Fine Photographs

online only auction | 1 day sale | 2 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Apr 30
12pm

Sale Ends

Thu
Apr 30

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

This April we are pleased to offer a selection of fine art, historical, and vernacular photographs spanning the full breadth of the medium. The sale features a curated section of imagery from NASA, a special look at the history of Civil Rights photography, and works from the Kayafas Collection — celebrating the wide influence of Palm Press.
Roger Fenton. Group of 5 Crimean War Photographs, at least two credited to Fenton. Circa 1855.George N. Barnard. Battlefield of New Hope Church, GA. No. 2, from Photographic Views of the ShermanSamuel Bourne. A selection of 6 photographs from India, 4 credited to Bourne. Circa 1863-66.Antonio Beato/ Peter E. Bergheim. An album of 27 photographs of Upper Egypt, Nubia, and Palestine.The Scourged Back by McPherson & Oliver. Circa 1863; printed 1970s.An African American couple. Circa 1870.A pair of rare double exposure sixth plate tintypes. 1870s.A quarter plate tintype of young boy with a New Year l'Shana Tovah message in Hebrew. 1870s.A beautiful Japanese album with 100 hand-colored photographs. 1880s.Eadweard Muybridge. Men Wrestling, plate 332, from Animal Locomotion. 1887.Eadweard Muybridge. Woman Dancing (Fancy), plate 187 * Crossing brook on stepping-stones withTimothy H. O'Sullivan. Black Cañon, Colorado River, From Camp 8. Looking Above. 1871.A transcontinental American album featuring approximately 150 photographs. Circa 1870s.A remarkable album with 152 photographs of 16 cities in the United States and Canada documenting aWilliam Henry Jackson. Canon of the Rio Las Animas. Circa 1881.Arthur C. Pillsbury. A suite of 5 orotones featuring scenes of Yosemite Valley. Circa 1900-20.Arthur C. Pillsbury. A triptych of three Yosemite scenes, including Gates of Yosemite and two imagesA handsome album with approximately 350 photographs, including travels to primarily Cuba and Mexico,Edward S. Curtis. The Vanishing Race. 1904.Edward S. Curtis. The Vanishing Race. 1904.Edward S. Curtis. The Piki Maker, plate 432 * Hupa Mother and Child, plate 450 * A Zuni Woman, plateEdward S. Curtis. A Walpi Man, plate 424 from The North American Indian. 1921.Laura Gilpin. Evening in Navajo Land. 1933.Arthur Rothstein. Dust Storm, Cimarron County, Oklahoma * Skull, Badlands, South Dakota. 1936;Edward Weston. Texas Springs, Death Valley. 1938.Arthur Rothstein. Hotel de Paris, Georgetown, Colorado * A bank that failed, Southwest Kansas *Ansel Adams. Oaktree, Snowstorm. 1948; printed printed 1958-72.Ansel Adams. Alders, Prairie Creek Beach, Northern California, from Portfolio VI. Circa 1949;Ansel Adams. El Capitan, Winter. 1950; printed printed 1958-72.Brett Weston. Garrapata Beach, California. 1954; printed 1970s.Ansel Adams. Moon and Half Dome, Yosemite National Park. 1960; printed 1958-72.Don Worth. Trees and Fog, San Francisco. 1962; printed 1970s.Bradford Washburn. Mount Huntington, Looking Southwest at Twilight, Alaska. 1964; printed beforePaul Caponigro. Roadway, Blue Ridge Parkway. 1965.Roger Minick. Truck on Levee. 1968; printed 1976.Harry Callahan. Cape Cod. 1972-1975.Frank Gohlke. Grain Elevator, Bellefont, Kansas. 1973; printed 1989.Frank Gohlke. Galveston, Texas. 1978; printed 1981.William Garnett. Plowed Hills with Fence Line, Woodland, California. 1975.William Brooks Clift. Rainbow, Waldo, New Mexico. 1978.Archive of approximately 200 snapshots relating to Inez Smith Robinson, Anne Brigman's close friendAlfred Stieglitz. Camera Work Numbers 3, 7, and 8. 1903-04.Alfred Stieglitz. A Snapshot: Paris, from Camera Work Number 41. 