LGBTQ+ Art, Material Culture & History

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Aug 21
10:30am

Sale Ends

Thu
Aug 21

Terms & Conditions

CONDITIONS OF SALE
The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by
Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED
WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms
and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, b y written or
telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.
1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN
THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER
SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH
RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS
OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS,
CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE
CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR
ANY ASSUMPTION OF RESPONSIBILITY.
2. All bids are to be per lot as numbered in the catalogue.
3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF
MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR
REPRODUCTION RIGHTS THERETO.
4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and
(b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.
5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the
original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled
to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation,
no purchaser shall be entitled to damages of any kind.
6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the
auctioneer shall have the absolute discretion either to determine the successful bidder or to re -offer and resell the lot in dispute. If
any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other
respects.
7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 25% of the final bid on each lot up
to and including $100,000; 20% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the
portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may
be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction.
8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who
thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purc hase
therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions
or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor
by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a)
cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publi cly or
privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies
plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges
due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever
is lower) on any amounts unpaid.
9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so
removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to
a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase
price.
10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect)
of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next
to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the
Consignor bid upon or buy back his property.
11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without
validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.
12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit
to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.
13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or
any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of
Swann) shall be effective unless it is in writing and signed by a representative of Swann.
14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING
OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.
LIMITED WARRANTY
We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.
1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written
notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the
authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)
2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of
thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and
illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance.
This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not
affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves,
cancels or subsequently published volumes.
3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is,"
"sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are
sold as is and therefore not covered by these warranties.
4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are
conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.
5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase
price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available
to the buyer as a matter of law.
(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless
the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable
to Swann and the buyer, that a lot or portion thereof is not authentic.
ADVICE TO PROSPECTIVE BIDDERS
1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY
PRINTED IN THE CATALOGUE.
2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are
available to advise prospective bidders at all pre-sale exhibitions and by appointment.
3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as
defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.
4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase
price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption
therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing
possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another
locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also
be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements
are satisfied.
5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000;
$2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.
6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot
will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann
may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive
or consecutive bids for a lot in response to other bidders.
7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A
bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are
exclusive of the buyer's premium, and may be revised at any time prior to the auction.
8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an
agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.
9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room.
Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out
instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet
found at the end of the catalogue and in accordance with the instructions on the bid sheet.
10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business
day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.
11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing,
postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof.
Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.
12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The
Prices Realized is also available at Swann and will be mailed upon request.
13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for
payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25%
of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.
14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books,
manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not
such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF PRINTS,
DRAWINGS, PAINTINGS, WATERCOLORS, SCULPTURES, AND MULTIPLES
GENERAL:
Dimensions are given in millimeters and inches, with height preceding width in both cases. Dimensions for prints are measured to
the outside edges of the plate mark (for intaglio) or image (for planographic and relief); dimensions for drawings and other works
are measured to the outside edges of the support (paper, canvas, etc.) For prints, if the margins are known or believed to be full this
is stated.
References are cited using the author?s surname and corresponding catalogue page number(s) or catalogue raisonne number at th e
end of each catalogue entry, preceding the estimate.
Whenever possible framed works are sold in the frames in which they have been received. However, we take no responsibility for
frames.
Be advised that pursuant to paragraph 1(b) of the Limited Warranty, Swann does not warrant the condition of prints, drawings or
watercolors unless specifically stated in the catalogue description. We attempt to characterize quality and gross defects in condition
whenever possible as an aid to prospective bidders, but clients should satisfy themselves prior to the sale as to the condition of each
lot and should exercise and rely on their own judgment as to whether the lot accords with its description. More detailed condition
reports are available upon request.
Illustrations in the catalogue are for identification only and should not be used as a basis for determining the condition of the lot.
FOR UNIQUE WORKS, SUCH AS DRAWINGS AND WATERCOLORS:
Authorship for each lot is indicated using the following descriptions:
Guido Reni: In our opinion, a work by the artist. (When the artist?s forename(s) is not known, a series of asterisks, followed by
the surname of the artist indicates that in our opinion the work is by the artist named.)
Guido Reni (attributed to): In our opinion, probably a work by the artist but less certainty as to authorship is expressed than in the
preceding category.
Guido Reni (studio of): In our opinion, a work by an unknown hand in the studio of the artist which may or may not have been
executed under the direction of the artist.
Guido Reni (circle of): In our opinion, a work by an unknown hand closely associated with the named artist but not necessarily his
student.
Guido Reni (style of) or (follower of): In our opinion, a work by an unknown, nearly contemporary or contemporary hand working
in the artist?s style but not necessarily his student.
Guido Reni (manner of): In our opinion, a work in the style of the artist and of a later date.
Guido Reni (after): In our opinion, a copy of a work of the artist.
FOR PRINTS AND MULTIPLES:
If there is a generally accepted title for the print, that title is given at the beginning of the lot description following the artist?s name.
The primary medium is identified following the title. The terms used are intended only as a general description and may not include
all the techniques employed by the artist.
