Fine Photographs

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Oct 16
10:30am

Sale Ends

Thu
Oct 16

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

This diverse auction features the full spectrum of the history of the photographic medium. Highlights depicting the American scene include Ansel Adams’ sublime Winter Sunrise, Sierra Nevada, from Lone Pine, California (1944; printed April 1978), Edward Steichen’s The May Pole (The Empire State Building) (1932), George Tice’s Petit's Mobil Station and Watertower, Cherry Hill, N.J. (1974; printed 1988), and Fan Ho’s Two by Two (1969; printed 1978). Robert Mapplethorpe’s extraordinary Phillip on Pedestal (front) (1979) fills out studies of the human form, and Henri Cartier-Bresson's dynamic L’Araignée d’amour, Mexico (1934; printed later) the luminous French Humanists.
Platt D. Babbitt. Niagara Falls scenery. Circa 1850.James Presley Ball. Portrait of a Gentleman. Circa 1850.Jeremiah Gurney. Portrait of a Couple. 1850s.Jeremiah D. Wells. Portrait of a Gentleman. 1950s.Portrait of a Southern Gentleman: Robert Maner Wade. Circa 1860.Carleton E. Watkins. Distant View of The Domes. 1865-66.Timothy O'Sullivan. Iceberg Canon, Colorado River, Looking Above. 1871.Eadweard Muybridge. Cloud's Rest. Valley of the Yosemite (No. 40). 1872.Eadweard Muybridge. Falls of the Yosemite. From Glacier Rock (No. 36). 1872.A suite of 18 cabinet cards of Native Americans from the US Geological & Geographical Survey of theFrederick Monson. Native American child climbing wall. Circa 1900.Edward S. Curtis. An Oasis in the Badlands. 1905.Eadweard Muybridge's experiment track for his seminal project Animal Locomotion. 1881; printed circaPeter Henry Emerson. The Old Order and the New. 1886.George Barker. Florida Landscape. 1886.A beautiful Japanese album with 100 hand-colored photographs. 1880s.A collection of 7 late 19th-century portraits of Indian Princes. Circa 1870s-circa 1910.A selection of 4 group portraits from India, including a hand-colored portrait of two youngPhotographs of Some Principal Buildings in the City of Sydney, New South Wales. 1890.John A. Mather. Historical Oil Region Views of Western Pennsylvania, Parts 1 & 2. 1895.James Bert Barton. Mirror Lake, Valley of the Yosemite. Early 1900s.Brett Weston. Tin Roofs, Mexico. 1926.Edward Weston. Chayotes, Mexico. 1926; printed late 1960s by Cole Weston.Edward Weston. Cracked Earth, Borrego Desert, California. 1938.Ansel Adams. Half Dome, Merced River, Winter. 1938; printed 1960s.Ansel Adams. Winter Sunrise, Sierra Nevada, from Lone Pine, California. 1944; printed April 1978.Ansel Adams. Sierra Nevada, Winter, from the Owens Valley, California. 1944; printed December 1978.Minor White. Devil's Slide, San Mateo County, California. 1947.Ansel Adams. Moon and Half Dome, Yosemite National Park, California. 1960; printed 1972-74.Minor White. Sunspot in Cracked Mud, Capitol Reef, Utah. 1961; printed circa 1970.Jacob Riis. "I Scrubs." Katie, who keeps house on West Forty-Ninth Street. Circa 1890; printed circaFrances Benjamin Johnston. 3 photographs from the Tuskegee Institute, Alabama. 1902; printed circaGrace Woodworth. Portrait of Susan B. Anthony on the occasion of her 85th birthday. February 1905.Doris Ulmann. Portrait of an African-American Gentleman. 