Vintage Posters

online only auction | 1 day sale | 4 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Aug 21
12pm

Sale Ends

Thu
Aug 21

Terms & Conditions

CONDITIONS OF SALE
The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by
Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED
WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms
and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, b y written or
telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.
1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN
THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER
SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH
RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS
OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS,
CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE
CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR
ANY ASSUMPTION OF RESPONSIBILITY.
2. All bids are to be per lot as numbered in the catalogue.
3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF
MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR
REPRODUCTION RIGHTS THERETO.
4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and
(b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.
5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the
original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled
to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation,
no purchaser shall be entitled to damages of any kind.
6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the
auctioneer shall have the absolute discretion either to determine the successful bidder or to re -offer and resell the lot in dispute. If
any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other
respects.
7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 25% of the final bid on each lot up
to and including $100,000; 20% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the
portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may
be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction.
8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who
thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purc hase
therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions
or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor
by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a)
cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publi cly or
privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies
plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges
due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever
is lower) on any amounts unpaid.
9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so
removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to
a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase
price.
10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect)
of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next
to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the
Consignor bid upon or buy back his property.
11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without
validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.
12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit
to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.
13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or
any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of
Swann) shall be effective unless it is in writing and signed by a representative of Swann.
14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING
OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.
LIMITED WARRANTY
We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.
1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written
notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the
authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)
2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of
thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and
illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance.
This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not
affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves,
cancels or subsequently published volumes.
3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is,"
"sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are
sold as is and therefore not covered by these warranties.
4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are
conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.
5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase
price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available
to the buyer as a matter of law.
(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless
the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable
to Swann and the buyer, that a lot or portion thereof is not authentic.
ADVICE TO PROSPECTIVE BIDDERS
1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY
PRINTED IN THE CATALOGUE.
2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are
available to advise prospective bidders at all pre-sale exhibitions and by appointment.
3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as
defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.
4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase
price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption
therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing
possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another
locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also
be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements
are satisfied.
5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000;
$2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.
6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot
will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann
may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive
or consecutive bids for a lot in response to other bidders.
7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A
bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are
exclusive of the buyer's premium, and may be revised at any time prior to the auction.
8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an
agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.
9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room.
Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out
instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet
found at the end of the catalogue and in accordance with the instructions on the bid sheet.
10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business
day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.
11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing,
postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof.
Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.
12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The
Prices Realized is also available at Swann and will be mailed upon request.
13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for
payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25%
of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.
14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books,
manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not
such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF PRINTS,
DRAWINGS, PAINTINGS, WATERCOLORS, SCULPTURES, AND MULTIPLES
GENERAL:
Dimensions are given in millimeters and inches, with height preceding width in both cases. Dimensions for prints are measured to
the outside edges of the plate mark (for intaglio) or image (for planographic and relief); dimensions for drawings and other works
are measured to the outside edges of the support (paper, canvas, etc.) For prints, if the margins are known or believed to be full this
is stated.
References are cited using the author?s surname and corresponding catalogue page number(s) or catalogue raisonne number at th e
end of each catalogue entry, preceding the estimate.
Whenever possible framed works are sold in the frames in which they have been received. However, we take no responsibility for
frames.
Be advised that pursuant to paragraph 1(b) of the Limited Warranty, Swann does not warrant the condition of prints, drawings or
watercolors unless specifically stated in the catalogue description. We attempt to characterize quality and gross defects in condition
whenever possible as an aid to prospective bidders, but clients should satisfy themselves prior to the sale as to the condition of each
lot and should exercise and rely on their own judgment as to whether the lot accords with its description. More detailed condition
reports are available upon request.
Illustrations in the catalogue are for identification only and should not be used as a basis for determining the condition of the lot.
FOR UNIQUE WORKS, SUCH AS DRAWINGS AND WATERCOLORS:
Authorship for each lot is indicated using the following descriptions:
Guido Reni: In our opinion, a work by the artist. (When the artist?s forename(s) is not known, a series of asterisks, followed by
the surname of the artist indicates that in our opinion the work is by the artist named.)
Guido Reni (attributed to): In our opinion, probably a work by the artist but less certainty as to authorship is expressed than in the
preceding category.
Guido Reni (studio of): In our opinion, a work by an unknown hand in the studio of the artist which may or may not have been
executed under the direction of the artist.
Guido Reni (circle of): In our opinion, a work by an unknown hand closely associated with the named artist but not necessarily his
student.
Guido Reni (style of) or (follower of): In our opinion, a work by an unknown, nearly contemporary or contemporary hand working
in the artist?s style but not necessarily his student.
Guido Reni (manner of): In our opinion, a work in the style of the artist and of a later date.
Guido Reni (after): In our opinion, a copy of a work of the artist.
FOR PRINTS AND MULTIPLES:
If there is a generally accepted title for the print, that title is given at the beginning of the lot description following the artist?s name.
The primary medium is identified following the title. The terms used are intended only as a general description and may not include
all the techniques employed by the artist.
Dates used in the catalogue entries refer to execution of the ?master? or printing matrix. For prints made after 1949, it will be stated
if the impression was pulled later than the execution of the master or matrix; for prints made prior to 1949, the impression may or
may not be of a date contemporaneous with the execution of the master or matrix.
The term ?signed? means that, in our opinion, the signature is by the artist and was made more or less contempora neously with the
creation of the print.
