Fine Photographs

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Feb 12
12pm

Sale Ends

Thu
Feb 12

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

This sale celebrates the technical innovation and artistic vision that have defined the medium, from pioneering nineteenth-century work to mid-century street photography to contemporary conceptual images made with photographic techniques. The sale is headlined by the rare "Eudora Welty Portfolio," 1930s-40s, printed 1992. This portfolio has only rarely appeared on the market, and this example is additionally rare for its provenance, having been gifted by Eudora Welty to the pioneering journalist Robert MacNeil. It is accompanied by a compelling letter signed from Welty. A selection of 70 lots from Stephen White's landmark collection, "A Country Called California," includes photographs from the 1850s to the 1960s. White's vast collection views the unique history of California through the lens of photography, and imagines this history and its people as a "dreamscape," a place that represents both our past and hopeful future as a country. Highlights range from Dorothea Lange's "White Angel Breadline, San Francisco," 1934, printed before 1966, and Ansel Adams's images of Japanese-American internment during WWII, as well as early photographs of Yosemite by Carleton Watkins ("Three Brothers, Yosemite," circa 1872), oil on Los Angeles beaches, images featuring the full spectrum of immigrant and contributors to the state, Hollywood and much more.
Leopold Hugo. The Pacific. Circa 1930.George Fiske. Big Tree Room, Barnard's Hotel, Yosemite. 1884.Floyd B. Evans. Sand Falls. Circa 1940.Carleton E. Watkins. The Three Brothers, Yosemite. Circa 1872.Isaiah West Taber. The Three Brothers, 3,818 feet, reflected, Yosemite, California. Circa 1872;The Henry Cowell Redwoods State Park. Circa 1885.Eadweard Muybridge. Mariposa Grove of Mammoth Trees. Wm. H. Seward, 85 Feet in Circumference, 268Teddy Roosevelt in Glacier Point, Yosemite. 1903; printed circa 1930.Dain L. Tasker. Photographing the waves (possibly Will Connell). Circa 1920.Augustus William Ericson. Scene in the California Redwoods. Circa 1900.Isaiah West Taber. Sorting prunes by hand, Santa Clara County, California. Circa 1880.Hi Worth. Harvesting Celery * Trucks hauling produce. 1947 and 1950.Otto Hagel. Lumberjack. 1960.An early two-part panorama of the San Francisco Waterfront, with thousands of ships in the harbor,Robert H. Vance. Four children, San Francisco. Circa 1855.Gold miner William Pitt's Cabin in Diamond Springs, California, accompanied by his letter home.Carleton E. Watkins. The University of California, Berkeley, and Bay, Alameda County. Circa 1874.Andrew Putnam Hill. The Winchester Mystery House, San Jose. Circa 1890.Opening Ceremonies, Transpacific Telephone Service. December 23, 1931.Carleton E. Watkins. Geary Street Cable R.R., San Francisco. Circa 1880.Oil Wells and House, Looking East from First Street, Los Angeles. Circa 1910.Union Oil Company L.B.C. #11 (Los Angeles). Circa 1930.A bird's-eye view of Los Angeles. Circa 1890.Sy Seidman. Crooked Little Street, Lombard St. San Francisco, CA. Circa 1945.Will Connell. Pasadena Freeway. Circa 1950.Julius Shulman. Parking Lot for the May Company at Wilshire and Fairfax. Circa 1954.Keystone "One-Cent" Sale, Rexall Drug Store, Riverside. April 12, 1921.Tazo Kato. Portrait of the actress Tsuru Aoki (1892-1961). 