CONTEMPORARY ART, DESIGN + PHOTOGRAPHY

online only auction | 1 day sale | 6 days away
Location
Santa Fe, NM 87505
Dates

Sale Starts

Tue
Sep 15
9:30am

Sale Ends

Tue
Sep 15

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
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Santa Fe Art Auction

Description & Details

Santa Fe Art Auction's Contemporary Art, Design, + Photography sale will be held this year on September 15th. Highlighting several leading artists of the 20th and 21st centuries, the auction spans a wide variety of contemporary art movements, ranging from experimental print and photography to original paintings, works on paper, sculpture, and design.
Hilaire Hiler, Indian with Bow in Fox Costume (aka Manitou), 1934Françoise Gilot, Circus Acrobats, 1975Dale Patrick Chihuly, Print ICharles Porter Mattox, Untitled (Geometric Vortex)Victor Vasarely, Constellations, 1967Janet Lippincott, UntitledEarl W. Stroh, Quai des Orfevres, ca. 1950Earl W. Stroh, Silence I, 1981Doel Reed, Spring, 1941Andrew Wyeth, Bird in the HouseNelson Rolihlahla Mandela, The CellAndrew Dasburg, Houses and Mesas, 1978Forrest Moses, Untitled (Reflections)Forrest Moses, Untitled (Abstract Forest)Carol Anthony, Untitled, 1994Carol Anthony, Untitled, 1994William Thomas Lumpkins, Untitled (Abstract), 1996Karel Appel, Le Chat Clown (Circus Cat), 1978Karel Appel, Head Like Clouds, 1971John Axton, SeascapeJanet Lippincott, Soft Still-Life, 1988Janet Lippincott, Untitled (Blue and Ochre Abstract)Janet Lippincott, Untitled (Abstract Landscape)Clinton Adams, Untitled (Geometric Abstraction), 1958Clinton Adams, Dark Beyond, 1993Clinton Adams, Punta Bete, 1993Milford Zornes, Old Cottonwoods at Mt. Carmel, 1980Roland Peterson, San Francisco Sunset DistrictCarlos Carulo, Late LightDean Francis Hyde, Untitled (Desert Landscape)Morris Rippel, Pueblo by MoonlightAndrew Dasburg, Untitled (New Mexico Landscape with Church), 1976Andrew Dasburg, Double-Sided Painting: Untitled (Abstract Forms) + Still LifeWilliam Thomas Lumpkins, Untitled (Abstract Landscape), 1990Alfred Gwynne Morang, Untitled (Figurative Abstract), 1947Alfred Gwynne Morang, Untitled (Landscape Abstract), 1952Emil James Bisttram, Untitled, 1941Mauricio L. Lasansky, Oriental Image, 1969Sam Francis, Coral Lyre Nine, 1972Raymond Jonson, Polymer No. 35, 1962Raymond Jonson, A-Print, 1965Josef Albers, I-S'e, 1970Leonardo Drew, UntitledCharles Gaines, Circles and X's, 1975Hiroyuki Doi, UntitledCharles Arnoldi, Untitled 90.MP.29, 1990Guillermo Kuitca, Santa Fe Opera, 2018Larry Stuart Bell, UntitledHoward Behling Schleeter, Man in the Moon, 1962Rolph Scarlett, UntitledRolph Scarlett, AbstractionPeter Max, The Heart ISandu Darie, UntitledAlberto Valdés, Abstract (Cross Form), 1985Rufino Tamayo, Hombre en la Ventana, 1980Rufino Tamayo, Paisaje con Luna (Landscape with Moon), 1977Rufino Tamayo, Protesta, 1983Rufino Tamayo, Figura de Pie, 1977Rufino Tamayo, LangostaRufino Tamayo, Cabeza en Violeta (Head in Violet)Francisco Toledo, Untitled (Aquatic Abstraction)Francisco Toledo, UntitledFrancisco Toledo, Untitled (Two Horses)Pedro Friedeberg, Hágalo y DiviértasePedro Friedeberg, Tarot NewsPedro Friedeberg, Codice MiguelitoPedro