Dates used in the catalogue entries refer to execution of the ?master? or printing matrix. For prints made after 1949, it will be stated
if the impression was pulled later than the execution of the master or matrix; for prints made prior to 1949, the impression may or
may not be of a date contemporaneous with the execution of the master or matrix.
The term ?signed? means that, in our opinion, the signature is by the artist and was made more or less contempora neously with the
creation of the print.
Whenever possible, we attempt to indicate the state of a print and will usually rely on information found in the relevant cat alogue
raisonne to determine this information.
For modern and contemporary prints, and for early prints when the data are available, every reasonable effort is made to identify
relevant information concerning the extent of the edition. If the print is described as an ?artist?s proof? or an ?hors commerce?
impression, the size of the regular edition is usually provided.
In most cases, we describe the quality of the impression of the print, ranging in descending order from ?brilliant? and ?supe rb? to
?very good,? ?good? and ?fair.? These descriptions are intended merely as a general guide and should not be taken as a statement
of fact, nor do they represent any description of the condition of the print.
SUPPLEMENTAL ADVICE TO PROSPECTIVE BIDDERS WITH RESPECT TO SALES OF POSTERS
Posters, for the most part, were printed in large format on the cheapest possible paper, and with an expected life of two to three months on
billboards. They were ephemeral by definition and not intended to withstand the test of time. Therefore, in grading a poster?s condition the
standards and criteria of the print collector cannot be used. The most important element in grading a poster?s condition is its appearance as
defined by the lines, colors and overall design.
Condition in this catalogue is noted according to a rating system which has been accepted by most poster dealers. The following ratings are
used, with an appropriate + or - to indicate slightly better or worse condition:
Condition A: designates a poster much in the same state as when it was printed; the colors are fresh, there is no signifcant paper loss
or tears, but there may be some slight blemish, creases or scuffng.
Condition B: designates a poster in good condition. Some restoration (including repaired tears or slight overpainting) may ha ve been
done but it is not visibly apparent, there may be discoloration and/or fading.
Condition C: designates a poster that is showing the effects of time and/or heavy restoration. Fading and discoloration may be more
pronounced, restoration, folds, creases and flaking may be visible, and there may be paper loss or obvious restored losses.
Within these guidelines, we have done our best to describe any flaws, defects and restoration?whether apparent or not. However,
the above condition ratings are subjective. Prospective purchasers should satisfy themselves as to condition
IF YOU HAVE ANY QUESTIONS REGARDING THESE POSTERS, PLEASE FEEL FREE TO CALL FOR
ADDITIONAL INFORMATION OR FOR A CONDITION REPORT. WE ENCOURAGE YOU TO EXAMINE THE
POSTERS YOURSELF OR TO HAVE THEM EXAMINED BY YOUR REPRESENTATIVE.
ALL POSTERS ARE LINEN-BACKED UNLESS OTHERWISE INDICATED.
Swann Auction Galleries Logo

Swann Auction Galleries

Description & Details

In the seventh iteration of the LGBTQ+ Art, Material Culture & History auction, we feature an exciting selection of twentieth- and twenty first-century fine art and photography, including Beauford Delaney, Hugh Steers, Glenn Ligon, Robert Mapplethorpe, Laura Aguilar, Iké Udé and Jimmy DeSana.
George G. Rockwood, Portrait of Walt Whitman (1819-1892). Circa 1854; printed 1895.Harry Angelo, I Wish That I'd Been Born a Girl: A Gentleman's Comic Song.Abraham Solomon, 1823-1862, Autograph Letter SignedCharlotte Cushman Collection of ephemera from the noted actress. 1870s.John Addington Symonds, Jr., 1840-1893, A Problem in Greek Ethics, being an Inquiry into theWilhem von Gloeden, Ragazzo nudo appoggiato a giara. Circa 1890; printed circa 1900.Wilhelm von Gloeden, Il Gladiola. Circa 1905Wilhelm von Gloeden, Nude Study. Circa 1900-10.Wilhelm von Gloeden, Standing nude figures in an embrace. Circa 1900-10.McDermott & McGough, Joel at Lower Baldonell House, Dublin, 1910. 