1923.Dorothea Lange. White Angel Breadline, San Francisco. 1934; printed 1970s.Pillsbury Picture Company. The Burning of the Call Building, San Francisco Earthquake. 1906.A split down an Oakland Street in the aftermath of the San Francisco Earthquake. 1906.A suite of 4 snapshots depicting workers on top of the San Francisco-Oakland Bay Bridge. Circa 1935.Johan Hagemeyer. Close up of San Francisco buildings. 1930s-40s.William Edward Dassonville. San Francisco from the Water. Circa 1925.Edward Weston. Dead Man, Colorado Desert. 1937.Hansel Mieth. On the Road to Nowhere, California. 1936.Otto Hagel. Portrait of Tom Mooney. 1936.Otto Bettmann. Portrait of folksinger Woody Guthrie. Circa 1940; printed 1970s.Yousuf Karsh. Portrait of John Steinbeck. 1954; printed circa 1980.Fred McDarrah. Allen Ginsberg at Judson Memorial Church. Circa 1950; printed 1970s.Donald Ross. Nominating John F. Kennedy for President. 1960.Bud Gray. Watts Riots, Los Angeles Police Frisk Subjects. August 1965.William Henry Jackson. Goodbye Johnnie! Circa 1880.William Shew. Self-portrait with group of Chinese men and children. Circa 1882.J.T. and Anna M. Pollock (Garden City Foto Co.). Chinese Parade with Dragon 150 Feet Long. 1897.Chinese American girls drum corps in a parade, San Francisco. 1928.Leo Hetzel. Japanese Americans picking strawberries, Imperial Valley, California. Circa 1935.International News Photos. Harie Shiwo, Los Angeles, Waiting to be Transported to Manzanar. 1942.Ansel Adams. Benji Iguchi driving a tractor, Manzanar Relocation Center * Benji Iguchi with squash,Ansel Adams. Manzanar from Guard Tower. 1943.Max Yavno. Two men in a doorway. 1947.Eadweard Muybridge. Mills' Seminary, Seminary Park, Alameda Co., Cal. 1872.Imogen Cunningham. A Swift. 1939.Dain L. Tasker. X-Ray of Hanging Fuchsia. 1930s.Adam Clark Vroman. "Our Home on the Mesa" (Moqui Town, Arizona). 1895.Karl Struss. Sunrise, Lake Arrowhead. 1926.Wynn Bullock. Untitled (dreaming). Circa 1960.Anne Brigman. Jack and Charmain London. Circa 1910.Pleiades Constellation. By Palomar Observatory and possibly printed by Ansel Adams before 1955.Imogen Cunningham. Edward Weston and Margrethe Mather. 1923; printed circa 1970s.Edward Weston. Eroded Rock, Monterey Coast. 1931.Will Connell. Mickey Mouse, from In Pictures. 1936.Bob Willoughby. Portrait of Marilyn Monroe. 1952.Moving the Hughes H-4 Hercules, the "Spruce Goose." 1946.Eugene Ely's historic first airplane landing on a U.S. Navy warship, the armored cruiser USSEdward H. Mitchell. Group of 4 agricultural exaggeration postcards featuring California produce.George Fiske. Dancing on Overhanging Rock, Glacier Point, Yosemite (Kitty Tatch). Circa 1905.3000 convicts in San Quentin watching "Alias Jimmy Valentine" in the prison yard, a play addressingEdward Clark. Gangster Mickey Cohen sits with L.A. papers that denounce him. 1949.Muscle Beach crowd. Circa 1950.Marion Post Wolcott. San Francisco from Bernal Heights. 1982.James N. Doolittle. In the Poppy Fields. Circa 1936.Linneaus Tripe. Amerapoora. Gautama's Shrine, from Burma Views. 1855; printed circa 1857.George G. Rockwood. Portrait of Walt Whitman (1819-1892). Circa 1854; printed 1895.Roger Fenton. General Bosquet. 1855; published 1856.Roger Fenton. Colonel Shadforth & the 57th Regiment. 1855; published 1856.Rintoul & Rockwood. Artists' group portrait, possibly with George Henry Boughton, E. L. Henry, andFratelli Alinari. Arancie [Oranges]. 