Whenever possible, we attempt to indicate the state of a print and will usually rely on information found in the relevant cat alogue
raisonne to determine this information.
For modern and contemporary prints, and for early prints when the data are available, every reasonable effort is made to identify
relevant information concerning the extent of the edition. If the print is described as an ?artist?s proof? or an ?hors commerce?
impression, the size of the regular edition is usually provided.
In most cases, we describe the quality of the impression of the print, ranging in descending order from ?brilliant? and ?supe rb? to
?very good,? ?good? and ?fair.? These descriptions are intended merely as a general guide and should not be taken as a statement
of fact, nor do they represent any description of the condition of the print.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF POSTERS
Posters, for the most part, were printed in large format on the cheapest possible paper, and with an expected life of two to three months on
billboards. They were ephemeral by definition and not intended to withstand the test of time. Therefore, in grading a poster?s condition the
standards and criteria of the print collector cannot be used. The most important element in grading a poster?s condition is its appearance as
defined by the lines, colors and overall design.
Condition in this catalogue is noted according to a rating system which has been accepted by most poster dealers. The following ratings are
used, with an appropriate + or - to indicate slightly better or worse condition:
Condition A: designates a poster much in the same state as when it was printed; the colors are fresh, there is no signifcant paper loss
or tears, but there may be some slight blemish, creases or scuffng.
Condition B: designates a poster in good condition. Some restoration (including repaired tears or slight overpainting) may ha ve been
done but it is not visibly apparent, there may be discoloration and/or fading.
Condition C: designates a poster that is showing the effects of time and/or heavy restoration. Fading and discoloration may be more
pronounced, restoration, folds, creases and flaking may be visible, and there may be paper loss or obvious restored losses.
Within these guidelines, we have done our best to describe any flaws, defects and restoration?whether apparent or not. However,
the above condition ratings are subjective. Prospective purchasers should satisfy themselves as to condition
IF YOU HAVE ANY QUESTIONS REGARDING THESE POSTERS, PLEASE FEEL FREE TO CALL FOR
ADDITIONAL INFORMATION OR FOR A CONDITION REPORT. WE ENCOURAGE YOU TO EXAMINE THE
POSTERS YOURSELF OR TO HAVE THEM EXAMINED BY YOUR REPRESENTATIVE.
ALL POSTERS ARE LINEN-BACKED UNLESS OTHERWISE INDICATED.
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Swann Auction Galleries

Description & Details

Swann's yearly August poster auction is a strong and curated assemblage, honing in on War, Travel and Art Nouveau posters that are even more rare and desirable to acquire than in summers past. Collectors, enthusiasts and connoisseurs will be impressed by this year?s wide selection and quality of the posters presented. Highlights from the auction include some of the most powerful and moving American and international propaganda from World War I and World War II. The section is also supported by iconic American posters such as James Montgomery Flagg?s two classics, I Want You and Wake Up America.