1917.Doris Ulmann. An Old Woman (Mennonite Woman), PA. Circa 1925-26.Doris Ulmann. African American Woman. Circa 1929-32.A pair of portraits of anarchist feminist Emma Goldman. November 18, 1926 and March 1934.A selection of 36 "Walking Pictures." 1930s.Louise Dahl-Wolfe. Ophelia, Nashville. 1932; printed 1983.Louise Dahl-Wolfe. Bijou Theater, Clown Actor, Nashville. 1932; printed 1970s.Dorothea Lange. Migrant worker on a California highway. 1935; printed 1970s.Dorothea Lange. Drought refugees from Oklahoma camping by the roadside, Blythe, California. AugustDorothea Lange. Migratory field worker picking cotton in San Joaquin Valley, California. NovemberArthur Rothstein. Group of three FSA photos depicting children. Circa 1930-40s.Marion Post Wolcott. 3 FSA photographs depicting cabins and rural communities. Circa 1930-40s.Arthur Rothstein. Dust Storm, Cimarron County, Oklahoma. 1936; printed circa 1980.Arthur Rothstein. Mr. and Mrs. Andy Bahain on Their Farm, near Kersey, Colorado. 1939; printed circaArthur Rothstein. Roulette Players, Las Vegas, Nevada, 1940; printed circa 1980.Approximately 105 portraits taken of visitors to shooting galleries or targets at fairs. CircaRobert Capa. Death of a Loyalist Soldier. 1936; printed 1960s.Joe Rosenthal. Raising of the Flag at Iwo Jima. 1945.Nat Fein. Babe Bows Out. 1948; printed 1960s.Elliott Erwitt. Farmer Family at Meal, Douglas, Wyoming, from the portfolio titled Elliott Erwitt,W. Eugene Smith. Steelworker with Goggles, Pittsburgh. 1955; printed 1960s.Charles Moore. Demonstrators Lie on the Sidewalk While Firemen Hose Them, Birmingham Protests. MayLyndon B. Johnson Sworn In as President on Air Force One with Jackie Kennedy. 1963.A pair of photographs depicting Jack Ruby shooting Lee Harvey Oswald. 1963.Danny Lyon. Four Youngsters, from the series Uptown, Chicago. 1965; printed 1980.Danny Lyon. Bikerider, Schererville, Indiana. 1966; printed 1981.Danny Lyon. Cotton Pickers, Texas Prison, from Conversations with the Dead. Circa 1968.Larry Clark. Dead, Billy Mann, Tulsa. 1968; printed 1971.Emmet Gowin. Nancy and Dwayne, Danville, Virginia. 1970.Diane Arbus. Untitled 7. 1970-71; printed by Neil Selkirk before 1980.Nick ⁄t. The Terror of War, children fleeing napalm attack, South Vietnam. 1972; printed 1975.A selection of 3 photographs of Patty Hearst. 1974-75.An archive of approximately 200 photographs of rodeo riders. 1980s.Alfred Stieglitz. Spring Showers * Two Towers, New York * The Street, Fifth Avenue * Snapshot--FromAlfred Stieglitz. An Icy Night, New York, from Camera Work Number 4. 1898; printed 1903.Karl Struss. Karl Struss: A Portfolio 1909/29.A suite of 53 printed postcards from the 1913 Armory Show.Soichi Sunami. The New-Born (after a marble of 1915) by Constantin Brancusi (1920). Circa 1954.Germaine Krull. The Afghan Stuccos of the N.R.F. Collection. 1931.Ralph Steiner. Winter Garden Now, 1925 Movies. 1929; printed 1979.Lewis W. Hine. Welders on the Empire State Building. Circa 1930.Edward Steichen. The May Pole (The Empire State Building). 1932.Berenice Abbott. Barclay Street, N.Y. 1933; printed circa 1980s.Berenice Abbott. Firehouse Number 52, Riverdale Avenue at 245 Street, Bronx. 1937.Alfred Eisenstaedt. Future Ballerinas of the American Ballet Theater. 1937; printed 1995.Aaron Siskind. Lady in Kitchen, from the Harlem series. 