2003.Portrait of bodybuilder Eugen Sandow (1867-1925).Jack Brown, 1875-after 1920, Pair of postcards depicting the noted female impersonator performingVesta Tilley Poster. Circa 1900.Elisabeth Marbury Series of letters signed by the pioneering literary agent. 1911-1912.Baron Adolphe de Meyer, Nijinsky, L'Après-midi d'un Faune. 1912; published 1978.Julian Eltinge, Photograph of the famed female impersonator, signed and inscribed "A reminder ofJulian Eltinge 6 photo postcards of "Julian Eltinge in the Crinoline Girl" in booklet form. 1914.Julian Eltinge Collection of photographs and ephemera of the famed female impersonator.Alla Nazimova Photographs and ephemera of the early Hollywood star.Lili Elbe A View of a Garden fountain with Playing Cherubs (Fountain at Petit Trianon). Circa 1910.Paul Swan rehearsing in Central Park. January 13, 1929.Waléry, A selection of 2 photographs of the iconic figure François "Féral" BengaAlexander Canedo Two Symbolic Portraits.William H. Littlefield The Fall of Phaeton, oil on canvas. 1939.Drag Shows Flier for drag shows at Baltimore's Club Piccadilly, "Where People Go Gay."Carl Van Vechten, Gertrude Stein (1874-1946) at Bilignin * Alice B. Toklas (1877-1967) at Bilignin *Carl Van Vechten, Portrait of the actress Tallulah Bankhead (1902-1968) with her lion WinstonCarl Van Vechten, Nelson Barclift (This is the Army). 1942.Carl Van Vechten, Francisco Moncion as Sebastian. November 30, 1944.Carl Van Vechten Portrait of Geoffrey Holder September 30, 1954.Saul Mauriber, Portrait of the photographer Carl Van Vechten. 1952.Margaret French (PaJaMa), Jerry (figure with arms raised). Circa 1940s.PaJaMa, Monroe Wheeler and Paul Cadmus. Circa 1940s.PaJaMa, Paul Cadmus with a canvas for the Richmond, VA mural "Pochahntas Saving the Life of CaptainPaJaMa, Paul Cadmus and George Tooker, Provincetown. 1947.Jared French Untitled Inscribed for J. Y., 1950Jared French, A series of 4 intimate photographs of Ted Starkowski and Chuck Howard. 1954.George Platt Lynes, Marcel Khill with a drawing by Jean Cocteau. 1935.George Platt Lynes, Jared French (nude). Circa 1945.George Platt Lynes, A suite of three portraits of Lotte Lehmann, the German-American soprano.George Platt Lynes, Portrait of the American painter Bernard Perlin. 1948.George Platt Lynes, Alexander Jensen Yow Leaning on Bed. Circa 1952.Minor White, Male Nude (Gino Cipolla, Portland). 1940; printed circa 1970.Louise Dahl-Wolfe, Christopher Isherwood and W.H. Auden, Central Park, N.Y. 1938; printed 1970s.Cecil Beaton, Portrait of Ruth Ford. Circa 1940s.Cecil Beaton, Ram Gopal Indian dancer, and pupil near Government House, Bombay [Mumbai]. 1944.Alexander Jensen Yow, Portrait of the photographer Cecil Beaton. Circa 1950s.Horst P. Horst, Gertrude Stein, Paris. 1946; printed 1980s.Frederick Melton & Wilbur Pippin , Portrait of Truman Capote. Circa 1950.John Lindquist, Alvin Ailey at Jacob's Pillow. 1959.James Baldwin Giovanni's Room. 1956.Rock Hudson Universal-International Star. 2 Cut-Outs. 1957.Paul Cadmus Horseplay. 1935.Paul Cadmus Two Boys on a Beach, No. 1. 1939.Paul Cadmus Two Boys on a Beach #2. 1989.Paul Cadmus Youth with Kite. 1941.Paul Cadmus The Bath. 1953.Paul Cadmus Pen and ink with white gouache heightening Standing NudePaul Cadmus Seated Nude (NM 228). Circa 1980s.Paul Cadmus Conté crayon on gray Hahnemühle Ingres paper Untitled (Male Nude NM15A).Paul Cadmus serigraph Mobile 1963.Paul Cadmus Waiting for Rehearsal. 1984.Paul Cadmus Nude #2, etching. 1984.Paul Cadmus Teddo, lithograph. 1985.George Tooker The Voice, lithograph. 1977.Thomas H. Garver George Tooker, Portfolio. 1985Robert Indiana Portrait of EK (Ellsworth Kelly) * Randy 2, pen and ink. 1956-57.Robert Indiana Coenties Slip Gingko, oil on linen. 1957.Avel de Knight Four Drawings. Circa 1940s.Avel de Knight Four Drawings. Circa 1940s.Avel de Knight Four Drawings. Circa 1940s.Avel de Knight Untitled, pencil drawing. 1961.Jean Cocteau Creation of Dargelos as Adam. Circa 1950.Raoul Pene Du Bois Untitled, watercolor. Circa 1950s.Robert Bliss Study of a Youth, oil on masonite board. Circa 1960s.Maurice Bernard Sendak Nintimates, ink on cloth. 1966.Maurice Sendak Girl Scout Council of Greater New York / 50th Anniversary, signed poster. 1990.Theodore "Teddy" Haseltine Acrylic, collaged elements including twine and cotton cloth on board.Stanton Kreider Untilted, mixed media collage. 1958.Ralph White, Untitled, mixed media collage. 1958.Taiji Terasaki Untitled, mixed media collage. 1959.Ray Johnson Nov. 13th Construction, found mixed media. 