Hal Ross Perrigard. Fight for Her / Come With the Irish Canadian Rangers. 1915. 35½x22¾Designer Unknown. Irish Canadian Rangers / 199th Battalion C.E.F. Circa 1915. 39¼x24¼Designer Unknown. Join the Irish Canadian Rangers. Circa 1916. 41¾x27¾ inches, 106x70&#189Designer Unknown. Sportsman's Company of the Irish Canadian Rangers. Circa 1916. 35¼x24½A.G.R. (Dates Unknown). Canadiens Francais. 1915. 41½x27½ inches, 105¼x69¾ cm.E. Henderson. Buy Fresh Fish / Save the Meat. Circa 1915. 24½x18¼ inches, 62¼x46&#188Various Artists [World War I / Canadian]. Group of 6 posters. Sizes vary.Designer Unknown [The Jews the World Over]. Circa 1917. 40½x27¼ inches, 103x69¼ cm.Designer Unknown. The Jews the World Over Love Liberty. Circa 1917. 41¼x27¼ inches,George Roland Halkett. Vote for the Unionist Candidate / What I Have I Hold! 1910. 29½x21¾John Savile Lumley. Daddy What Did You Do in the Great War? 1915. 29x19¼ inches.E.V. Kealey. Women of Britain Say - "Go!" 1915. 29x19¼ inches.Designer Unknown. Public Warning / German Airships / British Airships. 1915. 34¼x22½Various Artists [World War I / British]. Group of 5 posters. Circa 1918. Sizes vary.William Arthur Fry. There's Room for You / Enlist To - Day. Circa 1915. 30x20¼ inches.Graham Simmons. The Army Isn't All Work. 1919. 30¼x20¼ inches.Fred Spear. Enlist. 1915. 32¾x23¼ inches.Fred Spear. Enlist. Circa 1917. 40¾x27 inches.Designer Unknown. The New Spring Drive / Buy War Savings Stamps. Circa 1918. 40½x27½Various Artists [World War I]. Group of 3 posters. 1917. Sizes vary.Various Artists [World War I / YMCA & YWCA]. Group of 8 posters. 1917-1918. Sizes vary.Howard Chandler Christy. The Spirit of America. 1919. 30x20 inches, 76¼x50¾ cm.Various Artists [World War I / Buy Liberty Bonds]. Group of 6 posters. 1917-1918. Sizes vary.Various Artists [World War I / United War Work Campaign]. Group of 4 posters. 1917-1918. Sizes vary.Various Artists [World War I / Enlist San Francisco]. Group of 5 posters. 1917-1918. Sizes vary.H. Teufel Hunden / German Nickname for U.S. Marines. 1917. 28x19¼ inches, 71¼x49 cm.Designer Unknown. U.S. Marines / Serve Where You See the Red Star. Circa 1917. 31¾x42¼James Montgomery Flagg. I Want You for U.S. Army. 1917. 40¼x30 inches, 102¼x76 cm.James Montgomery Flagg. Wake Up America Day. 1917. 41½x28 inches, 105½x71 cm.James Montgomery Flagg. Wake Up, America! / Civilization Calls. 1917. 40½x27½ inches,Harry Stoner. Official United States War Films / Pershing's Crusaders. 1917. 41x28 inches, 104¼Designer Unknown. Pershing's Crusaders / Auspices of the United States Government. Circa 1918.Harry Ryle Hopps. Destroy This Mad Brute / Enlist. Circa 1917. 42x28 inches, 106¾x71 cm.Charles Edward Chambers. Food Will Win the War. 1918. 29¾x19½ inches, 75½x49½R. Lillo. Alistate en el Ejército. Circa 1915. 28¼x20 inches, 71¾x50¾ cm.Various Artists. Válecnou Pujcku! / [War Loan]. Two Posters. Each approximately 48½x36Vojtech Preissig. Czechoslovaks! Join Our Free Colors! 1918. 35¾x25½ inches, 91x64¾Hans Schwartz. Schützt Die Heimat / Deutsche Aller Stande. Circa 1919. 39x29¼ inches,Heinrich Richter-Berlin. 3 Wort: Ungestörte Demobilmachung / Aufbau Der Republik Frieden. 1919.Designer Unknown. [German Red Cross] / [If You Don't Brush Your Teeth There Will be Pain]. 27¾Luciano Achille Mauzan. Sottoscrivete! Credito Italiano. 1917. 55½x39¾ inches, 141x101 cm.Various Artists. [Italian Literature & Arts]. Group of 19 books and publications. 1914-1933. SizesVarious Artists. [Italian Architecture / Design]. Group of approx. 86 books, magazines, drawings,Designer Unknown. "Bonds Away!" / Fourth Air Force War Bond Show. Circa 1940s. 25¼x16 inches,Various Artists. [Army & Air Service / World War II]. Group of 3 posters. 1940s. Sizes vary, eachVarious Artists. [U.S. Marines / World War II]. Two posters. 1940s. Sizes vary, each approximatelyDesigner Unknown. Victory for the American Way. 1942. 27¼x20 inches, 69¼x50¾ cm.Designer Unknown. More Production. 1942. 39x29½ inches, 99x75 cm.Edward McKnight Kauffer. Target No. 1 / New York City / Civil Defense. 1943. 39½x29½Karl Koehler & Victor Ancona. This is the Enemy. 1942. 34½x24 inches, 87¾x61 cm.Henry Koerner. Someone Talked! 1943. 34¼x24 inches, 87x61 cm.Designer Unknown. Dear God, Keep Them Safe! / Buy War Bonds and Stamps. 1942. 35½x47¼Various Artists. [Stetson / Loose Talk]. Group of four small format posters. Circa 1940s. EachBischoff (Dates Unknown) Where Keds Have Gone . . . Life Boats for Flyers. 1943. 