1937; printed circa 1980.Aaron Siskind. Facades, from the Harlem series. 1938; printed circa 1980.Walter Rosenblum. Flea Market, Pitt Street Series, N.Y. 1938; printed 1960s.Helen Levitt. N.Y (Man reading newspapers) * Coney Island (People staring). 1938 and circa 1950s;Weegee [Arthur Fellig]. Coney Island. 1940; printed 1960s.Lisette Model. Sailor and Girl. Circa 1940; printed 1979.Alfred Eisenstaedt. V-J Day Kiss, Times Square, New York. August 14, 1945; printed circa 1990.Todd Webb. Mr. Perkins Pierce Arrow, Harlem. 1946; printed circa 1960.Louis Faurer. Staten Island Ferry. 1946; printed circa 1980.Arthur Leipzig. Divers, East River. 1948; printed 1980s.Louis Faurer. New York, New York (twins). Circa 1948; printed 1980.Louis Faurer. Eddie, N.Y. 1948; printed 1980.Elliott Erwitt. The Metropolitan Museum of Art. 1949; printed 2000s.Bedrich Grunzweig. Between Heaven and Earth. 1950; printed 1980s.Berenice Abbott. Triple Bridge, N.Y.C. 1950; printed 1980s.William Klein. El, 67th Street, New York. 1955; printed later.Inge Morath. A Llama in Times Square. 1957; printed 1970s.Louis Stettner. Odd Man in Penn Station. 1958; printed 1988.Sol Libsohn. Girl in Window. 1950s.Sol Libsohn. Circus Man (Commissary). 1950s; printed 1960s.Henri Cartier-Bresson. East Harlem, N.Y., from the series The American Scene. 1965.Garry Winogrand. Bear, Central Park Zoo, New York, from the Fifteen Photographs portfolio. 1967;Garry Winogrand. Hard Hat Rally, New York City. 1969.Duane Michals. Umbrella Men, New York. 1969, printed 1990s.Danny Lyon. IRT 2, South Bronx, N.Y, from the Subway series. 1979; printed 1980.Tom Baril. Verrazano-Narrows Bridge. 1993; printed 1995.Alvin Langdon Coburn. A group of 10 photographs, from Camera Work 6 and 15. 1904-06.Charles Sheeler. Bucks County Barn. 1915; printed late 1940s-early 50s.Margaret Bourke-White. Public Square (The Terminal Tower), Cleveland, Ohio. 1928; printed 1998.Walker Evans. Maine Pump, from the Walker Evans: Selected Photographs Portfolio. 1933; printed 1974.Margaret Bourke-White. Oil storage tanks, Standard Oil Company of Ohio. Circa 1934.Wright Morris. Barber Pole, Needles, CA. 1938; printed circa 1970.Wright Morris. Church and House, Virginia City, Nebraska. 1941; printed 1980s.Paul Strand. The Steeple, New England. 1946.Max Yavno. San Francisco. 1947.Ansel Adams. Rain, Beartrack Cove, Glacier Bay National Monument, Alaska. 1949.Max Yavno. The Heiress. 1949; printed 1970s.Aaron Siskind. Jerome, Arizona 21. 1949; printed 1970s.Wynn Bullock. Redwood Driftwood. 1951; printed circa 1960.Clarence John Laughlin. Positive and Negative Shadows. 1953.Harry Callahan. Environs of Chicago. 1953; printed 1970s.Paul Caponigro. California. 1956.O. Winston Link. Hotshot Eastbound, Iaeger, West Virginia. 1956; printed 1996.O. Winston Link. Birmingham Special, Rural Retreat. 1957; printed 1997.O. Winston Link. A trio of photographs depicting the B&O William Mason in Baltimore. 1958; printedDave Heath. Four crosses. Circa 1957; printed 1962.Garry Winogrand. Albuquerque, New Mexico. 1958; printed before 1984.Wynn Bullock. The Shore. 1966.Paul Caponigro. Portfolio II. 1957-70; printed circa 1973.Brett Weston. Cardons and Bay. 1966; printed 1980s.Lee Friedlander. Route 9W NY State (God Bless America). 