Friedeberg, Codice Miguelito IIJimmy Ernst, Two Serigraphs: Plate V + Red Signal, 1970Louise Lawler, Why Pictures Now, 1981 / 2013John Kacere, Untitled (Apple Abstract), 1964John Kacere, Untitled (Standing Female Figure), 1966Gary Mauro, Untitled (Figurative Abstract), 2020Pascal Piermé, Untitled, 2012Tom Levine, Abstract 10, 1990J. Steven Manolis, Dance of the Sugar Plums, 2015Forrest Moses, Two Iris MonotypesLigia Bouton, The Adventures of William Morris Man: William Morris Man vs. Owen Jones 1James Drake, Untitled (Figure Studies), 2011Armond Lara, Sumo WrestlerJanet Lippincott, Figure StudyFord Ruthling, Anatomy of the BodyCarlos Carulo, Dove with Minotaur, 2007Mark Spencer, Study for Blue Moon Escape, 1993Janet Lippincott, Still Life with VegetablesJanet Lippincott, US NavyJanet Lippincott, Untitled (Sunflowers)Carol Anthony, One Pear, 1994Carol Anthony, Twin Pear Homage, 1998Carol Anthony, Piñon Storm FieldCarole Laroche, Untitled (Three Ravens), 1998Anstis Lundy, Hawk Feather, 1992Anstis Lundy, Still Life with Lily, 1994Anstis Lundy, Red Pepper on Mexican Pot, 1995Anstis Lundy, Red Lillies, Feather, 1995Keith Lindberg, Still Life with FlowersRamona Sakiestewa, Banded Textile (from the Katsina Series), ca. 1990Rebecca Bluestone, Untitled No. 40, 2000Democratic Republic of the Congo, Group of Four TextilesDemocratic Republic of the Congo, Group of Three TextilesJohn Geldersma, Spirit PolesOrla Mølgaard-Nielsen + Peter Hvidt, Set of Six “Pinwheel?? Side Tables, ca. 1953Ernst Barlach, Wooden Figurative LampLeon Rosen for Pace, Drum Shaped Side Table + Triangular Marble Side Table, ca. 1970Will Clift, Four Pieces, Up, Over and Down, 2006Jeremy Thomas, Purple International, 2008Tony Lee, Vision, 2004Stacey Neff, Etude X1, 2009Helen Stanley, The Shock of it All, 1993Laurie Burns, Untitled (Glass Abstractions)Laurie Burns, Untitled (Three-Panel Glass Abstraction)Laurie Burns, Untitled (Glass Abstractions)Ronald Davis, Upright Dodecagon VIII, 2012Carlos Carulo, UntitledCarlos Carulo, UntitledJohn Garrett, Untitled (Installation), 2002Tim Prythero, Dairy Queen, 2017Pascal Piermé, Red Motion 16, 2006Pascal Piermé, Griserie 5 (Diptych), 2007Pascal Piermé, Geobody on Me 6, 2021Constance DeJong, Square III, 1992Betty Gold, Untitled, ca. 1990 - 1999Betty Gold, Holistic-93, 1993Florence Miller Pierce, PetroglyphsPeter Anthony Chinni, Study #1, 1965James Rosati, UntitledSteve Currie, Probe, 1989Donald Moffett, The Alliance (Triptych)David Nash, Beech Sheaves, 1990John Connell, Untitled (Figure with Plant and Raven), ca. 1985Nam June Paik, A Work For Radio, 1988Josef Felix Müller, The Head Carrier (Kopftrager), 1987Nguyen Tuan, Prelude to a Kiss, 2003Nguyen Tuan, Synergy, 2009Nguyen Tuan, The Kiss, 2002Cabot Lyford, Untitled (Cat Sleeping), 1982Robert Larum, Grizzly Bear, 2007Wah Ming Chang, Horse II, 1996Gib Singleton, Migrant WorkersGib Singleton, MaestroGib Singleton, Eve, 1987Gib Singleton, Olympian, 2008 / 2007Gib Singleton, Grace in a Cup, 1980 / 2005David Pearson, Standing Female FigureJohn McCormick, October Morning, 2000John McCormick, Indian Summer #3, 1999Wade Hoefer, Summi-Saxa, 2000Angelina Gualdoni, All of This is Present Here, 2005Angelina Gualdoni, Gateway - Front, 2004Olaf Quantius, Untitled (Orten 2), 2007Robert Kelly, Santuario II, 1990Dan Namingha, Shalako, 1986Douglas C. Bloom, Museum Lovers, 2005Oskar Fischinger, Untitled, 1940Scott Fraser, Golden Mean in Red II, ca. 2000Sarah McKenzie, Exhibition Space (Whitney Museum with Laura Owens, 2018), 2020Sarah McKenzie, Well, 2013Sarah McKenzie, Threshold (from the Construction Series), 2010Daniel Sprick, Doorway and Mop, 1993Daniel Sprick, Thinking of Flying, 1993-94Robert Vickrey, Hovering ShadowsPaul Jacobsen, View (with Albert Bierstadt), 2023Regin lgloria, Pair of Works: Contrails (Daytime Misalignment) + Lights (Evening Alignment), 2001Peter Rogers, Moonlight, 1975Peter Rogers, Sunrise, 1978Peter Rogers, Praying Couple, 1975Léopold Survage, Untitled (Bird and Fish), 1927Guillermo Meza, Canyon by Day / Canyon by Night, 1940Andrei Kiroesku, Fall of Red Leaves, 1998Andrei Kiroesku, Winter Fun (Church Hayride), 1996Allison Stewart, After ThawBruce Carlton Nowlin, Ravens over Suzy QBruce Carlton Nowlin, Suzy Q - DuskChuck Forsman, Beast, 2004Walt Johnston, Untitled (Farm Scene with Dog)Walt Johnson, Untitled (Farm on a Hill), 1985David Knowlton, House on Highway 88, 2005John Axton, Untitled (Oceanscape)Kent Lovelace, BallyglanKent Lovelace, CadanetPaul Dyck, Driftwood and a BirdColleen Browning, Sleeping GirlLynne Loshbaugh, Sweet Melon Heart, 1995Carole Laroche, Untitled (Portrait with Figures), 1999Devin Peters, Graphitum Renascentia, 2015-26William Quigley, Ali Painting #5, 2005Flavio Cabral, Seated FigureFlavio Cabral, Face, 1951Malcolm Rains, Still Life with Squash and Russet ApplesKaren Kitchel, Big Bunch #2 (The Coming of Spring), 2006Beatrice Mandelman, Untitled (Still Life with Fruit)Flor Garduño, Untitled (Squash), 1989Wade Hoefer, Pomarius V, 2000Wade Hoefer, Pomarius VI, 2000Alexandra Eldridge, A Bird with a MessageAlexandra Eldridge, The Look of Love AlarmsScott Fraser, Untitled (Still Life)Ethelinda, BreakawayJ.E. Knauf, Coming to Town, 2001Barbara Summers Edwards, BarefootMaura Allen, Azure, 2014Veloy Joseph Vigil, Like Honey, 1982Alfred Gwynne Morang, Untitled (Two Figures), 1947Charles C. Stewart, Two Paintings: Bean Dancers, 1961David Chethlahe Paladin, Pointing At, 1984David Chethlahe Paladin, Song for Aluba, 1979David Chethlahe Paladin, Robust CircleDavid Chethlahe Paladin, Yellow Triangle Reincarnating as a Russian Folk Song, 1978David Chethlahe Paladin, Small Hometown Revisited, 1977Beatrice Mandelman, Moon Time, 1982Beatrice Mandelman, Blue Time, 1953Beulah Stevenson, Thunder in the Canyon - Santa FeFlavio Cabral, Crescent MoonFlavio Cabral, VasesJanet Lippincott, Landscape, 1965Janet Lippincott, Landscape 6Sydney Guberman, Untitled (Abstract in Yellow and Gray), ca. 1970Jamie Chase, ParallelsSam Scott, Cottonwoods and Clouds Along the San Pedro, 1989Dorothy Alden Morang, Cathedral #4, 1963Paul Dyck, StructureLeonardo M. Nierman, UntitledLawrence Lee, Oil Space Station with EclipseBill Worrell et al, Suite of Three Jewelry Items: Pin + Choker + BraceletWilliam Spratling, Sterling Silver Scroll BraceletCasa Maya, Copper and Enamel Jewelry Set: Earrings + Necklace + Belt + PendantBradford Washburn, Bradford Washburn: Photographing