Printed & Manuscript African Americana

online only auction | 1 day sale | sale is over
Location
New York, NY 10010
Dates

Sale Starts

Thu
Mar 20
10:30am

Sale Ends

Thu
Mar 20

Terms & Conditions

CONDITIONS OF SALE
The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by
Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED
WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms
and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, b y written or
telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.
1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN
THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER
SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH
RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS
OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS,
CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE
CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR
ANY ASSUMPTION OF RESPONSIBILITY.
2. All bids are to be per lot as numbered in the catalogue.
3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF
MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR
REPRODUCTION RIGHTS THERETO.
4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and
(b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.
5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the
original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled
to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation,
no purchaser shall be entitled to damages of any kind.
6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the
auctioneer shall have the absolute discretion either to determine the successful bidder or to re -offer and resell the lot in dispute. If
any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other
respects.
7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 25% of the final bid on each lot up
to and including $100,000; 20% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the
portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may
be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction.
8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who
thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purc hase
therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions
or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor
by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a)
cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publi cly or
privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies
plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges
due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever
is lower) on any amounts unpaid.
9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so
removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to
a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase
price.
10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect)
of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next
to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the
Consignor bid upon or buy back his property.
11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without
validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.
12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit
to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.
13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or
any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of
Swann) shall be effective unless it is in writing and signed by a representative of Swann.
14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING
OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.
LIMITED WARRANTY
We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.
1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written
notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the
authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)
2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of
thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and
illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance.
This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not
affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves,
cancels or subsequently published volumes.
3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is,"
"sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are
sold as is and therefore not covered by these warranties.
4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are
conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.
5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase
price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available
to the buyer as a matter of law.
(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless
the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable
to Swann and the buyer, that a lot or portion thereof is not authentic.
ADVICE TO PROSPECTIVE BIDDERS
1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY
PRINTED IN THE CATALOGUE.
2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are
available to advise prospective bidders at all pre-sale exhibitions and by appointment.
3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as
defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.
4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase
price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption
therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing
possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another
locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also
be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements
are satisfied.
5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000;
$2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.
6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot
will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann
may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive
or consecutive bids for a lot in response to other bidders.
7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A
bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are
exclusive of the buyer's premium, and may be revised at any time prior to the auction.
8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an
agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.
9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room.
Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out
instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet
found at the end of the catalogue and in accordance with the instructions on the bid sheet.
10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business
day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.
11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing,
postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof.
Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.
12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The
Prices Realized is also available at Swann and will be mailed upon request.
13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for
payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25%
of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.
14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books,
manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not
such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF PRINTS,
DRAWINGS, PAINTINGS, WATERCOLORS, SCULPTURES, AND MULTIPLES
GENERAL:
Dimensions are given in millimeters and inches, with height preceding width in both cases. Dimensions for prints are measured to
the outside edges of the plate mark (for intaglio) or image (for planographic and relief); dimensions for drawings and other works
are measured to the outside edges of the support (paper, canvas, etc.) For prints, if the margins are known or believed to be full this
is stated.
References are cited using the author?s surname and corresponding catalogue page number(s) or catalogue raisonne number at th e
end of each catalogue entry, preceding the estimate.
Whenever possible framed works are sold in the frames in which they have been received. However, we take no responsibility for
frames.
Be advised that pursuant to paragraph 1(b) of the Limited Warranty, Swann does not warrant the condition of prints, drawings or
watercolors unless specifically stated in the catalogue description. We attempt to characterize quality and gross defects in condition
whenever possible as an aid to prospective bidders, but clients should satisfy themselves prior to the sale as to the condition of each
lot and should exercise and rely on their own judgment as to whether the lot accords with its description. More detailed condition
reports are available upon request.
Illustrations in the catalogue are for identification only and should not be used as a basis for determining the condition of the lot.
FOR UNIQUE WORKS, SUCH AS DRAWINGS AND WATERCOLORS:
Authorship for each lot is indicated using the following descriptions:
Guido Reni: In our opinion, a work by the artist. (When the artist?s forename(s) is not known, a series of asterisks, followed by
the surname of the artist indicates that in our opinion the work is by the artist named.)
Guido Reni (attributed to): In our opinion, probably a work by the artist but less certainty as to authorship is expressed than in the
preceding category.
Guido Reni (studio of): In our opinion, a work by an unknown hand in the studio of the artist which may or may not have been
executed under the direction of the artist.
Guido Reni (circle of): In our opinion, a work by an unknown hand closely associated with the named artist but not necessarily his
student.
Guido Reni (style of) or (follower of): In our opinion, a work by an unknown, nearly contemporary or contemporary hand working
in the artist?s style but not necessarily his student.
Guido Reni (manner of): In our opinion, a work in the style of the artist and of a later date.
Guido Reni (after): In our opinion, a copy of a work of the artist.
FOR PRINTS AND MULTIPLES:
If there is a generally accepted title for the print, that title is given at the beginning of the lot description following the artist?s name.
The primary medium is identified following the title. The terms used are intended only as a general description and may not include
all the techniques employed by the artist.
Dates used in the catalogue entries refer to execution of the ?master? or printing matrix. For prints made after 1949, it will be stated
if the impression was pulled later than the execution of the master or matrix; for prints made prior to 1949, the impression may or
may not be of a date contemporaneous with the execution of the master or matrix.
The term ?signed? means that, in our opinion, the signature is by the artist and was made more or less contempora neously with the
creation of the print.
Whenever possible, we attempt to indicate the state of a print and will usually rely on information found in the relevant cat alogue
raisonne to determine this information.
For modern and contemporary prints, and for early prints when the data are available, every reasonable effort is made to identify
relevant information concerning the extent of the edition. If the print is described as an ?artist?s proof? or an ?hors commerce?
impression, the size of the regular edition is usually provided.
