CONTEMPORARY ART, DESIGN + PHOTOGRAPHY: II

online only auction | 1 day sale | 6 days away
Location
Santa Fe, NM 87505
Dates

Sale Starts

Thu
Sep 18
9:30am

Sale Ends

Thu
Sep 18

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
Santa Fe Art Auction Logo

Santa Fe Art Auction

Description & Details

Day 2 of this stunning international contemporary sale features 225 lots that exemplify modern art movements of the 20th-21st centuries in paintings and photography. Highlights include works by Leopold Survage, Robert Kelly, Donald Moffett, Sally Mann, Edward Weston and Ansel Adams.
Gregory Lomayesva, Untitled (Red High Heels), 2008Gregory Lomayesva, Pair of Sculptures: High Heel + Purse, 2008Janet Lippincott, Untitled (Pink on Linen)Susan Rowland, Clinging Fire, 1978Louis Leon Ribak, Lemonade, 1969Janet Lippincott, Spring Thaw, 1970Janet Lippincott, Black Sand (Hawaii), 1971Tom Lovell, UntitledHal Larsen, Infinite Land / Infinity, 2002Olaf Quantius, Untitled (Orten 2), 2007Michio Takayama, Golden EchoRichard H. Campiglio, Juarez, USA, 2010Hyde Solomon, Gold and Blue Sunset, 1977Robert C. Ellis, Untitled, 1959Robert Donald Ray, Canyon of the Rio Grande from the Bridge, Taos, ca. 1960Robert Donald Ray, Winter Solstice, 1956Angus Macpherson, Sun Signature, 1988Joe Andoe, Doves, 1988Forrest Moses, Untitled (Carmel, California), 1968Henrietta Berk, Winter DawnEugene Berman, L'Écurie, 1930Leopold Survage, Untitled (Bird and Fish), 1927Akira Tanaka, Untitled (French Newspaper Stand)Alfredo Zalce, View from Morelia Studio, 1974Malcolm T. Liepke, Couple in the Shadows, 2005Joseph Lorusso, Sax Man, 2003Brian O'Connor, Heaven and Earth, 2001Raymundo Andrade, Angel, 1993Douglas C. Bloom, Museum Lovers, 2005Angelina Gualdoni, Gateway - Front, 2004Angelina Gualdoni, All of This is Present Here, 2005Tim Kenney, Chama BeautyThomas deDecker, Restful Sunset, 2023William M. Berra, Untitled (Monument Valley), ca. 1991Jennifer Cavan, La Placita SunshineJames Harrill, Untitled (Open Doorway)Dorothy Alden Morang, Fruit and Vegetables, 1940Edmund Daniel Kinzinger, Untitled (Still Life), 1932Steve Penley, Untitled (Floral Still Life)Robert Goodnough, Clusters on Yellow, 1975 - 1976Peter Opheim, Untitled, 1999Peter Opheim, Untitled, 1998Burton Quincy Phillips, Pink Capriccio, 1973Joe Andoe, Untitled (Strawberry Branch), 1988Quang Ho, Slumber, 2011Kathleen Morris, Life as a Snake, 2009Wesley Rusnell, Study in White and Red #4, 1961Tom Rierden, Untitled (Two Figures Commuting)Ed Larson, Busted (in Denver), 2010Keith Sanzenbach, Three Soldiers, 1955William Sharp, Untitled (Men at Work), ca. 1945Stuart Shedletsky, We are Bound to Protect Each Other, 1981Robert Kelly, , each: 10 x 7 3/4 in. (25.4 x 19.7 cm.), frame: 14 5/8 x 12 3/8 x 1 1/2 in. (37.1 xCecil Touchon, Pair of Works, 1995Enrique Echeverria, Alic, 1970Oli Sihvonen, Vertical LeafJeffrey Owen Brosk, A Peruvian Journey, 1998Dirk de Bruycker, Salto Rojo I, 2005Dirk de Bruycker, Drifter, 2004Dirk de Bruycker, Pulse I (Small), 2003Dirk de Bruycker, Pulse IV (Small), 2003John Christopherson, Ring Round the Moon, 1959Mirko Basaldella, Untitled, 1956Adeine de La Noe, Untitled, 1958Susan Sales, How Long, 1999Susan Sales, Visual Authorities No. 1, 1999Tony Magar, UntitledLilly R. Fenichel, Untitled, ca. 1995Tom Kirby, Tetsuqaku 2 (Philosophy), 2005Armond Lara, Transformation IV, 2004Jane Martin, The Asking Place II, 2000Mason Wells, Good Friday, ca. 1960Mason Wells, Red Hill #2, ca. 1961Eduardo Guelfenbein, HideJanet Lippincott, Untitled (Green Abstraction)Thierry