1870s.Thomas Eakins. Series of 7 photographs from the Naked Series, with a male nude figure. Circa 1883.William Henry Jackson. Gardiner's River, Hot Springs, Diana's Baths (with Thomas Moran). 1871.Timothy H. O'Sullivan. Grand Cañon of the Colorado River, Mouth of Kanab Wash, Looking East.William Henry Jackson. Cumbres Mountain, Pinos - Chama Divide, from The Rocky Mountains Scenes AlongAdam Clark Vroman. Navajo Family (Keams Canyon, Arizona). 1901.Frederick Monsen. Young Hopi Woman. 1905; printed before 1919.Edward S. Curtis. Mosa - Mohave, plate 61 from The North American Indian. 1903.Edward S. Curtis. The North American Indian. Portfolio III. 1908.Ansel Adams. Wind. 1919.Laura Gilpin. Fountain Valley School Library, Colorado. Circa 1919.Brett Weston. Market Place (La Merced Market, Mexico City). 1926.Ansel Adams. Interior view of a Pueblo Revival Style home, possibly in Santa Fe. Circa 1930-32.Ansel Adams. Tony Lujan, Taos Pueblo, New Mexico. 1929; printed 1977.Imogen Cunningham. Magnolia Bud. 1920; printed early 1970s.Ansel Adams. Rain, Beartrack Cove, Glacier Bay National Monument, Alaska. 1949.Wynn Bullock. Horsetails and Logs. 1957; printed 1960s.Ansel Adams. Moonrise from Glacier Point, Yosemite National Park, California. Before 1959; printedAnsel Adams. A selection of 4 seminal books, each signed by the Photographer.Minor White. Waterfall, Stony Brook State Park. 1960; printed circa 1965.Eliot Porter. A portfolio entitled Certain Passages. 1942-76; printed 1989.A Portfolio of Masterpieces. 1848-1907; printed circa 1975 under the supervision of ArthurLewis W. Hine. Miner with flashlight. Circa 1910.Lewis W. Hine. Girls at Sewing Machine Showing Curvature of Spine. 1917.Doris Ulmann. Dunkard Woman, Shenandoah Valley, Virginia. Circa 1925-26.Doris Ulmann. Barefoot Girl with Basket, Brasstown, NC. Circa 1930.Arthur Rothstein. Sharecropper's Daughter, Arkansas. 1935.Dorothea Lange. Migrant Mother, Nipomo, California (horizontal). March 1936; printed 1950s.Dorothea Lange. Drought refugee family from McAlester, Oklahoma. 1936.Arthur Rothstein. A suite of 5 photographs depicting coal miners, Birmingham, Alabama. FebruaryMargaret Bourke-White. Workers. Circa 1930s.Margaret Bourke-White. Mother surrounded by Children. 1936; printed 1999.Eudora Welty. The Eudora Welty Portfolio. 1930s-40s; printed 1992.Eudora Welty. Girl with Guinea Pigs. 1930s.Bruce Davidson. Welsh Miners. 1947; printed circa 1980.W. Eugene Smith. Children Playing near Fountain, Schenley Park, Pittsburgh. Circa 1956; printedBob Adelman. No Man Is an Island, Kelly Ingram Park, Birmingham, Alabama. 1963; printed 1980s.Danny Lyon. Ferguson Unit, Texas. 1968; printed 1970s.Larry Clark. Complete Tulsa Portfolio with 10 photographs. 1968-1971; printed 1972.A selection of approximately 22 press photographs from WWI. 1914-18.A selection of 6 photographs documenting the Hindenburg disaster and its aftermath, including theJoe Rosenthal. Raising of the Flag at Iwo Jima. 1945.Nat Fein. Babe Bows Out. 1948.Frank Cancellare. Dewey Defeats Truman. November 4, 1948.A selection of 4 photographs documenting polio victims in iron lungs and the rollout of the smallpoxA selection of 17 press photographs documenting the Korean War. 1950-60.Yasushi Nagao. The assassination of Socialist Leader Inejiro Asanuma. 1960; printed 1969.Paul Vathis. Presidents Kennedy and Eisenhower at Camp David discussing the Cuban crisis. 1961.Malcolm Browne. Burning Monk, South Vietnam. 