ART OF THE WEST - Day Two

online only auction | 1 day sale | 9 days away
Location
Santa Fe, NM 87505
Dates

Sale Starts

Thu
May 8
9:30am

Sale Ends

Thu
May 8

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
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Santa Fe Art Auction

Description & Details

DAY TWO of Art of the West features lots 216 - 467, with a wide range of classic to contemporary Western paintings -- including works by historic and Native American artists as well the Taos Moderns and Cowboy Artists of America.
Mark Daily, Untitled (Horse and Rider)Mark Daily, Summer ShadowsJames Guilford Swinnerton, Wyntoon - McCloud River, CAJames Guilford Swinnerton, High Mountain LandscapeArturo Antonio Chávez, On the LlanoArturo Antonio Chavez, Near San YsidroSherrie McGraw, Horses, TaosSherrie McGraw, Clouds, Sunny Morning In TaosRay Roberts, California PoppiesRay Roberts, Grand CanyonWayne Wolfe, Sundown, 1979Bernard Corey, Untitled (Landscape)Bernard Corey, Untitled (Clouded Landscape)Chris Burgeson, Forest Edge, 1986Chris Burgeson, First of Spring, 1986Edward Norton Ward, Evening Light - Taylor, ForkGeorge Cherepov, Untitled (Landscape)James Arthur Merriam, Untitled (Southwest Landscape)Bernard Corey, Untitled (Farming Landscape)Darcie Peet, Quiet Canopy of ShadeEthel M. Cooke, Old Soledad Evening, Santa Fe, New Mexico, ca. 1924, oil on canvas boardJosef Cestmir Svoboda, Sketch (New Mexico Landscape), 1926Manville Chapman, Untitled (Adobe with Cottonwood)Frederick William Becker, Winter in TaosEjnar Hansen, La Cienega, ca. 1930Else M. Chapman, Snowy DayMiguel Martinez, Untitled (Adobe Church), 1996Louisa Leggett, Untitled (Adobe Church)Louisa Leggett, Church at Las TrampasMarion Couse, Couse HomeMarion Couse, Arc de Triomphe, 1993Augustus W. Dunbier, The Church of Ranchos, 1920Zoltan Leslie Sepeshy, Oklahoma Schoolhouse, 1936Craig Mitchell, Mission Carmel, 2003Helmuth Naumer, Cerrillos, New Mexico, 1953Sheldon Parsons, Desert Landscape with AgaveBarry McCuan, Santa Fe Homestead, 1964Joseph Roy Willis, Untitled (Aspens), 1959John Encinias, (b. 1949), Autumn Haze, 1979Robert J. Kuester, Winter SceneJim Abeita, First Snow at Taos PuebloDane Clark, Untitled (Winter Scene)Irby Graves Brown, Winter Snow SplashBetty Jean Sabo, Untitled (Adobe in Winter)Rod Goebel, Winter Patterns, Ranchos de TaosRay Vinella, Incoming SnowAnthony Martin, Monzano Mountain along the BosqueDouglas Fryer, Randolph Pond, Winter, 2009Douglas E. Atwill, Santa Fe River, Snow IDouglas E. Atwill, Santa Fe Snow VIDouglas E. Atwill, Snow on Galisteo CrestonDouglas E. Atwill, Santa Fe Snow VKang Yon Cho, Aspens in SnowKang Yon Cho, Snow SceneDwight C. Holmes, Snow, Ben Ficklin Crossing, 1947William E. Johnson, Untitled (Riders Near Spanish Peaks), ca. 1970Vladan Stiha, Snow and Clouds, New Mexico, 1974James Guilford Swinnerton, Untitled (Desert Sketch)James Guilford Swinnerton, Blythe, California: Clearing Colorado River / Old Wood for FarmingJames Emery Greer, Storm Shadows - WyomingRod Goebel, Near AbiquiuClyde Aspevig, Aspens, 1984G. Russell Case, November, 2005John Encinias, Taos ValleyJohn Encinias, Winter Fields, 1979George Carlson, Snow Landscape, 1978Loren Entz, Winter CottonwoodBruce Eastman, Church in the WinterAlfredo Rodriguez, Navajo CountryJim Abeita, Untitled (Rider and Dog)Kathryn Stats, Capital Reef, ca. 2002Marianne Hornbuckle, Kitchen Rock, Ghost Ranch, ca. 1990Charles Henry Reynolds, Canyon de Chelly, 1962Rodolfo Rivademar, Towering