1959.James Waring Untitled, ink and collage. 1960.James Waring Untitled, mixed media collage. 1975Lenore Tawney Untitled, mixed media collage. 1976.Don Whitman, A collection of approximately 83 classically inspired "beefcake" physique photographsDon Whitman, A vast album of over 400 male physique photographs from the Western Photography GuildStudio Arax, An album with approximately 97 photographs, most from studio Arax, all centered onBruce Bellas (Bruce of Los Angeles), 1909-1974, Set of the first 6 photo catalogues from Kensington(Beefcake) A run of Physique Pictorial magazine. 1960-1987.(Beefcake), A long early run of Physique Pictorial magazine, nearly complete from volumes 4 to 41,Tom Nicoll / Scott Studio, A binder with approximately 60 male physique photographs. 1950s-60s.(Beefcake.), Collection of nudist magazines featuring male models (12 different titles). 1962-1968.Various Designers Group of early gay cinema ephemera. 1968-1975.(Beefcake.), Group of magazines featuring Black models, including 16 different titles. 1977-1993.David Randolph Hurles, 1944-2023, Collection of signed photographs and catalogues from his OldTom of Finland Group of 6 publications. Circa 1970s.Star Distributors, publisher., Group of 20 pulp novels from the "Finland Books" series, with coverTom of Finland Untitled, graphite drawing. 1961.Tom of Finland Untitled chromogenic lithograph. 1966.Tom of Finland Untitled, group of three signed and numbered offset lithographs. 1973.Ettiene & Tom of Finland Stompers, poster. 1978.Tom of Finland Stompers Set One, portfolio of 4 offset lithographs. 1978.Tom of Finland Exhibition Price List & Series of Offset Lithographs. circa 1983.Tom of Finland Untitled, offset lithograph. 1985.Tom of Finland Untitled, lithograph.Tom of Finland Untitled (Heavy Action Drawings), lithograph. Circa 1988.Tom of Finland two offset lithographs, signed "Tom." Circa 1980s.Tom of Finland Untitled group of 4 offset lithographs. 1989.Tom of Finland Untitled (Preparatory sketch of two men,) graphite on paper. 1989.Tom of Finland Untitled (Preparatory drawing of three men,) graphite on paper. 1989.Tom of Finland Blacks in Tom's Drawings / More Blacks in Tom's Drawings, two volumes.Tom of Finland Tom of Finland Catalog. 1990.Domino (Donald Merrick) Untitled, mixed media on paper. 1974.Domino (Donald Merrick) Stompers Set Two. Circa 1977.Domino (Donald Merrick) Stompers, offset lithograph exhibition poster. 1978.Domino (Donald Merrick) Untitled, pen and ink. 1980.Domino (Donald Merrick) Untitled, pen and ink.Bill Schmeling / The Hun Torro Calendar, group of 12 graphite drawings. 1969.Bill Schmeling / The Hun The Myth of Marsyas, graphite drawing. 1983.Bill Schmeling / The Hun The Hun Coloring Book, Book Two. 1984.Bill Schmeling / The Hun, 1938-2019, Night Stalker, graphite on paper. 1984.Bill Schmeling / The Hun "On the block tonite," graphite on paper. 1985.Bill Schmeling / The Hun Gonar in the Temple of the Pain God, graphite on paper. 1986.Bill Schmeling / The Hun Frat Slave Auction, graphite on paper.Bill Schmeling / The Hun You Deserve! Graphite drawing. Circa 1980s.Bill Schmeling / The Hun Guess who? Mixed media. 1985.Bill Schmeling / The Hun Untitled (prison scene), mixed media. 1993.Sadao Hasegawa [Shishi Odorii II-Lion Dance II], offset lithograph. 1990.Sadao Hasegawa [Shishi Odorii I-IV - Lion Dance I-IV], offset lithograph. 1990.Sadao Hasegawa [Gon Gu Edo II / Joyfully Seeking the Impure Land II], offset lithograph. 1990.Sadao Hasegawa [Shishi Odorii III - Lion Dance III], offset lithograph. 1990.Gay Male-Themed Pulp Fiction & Romances: a Large Group. Upwards of 100 1960s-80s paperback pulpLesbian-Themed Pulp Fiction & Romances: a Large Group., More than 100 1960s-80s examples ofVarious artists, [Lesbian-Themed Pulp Fiction & Romances.] 1960s-1980s.Larry Townsend Large collection of BDSM works compiled or authored by the Drummer magazine founder.Keller's., T-shirt and matchbook from "New York's oldest leather-front bar." Circa mid 1970s.Anonymous The Inner Tube / Spring & Summer. 1972.Etienne Gold Coast, offset lithograph poster. 1978.Bill "Brick" Burke Brick - Stompers, offset lithograph exhibition poster. 1979.Ed Silas Smith Jock Stud, tempera on board. 1975.Ed Silas Smith The Stud Seeker, tempera on board. 1975.Ed Silas Smith Shafted! Tempera on board. 1975.Blade (Neel Bate) Untitled (Unpublished set of 6 prints). Circa 1980.Peter Flinsch Paintings 1979-1980 / Leslie Lohman Gallery, offset lithograph exhibition poster.Rex Let's go to the dogs! Signed and inscribed offset lithograph. 