1963.John Rooney. Muhammad Ali and Sonny Liston. 1965; printed 1969.Jack R. Thornell. The shooting of James Meredith during his March Against Fear. June 6, 1966.45 press photographs documenting political assassinations and attempted assassinations, includingBoris Yaro. The Assassination of Senator Robert F. Kennedy. 1968; printed 1970.Neil Armstrong. NASA--Apollo 11. Buzz Aldrin, Jr. walks on the surface of the Moon. July 1969.A press photograph of Patty Hearst from the Symbionese Liberation Army. 1974.Alfred Stieglitz. The Terminal, from Camera Work Number 36. 1893; printed 1911.Karl Struss. Busy street scene. Circa 1910.Lewis W. Hine. On the Hoist, Riveter on the Empire State Building. 1931.Paul Wolff. Unemployed people in front of the central offices, New York (near Rockefeller Center).Berenice Abbott. 23rd St. Surface Car. West 23rd St. March 26th, 1936.Berenice Abbott. Father Duffy, Times Square. April 14, 1937; printed 1950s.Berenice Abbott. Charles Lane, between West and Washington Streets. 1938.Aaron Siskind. Watermelon Man, from the Harlem Document series. 1940; printed circa 1980.Weegee [Arthur Fellig]. Opening Night at the Metropolitan Opera, New York. December 2, 1940; printedSid Grossman. New York - the Eighth Avenue "El" goes down. Circa 1941.Morris Engel. Shoeshine, 14th Street. 1947.John Albok. Two Way Traffic, 96-97 Streets, Madison Ave., NYC. 1947.Louis Faurer. N.Y. (Woman with Umbrella). 1948; printed before 1981.Cornell Capa. Pitching Ball, New York. 1948; printed before 2001.Louis Faurer. New York, N.Y. (Woman With Glasses and Balding Man). 1949; printed 1981.An archive with approximately 78 photographs documenting the El Morocco Club in New York. 1930s-50s.W. Eugene Smith. Twelve Photos of the Broadway musical "South Pacific." March 24, 1949.Weegee [Arthur Fellig]. Coney Island. 1950.Ernst Haas. Tower viewers, people with binoculars, New York. 1950s.Louis Faurer. Park Avenue Garage, NYC. 1950; printed 1981.Roland Pleterski. #4 Railscape, New York. Circa 1955; printed 1970s.Weegee [Arthur Fellig]. Marilyn Monroe riding an elephant. Circa 1955.Bruce Davidson. Circus Dwarf, Palisades, NJ. 1958; printed 1970s.Louis Faurer. Give my regards to Broadway, N.Y. 1970; printed before 1981.Louis Stettner. Manhattan (children in Chinatown). 1976.George Forss. Lower Manhattan Skyline with Blimp. 1977.Ruth Orkin. Tavern Lights. 1976.Ruth Orkin. Waiting for the bus on Central Park West. 1978; printed 1983.Bruce Davidson. Untitled (Subway, New York). 1980.Arthur Tress. Man on Bridge, Brooklyn Bridge, N.Y. (Brooklyn Bridge Cable). 1979.George Forss. Grand Central Station. 1984.Mary Ellen Mark. Vashira & Tashira Hargrove, Twins, New York. 1993.George Forss. Triple Exposure / NYC II. 1995.Tom Baril. Woolworth Building. 1997; printed 2001.Robert A. Cumins. World Trade Center, September 11, 2001; printed later * World Trade Center,Dorothea Lange. Southwestern New Mexico. 1938; printed circa 1970.Arthur Rothstein. Sheepherder's Camp, Madison Co., Montana. 1939.Marion Post Wolcott. Woodstock, Vermont. 1940.Clarence John Laughlin. Clock in Suspended Time. 1950.O. Winston Link. Train 202 Moving North Through Keller's Field. October 17, 1955; printed circaHarry Callahan. Chicago. 1960.Garry Winogrand. Utah. 1964.Lee Friedlander. Knoxville, Tennessee, from the 15 Photographs portfolio. 1971; printed 1973.Kenneth Josephson. Honolulu (Shopping cart). 1968; printed 1970s.Marion Post Wolcott. Doug's Bugs, Volkswagen Service Station, Isla Vista, California. 