1911; printed 1913.Alfred Stieglitz. Hand of Man, from Camera Work Number 36. 1902; printed 1911.Alfred Stieglitz. Two Towers - New York, from Camera Work Number 44. 1913.Edward Steichen. A selection of four portraits from Camera Work. 1903-06.Tuskegee Institute, Alabama, students working in the printing shop. Circa 1900-10.Lewis W. Hine. Cellar bakery, East Side, New York. Circa 1910.A group of 11 snapshots depicting prisoners at work. Circa 1910.Lewis W. Hine. Foundry interior. Circa 1911.Ben Shahn. Children of Sharecroppers, Little Rock, Arkansas. October 1935; printed before 1972.Lewis W. Hine. Embossing Machine, Boston, Massachusetts. January 30, 1917.Addison Scurlock. Portrait of a young man. Circa 1920.Doris Ulmann. Man wearing a black hat and holding a stick. Circa 1928-34.Doris Ulmann. Quilter. Circa 1928-34.Dorothea Lange. A Sign of the Times (Depression - Mended Stockings, Stenographer, San Francisco).Group of 5 F.S.A. photographs by Ben Shahn, Arthur Rothstein, Jack Delano, and Russell Lee. 1935-40;Dorothea Lange,. Migrant Mother, Nipomo, California. 1936; printed circa 1982.Walker Evans. Allie Mae Burroughs, Wife of a Cotton Sharecropper, Hale County, Alabama. 1936;Jack Delano. Convict Camp, Greene County, Georgia. May 1941.Dorothea Lange. Shipyard workers, Richmond, California. 1943; printed 1950s.A remarkable photo sculpture of an African American woman, San Francisco. 1940s.Esther Bubley. Portrait of a Boy. Circa 1949.Wynn Bullock. Child in the Forest. 1951.Dorothea Lange. Rebecca Dixon Chambers, Sausalito, California. 1954; printed 1965.Imogen Cunningham. The Unmade Bed. 1957; printed before 1975.Allyn Baum. The Shook Up Generation, Juvenile Gangs of New York, for the New York Times. 1958.Kenneth Josephson. Matthew. 1963; printed 1970s.Danny Lyon. Leslie, Knoxville, Tennessee. 1967; printed 2021.Garry Winogrand. Woman on a city bus, from Women Are Beautiful. Circa 1970; printed 1981.George Dureau. Matthew “Pee Wee” Brock. 1977.Eugene Richards. Puerto Rican bride, Dorchester. 1978; printed circa 1990.Eudora Welty. Photographs. Deluxe edition with photograph. 1989.Larry Fink. Blue Horizon, Philadelphia, PA. January 1991.Jim Thorpe in his football uniform, the first Native American athlete to win a gold medal at theMadame Marie Curie, chemist and physicist, with her daughter Irène Joliot-Curie in herTsar Nicolas II with his family in exile in Tobolsk, Siberia. Circa 1917; printed circa 1950s.Edward Steichen. The town of Vaux, near Château Thierry, before attack. June 29, 1918.Lotte Jacobi. Portrait of Eleanor Roosevelt (1884-1962). 1944; printed 1980s.Aerial view of Hiroshima, Japan soon after the atomic bomb was dropped on August 6, 1945.Sanford Roth. Group of 4 portraits of Albert Einstein in Princeton, New Jersey. Circa 1955.Osvaldo Salas. Con Hemingway (Fidel Castro with Ernest Hemingway). 1960; printed circa 1997.Alberto Korda. Guerrillero Heroico (Che Guevara). 1960; printed 1980s.A snapshot of Mrs. Kennedy arriving at Love Field in Dallas, Texas credited to Marie Cenkci.A personal archive of approximately 160 snapshots depicting the Vietnam War from the point of viewPresident Nixon shakes hands with Chairman Mao. December 1972.Alvin Langdon Coburn. New York. 1910.James Van Der Zee. Couple in Raccoon Coats, Harlem. 1932; printed 1974.Peter Sekaer. Election Posters, 10th Avenue, New York. Circa 1935; printed 2000.Berenice Abbott. N.Y. Telephone Building, 140 West Street, Manhattan. August 12, 1936; printed 1971Walter Rosenblum. Gypsy Children Playing Cards, Pitt Street. 