in High Places, 2005Michael Eastman, Red Bathroom (from the Havana, Cuba Series), 2002William Wegman, Farm Days, 1996Nic Nicosia, Untitled #11, 2007John Paul Caponigro, Antarctica XXI, 2014John Wawrzonek, Meadow Just After Sunset, ca. 1983Lynn Davis, b. 1944, Untitled (Vertical Composition), 1979Lynn Davis, b. 1944, Untitled, 1979Barbara Morgan, Wild Bee Honeycomb Skyscraper, 1973Tom Millea, Portfolio One, 1973 - 1975Jack Shear, Untitled (Male and Female Nude Study)Andy Geiger, Untitled (Nude)Felix Martin, Untitled (Nude), 2015Santiago Porter, Administración, 2007Santiago Porter, De la Serie Piezas #21, 2004Deborah Dewitt Marchant, The Lady or the TigerGeorge Tice, Interior, W. Milton Ave, Rahway, NJ, 1973George Tice, Clothesline, Northport, Maine, 1971José Manuel Fors, Hojarasca, 1983Joe Goode, Jose's Travels, Photograph 47 (Cuba), 2013Osvaldo Salas Freire, Fidel Speaking at Rally, 1960Raúl Corrales, Los Sombreritos, 1960Norman Mauskopf, El Rito, New Mexico, 2004Grant La Farge, Guarde Distancia..., 1991Grant La Farge, Se Vende..., 1985Grant La Farge, Si Dios Quiere Volvere Porque los Envidiosos Lloran por Mi, 1984William Frej, Rituals of the Cora: Holy Week in the Sierra del Nayarit, Mexico, 2019William Frej, La Llorona, The Crying Woman, San Agustin Etla, Mexico, 2014William Frej, Dios de los Muertos, Oaxaca, Mexico, 2013William Frej, The Walking Dead, San Augustin Etla, Mexico, 2013William Frej, Rituals of the Cora: Holy Week in the Sierra del Nayarit, Mexico, 2019William Frej, Dance of the Devil, San Augustin Etla, Mexico, 2013William Frej, Xoxocotlan Cemetery, Oaxaca, Mexico, 2013William Frej, Rituals of the Cora: Holy Week in the Sierra del Nayarit, Mexico, 2019William Frej, Pan de Muertos, Oaxaca, Mexico, 2013Jed Fielding, Oaxaca #270, 1987Jed Fielding, Naples #77, 1992Jed Fielding, Naples #737, 1995Jed Fielding, Merida #558, 1986Jed Fielding, Vieste #44, 1991Jed Fielding, Naples #256, 1995Jed Fielding, Naples #954, 1978Jed Fielding, Mexico City #5, 2005René Peña, Hand, 2001Miguel A. Gandert, Fiesta de Nuestra Señora de Guadalupe, Juares, Mexico, 1995Paul Strand, Boy, Uruapan, Michoacán, Mexico, 1933 / 1967Manuel Carrillo, Untitled (Woman and Children)John Running, b. 1939, CO Bar Ranch, AZ, 1978Rondal Partridge, Dorothea Lange and the Ziess Jewell Camera, 1937 / 2002Anne Noggle, Myself as a Pilot, 1982Anne Noggle, It is I, it is He, it is She (Homage to Van Deren Coke), 1986Enrique Segarra, El Artista (The Artist), A Portrait of Diego Rivera, 1945Arnold Newman, Georgia O’Keeffe, Ghost Ranch, 1968 / 1974Myron Wood, Portrait of Georgia O'Keeffe, Abiquiu, New Mexico, 1980Jack Shear, William Burroughs, 1981Georges Viollon, My Eye Glasses, ca. 1955Cara Romero, AbigailLuis González Palma, El Rey (The King), 1989Luis González Palma, Un Lugar Sin Reposo (A Place Without Rest), 1991Luis González Palma, Miserera (Miserable), 1996Luis González Palma, Crown II, ca. 1990Luis Gonzalez Palma, Bodyguard No. 1, 2008Luis Gonzalez Palma, Bodyguard No. 4, 2008David Michael Kennedy, Encampment, Porcupine, South Dakota, 1991David Michael Kennedy, Waiting for White BearDavid Michael Kennedy, Lakota Omaha DancerDavid Michael Kennedy, Lakota Warrior Dancer #1Edward