38x25 inches,Various Artists. The House of Seagram. Group of 5 posters & sheet of postage stamps. Sizes vary.Adolph Treidler. Men at Work. 1940s. 24x17¾ inches, 61x45 cm.Worden Wood. Fighting - Funds for Finland Inc. Circa 1942. 31¾x20¾ inches, 80½James Montgomery Flagg. Help China! / China is Helping Us / United China Relief. Circa 1944. 41&#190Robert Jones. It's My Right to Fight for America. 1944. 20x15¾ inches, 50¾x40 cm.Frederick Reeves. Be Like Dad / Keep Mum! / Careless Talk Costs Lives. Circa 1940. 40¼x25¼Designer Unknown. Keep Calm and Carry On. 1939. 20x15 inches, 50¾x38 cm.Designer Unknown. Your Courage / Will Bring Us Victory. 1939. 29½x19¾ inches, 73¾Austin Cooper. War Production / Post Office Savings Bank. 1943. 29x36½ inches, 73¾x93 cm.Designer Unknown. "Let Us Go Forward Together." 1940. 29¾x20 inches, 75¾x51 cm.Designer Unknown. [The American Demons Must Be Shot / Build and Send Planes]. 1940s. 29½Karachentsov (Karachentsev) P.Y. [Do not let the enemy escape from reckoning!] 1942. 22x17¼Sandor Ek. [Nazi Germany Will Be Conquered in the Shortest Time]. 1945. 33¼x23½ inches,Designer Unknown. [To Fight Against / Unemployment / Hunger . . . Candidate No. 16 of the NationalNikolay Nikolaevich Kogout. [Happy New Year!] 1922. 27½x20¾ inches, 70x52¾ cm.Evgeny Nikolaevich Golyakhovsky. [Stalin / Long Live the Creator of the Constitution of the Free,Nikolai Mikhailovich Kochergin. [With Tenfold Energy, Work for the Front!] 1941. 21x28 inches,Viktor Ivanov. [May Day!] 1948. 33½x22¾ inches, 85x58 cm.Yuri Neprintsev & Viktor Ivanov. [Russian / World War II Propaganda]. Group of 3 posters. 1940sKarel Ludwig & František Gross. [Greetings to the Red Army]. 1945. 37¾x25¼ inches,Viktor Koretsky. [Russian Post - War / Harvest & Steel]. Group of 3 posters. 1950s. EachViktor Govorkov. [Phrases . . . And Bases]. 1952. 21¾x30½ inches, 55¼x77½ cm.Nikolay Petrovich Smolyak. [CCCP / Secrets of the Universe]. 1958. 42¼x22 inches, 107¼Viktor Koretsky. [The Stigma of American Democracy!] 1963. 33x23¼ inches, 83¾x59 cm.Various Artists. [Czech Socialist Era Youth]. Group of 6 posters. 1950s-60s. Sizes vary.Various Artists [Czech Political Propaganda]. Group of 7 posters. 1920s-60s. Sizes vary.Various Artists. [Czech Socialist Era]. Group of 7 posters. 1950s-60s. Sizes vary.Various Artists. [Czech Socialist Culture]. Group of 6 posters. 1950s-60s. Sizes vary.Yuri Pavlovich Mohor & Oleg Konstantinovich Terentyev. [Komsomol]. Set of 6 posters. 1970. EachZbigniew Waszewski. [Hammer and Sickle 1917]. 1957. 26¾x39 inches, 68x99 cm.Paul Colin. [Exhibition / Contemporary French Posters]. 1946. 50x37½ inches, 127x95½ cm.Harold Stevenson. Join Civil Defense. Two posters. 1951. Sizes vary.Ben Shahn. A Good Man is Hard to Find. 1948. 44x29 inches, 111¾x73¾ cmMitel Berg. Ils Ont Electrocute Deux Innocents Ethel et Julius Rosenberg. 1953. 47x31¾ inches,Elisabetta Carboni Montaldo. Liberta Per Glie Studenti / Palestina Occupata. 1972. 39½x27Martin Sharp. Live Give Love. 1967. 19¾x29¾ inches, 50¼x75½ cm.Gran Om & Kloer (Julia & Omar Alberto Inzunza Perez). ["Propaganda & Conscious"]. Group of 12Gran Om & Kloer (Julia & Omar Alberto Inzunza Perez). "Ojos Corazón." 2025. 75¼x51¾Gran Om & Kloer (Julia & Omar Alberto Inzunza Perez). "Mujer Luchando." 2025. 75¼x51¾Otto Ludwig Naegele. Internationales Sommerfest. 1907. 49x36¼ inches, 124½x92 cm.Lucian Bernhard. Breisgau - Perle. 1907. 28x18½ inches, 71x47 cm.Josef Maria Olbrich. Kolner Ausstellung. 1907. 41¼x25½ inches, 105x65 cm.Hans Kalmsteiner. Franz Joseph I / Jagd Ausstellung Wien. 1910. 50x37¾ inches, 127x96 cm.Georg Einbeck. Tropon / Schafft Mark und Kraft. 1898. 33¼x22½ inches, 84½x59¾Ludwig Hohlwein. Salmenbräu / Rheinfelder Urbraeu. Circa 1913. 26x19¾ inches, 66x50¼Monogram O.K. Thé Manuel / Lausanne. 17¼x23 inches, 43¾x58½ cm.UHD (Monogram Unknown). [Artistic Workshops of Lidové Ceramics / Josef Stancl and Son]. 37&#189Joza Uprka . Výstava Slovácka.1915. 48¼x25¼ inches, 122½x64¼ cm.Ludwig Von Zumbusch. Jugend. 1896. 23¾x17¾ inches, 60¼x45 cm.Antonius Molkenboer. St. Franciscus. 