grand CanyonPhyllis Kapp, Pecos Dream, 1983Phyllis Kapp, Creative DanceWilliam Thomas Lumpkins, Untitled (Landscape), 1968 - 1969William Thomas Lumpkins, Give It Its Freedom, 1974William Thomas Lumpkins, Untitled #92, 1986William Thomas Lumpkins, Indecorous, 1984Louis Leon Ribak, Cavern Gate, 1962Louis Leon Ribak, Approaching StormLouis Leon Ribak, Untitled (Ships in Harbor)Theodore J. Richardson, Alaskan FishermanHank Lawshe, AfloatFrank Earl Klepper, Untitled (Beach Scene with Ship Ruins)Alfred Gwynne Morang, Adobe Clouds and Mountain, 1950Emil James Bisttram, Untitled (Taos, New Mexico), 1950Earl W. Stroh, Thracian Mode II, 1979Earl W. Stroh, Silence I, 1982Earl W. Stroh, Quiet Scherzo B, 1983Earl W. Stroh, Thracian Mode, 1980Earl W. Stroh, Cedar, 1978Clinton Adams, Venus Series VI, 1977Hans Hoffman, The CellistWalt Kuhn, White Faced ClownAbraham Walkowitz, Pair of Works: Isadora Duncan DancingRose Cecil O'Neill, Portrait of Witter Bynner, 1910Robert Donald Ray, Portrait of Dorothy Brett, 1956Frank B. Hoffman, Untitled (Model in Gown), 1934Ben Stahl, The Flirtation, 1977Cady Wells, Phobic, 1946Martin Lewis, Chance Meeting, 1940 - 1941Will R. Barnet, Group of Three Figurative WorksWill R. Barnet, Makeshift Kitchen, 1935Will R. Barnet, The Sled, ca. 2002Will R. Barnet, Untitled (Abstraction), ca. 1957Will R. Barnett, Group of Three Prints: Poem 130, Self-Portrait, MidnightWill R. Barnet, Group of Two Abstract Prints: Summer Memory, 1947 + Untitled (Black and GrayGaro Zareh Antreasian, Untitled, 1979Cliff Franklin Harmon, Accent on Angels, 1949Lawrence Calcagno, Cruciform III, 1963Walt Kuhn, Seated ClownRobert Rauschenberg, ROCI CUBA, Casa de las Americas, 1988David Hare, Untitled, 1961David Hare, Untitled, 1963David Hare, Untitled (Abstract Figure)David Hare, Untitled (Woman Seated)David Hare, Untitled (Seated Figure)Grace Hartigan, Untitled, 1970Esteban Vicente, Antonio, ca. 1989Mariano Rodríguez, Untitled, 1955Rafael Coronel, Profile (Woman in Pink)Victor Manuel, Sanguina, 1963Victor Manuel, Untitled, 1971Rufino Tamayo, Figure en Ocra, 1976Rufino Tamayo, MujerRufino Tamayo, MujerRufino Tamayo, Untitled (Mask), 1964Francisco Goya, Disparate de Miedo (from Los Proverbios), ca. 1816 - 1824Francisco Zúñiga, Madre y Hija, 1969Francisco Zúñiga, Tres Mujeres de Pie II (Three Women Standing, II), 1983Raul Milian, Flores, 1962Pedro Friedeberg, Ciudad de un Millon con 25 Huevos DurosPedro Friedeberg, The Taro NewsGustavo Montoya, Suite of Two Serigraphs: Girl in Pink + Boy in BlueGustavo Montoya, Suite of Two Serigraphs: Pair of Musicians + Girl with MandolinGustavo Montoya, Suite of Two Serigraphs: Two Boys Fishing + Girl Selling WatermelonJean Charlot, Two Lithographs, 1933: Mother and Child + LaundryJean Charlot, The RebozoJean Charlot, PastorasDavid Alfaro Siqueiros, ZapatisaKiyoshi Saito + Noriaki Okamoto, Group of Three Woodcuts: Ikaruga No-Sato Horyu-Ji Nara, 1962 +Sekino Jun'ichiro, Siamese Cat, ca. 1970Chuzo Tamotzu, Untitled (Rooster)Alex Kanevsky, Rooster, 2011Kathe Kollwitz, Schlachtfeld (The Battle Field), from the Peasant's Revolt Series, 1907 / after 1921Kathe Kollwitz, Self-Portrait, 1912 / ca. 1945Paul Cezanne, Tete de Jeune FilleHenri Matisse, Untitled (Seated Figure), 1941Henri Matisse, Untitled (Reclining Figure)Henri Matisse, Dessins: Themes and Variations, 1942After Henri Matisse, Teeny, 1938Pierre-Auguste Renoir, Head of Berthe Morisot 2Georges Braque, Eros and EurybiaPablo Picasso, Pour RobyPablo Picasso + Henri Matisse, Two Lithographs: Exposition Vallauris Maison de la Pensée + MadameJoan Miró, FragmentAfter Joan Miro, La Danse de Feu, 1963John Marin, Sestiere Dosoduro, Venezia, 1907William Hogarth, For Nature and your Self AppealGiovanni Battista Piranesi, Vedanta degli avanzi del Foro di Nerva (View of the remains of the Forum17th C. school of Reni, Judith17th C. school of Correggio, Leda & The Swan17th C. school of Correggio, Bacchus Surrounded by NymphsUnknown Artist, 17th Century, Penelope & Ulysses #16

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