In most cases, we describe the quality of the impression of the print, ranging in descending order from ?brilliant? and ?supe rb? to
?very good,? ?good? and ?fair.? These descriptions are intended merely as a general guide and should not be taken as a statement
of fact, nor do they represent any description of the condition of the print.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF POSTERS
Posters, for the most part, were printed in large format on the cheapest possible paper, and with an expected life of two to three months on
billboards. They were ephemeral by definition and not intended to withstand the test of time. Therefore, in grading a poster?s condition the
standards and criteria of the print collector cannot be used. The most important element in grading a poster?s condition is its appearance as
defined by the lines, colors and overall design.
Condition in this catalogue is noted according to a rating system which has been accepted by most poster dealers. The following ratings are
used, with an appropriate + or - to indicate slightly better or worse condition:
Condition A: designates a poster much in the same state as when it was printed; the colors are fresh, there is no signifcant paper loss
or tears, but there may be some slight blemish, creases or scuffng.
Condition B: designates a poster in good condition. Some restoration (including repaired tears or slight overpainting) may ha ve been
done but it is not visibly apparent, there may be discoloration and/or fading.
Condition C: designates a poster that is showing the effects of time and/or heavy restoration. Fading and discoloration may be more
pronounced, restoration, folds, creases and flaking may be visible, and there may be paper loss or obvious restored losses.
Within these guidelines, we have done our best to describe any flaws, defects and restoration?whether apparent or not. However,
the above condition ratings are subjective. Prospective purchasers should satisfy themselves as to condition
IF YOU HAVE ANY QUESTIONS REGARDING THESE POSTERS, PLEASE FEEL FREE TO CALL FOR
ADDITIONAL INFORMATION OR FOR A CONDITION REPORT. WE ENCOURAGE YOU TO EXAMINE THE
POSTERS YOURSELF OR TO HAVE THEM EXAMINED BY YOUR REPRESENTATIVE.
ALL POSTERS ARE LINEN-BACKED UNLESS OTHERWISE INDICATED.
Swann Auction Galleries Logo

Swann Auction Galleries

Description & Details

Highlights of this March auction include material related to many of the nation?s most important civil rights leaders, including a manuscript recollection by Rosa Parks of the first time she met Dr. Martin Luther King, Jr., and a scarce printing of Dr. King?s Nobel Prize acceptance speech. A substantial Frederick Douglass section includes a photograph, several of his publications, his handsome autograph statement on voting rights, and an 1886 letter sharing the history of America?s first private school for Black girls.
(ABOLITION.) [Corydon C. Randall, photographer?] One of the last carte-de-visite portraits taken of(ABOLITION.) "Am I Not a Man and a Brother" wax seal fob.(ABOLITION.) An Abstract of the Evidence Delivered . . . for the Abolition of the Slave-Trade.(ABOLITION.) An Abstract of the Evidence Delivered . . . for the Abolition of the Slave-Trade(ABOLITION.) Maria Cowper. Letter of a wealthy English woman describing her opposition to the slave(ABOLITION.) Thomas Clarkson. History of the Rise, Progress and Accomplishment of the Abolition of(ABOLITION.) [Thomas Fisher.] The Negro's Memorial or Abolitionist's Catechism, by an Abolitionist.(ABOLITION.) David Walker. Walker's Appeal in Four Articles; Together with a Preamble, to the(ABOLITION.) Richard Allen of Dublin. Letter announcing "The cause is won!!" after the final passage(ABOLITION.) "Alas the poor Africans!": a lawyer is congratulated upon joining the defense team for(ABOLITION.) Wilson Armistead. A Tribute for the Negro, being a Vindication of the . . . Coloured(ABOLITION.) The first (and only?) issue of a colonization newspaper, "The Separationist, and(ABOLITION.) Run of the Anti-Slavery Bugle.(ABOLITION.) Turn Out! Turn Out!! No Compromise with Slavery!!!(ABOLITION.) Uncle Tom's Cabin bandanna.(ABOLITION.) John G. Whittier and Manuel Emelio. Little Eva Song: Uncle Tom's Guardian Angel.(ABOLITION.) Cabinet card portrait of the Rev. Henry Highland Garnet.(ABOLITION.) Richard D. Webb. The Life and Letters of Captain John Brown.(ABOLITION.) Early Southern printing of the preliminary Emancipation Proclamation,(ABOLITION.) Letter describing two refugee women being violently removed from a Washington Civil War(ABOLITION.) E.G. Hutchins, artist. The American Crisis of 1864.(ABOLITION.) General Granger's "Juneteenth" order,(ABOLITION--HAITI.) Vida de J. J. Dessalines, gefe de los negros de Santo Domingo.(ABOLITION--MONTSERRAT.) Compensation claim for slaves registered in Montserrat at the time of(ABOLITION--MEXICO.) Dictamen de la comision de esclavos.(AFRICA.) Alexander Crummell. The Relations and Duties of Free Colored Men in America to Africa: A(AFRICA.) Antero J. Barboza. Letter by Henry Highland Garnet's son-in-law, requesting support of the(AFRICA.) UAW Welcomes Mandela: U.S. Freedom Tour, June 1990.