1969.Lee Friedlander. Salinas, California. 1972.Lee Friedlander. Pomona, NY. 1977.A spectacular NASA photograph of the Earthrise over the Moon, possibly Apollo 10 or 11. 1969.The dark side of the Moon after transEarth injection. April 1972; printed before 1989.Stephen Shore. Parking Lot near Lodgepole Pines and Geyser Basin, Yellowstone National Park,Harry Callahan. Cape Cod. 1974; printed late 1970s-early 80s.George Tice. Petit's Mobil Station and Watertower, Cherry Hill, N.J. 1974; printed 1988.Kenneth Josephson. Hollywood, from the Archaeological series, Two Meter Stick. 1975.Joel Meyerowitz, Laundry, Provincetown, Massachusetts. 1977.Brett Weston. Plants at Water's Edge. 1980.Hiroshi Sugimoto. Palms, Michigan. 1980.Hiroshi Sugimoto. Rosecrans Drive-In, Paramount. 1993.Emmet Gowin. Golf Course Under Construction, Arizona. 1993; printed 1998.An irrigation canal, Larimer County, Colorado. Early 1990s; printed 1995.Emmet Gowin. Winter on the high plains, agricultural pivot, Kansas. 1995; printed 1996.Michael Kenna. Edge of Pier One, Fort Mason, San Francisco. 2003.George G. Rockwood. Portrait of the great American writer Walt Whitman (1819-1892). Circa 1871;Maurice Guibert. Portrait of Henri de Toulouse-Lautrec (1864-1901). 1892; printed circa 1920s.Edward Steichen. Self-portrait, from Camera Work Number 2. 1903.Julia Margaret Cameron. A suite of four portraits from Camera Work Number 41. 1913.Imogen Cunningham. Edward Weston and Margrethe Mather. 1923; printed 1970s.August Sander. Wife of the Cologne painter Peter Abelen. 1926; printed 1991 by Gerd Sander.Erwin Blumenfeld. Josephine Baker. 1940s.Arnold Newman. Portrait of the artist Yasuo Kuniyoshi. 1941; printed 1970s.Edward Weston. Portrait of Charles Sheeler. 1941.Yousuf Karsh. Portrait of Naval Commander Edward Steichen, Washington, D.C. 1944; printed beforePhilippe Halsman. Portrait of Albert Einstein. 1947; printed 1990.William Gottlieb. Portrait of Billie Holiday. 1948; printed 1979.Philippe Halsman, Dali Atomicus. 1948; printed 1970s.Cecil Beaton. Portrait of the Duchess of Windsor. 1949.George Platt Lynes. Portrait of Jacques díAmboise in Paul Cadmus' costume for the balletRobert Frank. Mary and Pablo watching newborn Andrea. Circa 1954.George S. Zimbel. Marilyn Monroe, "The Seven Year Itch," New York. 1954; printed 1990.Elliot Erwitt. New York City (Marilyn Monroe). 1956; printed 2000s.Carl van Vechten. Geoffrey Holder. September 2, 1954.Cecil Beaton. Mrs. Charles James in Madison Avenue Salon. 1955; printed 1990.AndrÈ Villers. Portrait of Picasso, Vallauris * Picasso's studio, Cannes. 1953-56; printedYousuf Karsh. Portrait of Georgia O'Keeffe. 1956; printed 1980s.Arnold Newman. Jacob Lawrence, Brooklyn, NY. 1959; printed 1990s.Alberto Korda. Che Guevara. 1960; printed 1980s.Allen Ginsberg. Group portrait in garden of Villa Mouneria, Tangier. 1961; printed 1989.Andy Warhol. Self-portrait in a photo booth. 1963.Kenneth Josephson. Matthew. 1963; printed 1970s.Elliott Erwitt. Jacqueline Kennedy at JFK's Funeral. 1963; printed 1980s.BrassaÔ. Portrait of Picasso, Mougins. 1966; printed circa 1980.Arnold Newman. Portrait of David Ben-Gurion (1886-1973). Circa 1967; printed 1980s.Philippe Halsman. Portrait of Georgia O'Keeffe. 1967; printed before 1972.Ernst Haas. Portrait of Helen Frankenthaler at her studio. 