1982.Martin of Holland Untitled two ink, graphite and watercolor on paper. 1976 and 1982.Martin of Holland 3 finished illustrations and 38 sketches. 1989-1990.Chuck Arnett Group of 9 erotic sketches, Mixed media on paper and vellum.Andrew J. Esptein Splendeurs et Miseres book mockup.Matt (Charles Krebs) Untitled (Drawing of a man with hands folded), graphite on paper. 1989.Matt (Charles Krebs) 4 illustrations for "The Grapplers,"open and ink. Circa 1990.Matt (Charles Krebs) Cowboys two drawings, ink on paper.Matt (Charles Krebs) 5 drawings for "The Lumberjacks." Circa 1990.Jim French (Colt Studio), An archive of 11 sets of photographs in their original envelopes,Colt Studio, T-shirt featuring Colt photography. 1992.A selection of approximately 150 male physique 35mm slides by AMG featuring models alone or inPedro Palanca Doubled-sided ink, colored pencil and pastel on blue paper. 1998.(Kenneth Anger) Rick Griffin Lucifer Rising: A Love Vision, offset lithograph poster. Cica 1972.Anonymous Harvey Milk vs. The Machine, offset lithograph campaign poster. 1976.Harvey Milk Issue of the San Francisco Chronicle covering Milk's assassination. 1978.Gay Freedom Day, Group of 3 tokens from San Francisco's annual Gay Freedom Day parade. 1979 andAnonymous San Francisco Gay Freedom Day, offset lithograph poster. 1979.Ant Jagonari Ten Years After, lithograph poster. 1988.Sir Lady Java, "Who is Sir Lady Java" brochure, with a photograph. Circa 1970s.Clay Geerdes Offset lithograph poster of the singer Sylvester, long before his peak of fame. 1971.Laura Santos, Photographs of a professional drag performer at Finocchio's.Anonymous Dress for the Occasion, offset lithograph poster. 1988.Rob Zell Breier San Francisco Oz by the Bay Map.1989.Fernando Aguayo-Garcia Proper Conduct, lithograph protest poster. 1991.Castro Station., T-shirt, matchbook, and money clip from a popular bar in the Castro., T-shirt.Alexander Goodman The Gay Psychedelic Sex Book. 1967.J.HAYNES, B. LEVY, H. WILLIAMS, J. SHRIMPTON and G. GREER Suck: First European Sex Paper.Mattachine Book Service New York City Gay Scene Guide Quarterly. 1969.Jewel Box Revue., Programs and ephemera from the pioneering drag performers. 1960-1968.Richard Taddei The Repertory Theater of Lincoln Center, group of 8 offset lithograph posters.John B. Lear Group of three pencil drawings. Circa 1965.John B. Lear Furry Ambassador, watercolor on board. 1982.John B. Lear Indigo Mood, watercolor on board. 1988.David Hockney & Constantine P. Cavafy Fourteen Poems by CP Cavafy Chosen & Illustrated by TwelveAnonymous Cover art for The Boys, mixed media on board. 1969.Barton Lidice Beneš The Dog Bite. A Dream Narrative with Twenty Linoleum Blocks. Signed LimitedBarton Lidice Beneš Holy, collage. 1980.John Cage Untitled, 2 Pastels on Cream wove paper, September 1970Don Bachardy Portrait of Scott Nelson, 9/20/72,Don Bachardy Portait of Anthony Matarazzo, watercolor. 2005.Darrel Millsap Nine Easy Pieces, gouache on board. 1971.Roddy McDowall, Portrait of the playwright Tennessee Williams, silver print. Circa 1970.Jack Mitchell, Portrait of the artist Robert Indiana, silver print.1970.Robert Indiana Christmas Card. 2009.Beauford Delaney Portrait of a Bearded Young Man Reading, oil on canvas. 1971-72.Salvador Dali Les Diners de Gala. Signed Presentation Copy to Potassa De La Fayette., New York:Richard C. Greenawalt Jr., Portrait of actress, singer, and transgender activist ChristineAnonymous Bummer Boy, gouache on board. 1973.Yannis Nomikos Untitled (Painted Ostrich Egg). 1974.Damballah Dolphus Smith Untitled, ink, crayon and mixed media on paper. 1974.Robbie Tillotson Untitled – Mates, oil, pastel, graphite, ballpoint pen on paper and mixedMichael Vollbracht Divine in Tom Eyen's Women Behind Bars, offset lithograph theatre poster. 1976.Yves Saint Laurent Love, Group of 5 offset lithograph posters. 1974-2002.Rita May Brown First draft of an unfilmed screenplay for her novel Rubyfruit Jungle. 1976.Alair O. Gomes, Sonatinas, Four Feet No. 6, silver prints. 1977.Richard Rosenfeld, Two untitled works, Pencil and ink wash on cream wove paper, 1977.(Gay zines.) Straight to Hell: The Manhattan Review of Unnatural Acts. 1977-1982.Michael Leonard Colored pencil drawing, couple together. 1977.Michael Leonard Reclining semi nude pulling up pants, pencil sketch. 