(ART.) Trunkload of artwork and family papers of noted painter Albert Alexander Smith.(ART.) Set of early Harmon Foundation catalogs.(ART.) Group of 5 art exhibition brochures.(ART.) Exhibition of Negro Artists of Chicago.(ART.) "Aaron Douglas Exhibition of Paintings" catalogue from Fisk University.(ART.) Dana Chandler Jr. The Black Revolutionary Family.(ART.) Romare Bearden. "Fortune: A Special Issue on Business and the Urban Crisis," a signed poster(ART.) Sister Gertrude Morgan. Her original painting and inscription in a copy of the book "God's(ART.) USA? An Afro American Artist Presentation: A Visual / Literary Experience.(ART.) Charles White. Wanted Poster Series.(ART.) Romare Bearden. The Olympics: Where Men & Women of All Nations Engage in Peaceful(ART.) Correspondence, photos and ephemera of the artist Betye Saar.(ART.) Designs and papers of Los Angeles artist Judson Powell.(ART.) Hughie Lee-Smith. A Collection of Drawings and Paintings Hosted by the Urban League Guild of(ART.) Black Artists of Rhode Island exhibition poster.(ART.) Graffiti photographs and sketchbook documenting the Philadelphia scene in the late 1990s.(BENJAMIN BANNEKER.) James McHenry. "An Account of Benjamin Banneker, a Free Negro,"(BLACK PANTHERS.) The Racist Dog Policemen Must Withdraw Immediately From Our Communities.(BLACK PANTHERS.) "The Racist Dog Policemen Must Withdraw Immediately From Our Communities."(BLACK PANTHERS.) Emory Douglas, artist. [Panther Mother and Child.](BLACK PANTHERS.) Emory Douglas, artist. Untitled print of a mother and armed child.(BLACK PANTHERS.) Emory Douglas. Untitled print of a mother with rifle slung over her shoulder.(BLACK PANTHERS.) Emory Douglas. All Power to the People [Black Panther newsboy].(BLACK PANTHERS.) Emory Douglas, artist. Afro-American Solidarity with the Oppressed People of the(BLACK PANTHERS.) [Emory Douglas, artist.] You Can Jail a Revolutionary, but You Can't Jail a(BLACK PANTHERS.) Fred Hampton is a Black Panther . . . Assassinated Dec. 4, 1969.(BLACK PANTHERS.) An Attack Against One is an Attack Against All.(BLACK PANTHERS.) "Too many people saw that those who turned the other cheek in Watts got their(BLACK PANTHERS.) Free Our Sisters, Free Ourselves.(BLACK PANTHERS.) Group of 9 press photos relating to Angela Davis, including shots with Muhammad(BLACK PANTHERS.) Johanna Vogelsang, artist. Repression Turns Protests Into Wars. . . . Conspiracy(BLACK PANTHERS.) Emory Douglas. Either / Or.(BLACK PANTHERS.) Bill Olive, artist. Happy Birthday, Huey P. Newton '69.(BLACK PANTHERS.) Photograph of the New Haven Black Panthers office.(BLACK PANTHERS.) Revolutionary Memorial Services for George Jackson: announcement and program.(BLACK PANTHERS.) Sweet Sister Courage Angela.(BLACK PANTHERS.) Richard McCrary; designer. I Am a Black Woman! / "Let's Get On the Case!"(BLACK PANTHERS.) Emory Douglas, artist. We Are the Revolutionaries.(BLACK PANTHERS.) Black Panther Community News: Bronx Brooklyn Harlem Corona Mt. Vernon.(BLACK PANTHERS.) Group of 10 different Black Panther pinback buttons.(BLACK POWER.) Black America: Keep on Pushin'.(BLACK POWER.) Kill Brother Kill . . . Stop Brothers! Learn Who You Are & Who You Really Ought To(BLACK POWER.) Program for the third annual National Black Power Conference.(BLACK POWER.) Roger Martin. Poster titled "Action."(BLACK POWER.) Poster of the Statue of Liberty giving the raised-fist Black Power salute.(BLACK POWER.) Program for a convention of the Black Christian Nationalist Movement.(BUSINESS--BANKING.) Prospectus for Chicago's Binga State Bank. (BUSINESS--BANKING.) Promotional material, stock certificates and bank book of the Black-owned New(BUSINESS--BARBERS.) Checkbook of the Crystal Barbershop of Pittsburgh, with photographs and(BUSINESS--DIRECTORIES.) Victor H. Green, editor. The Negro Travelers' Green Book.(BUSINESS--DIRECTORIES.) Directory of Negroes in Business, Monroe, Louisiana.(BUSINESS--HAIR PRODUCTS.) Keep in Style with Nu Nile.(BUSINESS--HOTELS.) It's Later Than You Think: Visit Medicine Acres, Michigan's Newest and Finest(BUSINESS--HOTELS.) Three pieces of ephemera from the business empire of Birmingham hotelier and(BUSINESS--HOTELS.) Records of Pittsburgh's Green Book-listed Ellis Hotel and Shangri-La Lounge,(BUSINESS--HOTELS.) Group of travel and hotel ephemera.(BUSINESS--INSURANCE.) 1901-1954: Fifty-Two Years of Continuous Service. The Afro-American Life(BUSINESS--LAND.) Poster for the Chowan Beach riverside resort in North Carolina.(BUSINESS--LAND.) Bethune-Volusia Beach: Year Round Resort on the Atlantic Ocean.(BUSINESS--LAND.) Film reel of "A Pictorial View of Idlewild."(BUSINESS--PUBLISHING.) Catalogue for "Personal Christmas Cards with Name Imprinted" from Color-Tone(CIVIL RIGHTS.) Programme, Third Annual Session of the National Afro-American Council.(CIVIL RIGHTS.) Equality: Dinner Given at the White House by President Roosevelt to Booker T.(CIVIL RIGHTS.) Postcard satirizing the segregated condition of the South after Reconstruction.(CIVIL RIGHTS.) Formal portrait of journalist and activist Archibald Grimké.(CIVIL RIGHTS.) The Crisis Calendar for 1921.(CIVIL RIGHTS.) Hollace Ransdell. Report on the Scottsboro, Ala. Case.