1938; printed 1960s.Helen Levitt. Untitled (Face on Tin), N.Y.C. Circa 1939; printed 2000.Lisette Model. Sailor and Girl. Circa 1940; printed 1979.Lisette Model. Lower East Side. 1942; printed 1977.Weegee [Arthur Fellig]. Exotic Dance. Circa 1940.Weegee [Arthur Fellig]. Emmett Kelly as Weary Willie, Ringling Brothers and Barnum & Bailey Circus,Berenice Abbott. Ripped advertisements, New York. Circa 1946; printed 1980s.Todd Webb. 125th Street, Harlem, N.Y.C. 1946Ruth Orkin. Penn Station, man reading newspaper, NYC. 1948.Ruth Orkin. Penn Station, couple, NYC. 1948.Louis Faurer. N.Y.C. (Looking Toward the RCA Building, Rockefeller Center). 1949; printed 1990.Louis Faurer. New York City (man in a plaid coat). Circa 1950; printed 1980.Dan Weiner. Boy Playing Stickball, New York. 1951.Inge Morath. A Llama in Times Square. 1957; printed 1970s.Bruce Davidson. Untitled, from the Brooklyn Gang series. 1959; printed 1998.Ruth Orkin. 5 p.m. Winter. 1961.Walker Evans. Pennsylvania Station, New York. 1963.Garry Winogrand. Staten Island Ferry, New York City. 1971; printed 1974.Nicholas Nixon. View South from 48th Street, New York. 1975; printed 2004.Lee Friedlander. Grand Army of the Republic Memorial, Haverstraw, New York. 1976.André Kertész. My bookcase, New York. 1978.Tod Papageorge. New Year's Eve at Studio 54. 1978; printed 1990s.Rosalind Fox Solomon. Mother and Daughter, Brighton Beach, New York. 1985.Elliott Erwitt. Amagansett, New York. 1990.Alvin Langdon Coburn. Hermine Turner (Gertrude Käsebier's daughter). Circa 1903.Gertrude Käsebier. Portrait of the avant-garde artist Arthur B. Davies. Circa 1908.Arthur Kales. Martha Graham. Circa 1921.Lotte Jacobi. Head of a Dancer. 1929; printed before 1975.Soichi Sunami. Portrait of the modern dancer Martha Graham. Circa 1930.An album with approximately 700 photographs documenting the life of scientist and inventor ArthurDorothea Lange. Maynard Dixon in 19th-century attire. Circa 1931.Edward Steichen. Portrait of Colette for Vanity Fair. 1935.Imogen Cunningham. Portrait of the artist Elizabeth Ginno. 1938.George Hoyningen-Huene. Portrait of Vivien Leigh for Harper's Bazaar. February 1941.George Hoyningen-Huene. Portrait of Rita Hayworth. 1940s.Fritz Glarner. Portrait of Piet Mondrian in his studio working on his iconic work Broadway BoogieWeegee [Arthur Fellig], Distortion (Self Portrait). 1943.Weegee [Arthur Fellig]. Frank Sinatra. 1944.Weegee [Arthur Fellig]. Hedda Hopper (kaleidoscope). 1950s.Gordon Parks. Ingrid Bergman at Stromboli, Italy. 1948; printed 1970s.Denise Colomb, Portrait of Calder. 1950.Arnold Eagle. A suite of 3 portraits of Hans Richter (1888-1976). Circa 1950.George Platt Lynes. Monroe Wheeler. 1951.Homer Page. Edward Steichen curating "Family of Man" with Dorothea Lange. 1952.PaJaMa (Paul Cadmus, Jared French, Margaret French). Paul Cadmus, Nantucket. 1946.Raymond Voinquel. Portrait of Jacques Sernas (Profil en Forêt). 1948; printed circa 1980.George Platt Lynes. Bernard Perlin. Circa 1950.Robert Capa. Pablo Picasso and his son Claude at the beach, Golfe-Juan, France. 1948; printed beforeRobert Doisneau. Les Pains de Picasso. 1952; printed circa 1990.Roy Schatt. James Dean, from the Torn Sweater series. 1954; printed circa 1990.Yousuf Karsh. Portrait of Ernest Hemingway. 1957.A pair of images related to the stabbing of Dr. Martin Luther King Jr. 1958.Bob Adelman. Innocent bystander arrested, Birmingham, Alabama. 1963; printed 1980s.Bob Adelman. Martin Luther King - I Have A Dream, Washington, D.C. 1963; printed 1980s.An archive with approximately 100 photographs documenting Robert F. Kennedy's political life, mostlyBob Adelman. Wave of youthful demonstrators leaving the 16th Street Baptist Church, Birmingham. 