1917. 43x29¼ inches, 109¼x74¼ cm.Designer Unknown. Les Troubadours "Eureka." Circa 1904. 31x46 inches, 78¾x116¾ cm.Archie Gunn. The Girl from Maxim's. Two posters. 1899. Each approximately 40¼x30¼ inches,Edouard Bisson. B. Sirven. 1907. 29¼x17¼ inches, 74¼x43¾ cm.Pierre Bonnard. La Revue Blanche. 1894. 31x24½ inches, 79x62½ cm.Jules Chéret. Exposition des Arts Incohérents. 1886. 23¾x16¼ inches, 60¼Jules Chéret. [Les Arts]. Four decorative panels. 1891. Each 48½x33½ inches, 123&#188Jules Chéret. Halle aux Chapeaux. 1892. 48¾x33¾ inches, 122x85¾ cm.Jules Chéret. Théâtre de la Tour Eiffel / Paris - Chicago. 1893. 48½x34 inches,Jules Chéret. Eldorado / Music Hall. 1894. 23½x15½ inches, 59¾x39½ cm.Jules Chéret. Alcazar d'Été / Lidia. 1895. 49½x34 inches, 125¾x86¼ cm.Jules Chéret. Pastilles Géraudel. Courrier Francais. 1896. 22¾x15½ inches,Jules Chéret. Saxoléine. Courrier Francais. 1896. 22½x15 inches, 57¼x38¼Adolphe Crespin. Paul Hankar / Architecte. 1894. 21¼x16 inches, 54x40¾ cm.Eugène Grasset. Suzy Deguez / Danses d'Art. 1905. 77½x30 inches, 197x76½ cm.Eugène Grasset. [Salon des Cent]. 1894. 26¾x16¾ inches, 68x42¾ cm.H. Gray. Lucifer / Le Meilleur des Pétroles. Circa 1898. 49½x37½ inches, 125¾Jules Alexandre Grün. La Cigale, T - Y Viens - T - Y. 1900. 48x33¼ inches, 122x84½Jules Alexandre Grün. La Cigale / Les Petits Croisés. 1900. 48½x33¼ inches,D'Après O'Galop (Marius Rossillon) "À Votre Santé" / Le Pneu Michelin. Circa 1898.Claire Masson. Dubonnet / Vin Tonique au Quinquina. 1908. 62½x47 inches, 159x119½ cm.Alphonse Mucha. Salon des Cent. 1896. 25x17¼ inches, 63½x43¾ cm.Alphonse Mucha. Le Fou / [Figaro Illustré]. Title page. 1897. 15¼x10¾ inches,Alphonse Mucha & Robert De Flers. Ilsée / Princesse de Tripoli. Bound volume. 1897. 13x10¼Alphonse Mucha. Biscuits Lefèvre - Utile. 1897. 24x17½ inches, 61x44½ cm.Alphonse Mucha. [Byzantine Head / Blonde]. 1897. 25¾x18 inches, 65½x47¾ cm.Alphonse Mucha. Monaco • Monte - Carlo. 1897. 43½x30¼ inches, 110½x76¾ cm.Alphonse Mucha. Toutes les Oeuvres de Mucha. 1898. 24½x17 inches, 62¼x43¼ cm.Alphonse Mucha. Job. 1898. 61x41 inches, 155x104¼ cm.Alphonse Mucha. Salon des Cent. Maitres de l'Affiche pl. 94. 1897. 15½x11¼ inches, 39&#189Alphonse Mucha. Gismonda. Maitres de l'Affiche pl. 27. 1896. 15½x11 inches, 39½x28 cm.Alphonse Mucha. Bières de la Meuse. Maitres de l'Affiche pl. 182. 1899. 15¾x11¼Alphonse Mucha. [Les Muses, Study for a Mural]. Gouache & watercolor on paper. Circa 1900. 14¾Alphonse Mucha. [Maj] & [Skaut - Junak]. Group of 6 booklets. Each approximately 12x9 inches,Alphonse Mucha. Krajinská Vystava v Ivancicích. 1912. 37¼x23¾ inches, 94½Manuel Orazi. Ligue Vinicole de France. Circa 1901. 39x54 inches, 99x137¼ cm.PAL (Jean De Paléologue, 1860-1942) Beurre de Normandie. Circa 1900. 63¼x44½ inches,Pierre Puvis de Chavanne. Galerie Rapp / Centenaire de la Lithographie. 1895. 58½x40½Théophile-Alexandre Steinlen. Lait Pur Stérilisé. 1894. 55½x39½ inches,Théophile-Alexandre Steinlen. Compagnie Francaise des Chocolats et des Thès. 1895. 31&#189Théophile-Alexandre Steinlen. Chat Noir. 1896. 24½x15½ inches, 62x39½ cm.Francisco Tamagno. Zeste. Circa 1898. 53¾x39 inches, 136½x99 cm.Henri De Toulouse-Lautrec. La Revue Blanche. Maitres de l'Affiche pl. 82. 1897. 15¾x11½Henri De Toulouse-Lautrec. Jane Avril. Maitres de l'Affiche pl. 110. 1898. 15¾x11½ inches,Henri De Toulouse-Lautrec. Divan Japonais. Maitres de l'Affiche pl. 2. 1896. 15¾x11½William H. Bradley. The Chap - Book. 1894. 19¼x13½ inches, 49x34¼ cm.Adolf Methfessel. Sunset / February. 1904. 27¾x19½ inches, 70½x49½ cm.D'Après Paul Frenzeny. The Scout / Buffalo Bill / Farewell For Ever to Europe - The Truth.Arthur Wesley Dow. Modern Art. 1895. 21½x15½ inches, 54½x39¼ cm.Ferdinand Schuyler Mathews. [Illustrated Poster Calendar]. 12 individual months. 1896. EachEdward Penfield. Ride a Stearns and Be Content. 1896. 54x40½ inches, 137x103 cm.Designer Unknown. "President" Fahrräder. 30x20¼ inches, 76¼x51½ cm.George Moore. The Rover. Circa 1895. 