1978.Michael Leonard Nude pulling on shirt, pencil sketch.1978.Michael Leonard Men kissing, Colored pencil drawing. Circa 1977.Michael Leonard Nude pulling off pants, pencil sketch. 1978.Michael Leonard Nude holding clothes, pencil sketch. 1980.Michael Leonard Semi nude, pencil sketch. 1980.Michael Leonard Changing Head, screenprint. 1991.Michael Leonard Artsite, offset lithograph exhibition poster. 1989.Leonor Fini 1907-1996, Livre d'Images.Leonor Fini Two prints from "Solomonie la Possédée." 1979.Leonor Fini Two prints from "Solomonie la Possédée." 1979.Leonor Fini Untitled (Tango), color etching. Circa 1980.Arthur Tress, Kent on Slide, New York, silver print. 1979.Arthur Tress, Man on Bridge, Brooklyn Bridge, N.Y. (Brooklyn Bridge Cable). 1979.Arthur Tress, Travels with My Uncle: Florence. 1996.George Dureau, Jonas Williams. 1979.George Dureau, Thompson/Brown. 1982.Geoffrey Holder, Male nude figure. Circa 1980s.Mark Morrisroe, Rose. Circa 1983.Various designers Group of 5 International LGBTQ+ posters. 1980s and 90s.Polly Kellogg, "NY Lesbian Community" resource list broadsheet. Circa 1977.JR Roberts "Black Lesbians: An Annotated Bibliography," with its promotional broadside. 1981.Harlem Metropolitan Community Church The church's first anniversary program, featuring visitingIsaac Jackson, editor, Blackheart: A Journal of Writing and Graphics by Black Gay Men, issues 2 andJoseph Beam, et al., We are Black Lesbian and Gay Writers. 1988.Joseph Fairchild Beam memorial program. 1989.Aenjai Graphics Lesbian Herstory Archives Poster. Circa 1985.JEB (Joan E. Biren), Portrait of the poet and essayist Adrienne Rich, Montague, MA. 1981; printedJEB (Joan E. Biren), Portrait of Stormé DeLarverié. 1986; printed 1987JEB (Joan E. Biren), Portrait of the feminist writer Audre Lorde, Washington DC. 1987.[Mark Geller], Joan Jett-Blakk for President: By Any Means Necessary. 1992.Anonymous Catch the freedom train to Washington poster and button. 1979.Group of 6 pinback buttons from the gay liberation movement. 1971-1984.Anonymous National March on Washinton for Lesbian and Gay Rights, lithograph poster printed onSUSIE GAYNES, AMY E. BARTELL, JAN PHILLIPS Come Out...Come Out...Wherever You Are / National MarchMiami Victory Campaign, Pair of T-shirts from the boycott against Anita Bryant. Circa 1977.Mathew Jones [The New York Daily News on the day that became the Stonewall Riot]Steve Lawrence Studio 54 / Fiorucci, offset lithograph poster. 1977.Michael Vernaglia The Saint, offset lithograph poster. 1980.Group of 12 offset lithograph Club posters and ephemera from The Saint, the Sleaze Ball, andJack Smith I was a Mekas Collaborator: A Jungle Jack Radio Adventure?, Offset litho poster, 1978.John Sex (John McLaughlin) Annual Group Erotic and Pornographic Art Exhibition, xeroxed poster. 1980Ronald Tavel My Foeutus Lived on Amboy Street, offset lithograph poster. 1985.Hilary Knight Dance Theater of Harlem. Two offset lithograph posters. 1984 and 1985.Wigstock Run of programs for the annual festivals from 1991 to 1995.David Wojnarowicz, On the Prowl Series (#2). 1978.Dirk Rowntree, David Wojnarowicz and Brian Butterick at Tiffany's. 1979; printed 2024.Dirk Rowntree, David Painting at Ward Line Pier 34 * David Wojnarowicz at Ward Line Pier 34, NewDavid Wojnarowicz, Desde New York, silkscreen poster. 1982.David Wojnarowicz Jean Genet Masturbating in Metteray Prison, Screenprint On Supermarket PosterDavid Wojnarowicz, Fire in My Belly (Ants on Crucifix). 1990.David Wojnarowicz Untitled for ACT UP, two color screenprints. 1990.Peter Hujar, Christopher Street Pier #1. 1979.Peter Hujar, Portrait of Paul Thek. 1976; printed 2011.Robert Mapplethorpe Untitled Mixed media Construction. 1968.Robert Mapplethorpe Christmas Card. 1974.Robert Mapplethorpe Exhibition card for "CENSORED." 1978.Don Herron, Robert Mapplethorpe, from the Tub Shots series. 1978.Robert Mapplethorpe; and Patti Smith Patti Smith: Drawings / Robert Mapplethorpe: Film and Stills.Robert Mapplethorpe, Julian Asion (torso). 1979; printed 1980.Robert Mapplethorpe, Jeff Gray. 1980.Robert Mapplethorpe, Dennis Morgan. 1980; printed 2011.Robert Mapplethorpes; and Lisa Lyon Mapplethorpe and Chatwin. Lady, Lisa Lyon. Signed by bothRobert Mapplethorpe, Ken Moody. 1985.Marcus Leatherdale, Robert Mapplethorpe I. 1979.Marcus Leatherdale, Lisa Lyon I. 1980.Richard Bernstein Mick Jagger Newspaper. 1969.Richard Bernstein Muse (Pat Cleveland), screenprint. 