(CIVIL RIGHTS.) They Shall Not Die! Stop the Legal Lynching! The Story of Scottsboro in Pictures.(CIVIL RIGHTS.) Leon A. Reid and Wiley A. Hall. Letter to a state rep from the Virginia League for(CIVIL RIGHTS.) Conference packet on "American Democracy and the Welfare of Negroes" featuring Mary(CIVIL RIGHTS.) [Rosa Parks.] Her hand-written recollection of her first meeting with Martin Luther(CIVIL RIGHTS.) "Colored" decal produced by a St. Louis manufacturer.(CIVIL RIGHTS.) Christmas card from wealthy heiress Dorothy DaPonte and her controversial foster(CIVIL RIGHTS.) 17 photographs relating to the Little Rock school integration crisis.(CIVIL RIGHTS.) Information packet and summaries of speeches from the National Student Conference on(CIVIL RIGHTS.) Join the March for Freedom! Join the NAACP Now!(CIVIL RIGHTS.) Ticket to a St. Louis "Jazz-Art Festival" fundraiser for the CORE Freedom Riders.(CIVIL RIGHTS.) [William Hudson, photographer.] Iconic photograph of police dogs attacking a(CIVIL RIGHTS.) Ernest Crichlow, artist. We Shall Overcome. Register--Vote.(CIVIL RIGHTS.) Join Hands for Equality Now . . . Join CORE.(CIVIL RIGHTS.) March for Freedom Now . . . Assemble Opposite the White House.(CIVIL RIGHTS.) Segergation [Segregation] Uncovered in Down Town Williamstown! Don't Buy!(CIVIL RIGHTS.) Group of SNCC fundraising and recruitment ephemera.(CIVIL RIGHTS.) Three photographs of Bayard Rustin while organizing the March on Washington.(CIVIL RIGHTS.) Final Plans for the March on Washington for Jobs and Freedom. Organizing Manual No.(CIVIL RIGHTS.) Large and apparently unpublished photograph of protesters at the March on(CIVIL RIGHTS.) We March for Integrated Schools Now!(CIVIL RIGHTS.) Group of 3 items from the March on Washington including Lo Monaco portfolio,(CIVIL RIGHTS.) Group of 6 press photos of John Lewis.(CIVIL RIGHTS.) 24 press photos of various marches and demonstrations across the country.(CIVIL RIGHTS.) Call for a National Campaign for a Strong Civil Rights Bill by Christmas!(CIVIL RIGHTS.) Photograph of a school desegregation confrontation on Long Island.(CIVIL RIGHTS.) You Can Help Too / Stamps for Freedom flier featuring a Danny Lyon image.(CIVIL RIGHTS.) Don't Gripe Later . . . Vote! Election Day.(CIVIL RIGHTS.) Danny Lyon; photographer. Variant version of the famous "Now!" poster.(CIVIL RIGHTS.) Danny Lyon; photographer. Now.(CIVIL RIGHTS.) Danny Lyon, photographer. Come Let Us Build a New World Together.(CIVIL RIGHTS.) Danny Lyon; photographer. Is He Protecting You?(CIVIL RIGHTS.) You've Got It . . . Use It! . . . To Vote in November, You Must Register Now!(CIVIL RIGHTS.) Mississippi Summer Project.(CIVIL RIGHTS.) James Farmer. Original telegram on the missing CORE members.(CIVIL RIGHTS.) Take Them Out to Get Them In: Protest Token Integration. Take Your Children Out of(CIVIL RIGHTS.) Just a day at the beach: 7 press photos of the St. Augustine "wade-in."(CIVIL RIGHTS.) Bobbi and Frank Cieciorka. Negroes in American History: A Freedom Primer.(CIVIL RIGHTS.) Earl Newman, artist. SNCC: Student Nonviolent Coordinating Committee(CIVIL RIGHTS.) 10 press photos of the Selma marches and protests.(CIVIL RIGHTS.) Three press photos of the Selma marchers and their nemesis Sheriff Jim Clark.(CIVIL RIGHTS.) Group of 28 press photographs of New York City demonstrations, activists, and the(CIVIL RIGHTS.) Group of 9 civil rights buttons.(CIVIL RIGHTS.) Proposed Plan of Organization and Action for the Chicago Freedom Movement.(CIVIL RIGHTS.) Ten days of local newspaper coverage of the Detroit Uprising of 1967.(CIVIL RIGHTS.) Herman "Kofi" Bailey; artist. Poor People's Campaign 1968, SCLC.(CIVIL RIGHTS.) Press release and policy statement of the Watts Labor Community Action Committee.(CIVIL RIGHTS.) Register to Vote Today . . . I Can't Vote Because I am a Dog! What's Your Excuse?(CIVIL RIGHTS.) Register Before September 16. Make Black Count. Vote on September 22.(CIVIL RIGHTS.) Black Survival.(CIVIL RIGHTS.) Whose Streets . . . Our Streets: Journal of the Black Men's Movement '88.(CIVIL RIGHTS.) Wide-ranging collection of Rosa Parks memorabilia from her personal attorney.(CIVIL RIGHTS.) Portrait of James Brown, inscribed to Rosa Parks.(CIVIL RIGHTS.) "The State of Black New York": City Wide Conference on Gentrification.(CRIME.) Admission ticket issued to witness the execution of a Missouri man convicted of murder.(CRIME.) Commutation of a death sentence for a Black Pennsylvania man who had nearly been lynched.(CRIME.) Wanted for Murder: Charles James, alias "Jelly Roll."FREDERICK DOUGLASS. The Anti-Slavery Movement: A Lecture . . . Before the Rochester Ladies'FREDERICK DOUGLASS. Eulogy, of the Late Hon. Wm. Jay . . . Delivered on the Invitation of theFREDERICK DOUGLASS. His autograph statement on voting rights for "all the people without distinction(FREDERICK DOUGLASS.) George Kendall Warren, photographer. Carte-de-visite portrait of FrederickFREDERICK DOUGLASS. Address . . . on the Twenty-First Anniversary of Emancipation in the District ofFREDERICK DOUGLASS. Letter sharing the history of Prudence Crandall and America's first privateFREDERICK DOUGLASS. Self-Made Men: Address before the Students of the Indian Industrial School,(FREDERICK DOUGLASS.) National Equal Rights League. Citizenship Foundation Day / The Call ofW.E.B. DU BOIS, editor. Very early issues of "The Crisis: A Record of the Darker Races."W.E.B. DU BOIS. Illustrated poster for his lectures.