1969; printed later.Arnold Newman. Portrait of Louise Nevelson, New York. 1972; printed circa 1980.Richard Avedon. Portrait of Andy Warhol. 1969; printed 1975.Andy Warhol. Halston I (Roy Halston Frowick). 1974.Andy Warhol. Portrait of the photographer and critic Paul McMahon. 1979.Inge Morath. Portfolio entitled Inge Morath. 1975.Richard Avedon. Portrait of John Szarkowski. June 30th, 1975.Richard Avedon. Robert Frank and June Leaf, Mabou Mines, Nova Scotia. July 18th, 1975.Robert Mapplethorpe. Portrait of Julian Asion. 1979.George Dureau. Jude Paul St. Martin. 1982.Herbert Bayer. Advertising Postcard (Self-portrait). 1924.Hans Richter. Ghosts Before Breakfast (film study). 1926-28.Alexander Rodchenko. Power Lines. Circa 1927; printed circa 1950.Valentina Nikiforovna Kulagina. Design for the poster "May First, Forward to the New Victories!"Imogen Cunningham. Four Shells. Circa 1930.Edward Weston. Pepper No. 30. 1930; printed 1970s by Cole Weston.David Smith. Untitled (tableau). 1933.Carlotta M. Corpron. Abstract still life with glass and light. 1945; printed circa 1970.Harold Edgerton. Portfolio entitled Seeing the Unseen: Twelve Photographs by Harold Edgerton.Gyˆrgy Kepes. Queer Structure. 1946; printed 1980s.Clarence John Laughlin. The Language of Light. 1952; printed 1973.Edmund Teske. Composite of Shirley Berman and Madison Grammar School, Topanga Canyon. 1956.Edmund Teske. Untitled, Los Angeles. 1961.Ralph Eugene Meatyard. No. 6 Usufructuary. 1960.Weegee [Arthur Fellig]. Distortion (woman with glass & skull). Circa 1950s-60s.Arthur Tress. A suite of 15 master set photographs, from Tress' project Shadow. 1974; printed 1975.Gyˆrgy Kepes. Labyrinth + Crystals. 1977.E.J. Bellocq. Storyville Portrait, New Orleans, plate 29. 1911-13; printed 1970s by Lee Friedlander.Edward S. Curtis. Floating Aphrodite. Circa 1920.Edward Weston. Nude (Neil). 1925; printed 1970s by Cole Weston.Edward Weston. Nude (Miriam Lerner). 1925; printed 1972 by Cole Weston.AndrÈ KertÈsz. Distortion 147. 1933; printed 1970s.Edward Weston. Nude on Sand, Oceano (Charis). 1936; printed 1972 by Cole Weston.Horst P. Horst. Lisa: Hand on Torso I. 1940; printed 1980s.George Platt Lynes. Yul Brynner. 1951.George Platt Lynes. Male figure study. Circa 1950.Harry Callahan. Eleanor, Port Huron. 1954; printed 1970s.Walter Chappell. Untitled. 1950s.Ruth Bernhard. Neck Study. 1958; printed circa 2001.Ralph Gibson. Untitled (floating nude). 1969; printed 1980s.Ruth Bernhard. Symbiosis. 1971; printed 1980s.Francesca Woodman. Untitled, from Angel Series, Rome, Italy. September 1977; printed 1990s.Francesca Woodman. Untitled, New York. 1979-80; printed 1990s.Jo Alison Feiler. A group of 4 nude studies. 1975-82.Robert Mapplethorpe. Phillip on Pedestal (Front). 1979.…douard Boubat. Homage au Douanier Rousseau. 1980; printed 1981.George Dureau. Stanley Hurd. 1983.Herb Ritts. Male Torso with Veil. 1985.Herb Ritts, Wrapped Torso, Los Angeles. 1989.Joel-Peter Witkin. The Graces, Los Angeles. 1988.John Patrick Dugdale. Summer Bath, Stone Ridge, N.Y. 1994.Group of approximately 75 dynamic window displays, some apparently in New York City.Baron Adolf De Meyer. Album entitled Portraits of American Women. Circa 1913.William Klein. Smoke + Veil, Paris (Vogue). 