1975.Victor Hugo Red Series: I-V (Six works), mixed media acrylic. 1978.Victor Hugo Red & Blue Series: I-IV. 1976.Victor Hugo Three Untitled Sketches. 1978.Victor Hugo Untitled, pencil and colored pencil. Circa 1970s.Ronnie Blaise Cutrone, An archive documenting Andy Warhol at the Factory, including the making ofAndy Warhol Poster Signed and Inscribed, "To F[rederick] V[igneron] / AndyW."Christopher Makos, Portrait of Andy Warhol. Circa 1980.Andy Warhol America, original typescript containing holograph notes. Circa 1985Andy Warhol, Henry Geldzahler. 1979.Andy Warhol, Self-Portrait in Fright Wig. 1986.Andy Warhol Ladies and Gentlemen, offset lithograph poster. 1989.A selection of 6 promotional stills from Andy Warhol and Paul Morrissey's iconic film "The ChelseaJoe D'Allesandro (1948- ) on the set of Andy Warhol's 1968 film "Flesh." 1968; printed later.Marcus Leatherdale, Andy Warhol at the Factory. 1981; printed 2014.Marcus Leatherdale, Performance artist and impresario Leigh Bowery, from the series HiddenMarcus Leatherdale, Boat Man's Pearls - Banaras. 1997.Amos Badertscher, An archive of 14 photographs from the Baltimore Portraits series. 1978-95.Keith Haring Free South Africa, signed and inscribed offset lithograph poster. 1985.Keith Haring Invitation to "Party of Life" at the Paradise Garage, Silk-screened print on cottonKeith Haring Into 1984 / Tony Shafrazi Gallery, offset lithograph poster. 1984Keith Haring Drawings / Tony Shafrazi Gallery, offset lithograph poster. 1982.Keith Haring, The One and Only!!! 20 Month New "Color it Yourself" Keith Haring Calendar. 1989.Keith Haring at Fun Gallery, offset lithograph poster. 1983.Tseng Kwong Chi, A suite of 14 prints documenting Keith Haring's Pop Shop in Tokyo. 1988; printedKeith Haring Montreux Festival de Jazz. Silkscreen poster. 1983Keith Haring Best Buddies T-Shirt. 1990.Keith Haring Swatch / World Breakdance Championship. 1984.Keith Haring Theater Der Welt, offset lithograph poster. 1985.Keith Haring (after) Invitation to the memorial tribute honoring Haring, featuring his artwork.d'apres Alvin Baltrop River Club / Pier Groups / A Final Tribute, offset lithograph poster. 1983.Anonymous Doing It Without a Rubber Can Turn A Trick Into AIDS. 1984.Anonymous [Aids Prevention Poster.] 1986Silence=Death Collective Silence=Death, offset lithograph poster. 1987.Silence=Death Collective Silence=Death, offset lithograph poster. 1987.SILENCE=DEATH COLLECTIVE Aidsgate. 1987.Keith Haring Silence=Death. 1989.Anonymous, Don't Fuck With a User. . Unless He's Hooked on Condoms. 1989., Offset lithograph flyer,AIDS Activism in Artistic Communities, 1987-1989., Don Ruddy, ed. (d. 1992), A Hundred Legends., NewMilton Glaser Angels in America. 1993.Nayland Blake Every 12 Minutes. Found Object. Signed, numbered 2/10 and dated in ink, verso.1990.Frank Moore Face it / Lick it Day Without Art, offset lithograph poster. 1992.Frank Moore Don / Fire Island / Mushrooms, watercolor and gouache on paper. 1981.Bill Rice Four Men, oil on canvas. 1974.Bill Rice Two Puerto Rican Brothers, oil on canvas. 1980.Richard Morrison Untitled (Hug), oil stick on vellum, 2 layers.Bill T. Jones Untitled, Etching on hand-tinted pink Arches. 1982.David J. Martin Four illustrations, Pencil and charcoal on Bristol board. 1980-1982.Lorenza Böttner Untitled, pencil on paper. 1983.Lorenza Böttner Untitled, pencil on paper. 1982.Lorenza Böttner Untitled, pencil on paper. 1982.Lorenza Böttner Untitled, pencil on paper. 1981.Lorenza Böttner Untitled, pencil on paper. 1982.Alfonso Ossorio Untitled etching from "Could I Ask You Something?" 1984.Cornelius McCarthy Untitled (Two Performers), oil on canvas. 1983.Jamie Nares Untitled., Pigment on wove paper. 1985.Hunter Reynolds Fat Mouth Seeks Dick, pastel on paper. Circa 1985.(Hot Peaches.), Photograph Signed, by 6 members of the troupe, publicity still for their 1989Jimmy DeSana, Mustard & Ketchup. 1985; printed 1999.Ingo Swann, Stress Factors in a Macho Chamber. Circa 1980s.Bruce Kamerling Nude torso, pencil and crayon. 1981.Mel Odom The Carnivorous Lamb, Graphite, gouache and dyes on illustration board. 1984.Harry H. Long Wistful Vista. 1985.Ronald L. Gomez Be mine . . Valentine! Pen and ink on board. 1985.John Burton Harter Rio e Turismo, oil on board. 1989.Christopher Makos, Michael, New York City. Circa late 1980s-early 90s.Thomas Lanigan-Schmidt The Gay Vet, Collage sculpture. Circa 1980s.Thomas Lanigan-Schmidt Miss Piggy Plate, Mixed media and assemblage. Circa 1980s.Tabboo! (Stephen Tashjian) Pink Glitter Swirl. Gouache, acrylic and glitter. Circa 1990s.Arch Connely Self portrait, Mixed Media with sequins and glitter on canvas. 