(W.E.B. DU BOIS.) Early press photo of W.E.B. Du Bois.W.E.B. DU BOIS. His signed application for a New York Public Library card.W.E.B. DU BOIS. What the Negro Has Done for the United States and Texas.(EDUCATION.) Letter announcing plans for the Philadelphia House of Refuge for Colored Children.(EDUCATION.) Booker T. Washington. Group of letters regarding the employment of a young instructor(EDUCATION.) Booker T. Washington. Up from Slavery, inscribed.(EDUCATION.) E.W.B. Curry. Addresses.(EDUCATION.) Promotional postcard for Wiley College in Texas.(EDUCATION.) Album kept by a Black student at an integrated Pittsburgh high school.(EDUCATION.) First issue of "The New Era Journal," produced by graduates of a Pennsylvania teacher's(EDUCATION.) Photograph of a Boy Scout troop in Montclair, New Jersey.(EDUCATION.) Photograph of Lewis Business College in Indiana.(EDUCATION.) John Baer, artist. Artist's rendering of the proposed Bel Air Consolidated Colored(EDUCATION.) Bridging the Gap Between Training and Employment.(EDUCATION.) Yearbook of the private Sister Clara Muhammad Elementary School, with a related(ENTERTAINMENT.) Papers of Alonzo Collins, proprietor of Washington's Club Caverns.(ENTERTAINMENT.) Collection of nightclub photos.(ENTERTAINMENT.) Program for the Tattler Fashion Show and Dance, a Christmas Eve event in Rochester.(ENTERTAINMENT.) Group of 75 social club invitations from 1930s Los Angeles.(ENTERTAINMENT.) Photographs, manuscript lyrics and other papers of Harlem entertainers Thomas(ENTERTAINMENT.) Postcard showing "A Portion of the New Midway at Tasley Fair Grounds--Looking from(ENTERTAINMENT.) 6 oversized press photos of Chicago's annual Bud Billiken parade.(ENTERTAINMENT.) Ethel Waters: signed photo from "The Member of the Wedding," Van Vechten postcard,(ENTERTAINMENT.) Josephine Baker group: early Paris program with her image inside, signed photo(ENTERTAINMENT.) Carl Van Vechten, photographer. Josephine Baker attending the "Josephine Baker Day"(ENTERTAINMENT.) Print of Paul Robeson.(ENTERTAINMENT.) Large wide-ranging group of publicity photos.(ENTERTAINMENT.) Records of the International Association of Black Owned Discos and Cabarets.(ENTERTAINMENT--DANCE.) Family photo album including two Harlem dancers: Henri Wessels and his(ENTERTAINMENT--DANCE.) Note signed by the influential modern dancer Hemsley Winfield.(ENTERTAINMENT--DANCE.) Group of 3 Katherine Dunham programs, one of them signed and inscribed.(ENTERTAINMENT--DANCE.) Group of modern dance programs.(ENTERTAINMENT--FILM.) John Ancar and Richard Pryor. Slick Willy: First Draft Screenplay.(ENTERTAINMENT--MAGIC.) Black Herman's Easy Pocket Tricks Which You Can Do.(ENTERTAINMENT--MUSIC.) Justin Holland. Holland’s Comprehensive Method for the Guitar.(ENTERTAINMENT--MUSIC.) Harry Burleigh. Manuscript of his original composition Nachtgang.(ENTERTAINMENT--MUSIC.) Songs as Sung by the Black Patti Troubadours, the Greatest Colored Show on(ENTERTAINMENT--MUSIC.) Signature of the famed opera singer Sissieretta Jones.(ENTERTAINMENT--MUSIC.) 4 letters and 2 printed pieces by classical composer R. Nathaniel Dett.(ENTERTAINMENT--MUSIC.) Photo album of jazz saxophone player Fletcher Allen's tours through Europe,(ENTERTAINMENT--MUSIC.) Pair of early "race record" catalogues, with an early compilation of blues(ENTERTAINMENT--MUSIC.) Photograph of Louis Armstrong being honored by New Orleans musicians at the(ENTERTAINMENT--MUSIC.) Poster for an early appearance of Cab Calloway and his Cotton Club(ENTERTAINMENT--MUSIC.) Collection of gospel music, photographs, and ephemera.(ENTERTAINMENT--MUSIC.) Group of promotional photographs of the influential early gospel musician(ENTERTAINMENT--MUSIC.) Pair of photographs of Alex Green and his Cotton Club Orchestra.(ENTERTAINMENT--MUSIC.) Photograph and 3 programs from Mary Cardwell Dawson, a pioneering opera(ENTERTAINMENT--MUSIC.) Papers of Pittsburgh gospel performer John Shelton III.(ENTERTAINMENT--MUSIC.) Promotional photographs of the singer Etta Moten.(ENTERTAINMENT--MUSIC.) Joe Glaser Presents the King of the Trumpet, Louis "Satchmo" Armstrong.(ENTERTAINMENT--MUSIC.) Papers of bebop drummer Kenny Clarke from his first years in France.(ENTERTAINMENT--MUSIC.) Signed note by Charlie Parker.(ENTERTAINMENT--MUSIC.) Jet Magazine poster and photograph of singer Joyce Bryant.(ENTERTAINMENT--MUSIC.) Concert & Dance . . . Top 10 Rhythm & Blues Review . . . Bo Diddley.(ENTERTAINMENT--MUSIC.) Big Rock & Roll Show . . . Creator of "Maybellene," Chuck Berry Trio.(ENTERTAINMENT--MUSIC.) Concert & Dance . . . Little Richard and His Band.(ENTERTAINMENT--MUSIC.) "Returned by Popular Demand" poster with gospel acts Nightingales, Davis(ENTERTAINMENT--MUSIC.) Chuck Berry. Signed sheet music for "School Day (Ring! Ring! Goes the(ENTERTAINMENT--MUSIC.) Group of manuscript scores for 1960s R&B stars: the Supremes, Marvin Gaye,(ENTERTAINMENT--MUSIC.) Large collection of Temptations memorabilia, including arrangements for(ENTERTAINMENT--MUSIC.) Group of 4 framed displays of Temptations / David Ruffin memorabilia,(ENTERTAINMENT--MUSIC.) Group of autographs of Duke Ellington, Cab Calloway, and Clark Terry.