1958; printed later.Ormond Gigli. Girls in the Windows, NYC. 1960; printed 1980s.Melvin Sokolsky. Tooker Lips, New York. 1965; printed 2009.Deborah Turbeville. Untitled, for†Xavierís Hair Salon, New York. Circa 1975.Deborah Turbeville. Diana Vreeland's Feet (Vogue). 1981.Herb Ritts. Felicitas (seated), Deauville, France. 1985.Edward Maxey [Mapplethorpe]. Naomi Campbell. 1990.Cathleen Naundorf. Japanese Season - Haute Couture Valentino. 2008; printed 2010.Heinrich K¸hn. Roses in a Crystal Vase. 1910.Jacques-Henri Lartigue. Rico Broadwater, Gugy Kahn, and Lisbeth Thomas, Deauville. 1917; printedEugËne Atget. Boutique, MarchÈ aux Halles, Paris. 1925; printed circa 1930 by BereniceEugËne Atget. SalÛn Figaro Populaire, ParÌs. 1924-25; printed circa 1930 by BereniceEugËne Atget. Coiffeur, Avenue de l'Observatoire, Paris. 1926.AndrÈ KertÈsz. Chez Mondrian, Paris. 1926; printed 1970s.Jacques-Henri Lartigue. RenÈe Perle, French Riviera. Circa 1927; printed circa 1980.Rudolf Koppitz. Pictures from the Tyng Collection, featuring the iconic Bewegungsstudie by Koppitz.Willi Ruge. Photo of Myself at the Moment of my Jump. 1931.AndrÈ KertÈsz. Carrefour, Blois. 1930; printed 1970s.Herbert List. The Pot, Hamburg. 1931; printed 1960s.Alfred Eisenstaedt. Repairing the Hull of the Graf Zeppelin during the Flight over the Atlantic.A selection of 10 real photo postcards documenting the "Die Ausstellung Entartete Kunst [DegenerateHenri Cartier-Bresson. L'AraignÈe d'amour, Mexico. 1934; printed 1990s.Henri Cartier-Bresson. Sunday on the Banks of the Marne. 1938; printed 1980s.AndrÈ KertÈsz. Melancholic Tulip. 1939; printed 1970s.Bill Brandt. Right in the middle of Piccadilly Circus. 1930s; printed 1970s.Bill Brandt. Policeman in a Bermondsey Alley. 1938; printed 1970s.Roman Vishniac. One of the People of the Book, Warsaw. 1938; printed 1960s.Josef Sudek. Pussy Willows, from the series The Window of My Studio. 1940-54; printed 1960s.Josef Sudek. Untitled, from the series The Window of My Studio. 1940-54; printed 1960s.Robert Doisneau. Courtoisie and Simca 5, Paris. 1945; printed 1990s.Jakob Tuggener. Schiffsnieter im Basler Rheinhafen [Ship riveters in Basel's Rhine harbor]. 1947;Henri Cartier-Bresson. Aquila Degli Abruzzi, Italy. 1952; printed 1960s.Ruth Orkin. American Girl in Italy (Ninalee Craig). 1951; printed 1980.Marc Riboud. The Painter of the Eiffel Tower, Paris. 1953; printed 1980s.Edouard Boubat. Portugal. 1956; printed 1970s.Brassai. Studio de Danse. 1958; printed 1970s.Mario Giacomelli. La Gente del Sud: Scanno 52. 1957-59; printed 1970s.Mario Giacomelli. Pretini [young priests], nr. 72. 1962-63; printed 1980s.Robert Doisneau. Barbarian prisoner and Callipygian Venus, Versailles. 1966; printed 1980.Paul Caponigro. Stonehenge, Wiltshire, England. 1967.Ralph Gibson. Hand Through Doorway. 1969; printed 1980s.Josef Sudek. Window Still Life with Striped Vase. 1971; printed 1973.Ralph Gibson. Portfolio entitled Chiaroscuro. 1972-81; printed 1982.Michael Kenna. Hedges and Tower, Saint Cloud, Paris. 1988; printed 1998.Mario Cravo Neto. Sacrigicio III Mandala. 1989.Mario Cravo Neto. Pandang I. 1990.Louis Stettner. Sous le Ciel de Paris. 1994.Louis Stettner. Couple Kissing Under Umbrella. 1996.Manuel ¡lvarez Bravo. La Buena Fama Durmiendo [The Good Reputation Sleeping]. 