61½x40 inches, 154x102 cm.Émile Clouet. Cycles le Globe. 1891. 50¼x37 inches, 127¾x94 cm.Francisco Tamagno. Cycles Terrot. 1898. 62x43¾ inches, 157½x111¼ cm.PAL (Jean De Paléologue). Société la Française. Circa 1894. 48x30½ inches,Jacques Debut. Cycles Rudge. 1897. 60¾x43½ inches, 154¼x110½ cm.Designer Unknown. Cycles Labor / Copiez! Circa 1910. 43¼x61½ inches, 110x156¼ cm.Paul Haase. Apollo - Theater / Die Sensation Berlin's. Circa 1912. 27½x36¾ inches, 69&#189Frank Newbould. Swift / World's Best Cycles. Circa 1930s. 59¼x39 inches, 150½x99 cm.Designer Unknown. Luisen = Bad / München. Circa 1894. 25¾x33¼ inches, 65½H. Gray (Henri Boulanger). Le Tréport - Mers. Circa 1900. 41¾x29½ inches, 106x75 cm.Louis Trinquier-Trianon. Royat. Circa 1900. 42½x30 inches, 108x76¼ cm.Chambon. Berck - Plage / Chemins de Fer de l'Ouest & du Nord. 1906. 42½x29¾ inches,Henri Ganier-Tanconville & H. Gray. Vichy. Circa 1898. 41x28½ inches, 104¼x72½ cm.Johann Emil Mueller (J.E.M.). Lausanne - Ouchy / Plage. Circa 1925. 50¼x35½ inches,Peryber. Les Vacances en Bretagne / Saint - Cast. 39¼x24¾ inches, 99½x62¾ cm.Max Ponty. Le Maroc. Les Canaries / Paquet. Circa 1935. 39½x24½ inches, 100¼x62¼Designer Unknown. Vallée de Joux. Circa 1920. 40x27¾ inches, 101½x70½ cm.Ake Rittmark. Klitterhus. Circa 1935. 39x24 inches, 99x61 cm.Tom Gilfillan. The Western Isles. Circa 1930s. 40x50 inches, 101½x127 cm.Tom Purvis. Mablethorpe & Sutton - On - Sea / The Children's Paradise. Circa 1926. 40½x50½Frank Newbould. East Coast Frolics / Travel Cheaply by LNER. 1933. 39¾x25¼ inches,Greig. For Glorious Holidays / Visit East London. Circa 1935. 40x25¼ inches, 101¾x64¼LAU. Islas Canarias. Circa 1935. 39¾x24½ inches, 101x62¼ cm.Roberto. Beira. Circa 1948. 39½x27½ inches, 101½x70 cm.René Gruau (Renato De Zavagli). Relax . . . / Chargeurs Reunis. Circa 1950. 38½x24¾Designer Unknown. Bermuda. Circa 1950. 37¾x24 inches, 95¾x61 cm.Roland Hugon. Antibes - Juan les Pins / France. Circa 1950s. 39x24 inches, 99x61 cm.Bernard Villemot. Plages de France. 1955. 39x24½ inches, 99x62¼ cm.Jean-Gabriel Domergue. Monte - Carlo. Circa 1950. 38¾x24½ inches, 98½x62¼ cm.Jean-Gabriel Domergue. Monte - Carlo. Circa 1950. 38¼x24 inches, 97x61 cm.Meluiky. Tiberias / Israel's Health Resort. Circa 1960. 27x19¼ inches, 68½x49 cm.Mary E. Murray. A Map of Interesting Cape Cod. 1945. 22¼x33½ inches, 56½x85 cm.Designer Unknown. Recreation Map of the Berkshire Hills. 1939. 27¾x20¾ inches, 70½Designer Unknown. Go By Pullman. 1941. 26¾x21 inches, 68x53¼ cm.David Klein. Florida / Fly TWA. Circa 1960. 40x25 inches, 101½x63½ cm.Designer Unknown. National / Florida's West Coast. Circa 1970s. 42x28¼ inches, 106¾x72 cm.Harry Rogers. Hawaii / Fly There by Qantas. Circa 1958. 39½x28¾ inches, 100½x73 cm.Designer Unknown. California / Western Airlines. 1970s. 38½x25 inches, 98x63½ cm.Fritz Schönpflug. [Wiener - Neustadter / Flugwoche]. 1911. 41x29 inches, 104¼x73¾ cm.Georges Dorival. Chemin de Fer du Nord / Avions Militaires. 1912. 41x29½ inches, 104x75 cm.Raoul Artez. Fête Aérienne / Geneve. Circa 1925. 62½x45¼ inches, 158¾x115Cuchetto. Costes et l'Atlantique. 1930. 63x47 inches, 160x119½ cm.Vilem Rotter. [1000 New Pilots / We Train from the National Aviation Collection]. Circa 1935.Designer Unknown. For the Best in the Air . . . Call / Australian National Airways. Circa 1938.Pierre Baudouin. Paris / Air France. 1947. 39¼x24¾ inches, 99¾x62¾ cm.Régis Manset. Air France / Paris. 1952. 39¼x24¼ inches, 99¾x61½ cm.Henri Ott. Austria / Swissair. 1951. 40¼x25¼ inches, 102¼x64¼ cm.Jacques Nathan-Garamond. Air France / Paris. 1957. 39¼x24¾ inches, 99¾x63 cm.David Klein. Paris / Fly TWA Jets. 1962. 40x25 inches, 101½x63½ cm.Walter Grieder. Rome / Air - India. 1971. 38½x25 inches, 98x63½ cm.David Klein, Simon Greco & Austin Briggs. [Fly Twa / International]. Group of 12 posters. EachDesigner Unknown. South Africa by Clipper / Pan American World Airways. Circa 1950s. 39½Joseph Feher. Pacific Northwest / United Air Lines. Circa 1950. 