(ENTERTAINMENT--MUSIC.) Charlotte Coliseum . . . In Concert . . . "Natural Woman" Aretha Franklin .(ENTERTAINMENT--MUSIC.) Sex Power and Love: James Brown from Augusta, Ga., the Sex Machine.(ENTERTAINMENT--MUSIC.) M. Morton Hall Presents Nina Simone . . . Martin Luther King Day, Kennedy(ENTERTAINMENT--MUSIC.) Large group of publicity photographs of jazz vocalists and instrumentalists.(ENTERTAINMENT--MUSIC.) Group of musicians' publicity photos.(ENTERTAINMENT--MUSIC.) Large group of publicity photographs of musicians and other entertainers.(ENTERTAINMENT--THEATER.) Ira Aldridge broadside for his starring role in "The Slave," and(ENTERTAINMENT--THEATER.) Program for "Out of Bondage," featuring Sam Lucas and the Hyer sisters.(ENTERTAINMENT--THEATER.) Uncle Tom's Cabin: A Great Wrong Righted.(ENTERTAINMENT--THEATER.) Program for a performance of Bert Williams and George Walker's Abyssinia(ENTERTAINMENT--THEATER.) Playbill for a performance of Othello signed by its star, Paul Robeson.(ENTERTAINMENT--THEATER.) Program for a Boston performance of Louis Farrakhan's Orgena.(ENTERTAINMENT--THEATER.) Lorraine Hansberry autographed pre-Broadway program for A Raisin in the(ENTERTAINMENT--THEATER.) Handbill for Douglas Turner Ward’s plays Day of Absence and Happy(ENTERTAINMENT--THEATER.) The Wiz, the New Musical Version of "The Wonderful Wizard of Oz," at the(FRATERNAL.) View book of Washington's Prince Hall Masonic Temple, titled "The New Masonic Temple."MARCUS GARVEY. Signed stock certificate for 5 shares of stock in the Black Star Line,(HISTORY.) Correspondence between two titans of Black history librarianship, Arthur Schomburg and(HISTORY.) Negro Heroes: True Stories Told in Full Color.(HISTORY.) Letters from important John Brown scholar Boyd Stutler to a fellow Brown enthusiast.(MARTIN LUTHER KING.) "Marching for Equal Rights Now!" cardboard badge from the 1960 Republican(MARTIN LUTHER KING.) Program for King's lecture delivered at the University of Bridgeport.(MARTIN LUTHER KING.) 5 candid portraits of Dr. King and his family by the well-known civil rights(MARTIN LUTHER KING.) Typed notes on Dr. King's sermon on "The Dimensions of a Complete Life" at anMARTIN LUTHER KING. Detroit Council for Human Rights Presents . . . I Have a Dream, Recorded Live at(MARTIN LUTHER KING.) An Appeal to You . . . to March on Washington.(MARTIN LUTHER KING.) I Cared, I Was There: Illinois Rally for Civil Rights.MARTIN LUTHER KING. Advance press copy of his Nobel Peace Prize lecture.MARTIN LUTHER KING. After the March: An Open Letter to the American People.(MARTIN LUTHER KING.) Black is Beautiful, and It's So Beautiful to Be Black.(MARTIN LUTHER KING.) Group of 6 different Martin Luther King-related pinback buttons.(MARTIN LUTHER KING.) Group of 15 snapshots of King's funeral procession.(MARTIN LUTHER KING.) Group of 29 press photos of the King funeral.(MARTIN LUTHER KING.) I Am a Man, Memphis.MARTIN LUTHER KING. "I Have a Dream" miniature book.(LABOR.) An experiment in industrial democracy: memoranda to the "Colored House of Representatives"(LABOR.) Large collection of Pullman Porter ephemera, pamphlets, and artifacts.(LAW.) Addison Scurlock, photographer. Group photograph of the National Bar Association.(LITERATURE.) Phillis Wheatley. "To Mr. and Mrs ******* on the Death of Their Infant Son,"(LITERATURE.) Susan Paul. Memoir of James Jackson, the Attentive and Obedient Scholar, who Died in(LITERATURE.) Sutton E. Griggs. The Hindered Hand: or, The Reign of the Repressionist.(LITERATURE.) W.E.B. Du Bois. The Quest of the Silver Fleece: A Novel.(LITERATURE.) Nella Larson. Quicksand.(LITERATURE.) Langston Hughes. "Gypsy Ballads," his signed translation of Federico García(LITERATURE.) Group of Langston Hughes ephemera, including his signed postcard and letter to pianist(LITERATURE.) Gwendolyn Brooks. Maud Martha: A Novel, inscribed by Langston Hughes to Inge Hardison.(LITERATURE.) Alice Walker. "To Hell With Dying," in "The Best Short Stories by Negro Writers," with(LITERATURE.) Check List of Negro Authors Written in English and in African Dialects in the Library(LITERATURE.) Run of the quarterly Black Books Bulletin, including the first issue.(LITERATURE.) Spencer Jackson. Black Survival.(MALCOLM X.) Important collection from Alex Haley's estate, including 3 items signed or annotated by(MALCOLM X.) Robert L. Haggins, photographer. Malcolm X at the podium.(MEDICINE.) Meharry College class photographs, diploma, and state license of a Pittsburgh dentist.(MEDICINE--VETERINARY.) Papers of pioneering veterinarian Jane Hinton.(MILITARY--AMERICAN REVOLUTION.) Newspaper notice of British troops who had been granted freedom in(MILITARY--CIVIL WAR.) Rare mention of the Black Brigade of Cincinnati and other content in an Ohio(MILITARY--CIVIL WAR.) Letter by mega-slaveowner Stephen Duncan describing extensive Black(MILITARY--CIVIL WAR.) Nathaniel P. Banks. Military order organizing the Louisiana Corps d'Afrique.