S. Curtis, Self-Portrait, 1899Edward S. Curtis, At the Old Well of Acoma, 1904Edward S. Curtis, Iahla (“Willow??) - Taos, 1905Edward S. Curtis, Old Person - Piegan, 1911Edward S. Curtis, Lawyer- Nez Percé, 1905Edward S. Curtis, Bread - Apsaroke, 1908Edward S. Curtis, Double Runner - Piegan, 1911Edward S. Curtis, Crow Eagle - Piegan, 1900Edward S. Curtis, Gambler - Piegan, 1900Edward S. Curtis, Coups Well-Known - ApsarokeEdward S. Curtis, Nespilim Girl, 1903Edward S. Curtis, An Idle Hour - Piegan, 1910Edward S. Curtis, Assiniboin Hunter, 1928Edward S. Curtis, Group of Three: Four Horns - Arikara, 1908 + List of Large Plates + OriginalEdward S. Curtis, Group of Ten Great Plains Photogravures + List of Large Plates + OriginalUnknown Artist, Pair of Native American PortraitsErnest Knee, San José Church, Hernandez, N.M.Ernest Knee, Tecolote, N.M., 1941Ernest Knee, Church, La Manga, NM, 1941Ernest Knee, Monument Valley, Utah, 1940Russell Dodd, Adobe Storm, Las Trampas, NM, 1972Paul Caponigro, Graveyard, Acoma Pueblo, New Mexico, ca. 1976Ansel Adams, Redwoods, Bull Creek Flat, Northern California, 1960Hal Gould, Little House on the Prairie, 1958 / 1998John K. Hillers, Mukuntuweap Valley, Zion Canyon, Utah, 1872William Henry Jackson, The Royal Gorge, Grand Canyon of the ArkansasJon Goodman, Silver Grotto, Grand Canyon, 2004Christopher Burkett, Yellow Maple Forest and Light, Virginia, 1991Brenda Corbin, Lake MacDonald, 1994Huntington Witherill, Great Sand Dunes National Monument, CO, 1975 / 2007Myron Wood, Sheep Storm, South Park, CO, 1967 / 1992Kurt Markus, Namibia, Africa, 2008David Allan Burnett, Lang Vei, Republic of Vietnam, 1971Ronald Wohlauer, Two Photographs: California Highway One, Big Sur, 1973 + Untitled (Snowscape), 1975Peter Henry Emerson, The River Bure at Coltis Hall, An Autumn MorningLeopold Hugo, Pair of Photographs: Trees, ca. 1925Leopold Hugo, Pair of Photographs, ca. 1925: Trees + Untitled (Tree-lined Road)Leopold Hugo, Pair of Photographs: Windswept Trees, ca. 1925Samuel Bourne, Group of Seventeen: Portrait, Buildings, & Landscapes of India, ca. 1860Samuel Bourne, Group of Eighteen: Portrait, Buildings, & Landscapes of India, ca. 1860Alfred Eisenstaedt, Molyneux Model, Paris (Model Looking in a Mirror), 1934 / 1993Joaquín Blez, Untitled, 1930Laura Gilpin, Moulin Rouge Production, Central City Opera House, CO, ca. 1935Edouard-Denis Baldus, Abbeville St. Wolfram (Porte), 1855Eugene Atget, Tuileries - Jardin de Robespierre, 1912Louis-Auguste + Auguste-Rosalie Bisson (Bisson Fréres), Pre Catalan Bois de Boulogne Theatre desattributed to [Louis Crette], Vallon de Magnon, Nice, France, ca. 1855Unknown Artist, Asila National de Vincennes (St- Maurice), 1856Margaret Bourke-White, Czechoslovakia, 1937 / 1938Gertrude Käsebier, Study, ca. 1905Various Artists, Group of Five Pictorialist Portraits of WomenPiet Zwart, Group of Five Industrial Photographs, ca. 1929Various Artists, Group of Four Pictorialist WorksRichard Tepe, Group of Seven Photographs: Florals, Landscapes, & Still-lifeRichard Tepe, Group of Six Photographs: Florals & LandscapeRichard Tepe, Group of Seven Photographs: Florals & Landscape

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