1963Group of three Dr. Martin Luther King Jr. press photographs. Circa 1965.Maria Varela. June Johnson Marching, Meredith March * Untitled (Black Panther marchers). 1966;Charmian Reading. Civil rights leaders Dr. Martin Luther King Jr. and Andrew Young led a night rallyBob Fitch. Stokely Carmichael, Meredith March, Greenwood, Mississippi. 1966.John C. Goodwin. Dr. Martin Luther King Jr. and Rabbi Maurice Eisendrat. Anti-War March, ArlingtonRalph Steiner. American Rural Baroque. 1930; printed 1960s.Walker Evans. New Orleans (E.C. Atkins & Company Building). 1935.Walker Evans. Street Scene, Marion, Alabama. 1936.Berenice Abbott. Willow Place #70. May 1936.Aaron Siskind. Tabernacle City 5. Circa 1937; printed 1970s.Gordon Coster. Rock Island Railroad Essay for Life magazine. Early 1940s.Harry Callahan. Wells Street, Chicago. 1949; printed circa 1970.Aaron Siskind. Chicago 30. 1950; printed circa 1970.A group of more than 70 snapshots from a car salesman documenting his clients and their new cars inO. Winston Link. Sometimes the Electricity Fails, Vesuvius, VA. 1956; printed 1985.O. Winston Link. Birmingham Special, Rural Retreat. 1957; printed 1985.O. Winston Link. Swimming Pool, Welch, West Virginia. 1958; printed 1988.Ernst Haas. Route 66, Albuquerque, New Mexico. 1969; printed later.George A. Tice. Shaker Interior, Sabbathday Lake, Maine. 1971; printed 1982.Nicholas Nixon. View of the Mother Church and Christian Science Center, Boston. 1975.George A. Tice. Ferry Slip, Jersey City, NJ. 1979; printed 1983.Yousuf Karsh. Brigitte Bardot. 1958; printed 1980s.Lotte Jacobi. A pair of portraits of Robert Frost (1874-1963). 1959; printed 1980s.Philippe Halsman. Portrait of Alfred Eisenstaedt. 1962.Yousuf Karsh. Alberto Giacometti. 1965.Douglas Gilbert. Bob Dylan, Kettle of Fish bar, NYC. 1964; printed circa 1999.Herb Greene. Bobby Weir, musician and songwriter, and a founder of the Grateful Dead. 1968; printedDuane Michals. René Magritte and his easel, diptych. 1965; printed 1981.Lee Friedlander & Jim Dine. Self-portrait (reflection in window) and tools, from the portfolioPhilippe Halsman. Portrait of Bobby Fisher. 1967; printed 1970s.Chris Smith. A portfolio entitled L'Arbois Sainte-Maxime, David Hockney. 1968.Wilbur Pippin. Portrait of Ada "Bricktop" Smith (1894-1984). 1970s.Diane Arbus. Portrait of Germaine Greer. 1971.Diane Arbus. Portrait of Barbara Hackman Franklin. 1971.Diane Arbus. Paul LePercq, a businessman who served as chairman of the board of the Brooklyn AcademyRon Gallela. Andy Warhol in front of Richard Avedon's portrait of him at Avedon's opening at theHerb Greene. The Pointer Sisters. 1977; printed 2006.Marcia Resnick. Mick Jagger (with Airplane). 1980.A rare group of 7 Nimslo 3D Photographs, including a portrait of Cindy Sherman by Richard Prince andLarry Fink. Portfolio entitled "Social Context, Larry Fink." 1975-91; printed 1991.Bill Taub. NASA--Mercury-Redstone 3. The First American in Space — Alan Shepard Moments beforeJames McDivitt. NASA--Gemini IV. The First Photograph of a Human in Space: Ed White Floating overEd White. NASA--Gemini IV. The First Human-Taken Photograph in Outer Space: Gemini Capsule in Orbit.James McDivitt. NASA--Gemini IV. Ed White Taking the First Photographs in Outer Space during theJames McDivitt. NASA--Gemini IV. The First Space Portrait: Ed White, Weightless Inside the GeminiThomas Stafford. NASA--Gemini VI-A. First Rendezvous in Space: Gemini VII spacecraft orbiting overMichael Collins. NASA--Gemini X. Cover of Life: Agena illuminated by orbital sunrise. July 18-21,NASA--Apollo 4. The First Color Photograph of The Whole Planet Earth. November 9, 1967.Ralph Morse. NASA. Apollo 8. The Historic Launch of the First Humans Toward Another World. 