GiantsRodolfo Rivademar, Santa Catalina MountainsRodolfo Rivademar, Land of the Monterey CypressPaul Strisik, Woodland StreamMatt Smith, Evening Along the Wash, 1997Len Chmiel, Off the Bumpy Road to San Sebastian, 1979N. E. Rutt, Barn at Truchas, 1957Albert Looking Elk, Taos PuebloThomas Silvestre Macaione, Untitled (Santa Fe Adobe), 1966Eugene Thurston, Spanish Peaks, ColoradoWarren Eliphalet Rollins, Summer Santa Fe, ca. 1915Sheldon Parsons, Santa Fe Baldy, MarchRobert Moore, In Wind River Mountains, 1999Ila Mae McAfee, Land of EnchantmentJean Hanau, Storm Over Jemez Mountains, 1928Peter Hurd, Untitled (Landscape), ca. 1935Elmer Wayne Schooley, New Mexico Pueblo Landscape, 1954Ben Turner, DecemberClark Hulings, Untitled (Mountain Landscape), 1955Eric Waters Gibberd, Snow at Dusk, Taos, ca. 1955Barbara Latham, Crows and SnowTony Eubanks, Taos Evening SunBradley W. Giles, Moonset / Sunrise Over Mt. San Jacinto, 2023Ernest Robertson, Mount Denali, 1994David Jonason, Blue Mitten, 2012Thomas deDecker, Cliffs at Sunset, New MexicoTeruko T Wilde, Sunset ReflectionAlbert Scharf, Untitled (Cloud Landscape)Raymond L. Knaub, Dusk Over the Yampa RiverRaymond L. Knaub, Red SkyCarol McIlroy, Passing StormRichard Irving Bowman, Wilby SunMac Stevenson, Dusk Slipping AwayS. M. Chavez, Untitled (Horse at Sundown)James Guilford Swinnerton, Untitled (Sunset on Clouds)James Guilford Swinnerton, SunsetRay Roberts, Last Light - LagunaPeter Allen Nisbet, Wind and Storm, Cannon Beach, 2008Louisa McElwain, Sunset ThunderheadLouisa McElwain, BlissLouisa McElwain, Grey Stallion & His BandFrank Tenney Johnson, Mexican Freight HaulersMark Maggiori, Young Buckaroo of Chloride, 2014Ila Mae McAfee, Horses in Taos, New Mexico, 1931Claire L. Goldrick, Fall in the Air, 1987E. Denney Neville, Storm Shadow, 2003Roger Cooke, Bannock Country, 1982Michael Coleman, West of the Great RiverJoseph Henry Sharp, Canal near Dordrecht, Holland, 1896Cyrenius Hall, Muir Glacier, ca. 1886Clark Hulings, Untitled (Town at the Foot of the Mountain), 1955William Merritt Post, Untitled (Landscape)Manfred Rapp, Cliffs in Ibiza, 2001Kim English, Freeport Bay (Bahamas)Michael Workman, Horse PastureJared Sanders, April Pastures, 1999Seth Winegar, Black Row, 2002Michael Workman, Barn and Yellow Sky, 2019Gordon E. Snidow, Early Start, 1978William Matthews, Winter Wrangle, ca. 2006Bill Schenck, Seven Yearlings along the Wash, 2012Howard Post, Untitled (Thunderheads over Mountains), 1961Howard Post, Untitled (Ranch Scene)Harold Von Schmidt, Herding in Bad WeatherHarold Von Schmidt, Study for Opening Spread of Cosmopolitan, 1938James Butler, Desert DuskJohn Farnsworth, Sombrero MakerJim Schaeffing, Little Lucky, 1978Thomas W. Lorimer, Curt, 1994Stanley L. Wood, Gun FightEdmond Delavy, The PosseEdward Borein, SteerOlive Rush, Untitled (Buffalo Herd)Loretta Taylor, Untitled (Bison Hunt)Tucker Smith, Untitled (Mare and Foal), 1972Leal Mack, Untitled (Man with Carriage Horses)Jonathan Hartley Folliott Scott, August DesertAlyce Frank, The Pond at Eagle Mount Ranch, 2009William Haskell, Untitled (Tornado)Carrie Fell, Untitled (Three Cowboys)Carrie Fell, Untitled (Cowboy)John Nieto, My Friend Jim Crane, 2007Malcolm Furlow, Galloping War ChiefMalcolm Furlow, September ShamanMalcolm Furlow, Greywolf, 1989Malcolm Furlow, Makes ‘Em RunMalcolm Furlow, Comanche ChiefMalcolm Furlow, Stands on the RockLogan Maxwell Hagege, Cloud Shadows Over SageJohn Moyers, The Old War Bonnet, 1999Kevin Red Star, Otter Medicine, 1977Kevin