(MILITARY--CIVIL WAR.) Letters of a Union surgeon, discussing his "contraband" hospital cook, the(MILITARY--CIVIL WAR.) The Gallant Charge of the Fifty Fourth Massachusetts (Colored) Regiment on(MILITARY--CIVIL WAR.) P.S. Duval, lithographer. United States Soldiers at Camp "William Penn."(MILITARY--CIVIL WAR.) Muster roll of Company F, 27th United States Colored Infantry.(MILITARY--CIVIL WAR.) Deed of manumission for Maryland Civil War soldier Leonidas Gray, who died(MILITARY--CIVIL WAR.) Deed of manumission for Maryland Civil War soldier Helery Herbert.(MILITARY--CIVIL WAR.) Pair of compensation applications by owners of soldiers who enlisted in the(MILITARY--CIVIL WAR.) Wilmon W. Blackmar. Letter describing the jubilation of the newly emancipated(MILITARY--CIVIL WAR.) Jake Hays[?] Testimony of his service as his servant to a Confederate general(MILITARY--CIVIL WAR.) Commission issued to a corporal in the 8th United States Colored Troops.(MILITARY--CIVIL WAR.) Lawyer's circular promising to secure post-war compensation for "loyal owners(MILITARY.) Group of discharge accounts and final statements for privates in the 9th Cavalry(MILITARY.) Billie Mayfield Jr. Chroniclings of Billie: Camp Logan Ballads.(MILITARY--WORLD WAR ONE.) Group of 6 sentimental patriotic posters depicting Black soldiers.(MILITARY--WORLD WAR ONE.) Paul S. Bliss. Victory: History of the 805th Pioneer Infantry, American(MILITARY--WORLD WAR ONE.) Postcards, photographs, and dog tag of Private Andrew Purnell, serving in(MILITARY--WORLD WAR TWO.) Keep Us Flying! Buy War Bonds.(MILITARY--WORLD WAR TWO.) "Above and Beyond the Call of Duty": Dorie Miller Received the Navy Cross(MILITARY--WORLD WAR TWO.) Issue of the Navy News Bulletin revealing the identity of Pearl Harbor(MILITARY--WORLD WAR TWO.) Twice a Patriot!(MILITARY--WORLD WAR TWO.) "Working for Victory" certificate issued to master painter Willie C.(MILITARY--KOREAN WAR.) Thurgood Marshall. Report on Korea: The Shameful Story of the Courts Martial(OCCULT.) Paschal Beverly Randolph. His occult pamphlets "The Ghostly Land," "The New Mola," and(PERIODICALS.) Issue of "The Colored American Review: A Magazine of Inspiration."(PERIODICALS.) Issue of "The New Negro Magazine."(PERIODICALS.) Long run of the Detroit news weekly, "The Owl."(PERIODICALS.) An issue of the scarce weekly magazine "Harlem Life: The Civic-Pictorial Weekly."(PERIODICALS.) Issues of "Nite Life," a weekly Washington entertainment magazine.(PERIODICALS.) Issue of "The Negro, America's Best Negro Monthly."(PERIODICALS.) Group of 17 point-of-purchase posters from Johnson Publishing (Jet, Ebony, Copper(PHOTOGRAPHY.) James Presley Ball. Quarter-plate ambrotype by the pioneering photographer.(PHOTOGRAPHY.) Carte-de-visite portrait of "Aunt Mary."(PHOTOGRAPHY.) Pair of portraits of Yale University workers.(PHOTOGRAPHY.) Cabinet card of Pomp Wilson, University of Pennsylvania staff member.(PHOTOGRAPHY.) African-American family photo album from Springfield, Ohio.(PHOTOGRAPHY.) Group of cabinet card portraits by James Conway Farley.(PHOTOGRAPHY.) Pair of photographs of Booker T. Washington from a visit to California.(PHOTOGRAPHY.) Photograph of a porter at the Hotel Palomares in California.(PHOTOGRAPHY.) Pair of photo albums showing boxcar-riding, gun-toting, cowboy women and more.(PHOTOGRAPHY.) Group of 4 postcards of Harlem street scenes, some or all by James Van Der Zee.(PHOTOGRAPHY.) Large group of vernacular photos by Charles "Teenie" Harris of Pittsburgh.(PHOTOGRAPHY.) Collection of work by Black Chicago photographer Dion Stams.(PHOTOGRAPHY.) Family photographs of travels in the 1950s American West.(PHOTOGRAPHY.) Photograph and signature file used to facilitate check-cashing at a Pittsburgh store.(PHOTOGRAPHY.) Group of fashion photographs by Arthur Grobes.(POLITICS.) Archive of letters to a Virginia newspaper editor from Charles Douglass, John Mercer(POLITICS.) Scrapbook on the career of Congressman Arthur Wergs Mitchell.(POLITICS.) A Franklin D. Roosevelt pamphlet titled "Take Your Choice," issued by the campaign's(POLITICS.) Group of 8 press photos of Shirley Chisholm.(POLITICS.) Kent, Corita. Shirley Chisholm: Unbossed and Unbought.(POLITICS.) Bring U.S. Together. Vote Chisholm 1972, Unbought and Unbossed.(POLITICS.) "Just Once, Let Us Pull All Our Splinter Groups Together ... Against the Robber Barons(POLITICS.) Group of Shirley Chisholm ephemera, including an event program and local campaign(POLITICS.) Group of 4 posters from Jesse Jackson's 1984 presidential campaign.(POLITICS.) Thomas W. Benton, artist. Jobs, Peace and Justice: Jesse Jackson.(POLITICS.) Jackson '88: Artists for Jackson.(POLITICS.) Group of 9 posters from Jesse Jackson's 1988 presidential campaign.(RECONSTRUCTION.) Order Organizing Bureau of Refugees, Freedmen, and Abandoned Lands.(RECONSTRUCTION.) [James G. Gibbes, photographer.] Radical Members of the So. Ca. Legislature.