21William Anders. NASA--Apollo 8. First Earthrise: the iconic first color photograph of EarthriseWilliam Anders. NASA--Apollo 8. The First Photograph of the Whole Moon Taken from a PerspectiveNASA--Apollo 8. Earth, a Small and Fragile Island Floating in The Vastness of Space. December 21-27,Russell Schweickart. NASA--Apollo 9. David Scott Photographing From The Spacecraft Hatch in EarthDavid Scott. NASA--Apollo 9. LM Spider’s Striking Space Debut, Upside Down Above Earth. MarchEugene Cernan. NASA--Apollo 10. The First Spacecraft Photographed Above Another World. May 18-26,A set of 18 Polaroids made from a television screen broadcasting the Apollo 11 lunar landing andGroup of 42 NASA photos related to the Hubble Space Telescope program. 1990-95.György Kepes. Photogram (Ghost Abstraction). 1938; printed 1970s.Harold Edgerton. Fencing Salute * Golf drive. 1938; printed circa 1980.György Kepes. Experiment With Light. 1940.György Kepes. Juliet's Shadow Caged (Vision 11). 1938-39; printed circa 1977.Harold Edgerton. Untitled (Dancer). Circa 1940; printed circa 1980.Arthur Siegel. Untitled (The Lady Goes for a Rose). 1963.Ralph Gibson. Architectural Detail, New York, from Artifacts. 1980.Jerry Uelsmann. Untitled (Emerging Figure). 1988.Jerry Uelsmann. Untitled (Woman floating above mountain). 1987.Laura Gilpin. Narcissus. 1926.Edward Weston. Pepper No. 30. 1930; printed circa 1980 by Cole Weston.Lotte Jacob. Window frost abstraction. 1968.Kipton Kumler. A Portfolio of Plants. 1970-77; printed 1977.Anne Brigman. Untitled (Nude at the base of a cedar). Circa 1910.Edward S. Curtis. Floating Aphrodite. Circa 1920.Henri Cartier-Bresson. L'Araignée d'amour, Mexico. 1934; printed 1990s.Ruth Bernhard. Abstract Torso. 1947.Horst P. Horst. Prostrate Nude, N.Y. 1952; printed 1980s.George Platt Lynes. Umberto Visbel. 1954.Harry Callahan. Eleanor, Port Huron. 1954; printed 1960s.Bill Brandt. Nude, Vastérival Beach, Normandy. 1954; printed 1970s.Wynn Bullock. A selection of 5 nude studies. Circa 1950s-60s.Ralph Gibson. Leda, from the Days at Sea series. 1974; printed 1990s.Francesca Woodman. On Being an Angel, Providence, Rhode Island. 1977; printed later.Francesca Woodman. Some Disordered Interior Geometries. 1981.Robert Mapplethorpe. Nude (Scott Daley). 1979.Len Prince. Jessie Mann, Virginia (plate 41), from the "Self-Possessed" series. Circa 2004.Alfred Eisenstaedt. An old street in Salzburg, Austria (fashion shot). 1925.Cecil Beaton. Model with Matisse cut out background. 1949.Richard Avedon. Dovima in Balenciaga for Harper's Bazaar. September 1955.A collection of 8 personal photographs of the model Dovima with Richard Avedon, Fred Astaire, AudreyWilliam Klein. Hat and 5 Roses, Paris (Vogue). 1956; printed 1990s.Henry Clarke. Joanna McCormick in a gown by Pierre Balmain. 1957; printed 1980s.Lillian Bassman. Mesh Hat, California. 1961; printed 1990s.William Klein. Mirror + Times Square, New York. 1962; printed 1990s.William Klein. Models + Mirror + Queensboro Bridge, New York (Vogue). 1963; printed 1990s.Deborah Turbeville. Asser Levy Bathhouse, New York. 1975; printed late 1980s.Deborah Turbeville. Untitled, from the series l’Heure Entre Chien et Loup (Vogue Italy). 1977;Henry Grossman. A suite of 6 photographs of Dovima, Suzy Parker, and Richard Avedon at his landmarkRon Galella. Kate Moss & Richard Avedon, New York. 1993.Helmut Newton. SUMO. 1999.Cathleen Naundorf. 4 p.m. in London. Philip Treacy hats and underwear Cadolle. July 2005; printedEugène Atget. Church Saint-Julien-le-Pauvre, Paris. Circa 1899.Eugène Atget. Joueur de guitare. 1899-1900; printed 1930s by Berenice Abbott.August Sander. Bauernkapelle [Country Band]. 