1939; printedManuel ¡lvarez Bravo. QuÈ chiquito es el mundo [How Small the World is]. 1942; printedManuel ¡lvarez Bravo. El umbral [The Threshold]. 1947; printed circa 1980.Manuel ¡lvarez Bravo. Margarita de Bonampak. 1949; printed 1970s.Graciela Iturbide. Ciudad de MÈxico [Mexico City]. 1969; printed 1972.Graciela Iturbide. Marcha Politica [Political Rally], Juchit·n, Oaxaca. 1984.Graciela Iturbide. Serafina, Juchit·n, MÈxico. 1989.Flor GarduÒo. The Sonnets of Shakespeare. 2006. With an additional print.W. Eugene Smith. Saipan (two soldiers). 1944; printed 1960s.Yoshiyuki Iwase. Untitled, from the series Seaweed Harvest. Circa 1950s; printed 1970s.Kiichi Asano. Himi. February 1956; printed later.Dorothea Lange. Foot of Priest, Burma. 1958.Marc Riboud. Hue, Vietnam. 1968; printed 1980s.Philip Jones Griffiths. Le Thi Dat, Vietnam. 1968; printed 1990s.Fan Ho. Brief Encounter. 1960s.Fan Ho. Two by Two. 1969; printed 1978.Clemens Kalischer. Four Boys, Sarkej, India. 1964; printed 1988.Eikoh Hosoe. Ba-Ra-Kei Shinshuban [Ordeal by Roses Re-edited]. 1971.Mary Ellen Mark. Ram Prakash Singh with His Elephant Shyama, Great Golden Circus, Ahmedabad, India.Malick SidibÈ. A group of three photographs. 1968; printed circa 2000s.Sebasti„o Salgado. ZoíÈ Indigenous Territory, State of Par·, Brazil. 2009.Sebasti„o Salgado. Elephant (against light), Kafue National Park, Zambia. 2010.Lucas Samaras. Photo-transformation 11/5/73. 1973.Barbara Kasten. Photogenic Painting 74. 1974.Eliot Porter. Portfolio Two: Iceland. 1972; printed 1975.John Manford Divola. Zuma #21. 1977.Portfolio entitled Triptych, the second Apeiron Portfolio. 1978.William Eggleston. Untitled (books and flowers). 1985.Andreas Gursky. Volksgarten, Duesseldorf. 1985.Thomas Struth. Sonnenaufgang in den Bergen bei Kiso-Fukushima, Japan. 1987; printed 1994.Cindy Sherman. Untitled #229. 1987-90.Carrie Mae Weems. Untitled, from the Kitchen Table Series. 1990; printed 1999.Carrie Mae Weems. Untitled (ceramic plate with a portrait of Saidiya Hartman). 1990.Marcus Leatherdale. Queen of Spades. 1990.Christopher Bucklow. Guest [C.B.] 12:30 p.m., 23rd November. 1993.Marcus Leatherdale. Johnson and Snowball, Rayman Circus. 1993; printed 1996.Steve McCurry. Portfolio Children, with 10 photographs. Circa 1992-2001; printed 2010.Gordon Parks. Dusk Dropping. 1994.Thomas Struth. Zhejian Zhong Lu, Shanghai. 1997; printed 1999.Laura Aguilar. Nature Self-Portrait #6. 1996.Abelardo Morell. Camera Obscura Image of the Grand Tetons in Resort Room. 1997.John Baldessari. Figure (with Vertical Lines), from the Printed Matter Photography Portfolio III:John Patrick Dugdale. I Remain the Same as I Began, Morton St., NYC. 1998.Nobuyoshi Araki. Untitled, from the series Private Diary. 1999.Lynn Davis. Meroe, Sudan (Africa #45). 1998; printed 1999.Joel Meyerowitz. Smoke and Steel, from the series Aftermath: World Trade Center. November 12, 2001;Abelardo Morell. Four Stacks of Bound Newspapers. 2001.Mona Kuhn. Dirk, from the series Evidence. 2002.John Patrick Dugdale. Translucent Unity, Stone Ridge, NY. 2003.The Eatonville Portfolio. 2003.Marina Abramovic, Dinh Q. LÍ, Shirin Neshat, et alia. Portfolio of 12 photographic diptychs:Lucas Blalock. Portrait Study (Nina). 2009.Ola Kolehmainen. Oblivion. 2009.

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