(RECONSTRUCTION.) John Roy Lynch. Letter to an office-seeker while awaiting the start of his first(RECONSTRUCTION.) Wiley P. Harris. An ex-Confederate lawyer complains about "Negro government" in(RECONSTRUCTION.) William D. Jervay. Letter by a former member of South Carolina's reconstruction(RELIGION.) Thomas W. Stringer. Letter by the noted Mississippi A.M.E. minister and founder of the(RELIGION.) Group of 20 illustrated cards and leaflets for ministers and evangelists (4 of them(RELIGION.) Papers of a bishop with the Church of God in Christ.(RELIGION.) Papers of a Pittsburgh Jehovah's Witness and her husband, a Negro National League(RELIGION.) Pair of programs for the biannual Unity Bazaar held by the Washington mosque of the(SLAVE TRADE.) Painting titled "The Slave Traders."(SLAVE TRADE.) Francis De Pau. Letter of recommendation by a slave ship owner, carried aboard a(SLAVE TRADE.) Receipt for 37 enslaved people sold to a trader in present-day Liberia for transport(SLAVE TRADE.) Description of 418 people rescued from a Portuguese slave ship by the British navy.(SLAVE TRADE.) Notes on the interrogation of two Spanish slave-traders in Sierra Leone.(SLAVE TRADE.) Summary of slaves rescued by a British ship in the West African Squadron.(SLAVE TRADE.) Documentation of a slave sale gone wrong among American expat merchants in Havana.(SLAVE TRADE.) Rules to be Observed on Board Ships Carrying Liberated African Emigrants from St.(SLAVERY.) [McPherson & Oliver; photographers.] [The Scourged Back.](SLAVERY.) Newspaper accounts of two early slave rebellions, one in Curaçao and one on a slave(SLAVERY.) Pair of bills of sale for enslaved people sold by the Hagan family in Revolutionary(SLAVERY.) Alexander Leslie. Letter offering the return of Georgia's enslaved people to their owners(SLAVERY.) Daniel Horsmanden. The New-York Conspiracy, or a History of the Negro Plot.(SLAVERY.) A Valuable Sugar Plantation, and a Large Gang of Acclimated Negroes, for Sale at Auction.(SLAVERY.) Valuable Acclimated Slaves, for Sale by Auction by Isaac L. M'Coy.(SLAVERY.) Valuable Slaves at Auction: Field Hands, Laborers, and House Servants.(SLAVERY.) A Gang of 82 Choice Plantation Slaves! from Georgia . . . Will Be Sold at the City Hotel.(SLAVERY.) [Venture Smith.] A Narrative of the Life & Adventures of Venture, a Native of Africa,(SLAVERY.) Solomon Northup. Twelve Years a Slave: Narrative of . . . a Citizen of New-York,(SLAVERY.) $100 Reward. Ranaway from My Camp in Manchester . . . a Negro Boy Named John.(SLAVERY.) Collection of pro and anti-slavery pamphlets.(SLAVERY.) New York Court of Appeals. Report of the Lemmon Slave Case.(SLAVERY.) Extensive letters discussing 3 enslaved people who had been loaned from North Carolina to(SLAVERY.) William W. Rockwell. Union officer's letter with a biographical description of his(SLAVERY.) [George N. Barnard, photographer.] Stereoview of an Atlanta slave market.(SLAVERY.) Letter describing a celebration for Cudjo Lewis, the last known survivor of the last(SPORTS--AUTO RACING.) Black Racers Yearbook '74: Official Annual of the Black American Racers(SPORTS--BASEBALL.) Issue of the Freeman newspaper with photographs of the barnstorming St. Louis(SPORTS--BASEBALL.) Pair of yearbooks from Jackie Robinson's two years at U.C.L.A.(SPORTS--BASEBALL.) Frank Ellis. A hotel proprietor arranges accommodations for the Indianapolis(SPORTS--BASEBALL.) Alfred Eisenstaedt, photographer. Group of photographs of Henry Aaron's family(SPORTS--BASKETBALL.) Early poster for the "Negro Basketball Globe Trotters," a spin-off of the(SPORTS--BASKETBALL.) Postcard of the "Basketball Team of the Association for Colored Community(SPORTS--BOXING.) Photograph of rifle-toting champion Jack Johnson with his entourage.(SPORTS--BOXING.) Group of 10 press photos of Muhammad Ali's involvement with the Black Muslims.(SPORTS--FOOTBALL.) Group of photographs of pioneer Matthew Bullock with the Dartmouth College(SPORTS--OLYMPICS.) Pair of Olympics '72 posters.(WOMEN'S HISTORY.) Hallie Q. Brown, compiler. Homespun Heroines and other Women of Distinction.(WOMEN'S HISTORY.) Banner for a chapter of the Order of Calanthe, the women's auxiliary of the(WOMEN'S HISTORY.) Group of "Youth and Life Exhibit" posters promoting good habits.(WOMEN'S HISTORY.) A Call to Negro Women.(WOMEN'S HISTORY.) Large group of press photos relating to the trial of murder trial of rape victim(WOMEN'S HISTORY.) Black Woman Raped by Prison Guard Defends Self . . . Fund Raising for Joann(WOMEN'S HISTORY--BEAUTY.) A Beauty Book Written by Stars of Stage and Screen.(WOMEN'S HISTORY--BEAUTY.) Poro School of Beauty Culture commencement program / yearbook.(WOMEN'S HISTORY--BEAUTY.) Glamour Parade, Presented Through the Courtesy of the Madam C.J. Walker(WOMEN'S HISTORY--BEAUTY.) Artistic Hair Styles for the Lady of Color.(WOMEN'S HISTORY--BEAUTY.) Beatrice M. Ferguson. Announcement to My Many, Many Friends and(WOMEN'S HISTORY--BEAUTY.) Original maquette poster for the "Meeting of the Little Foxes," an awards(WOMEN'S HISTORY--BEAUTY.) "Our Hair" poster and accompanying book.(WOMEN'S HISTORY--BEAUTY.) Group of six beauty programs.(WOMEN'S HISTORY--PROFESSIONAL.) Felix J. Underwood. Manual for Midwives.(WOMEN'S HISTORY--PROFESSIONAL.) Coalition of 100 Black Women: The Directory.(WOMEN'S HISTORY--PROFESSIONAL.) Anna Julia Cooper. A Voice from the South, by a Black Woman of the

Thank you for using EstateSales.NET. You're the best!