40x25 inches, 101½x63½ cm.David Klein. TWA / Fly to Europe / Sky Tourist Service. Circa 1952. 40x24¾ inches, 101¾x63Designer Unknown Northwest Orient Airlines. Circa 1960s. 39½x28¾ inches, 100¼x73 cm.Algot Stenbery. Pan Am / Central America / Mexico. 1959. 42¼x28¼ inches, 107¼x71&#190Nelson Jungbluth. Varig Airlines / Bahia. Circa 1960s. 39x25¾ inches, 99x65½ cm.Elio Ximenes. Lago Maggiore. 1911. 39x27½ inches, 99x70 cm.Vittorio Grassi. Assisi. 1926. 40½x25¼ inches, 102¾x64¼ cm.Designer Unknown. Home to Ballarat / "The City Beautiful." Circa 1926. 39¾x25 inches,Charles Dixon. Khedivial Mail Line. 1922. 38x24¾ inches, 96½x63 cm.Shep (Charles Shepherd). See India / Darjeeling and Kanchanjunga. 1935. 37½x22½ inches,Sobha Singh. See India / North - West Frontier. Circa 1935. 39x25¾ inches, 99x65½ cm.Julien Lacaze. La Grotte de Presque. 39x24½ inches, 99x62¼ cm.Starr. Visit France / The French Riviera. Circa 1952. 39½x24¾ inches, 100½x63 cm.Jean Jacquelin. Visitez la France / Lacs du Massif Central. 1954. 39x24½ inches, 99x62¼Tal. Visit France / Paris. 1952. 39½x25 inches, 100½x63½ cm.Laszlo. Calais. 39½x24¼ inches, 100¼x61½ cm.Designer Unknown. [Ocean Liner / Cruise Ships]. Group of 3 posters. 1920s. Each 31¾x17¾Designer Unknown. To America by the Perfect Cabin Service / United States Lines. 40x25 inches,Percival (Percy) Albert Trompf. Victorian & Melbourne Centenary Celebrations / Australia. 1934.Walter Till. G • S Rys. / Glendalough. 1925. 24x39½ inches, 61x100½ cm.Paul Henry. Donegal / Sheephaven. Circa 1926. 39x24¼ inches, 99x61½ cm.Edward McKnight Kauffer. Stronger and Stronger / You Can be Sure of Shell. Photomontage & gouacheEdward McKnight Kauffer. Soaring to Success! Daily Herald - the Early Bird. Circa 1973. 30¼Fred Taylor. Edinburgh. 1930. 39¾x25 inches, 101x63½ cm.Designer Unknown. Clan Lands of Scotland. 39½x24½ inches, 100¼x62¼ cm.James McIntosh Patrick. Happy Scenes of Cheer Again / Green Line Coach Guide. 1938. 40x25 inches,Kraber (John Rowland Barker). [London Transport / Jetty]. 1936. 40x25 inches, 101½x63½ cm.Eva Feiglová. [6th International Film Festival / Karlovy Vary]. 1951. 32x22½ inches;Maurice Benoy. Grand - Duche de Luxembourg. 1930s. 39x24¾ inches, 99x63 cm.Various Artists. [Spain / Travel]. Group of 4 posters. Each approximately 39½x24¾ inches,Designer Unknown. Newfoundland / Canada's New - Fun - Land. 35½x23¾ inches, 90¼Oscar Rabe Hanson. Electricity / Conqueror of Darkness / Public Service Company of NorthernEarle Duff. America's Space Age World's Fair / Seattle. 1962. 35¼x24¾ inches, 89½x63D'Après Carmine Infantino & Murphy Anderson. Be My Guest at America's Greatest - PalisadesHenri Le Riche. Tunmer Special / La Meilleure du Monde. Circa 1895. 54¼x39½ inches,O. Dieckmann. Grand Hotel Adelboden / 5 Tennis Courts. 1924. 39¼x25 inches, 99¾x63½Designer Unknown. The Art of Tennis and How to Play It. 30x20 inches, 76x51 cm.Simóy. XIII Campeonato Mundial Clase Snipe / Palma de Mallorca. 1948. 38½x24 inches,Pierre Commarmond. Combloux. Circa 1930. 40x24½ inches, 101½x62¼ cm.Franz Gygax. Lenzerheide Valbella. Circa 1950. 40¼x25¾ inches, 102¼x65½ cm.Designer Unknown. Be a Winner! / Drive for Success Re - Enlist in the U.S. Army. 38x25 inches,Munetsugu Satomi. Golf. 1960. 38½x27 inches, 98x68½ cm.Gerard Razzia. Golf. 1982. 60¼x44½ inches, 153x112½ cm.Robert M. Cunningham & John McVicker. [Big, Bold, Beautiful - Big A] & [The Big A Will Hold Its JulyTadanori Yokoo. The 65th Nippon Derby. 1998. 40¾x29 inches, 103½x73¾ cm.Designer Unknown. Plymouth. 1940. 37¼x49 inches, 94½x124½ cm.Designer Unknown. Chrysler. 1954. 36½x50 inches, 92¾x127 cm.Designer Unknown. Chrysler. 1940. 37½x49½ inches, 95¼x125¾ cm.Designer Unknown. [Grand Prix of the United States / Formula 1 / Watkins Glen]. Group of 3 postersDesigner Unknown. There's Nothing Newer in the World . . . 58 Ford. Circa 1958. 36½x48 inches,Erich Strenger. Porsche / Grand Prix Suisse. 1956. 33¼x23¼ inches, 84½x59 cm.Erich Strenger. Porsche. 1956. 33¼x23½ inches, 84½x59¾ cm.Frank Beatty. The Perfect Finish. 