Red Star, Summer Star Night, 1999Kevin Red Star, Three Young Crow Warriors on their War Ponies, 2001J. D. Challenger, Two Paintings: The Final Coup, 2007Rory Wagner, Untitled (Portrait)J. D. Challenger, The Final Coup, 2007J. D. Challenger, The Final Coup, 2007Dan Namingha, Planting Kachina, 2002John Farnsworth, Palhik Mana (Katsina), 1995Vernon Witham, Hemis Katsina, ca. 1986Phyllis Kapp, Butterflies and Indian Maidens Rhapsody, 1987Charles Stewart, Hopi Clowns and GlutensCharles C. Stewart, Taos Buffalo Dance, 1966Michael C. McCullough, Honan, Manang'ya, and Chöf Katsinas (Badger, Lizard, and Antelope)Robert Lee Taylor, Two Paintings, 2011: Survivor + One of Many DreamsRobert Lee Taylor, Stolen Treasure, 2009Carl Newman, Taos DancersMateo Romero, Eagle DancerChloé M. Gaillard, Taos Pueblo DancerMike Larsen, Northwest CoastRobert Lee Taylor, One Day We Soared With Clouds, 1995Carl Von Hassler, Ge-Showah of TaosFrank Duveneck, Portrait of a WomanVladan Stiha, Taos FamilyVladan Stiha, Girl with Turquoise NecklaceRoss Stefan, Apache GirlNils Hogner, Anissisi (Portrait of a Native Woman), ca. 1931Steven Lang, His Honor Robe, 2003Steven Lang, Kiowa Chief 1865, ca. 2000Loretta Taylor, Untitled (Chief)Loretta Taylor, Untitled (Figure with Painted Face)Matt Falk, Untitled (Indian Portrait)Bonnie Conrad, Tiana and FriendJohn Solie, The GatheringJohn Moyers, Untitled (Frontier Men), 1977Paul Van Ginkel, Spear, 2005Frank C. McCarthy, The Navajo, 1975Bonnie Conrad, Phantom TrailBonnie Conrad, Winter CoatsGerry Metz, The SentinelJanos Viski, Untitled (Herding Horses)Ken Gunall, The CowhandCarl J. Smith, Doc's Last Call of the DayRos Psakis, Two Paintings: The Small Herd + Cows in PastureRos Psakis, Two Paintings: Horses in Yard + Dairy CowsJohn Modesitt, Meeting Among the AspensWalt Gonske, Chamisa and PiñonWalt Gonske, Carrying Produce to Market - ShanghaiMark Daily, Untitled (Street Scene)Jean Charles Cazin, Untitled (Cottage Landscape)Bernard Corey, TwinsWilliam Meuttman, Superstition Mountain, ArizonaWilliam Meuttman, The Singing Water (Arizona), 1916Bradley Schmehl, Waiting to ParleyHoward Terpning, Offerings to the Sun, 1985Gary Niblett, Zuni Olla MaidensMarilyn Yates, In The WingsMarilyn Yates, Buckskin and FeathersBen Konis, Lady of the FlowersEthelinda, Untitled (Woman Gardening), 1985Sue Krzyston, Respecting a Tradition, 2007Dan Gerhartz, Linda's Heirloom, 1996Daniel Sprick, July Roses, 1996Helen Greene Blumenschein, Desert Still LifeQuang Ho, Fresias for Holly, 1997Quang Ho, Seated Figure in White, 1993Quang Ho, The Violet ScarfNikolo Balkanski, Pescheria al MinutoTal Walton, Canyon Passage, 1996Nicholas Hill, The DoorMichael Swearngin, Three CrossesJanet Lippincott, Untitled (Desert Landscape), ca. 1969Tal Walton, Untitled (Desert Road)Tal Walton, Burning WithinTal Walton, Untitled (Three Trees), 1998Nathan Bennett, Sire, 2005Tal Walton, Reflections (from the Passage Series)Ahren Hertel, Coyote with Crows, 2015Mike Weber, Desert Big Horn, 2014KOLLABS, Palmer, 2021Les Thomas, Animal Painting #014-1102, 2019Les Thomas, Two Works, 2002: Animal Painting #022-1984 + Animal Painting #022-1985Les Thomas, Animal Painting #019-1770, 2019Michael Goettee, Of Magic and Pink Hills (a Tribute to Georgia O'Keeffe), 2011Doris Steider, White ChurchDoris Steider, Adobe ChurchDoris Steider, Adobe Church with SteepleJennifer O’ Cualain, Raccoon PortraitRobin Anderson, After Cezanne, A Modern Olympia, 1997

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