1913; printed 1970s by Gunther Sander.August Sander. Jungbauern [Young Farmers], Westerwald. 1914; printed 1993 by Gerd Sander.Jacques Henri Lartigue. Avenue des Acacias, Paris. 1914; printed circa 1980.André Kertész. A portfolio entitled A Hungarian Memory. 1914-24; printed 1980.Josef Sudek. St. Vitus Cathedral, Prague, from the series Contrasts. 1924-28; printed 1960s.Eugène Atget. St. Cloud. 1924.André Kertész. Chez Mondrian, Paris. 1926; printed before 1985.August Sander. Zirkusarstistin [Circus Artist]. 1926-32; printed 1981 by Gunther Sander.Mikhail Grachev. Boys and model planes. 1930s.Gordon Coster. Tanks Sweep into France. 1940.Robert Capa. Immigrant Tent Camp, near Jaifa, Israel. 1948; printed 1960s.André Kertész. Swan. Circa 1944-52.Ilse Bing. Scandale. 1947; printed 1993.Rudy Burckhardt. Paris Realization. 1947; printed 1970s.Robert Doisneau. The Kiss at the Hotel de Ville, Paris. 1950; printed 1980s.Elliott Erwitt. Mother and Child, New York. 1953; printed 1980s.Dorothea Lange. Sunday afternoon hurling absorbs attention of the parish's men, Ireland. 1954.Josef Sudek. Untitled, from Vanished Statues, A Walk in Mionsi Forest. 1955-70; printed circa 1970.Brett Weston. Landscape, Germany. 1960; printed 1980s.Edouard Boubat. Portugal. 1956; printed 1970s.Alfred Eisenstaedt. Little boy on a merry-go-round at the Tuileries Gardens, Paris. 1963.Mario Giacomelli. La Buona Terra [The Good Earth]. 1964-65; printed 1970s.Jan Saudek. Untitled (Pregnant Woman), from the Story from Czechoslovakia, My Country series.Josef Koudelka. Mother and Child, Bratislava, from Gypsies. 1965; printed circa 1990.Paul Caponigro. Running White Deer, Wicklow, Ireland. 1967.Josef Sudek. Window Still Life with Striped Vase. 1971; printed 1973.Louis Faurer. Marché aux puces [Flea Market], Paris. 1974.Seydou Keïta. Untitled #313 (woman seated). 1956-57; printed 2002.J.D. 'Okhai Ojeikere. Mkpuk Eba, Hairstyles Series. 1974; printed 2013.William Christenberry,. Grave with Egg Carton Cross, Hale County, Alabama. 1975; printed 1991.Stephen Shore. Giverny, France. September 23, 1977; printed 1980.Barbara Kasten. Construct III-C. 1980.Robert Cottingham. Schwinn. 1985.William Eggleston. Untitled, Crop Workers/Daughters of the Confederacy. 1985.Michael Kenna. Wharf Buildings, Venice, Italy. 1987.Chester Higgins. Muslim Woman, New York City. 1990.Carrie Mae Weems. Untitled (Woman Feeding Bird), from the Kitchen Table series. 1990; printed 2022.Susan Derges. The Observer and the Observed #7. 1991.Nobuyoshi Araki. Untitled (Watermelon), from the Colourscapes series. 1991; printed later.Sandy Skoglund. Squirrels at the Drive-in. 1992.Jeff Brouws. Gils, Highway 33, Maricopa, California. 1992; printed 2025.Abelardo Morell. Book: Masaccio's Saint Anne, Madonna + Child with Angels. 1993.Abelardo Morell. Dictionary. 1994.John Patrick Dugdale. Darrell & John, Morton St., N.Y.C. 1993.John Patrick Dugdale. Falls at High Falls, N.Y.C. 1994.John Coplans. Self Portrait (Frieze No. 3, two panels). 1994.James Welling. Baffle, from the Light Sources series. 1996; printed 2000.Mona Kuhn. Nikki's hands. 1998.Loretta Lux. The Blue Dress. 2001.Loretta Lux. The Book. 2003.Nicholas Nixon. The Brown Sisters, Ipswich, Mass. 2003.Alec Soth. Sleeping by the Misssissippi [sic]. 2002. The extremely scarce true first printing.Alec Soth. Austin, Texas. 2006; printed 2011.Mona Kuhn. Orpheus, from the series Evidence. 2006.Cig Harvey. The Letter. 2007.Robert ParkeHarrison & Shana ParkeHarrison. Dark Rain, from the PRC Portfolio. 2008.Hanna Liden. Ghost Town. Circa 2012.Tyler Shields. Mouthful. 2012.

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