1929. 43¾x36¼ inches, 111x92 cm.Designer Unknown. What's Your Score? 1929. 44x36½ inches, 111¾x67¼ cm.Frank Beatty. Out of the Running / Success Never Waits! 1929. 43¾x36¼ inches, 111¼x92Henry Lee Jr. Balking is Lagging / Listening is Leading. 1929. 43¾x36¼ inches, 111¼Willard Frederick Elmes. Diving for Success / Mean It and You'll Make It. 1929. 43¾x36¼Designer Unknown. Why Bow Your Back? / Let's Agree to Agree. 1929. 43¾x36¼ inches,Willard Frederick Elmes. Worry Bags No Game / Facing Troubles Kills Them. 1929. 43¾x36¼Ando. Théatre Montmartre. 1917. 23x15¼ inches, 58½x38¾ cm.Walter Schnackenberg. Schnackenberg: Kostüme / Plakate und Dekorationen. Partial book. 1922.Julius Klinger. Bummelstudenten / Berliner Theater. Circa 1911. 26x37¼ inches, 66x94¾ cm.Oster. Schauspielhaus Künstler Redoute. Circa 1928. 35½x23½ inches, 90¼x59¾Olaf Gulbransson. Münchener Herz und Schwabinger Luft. 1936. 47½x34 inches, 120¾D'Après Louis Icart. Monsieur l'Amour. 1922. 47¼x31¾ inches, 120x80¾ cm.Zig (Louis Gaudin). Mistinguett. 1928. 62½x47 inches, 158¾x119½ cm.Marcel Vertès. Simone Frévalles dans la Malibran. 1922. 49x33¼ inches, 124½xJosé Bort Gutiérrez. Fiesta de Nuestra Señora de las Victorias / Distrito de Tetuan.Designer Unknown. Whitbread's / The Best in the Market. 21¼x27 inches, 54x68½ cm.Leonetto Cappiello. Maurin Quina. 1906. 62¾x46 inches, 159½x116¾ cm.Leonetto Cappiello. Cachou Lajaunie. 1920. 59x38½ inches, 149¾x97¾ cm.Leonetto Cappiello. Buvez l'Eau Vercingétorix. 1923. 47¾x31½ inches, 121¼x80 cm.Leonetto Cappiello. Relskys Vodka. 1925. 47½x31½ inches, 120½x80 cm.Leonetto Cappiello L'Oie d'Or. Circa 1930. 47x63 inches, 119¼x160 cm.Claude Gadoud. Vins / Camp Romain. Circa 1925. 63¼x47¼ inches, 160½x120 cm.Georges François. Spa Citron. Circa 1930. 63x39½ inches, 160x100¼ cm.Philippe Henri Noyer. Limonade Brault. 1938. 63½x47¼ inches, 161¼x120 cm.Yves Gueden. Votre Petit Déjeuner . . . Se Fera Tout Seul. Circa 1930s. 23½x14½Charles Loupot. Cointreau. 1930. 63¼x47¼ inches, 160½x120 cm.Charles Loupot. St Raphaël / Quinquina. 1938. 61½x44½ inches, 156¼x113 cm.Jean Droit. Martini. 1948. 47x31¼ inches, 119¼x79¼ cm.Hervé Morvan. Huilor Dulcine. 1962. 63x46 inches, 160x116¾ cm.Bernard Villemot. Orangina / Refrescante! Circa 1966. 39½x27½ inches, 100¼x69¾Howard Zieff. You Don't Have to Be Jewish to Love Levy's. Group of 5 posters. 1967. Each 45x29½Designer Unknown. Peters Diamond Brand Shoes. Circa 1930s. 24x44 inches, 61x111¾ cm.Otto Baumberger. PKZ / Pare - Averse. 1924. 50¾x35¾ inches, 129x90¾ cm.Otto Morach. Vestiti PKZ.1928. 51x36 inches, 129½x91½ cm.Pierre Gauchat. Riri. 1946. 50½x35¾ inches, 128¼x90¾ cm.Various Artists. Fiorucci. Group of 9 posters. 1970s-1980s. Sizes vary.Ida Van Bladel. Levi's. 1971. 38½x25½ inches, 98x65 cm.Alfred Selig. Exposition d'Art / Colmar. 1934. 32x23½ inches, 81¼x59¾ cm.Various Artists. [Syrian Theater & Festivals]. Group of 13 posters. 1960s. Sizes vary, eachBen Shahn (1898-1969) Lincoln Center / Philharmonic Hall. 1962. 46x29¾ inches, 116¾Saul Bass. 2nd New York Film Festival / Philharmonic Hall / Lincoln Center. 1964. 45½x29¾D'Après Marc Chagall [Carmen] / Metropolitan Opera. 1966. 39¾x25½ inches.D'Après Marc Chagall. [Magic Flute] / Die Zauberflöte / Metropolitan Opera. 1967. 39¾Andy Warhol. Fifth New York Film Festival - Lincoln Center. 1967. 45x24¼ inches, 114¼Various Artists. [Lincoln Center Festival]. Group of 5 posters. 1964-1971. Sizes vary.Designer Unknown. Lincoln Center Presents Walt Disney 50th Anniversary. Window Card. 1978.Don Nice. Mostly Mozart Festival / Lincoln Center. 1978. 40¼x72 inches, 102¼x183 cm.Robert Rauschenberg. For Trisha Brown Dance Co. 1981. 30¼x22¼ inches, 76¾x56½Various Artists. Dumont: Art '70. 12-sheet Calendar. 1969. 25¼x18 inches, 64¼x45¾ cm.Chuck Close & Brice Marden. [Art Exhibitions]. Group of 3 folded invitations. 1968-1973. Sizes vary.Robert Rauschenberg. Art Car / BMW and 5 American Artists. 1986. 36x24 inches, 91½x61 cm.

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