Feuz, Technicolor Stratus (Indiana), 2006Eduardo Guelfenbein, FulfillmentLeonardo Drew, UntitledDonald Moffett, Lot 040101, 2001Tom Joyce, Penumbra III + Penumbra IV, 2005Gina Brook Knee, Untitled (Spanish Abstract), ca. 1950Gina Brook Knee, Untitled, ca. 1947Howard Behling Schleeter, Variations on a Pictograph, 1951Ron Rovner, Night Music Series, 2011James Pinkney Havard, Northwest Swell, 1980James Pinkney Havard, Apache Mask, 1987Rhett Lynch, NorthTheodore Waddell, Musselshell Blackbird, 1995Ed Musante, Rabbit, 1997Robin Napaljarri Daniels, Time Together (Triptych)Arlene LaDell Hayes, Corn DancerRobert Donald Ray, Taos Dawn IIIXi Zhang, Horse, Dragonfly & Ant, 2008Paul Pascarella, Untitled, 2010Addison Doty, Group of Three Prints: Christine Nofchissey McHorse ceramic sculptures, 2013Ronald Wendell Davis, Blue Banded Ball, 2013Holly Roberts, Woman with White Horse, 1991Guillermo Kuitca, 1961, Santa Fe Opera, 2018, digital print, image: 28 x 34 in. (71.1 x 86.4 cm.),Michal Rovner, One Person Game Against Nature I #30B, 1992Nic Nicosia, Untitled #11, 2007Paul Caponigro, Spiral Stairway, San Francisco, 1953Paul Caponigro, Stonehenge, 1967Aaron Siskind, Chicago (85), 1952Jed Fielding, Rome #28, 1991Lynn Davis, Untitled (Vertical Composition)Lynn Davis, UntitledLynn Davis, Untitled (Stone Geometry)Rusty Scruby, All I See is Gray, 2011John Pfahl, Six Oranges, Delaware Park, Buffalo NY, 1977John Pfahl, 2 Balanced Rock Drive, Springdale, Utah, 1980John Pfahl, Navajo Generating Station (Morning), Lake Powell, Arizona, 1984John Pfahl, Great Salt Lake Angles, 1977John Pfahl, Moonrise over Pie Pan, Capital Reef National Park, Utah, 1977Richard Misrach, Shiprock Triptych, 1987Ansel Adams, Pueblo Laguna, New Mexico, 1928Edward Weston, Aspen Valley, New Mexico, 1937 / ca.1953Edward Weston, New Mexico: Santa Fe-Albuquerque Highway, 1937 / ca. 1953 - 1954Edward Weston, Interior, Old Adobe, New Mexico, 1937 / ca. 1953 - 1954Beaumont Newhall, Weston's Kitchen, 1940Ernest Knee, Church, La Manga, New Mexico, 1941Ernest Knee, Agua Fria Storm, 1938 / 1982William Frej, St. Francis of Assisi Church, Rancho de Taos, New Mexico, 2005William Davis, The Great Air Show, Taos, NM, 1987Jody Forster, Shiprock, New Mexico, 1979 / 1986Myron Wood, Sheep, Storm: South Park, Colorado, 1967 / 1991Ray Belcher, Path, Lightning Galisteo, 1983 / 2002Thomas Demand, Grotesques 32 and 53, 2006 (Diptych)Eliot Porter, Shad Tree in Bloom, 1968William Eugene Smith, Fruit PickersMyron Wood, Miss O'Keeffe Standing, Abiquiu, New Mexico, 1980Eddie Dayan, The Virtual Tourist #1, 2001Eddie Dayan, A Brief History of Time, 2001Various Artists, The Journal of Contemporary Photography, Volume I: Transcendent Vision ? DeluxeLalla Essaydi, Les Femmes du Maroc, Harem Beauty (No. 27), 2006Walter Chappell, Tassajara (from the Solar Portfolio, 1963 - 1977)Bob Saltzman, Untitled (Figure Study)Henry B. Robertson, Charis Wilson Weston, ca. 1941-42Aaron Siskind, Vera Cruz #118, 1981Walter Chappell, Kim with SkullWalter Chappell, Nude (from the Solar Portfolio), 1963 - 1977Douglas Keats, Marienna NudeMichael Eastman, Red Bathroom (from the Havana, Cuba Series), 2002Cara Romero, Chemehuevi b. 1977, TY, archival pigment print on Legacy Platine paper, edition 11 ofPablo Soria, Un Grado de VerdadLuis González Palma, El Mago, 1995Luis González Palma, Silencio de Dios, 1994Luis González Palma, Flor de Papal, 1993Luis González Palma, Sin Titulo, 1998Luis González Palma, Bodyguard No. 5, 2008Luis González Palma, Bodyguard No. 8, 2008Arnold Newman, Enrique