1974.Harry Callahan. Calais, Maine. 1979.Eliot Porter. Portfolio entitled Intimate Landscapes. 1979.E.J. Bellocq. Storyville portrait. 1911-13; printed 1970s by Lee Friedlander.Imogen Cunningham. On Mount Rainier 5 (Roi Partridge). 1915; printed 1970.Album of female nudes containing 55 lovely photographs, with at least 35 by Nickolas Muray. 1920s.Frantisek Drtikol. Nude composition. 1927-1929.André Kertész. Nude Distortion #78, Paris. 1933; printed 1960s.Harry Callahan. Eleanor, Lake Michigan. 1948; printed 1970s.Ruth Bernhard. Nude, elbow on knee. Circa 1952.Imogen Cunningham. The Bath. 1952; printed circa 1960.PaJaMa. Jared French, Hoboken, NJ. Circa 1946.George Platt Lynes. Ted Starkowski (arms up). 1954.George Platt Lynes. Chuck Howard (narrow nude). 1954.Danny Lyon. Bastala and Gloria, Santa Marta, Colombia. 1972.Jack Welpott. Sabine, Arles. 1973; printed circa 1980.Ruth Bernhard. Knees and Arm. 1976; printed 1988.Ralph Gibson. Untitled (nude). 1979.Herb Ritts. Paul, Rear View, El Mirage. 1991.Herb Ritts. Kevin on Couch, Monte Carlo. 1992.Craig Cowan. Nude (#89131-4). 1992.Edward Steichen. The artist Paul-Albert Bartholomé, from Camera Work No. 2. 1901; printed 1903.Auguste Lumière & Louis Lumière. The photographers' nieces. 1912.Doris Ulmann. Portrait of the Impressionist painter Leonard Ochtman (1854-1934). Circa 1919.Soichi Sunami. Portrait of Agnes de Mille. 1929.Alfred Eisenstaedt. Marlene Dietrich and husband Erich Siebert, Berlin. 1929; printed before 1952.Carl Van Vechten. Self-portrait. September 5, 1933.George Hoyningen-Huene. Portrait of Katherine Hepburn in a fur coat. Circa 1940.Berenice Abbott. Max Ernst, N.Y. 1941.Arnold Newman. Max Ernst. 1942; printed circa 1980.Gjon Mili. Martha Graham. 1942.Cecil Beaton.6 photographs of the British royal family, including George VI and Queen Elizabeth, thePhilippe Halsman. Albert Einstein. 1947; printed before 1972.Ernst Haas. Albert Einstein in his study at the Institute for Advanced Studies, Princeton, NJ. 1951.Yousuf Karsh. Georgia O'Keeffe. 1956; printed before 1969.Loomis Dean. William S. Burroughs and Brion Gysin at the Beat Hotel, Paris. 1959.Larry Clark. Portrait of W. Eugene Smith. 1964; printed 1970s.Duane Michals. A portfolio entitled "A Visit with Magritte." 1965; printed 1981.Bob Adelman. Andy Warhol on the Red Factory Couch. 1965; printed 2008.Bob Adelman. Roy Lichtenstein in front of the “Greene Street Mural,” Leo CastelliEdward Steichen. Cover Design, from Camera Work Number 14. 1906.Aleksandr Klebnikov. Portrait with a bottle of perfume. Circa 1925.Alexey Brodovitch. Untitled, from the Ballet series "Choreartium." 1935-37; printed 1950s-early 60s.George Hoyningen-Huene. Portrait of Carmel Snow, editor-in-chief of Harper’s Bazaar (profile).Richard Avedon. A pair of fashion portraits. 1940s.Erwin Blumenfeld. Cubistic Purple Nude, New York. 1947; printed 1984.Norman Parkinson. Lisa Fonssagrives for Vogue, New York. 1949; printed later.Ormond Gigli. Girls in the Windows, NYC. 1960; printed 1980s.Deborah Turbeville. Asser Levy Bathhouse. 1975; printed late 1980s.Deborah Turbeville. Ballerina, from the series Studio St. Petersburg. 1995.Cathleen Naundorf. Homage to Horst P. Horst. 2006; printed 2007.Werner Mantz. Köln. 1928.Alfred Eisenstaedt. First Lesson at the Truempy Ballet School, Berlin. 1930; printed 1992.Werner Rohde. Untitled. 1934.André Kertész. Carrefour, Blois. 