1980.Hugh Steers Carl George, oil on canvas. 1984.Hugh Steers Fallen IV, Oil on paper. 1992.J. Palmer Libby Standing Male Nude with Abstracted Background, oil on canvas. 1981.J. Palmer Libby Nude model in repose, crayon on paper. 1990.Neil Godfrey Reclining Figure on Stomach, cast bronze resin. Circa 1990.Yasumasa Morimura, Fingered Citrons 1-4 (NOJIMA). 1990.Bill Costa, The Gardener Is The Loveliest Rose in his Garden, NYC. 1991; printed 1992.Herb Ritts Calvin Klein, offset lithograph posters/ Circa 1992.Stanley Stellar, Two nude figures. 1992.Deni Ponty Working sketch for "Confluence," crayon on paper. 1992.Deni Ponty Two men on a motorcycle, Acrylic on canvas. 1998.Beau (Kevin William King) Karma, Oil on paper. 1994.Clement Edgar (Ted) Garrison, Jr. Untitled (Reclining Man), oil on canvas. Circa 1990s.Bill Jacobson, Interim Figure #617. 1993.Ricardo Cinalli, Portrait of a Man's Head, pastel on paper. 1993Ricardo Cinalli Untitled (Satiro - Portrait of a Man), pastel on paper. 1997.Glenn Ligon Black Like Me, oil stick and gesso on paper. 1993.Glenn Ligon Untitled (My Fear Is Your Fear), Screenprint on black wove paper. 1995.Laura Aguilar, Nature Self-Portrait #11. 1996.Symon Bali Boy, oil on canvas. 1995.Ross Bleckner Untitled, Watercolor and ink with collage on paper. 1996.Jochen Klein Untitled, color laser print. 1996.John Patrick Dugdale, Jaoa with Playing Cards 1997.John Patrick Dugdale, Self-portrait in Summer Haze, Stone Ridge, NY. 1999.Matthias Herrmann Complete run of Sluts Magazine, featuring Herrmann's self-portraits on the covers.John Waters, Untitled (Show Starts in One Minute). 1999.Hinrich Kröger Untitled, Hand built ceramic work. Circa 2000.Sunil Gupta, Hauz Khas, from the series Exiles. 1987-88; printed February 2000.Iké Udé, Untitled, Beyond Decorum: Shoes. 1999; printed June 27, 2001.Iké Udé, Untitled (#2), Beyond Decorum: Shirts. 1999; printed June 27, 2001.Nan Goldin, Valérie in the taxi, Paris. 2001.Anderson & Low, Untitled (Shoulder). 1998; printed 2000.Patrick Philip Lee Our Nation's Finest, Graphite on Museum Illustration board. 2001.James Childs Untitled, Acrylic on board. Circa 2000.George Towne Conrad-Singlet, Watercolor on paper. Circa 2000.Ernesto Pujol, Bather #3 (back view), from the series The Bathers. 2001; printed 2002.Ernesto Pujol, Bather #2 (back mirror), from the series The Bathers. 2002.Darold Perkins Dressed to Kill, Acrylic on masonite board. 1999.Darold Perkins Brothers, Acrylic on masonite board. 2001.Roger Payne Two illustrations of Tarzan, Acrylic on board. 2003 and 2005.Hector Silva Untitled (Watersports), pencil on paper. 2006.Mark Beard Study for a Gymnast (for the New York Abercrombie & Fitch Store), oil on canvas. CircaMark Beard Double-sided Drawing: Seated Male Nudes, charcoal and crayon. 2009.Shannon Michael Cane, editor., They Shoot Homos Don't They? 2005-2008., 8 1/4 x 5 3/4 in. (21 x 14.6Axel Scorpio, graphite on paper. 2008.Andrew Salgado The Stigmata: Now Boys We are Expected to Show Ourselves (Voyeur), oil on canvas.Eddie Varekamp Untitled (Three ceramic plates). Circa 2010.Michael C. Morgan Cage Number One, Mixed media and hand built assemblage. Circa 2010.Michael C. Morgan Cage Number Two, Mixed media and hand built assemblage. Circa 2010.Fernando Carpaneda Untitled (Adam in the Garden of Eden,) Mixed media in a wood shadow box. 2011.Fernando Carpaneda Boys Room, Mixed media in a wood shadow box. 2011.Fernando Carpaneda Pastor Phelpiss Masturbation, Hand carved and painted wood. 2011.Richard Aldrich Hurray More Opiates and Bike Song, Polymer Gravure etching with hand-coloring. 2012.Ugo Rondinone Untitled, screenprint. 2013.Math Bass Diver, Hand-pulled letterpress print. 2015.Elijah Burgher Bachelor Machine, Acrylic on drop cloth. Circa 2015.Wardell Milan Untitled, inkjet print. 2015.Martine Gutierrez, Girlfriends (Anita and Marie). 2016.Paul Mpagi Sepuya, Figure (_2100799), inkjet print. 2017.Kyle Dunn Detained, Acrylic on epoxy resin, plaster, and foam panel. 2018.Jake Grewal Regardless of dust they advise breathing, color risograph. 2021.Moises Diaz Two Paintings, Marsha P. Johnson and Sylvia Rivera, acrylic, ink and mixed media onScott Cousins Cosmic Attraction, gouache on paper. 2025.

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