Pla y Deniel, Cardinal Primate of Spain, Toledo, 1964Paul Caponigro, Shinto Shrine, Izumo-Tai, Japan, 1976Paul Caponigro, Polaroid Annual Greeting Card (4 photographs)Lee Friedlander, Chrysanthemums, Luxembourg Gardens, Paris, 1972Tom Chambers, Impending Storm, 2008Robb Kendrick, Twenty-First Century Cowboys: The Palladium Portfolio & Their Voices, 2008Kurt Markus, Big Springs Ranch, Bruneau, Idaho, 1982Chuck Henningsen, PictographsJohn Pfahl, Australian Pines, Fort DeSoto, FL, 1977Otto Roach, Indian Family, Monument Valley Arizona, 1950 / 1987John K. Hillers, Ruins in Mummy Cave, Canon del Muerte, Arizona, ca. 1873John K. Hillers, Pueblo de San Ildefonso, N.M., ca. 1880William Henry Jackson + Isaiah West Taber, Double-Sided Print: Pueblo of Taos, ca. 1881 + ArizonaWilliam Henry Jackson, Pueblo Indian and Burro, ca. 1880Baker & Johnston, Painting Horse and Sister (with unidentified man), ca. 1880Ben Wittick, Anselino and Pedro, Navajos, ca. 1883George W. Scott + A. Frank Randall, Two Photographs: Hunkpapa Lakota Chief Rain in the Face +William R. Cross, White Bull (Minneconjou Lakota), ca. 1885George W. Scott, Hunkpapa Lakota Chief GallEdward S. Curtis, Two Whistles - Apsaroke, 1908Frank A. Rinehart, Chief Little Wound - Ogalala Sioux, 1899Carl Everton Moon, Festival Day, ca. 1900Unknown Artist, Untitled (Pair of Native American Portraits)Gertrude Käsebier, The Red Man, ca. 1900After T. Harmon Parkhurst, Kiva, San Ildefonso Pueblo, ca. 1935, printed laterLaura Gilpin, At the Fire Dance at Lukachukai, 1932Laura Gilpin, Tesuque Deer Dance, 1949Ernest Knee, Lopez Family, Cordova, New Mexico, 1934Meridel Rubenstein, Untitled, 1981William Frej, Young Catrina, Diá de los Muertos, Oaxaca, Mexico, 2014William Frej, Childrens' Parade, Diá de los Muertos, Oaxaca, Mexico, 2013William Frej, Diá de los Muertos, Oaxaca, Mexico, 2013William Frej, Dia de los Muertos, Oaxaca, Mexico, 2014William Frej, Antigua, Guatemala, Semana Santa, 2017Margaret Bourke-White, Czechoslovakia, 1937 / 1938Sally Mann, Sally Mann: Photographs and Poems, ca. 1979 / 2005Eikoh Hosoe, 21st Editions, Eikoh Hosoe Flowers of Evil (Les Fleurs du Mal) ? Deluxe Platinum SeriesMax Aguilera Hellweg, La Frontera Sin Sonrisa: Portfolio of PhotographsAlfred Stieglitz, Camera Work Issue #7, 1904Helen Levitt, Mexico, 1941Bernard Plossu, Mexico, 1981Bernard Plossu, UntitledWilliam Frej, Rituals of the Cora: Holy Week in the Sierra del Nayarit, Mexico, 2019Manuello Paganelli, Cuzco, Peru, 2019Raúl Corrales, Beauty Rest, 1959Manuel Carrillo, Mexican 1906 - 1989, Pair of Prints, gelatin silver, 11 3/4 x 8 3/4 in. (29.8 xJed Fielding, Naples #931, 1994Jed Fielding, Naples #620, 1995Jed Fielding, Mexico City #675, 2003Jed Fielding, Mexico City #303, 2005Ted Kuykendall, Untitled, 1995Ted Kuykendall, Self Portrait, 1987Dan Budnik, Georgia O'Keeffe After Supper, Ghost Ranch, 1975Will Connell, Gustave Baumann, Santa Fe, New Mexico, 1932Unknown Artist, Fritz Scholder with PaintingBernard Plossu, Paris, 1977 / 1983Matt Bond, Evening - Death Valley, 2001William Davis, Dixon Bar (L. Gonzalez), Taos, NM, 1990Ray Belcher, Last LightKlaus Priebe, Santa Fe StormKlaus Priebe, Santaurio de ChimayoSteven A. Jackson, Leonora Curtin Wetland Preserve, NM, 2008Steven A. Jackson, Red Rock Crossing, Sedona, AZ, 2007Ray Belcher, Path, Lightning: Galisteo, 1983William Davis, Chama Bedroom, Taos, NM, 1987Dan Budnik, Georgia O'Keeffe With River Stone, Ghost Ranch, 1975NASA, Earth Seen from Apollo 8, 1968

Thank you for using EstateSales.NET. You're the best!