1930; printed 1970s.Bill Brandt. Early morning in Piccadilly Circus. 1930s; printed 1970s.Bill Brandt. Buskers entertaining the queues. 1930s; printed 1970s.Man Ray. Cahiers d'art exhibition, Paris. 1935.Raymond Voinquel. Brouillard sur le Pont Neuf, Paris. 1946; printed circa 1980.Louis Stettner. Aubervilliers. 1947; printed 1960s.Elliott Erwitt. Crowd standing on a bench, Paris. 1951.Josef Sudek. Untitled, from the series Prague at Night. 1951.Henri Cartier-Bresson. The Decisive Moment. 1952.Henri Cartier-Bresson. On the Farm. 1968; printed 1980s.Bruce Davidson. A Coffee Bar, London. 1961.Ralph Eugene Meatyard. Untitled (boy behind post). 1960s; printed 1975 by Chris Meatyard.Paul Caponigro. Standing White Deer #2, Ireland. 1967-68.Brett Weston. Holland Canal. 1971; printed 1976.Jacques-Henri Lartigue. Kerisdan, Brittany. 1976; printed circa 1980.Manuel Álvarez Bravo. El Ensueño [The Daydream], Mexico. 1931; printed 1970s.Manuel Álvarez Bravo. Leon de Angahua. 1948; printed 1980s.Louise Dahl-Wolfe. Guatemala Recollection Cathedral, Antigua. 1952; printed 1970s.Danny Lyon. Eduardo's home, Namiquipa, Chihuahua, Mexico. 1975.Sebastião Salgado. Cast of Thousands in the Gold Mine of Serra Pelada, Brazil. 1986; printedMario Cravo Neto. Voodoo Child I. 1988.An album with 57 photographs from the Philippines. 1905.W. Eugene Smith. Marine, Battle of Saipan Island. June 27, 1944; printed 1950s.Werner Bischof. Children in Japan. 1951-52.Mary Ellen Mark. Beautiful Emine Posing, Trabzon, Turkey. 1965; printed circa 1980.Kohei Yoshiyuki. A selection of three photographs from the series The Park. 1971.W. Eugene Smith. Fishermen, Minamata Bay, Japan. 1972.Paul Caponigro. Drummer, Izumo-Tai, Japan. 1976; printed before 1983.Barbara Morgan. Spring on Madison Square (Photomontage). 1938; printed 1980.Nathan Lerner. Eye and Barbed Wire. 1939; printed 1973.György Kepes. Deformations. 1940; printed 1980s.Harry Callahan. Camera Movement on Street Lights. Circa 1946.Aaron Siskind. Chicago. 1949; printed circa 1970.Weegee [Arthur Fellig]. Circus Acrobat. Circa 1950s.Harold Edgerton. Milk Drop Coronet. 1957; printed 1970s.Harold Edgerton. Cutting the Card Quickly. 1964; printed 1970s.Jerry Uelsmann. Untitled (hand, tree and rocks). 1968.György Kepes. Abstraction. 1977.Jerry Uelsmann. Untitled (room in forest). 1978.Ernst Haas. Western Skies Motel, Colorado. 1978; printed 1992.Malick Sidibé. Le chasseur et le photographe [The Hunter and the photographer]. 1974; printedWilliam Wegman. Rangeley, Maine (Autumn Dog). 1981.Annie Leibovitz. Whoopi Goldberg, Berkeley, California. 1984.Marcus Leatherdale. Fallen Angel. 1988.Richard Misrach. Road Blockade and Pyramids. 1989.Nan Goldin. Lynette & Donna at Marion's Restaurant, NYC. 1991.Len Prince. Ford Models Swimsuit Sequence V.  1991.Eikoh Hosoe. Yoake no Butou [Butoh Dance at Dawn]. 1992.Kenro Izu. Still Life #368. 1993.John Patrick Dugdale. Self-Portrait in Rondout Creek, Rosendale, N.Y. 1993.Annie Leibovitz. Synchronized Swimmers, Culver City, California. 1996.Paul Caponigro. Two Pears, Cushing, Maine. 1999; printed later.Gregory Crewdson. Production Still (Railway Children). 2003.Joyce Tenneson. Calla Lily. 2003.Sante D'Orazio. Patricia Velasquez. 2004; printed before 2012.Cig Harvey. Marmite on Toast. 2007.Yamamoto Masao. Seated Nude. 2010.Hiroshi Sugimoto. The Glass House. 2013.Lalla Essaydi. Bullets Revisited #26, a triptych. 2014.

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